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Books > Arts & Architecture > History of art / art & design styles
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The Polyimagical Realm (Hardcover)
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The Polyimagical Realm (Hardcover)
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The Polyimagical Realm I must note that as primarily a painter at
the time of composing this work (1986) I was also painting
"angels." They were in figure what I have called personatypes and
simulated, imitated realities, yet arch and beyond typification
(typos) in content. This ambiguity is in fact the subject of this
book. The simultaneity of image and immanence is not a problem,
except we have no credible concept for simultaneity, or
complementarity, and by which ambivalence prevails as the earmark
of reality. Now, in the year 2004 it is the least I can say for
showing the differences that only analytically repose in mutually
exclusive camps, that of C.G. Jung's rigorous and extensive
amplification of Freud's Psychoanalytic and the new Post Modern
wave of James Hillman's Archetypal Psychology and its polytheistic
trimmings. In that case the many gods earn a capital "G" and in
contention with the One God. But speaking as both a painter and a
poet I can only fall back on an experiential standpoint, something
reminded by Plato 2500 years ago in his Ion dialogue: "and
therefore God takes away the minds of poets, and uses them as his
ministers, as he also uses diviners and holy prophets, in order
that we who hear them may know that they speak not of themselves
who utter these priceless words in a state of unconsciousness, but
that God is the speaker, and that through them he is conversing
with us." Bernard X. Bovasso Spring, 2005
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