|
|
Books > Arts & Architecture > History of art / art & design styles > General
Glass has long transformed the architectural landscape. From the
Crystal Palace through to the towering glass spires of today's
cities, few architectural materials have held such immense symbolic
resonance in the modern era. The Age of Glass explores the cultural
and technological ascension of glass in modern and contemporary
architecture. Showing how the use of glass is driven as much by
changing cultural concerns as it is by developments in technology
and style, it traces the richly interwoven material, symbolic, and
ideological histories of glass to show how it has produced and
dispersed meaning in architecture over the past two centuries. The
book's chapters focus on key moments within the modern history of
architecture, moments when glass came to the forefront of
architectural thought, and which illustrate how glass has been used
at different times to project different cultural ideas. A wide
range of topics are explored - from the tension between
expressionism and functionalism, to the persistent theme of glass
and social class, to how glass has reflected political ideas from
Nazism through to today's global consumer capitalism. The book also
grapples with current arguments about sustainability, while, taking
into account the advent of digital LED screens and 'smart glass',
offering new cultural perspectives on the future and asking what
glass architecture will signify in the digital age. Combining close
readings of buildings with insights drawn from research, plus good
storytelling and strong contemporary relevance, The Age of Glass
offers a fascinating new perspective on modern architecture and
culture.
A SUNDAY TIMES BOOK OF THE YEAR 'The first significant biography of
the artist' Michael Prodger, The Times' 'Best art books of 2021'
'Exemplary ... a scintillating read' Alastair Sooke, Daily
Telegraph 'For those who love Magritte and those who do not,
Danchev's biography will come as a revelation' Literary Review Rene
Magritte's surreal sensibility, deadpan melodrama, and fine-tuned
outrageousness have all become inescapably part of our times. But
these groundbreaking subversions all came from a middle-class
Belgian gent, who kept a modest house in a Brussels suburb and
whose first one-man show sold absolutely nothing. Through a deep
examination of Magritte's friendships and his artistic development,
Alex Danchev explores the path of an highly unconventional artist
who posed profound questions about the relationship between image
and reality, challenged the very nature of authenticity and whose
influence can be seen in the work of everyone from Jasper Johns to
Beyonce.
Foreign Currency Volatility and the Market for French Modernist Art
examines how the collapse of the French franc in the decades
following the First World War activated powerful 'push' and 'pull'
economic forces that compelled French art collectors to monetise
their collections while simultaneously elevating the purchasing
power of international art collectors. These factors are shown to
have played a significant, and previously under-recognised role, in
the large-scale translocation of French modernist art that
radically accelerated its commercial and critical reception across
the globe and positioned it at the apex of the newly established
hierarchy of modern art.
|
|