A collection of essential quotations from the renowned fashion designer, DJ, and stylist Abloh-isms is a collection of essential quotations from American fashion designer, DJ, and stylist Virgil Abloh, who was a major creative figure in the worlds of pop culture and art. Abloh began his career as Kanye West's creative director before founding the luxury streetwear label Off-White and becoming artistic director for Louis Vuitton, making Abloh the first American of African descent to hold that title at a French fashion house. Defying categorization, Abloh's work has been the subject of solo exhibitions at museums and galleries, most notably in a major retrospective at the Museum of Contemporary Art Chicago. Gathered from interviews and other sources, this selection of compelling and memorable quotations from the designer reveals his thoughts on a wide range of subjects, including creativity, passion, innovation, race, and what it means to be an artist of his generation. Lively and thought-provoking, these quotes reflect Abloh's unique perspective as a trailblazer in his fields. Select quotations from the book: "I believe that coincidence is key, but coincidence is energies coming towards each other. You have to be moving to meet it." "Life is collaboration. Where I think art can be sort of misguided is that it propagates this idea of itself as a solo love affair-one person, one idea, no one else involved." "Black influence has created a new ecosystem, which can grow and support different types of life that we couldn't before."

Toronto Then and Now pairs vintage images of Canada's largest city – and North America's fourth most populous – with the same views as they look today. Toronto has long been a financial powerhouse in North America, and this is represented by its many grand bank buildings. Canada's capital may be Ottawa, but the financial power emanates from this thriving city, the fourth most populous in North America. Sites include: Toronto Harbour, Fort York, Queen's Quay Lighthouse, Toronto Island Ferries, Queen's Quay Terminal, Canadian National Exhibition, Sunnyside Bathing Pavilion, Princes' Gates, Royal York Hotel, Union Station, City Hall, St. Lawrence Market, St. James Cathedral, Canadian Pacific Building, Bank of Montreal, Dineen Building, Elgin Theatre, Arts and Letters Club, Old Bank of Nova Scotia, Ryrie Building, Masonic Temple, Osgoode Hall, Royal Alexandra Theatre, Gurney Iron Works, Boer War Monument, CN Tower, Old Knox College, Victory Burlesque Theatre, Maple Leaf Gardens, University of Toronto and much more.

Exploring the intersection of art, science and religion, "Seeking Truth: Living with Doubt" considers that all three are paths to the same end. Attacking not only the unyielding smugness of evolutionary biologists but also the uncompromising surety of Fundamentalist figureheads (in both the Christian and Islamic faiths), author Steven Fortney and Marshall Onellion take the reader on a path that disavows all such certainties and considers the thought-provoking question; What does it mean to live with doubt? Far from leaving questions unanswered, instead they tackle such questions as proof versus faith, the impossibility of absolute understanding, and how a combination of art, science and religion can lead to a transcendence of that which we cannot know. In so doing, they expose the dangers of "certainty," be it in religion, science or any other ideology that claims to offer absolute truth. "Seeking Truth: Living with Doubt" has been endorsed by theologians (Arthur Dewey, Professor of Theology, Xavier University a Jesuit University], Ohio, USA), biologists (Clark Lindgren, Grinnell College, Iowa, USA), and physicists (Narendra Kumar, Director of the Raman Research Institute, Bangalore, India), by Christians, Jews, Hindus and Buddhists. It will appeal to those interested in the two channels of truth seeking: transcencence (also called religion) and the physical world (also called science). The book interconnects many science topics, including cosmology, neurobiology and evolution, to religion and the arts. It also proposes some unorthodox ideas, including the equivalence of the Christian concept of Grace and the Buddhist concept of Emptiness, and that what a religious devout person does in prayer is identical to what a writer does during the creative process.

"The Bible in the Latin West" is the first volume in a series that addresses the codicology of texts. In considering how and why the appearance of a manuscript changes over the centuries, Margaret T. Gibson introduces students to the study of manuscripts and to the wider range of information and expertise that can be brought to bear on the study of manuscripts as historical objects as well as texts. Here Gibson surveys the changes in the most important book in the western world, the Latin Bible. She begins the survey in late antiquity, discussing the volumes of the great senatorial houses of the 4th century and how they influenced the early great Bibles of northern Europe. The discussion then moves through the Carolingian period, with its increased interest in commentary to early vernacular versions, and goes on to reveal how in the 11th and 12th centuries the growing numbers of monastic and university readers made new demands on the texts which led to the inclusion of glosses and other scholarly apparatus. Later, the combined influences of increased literacy and growing wealth among the population called for vernacular translations and devotional aids such as Books of Hours. Gibson completes the survey with a look at early printed Bibles. A useful volume for anyone being introduced to the firsthand study of texts and their transmission, as well as for graduate students in history, English, modern languages, classics, and religious studies. "The Bible in the Latin West" contains an introductory survey.