This book traces the development of John Hejduk's architectural career, using the idea of "exorcism" to uncover his thought process when examining architectural designs. His work encouraged profound questioning on what, why and how we build, which allowed for more open discourse and enhance the phenomenology found in architectural experiences. Three distinct eras in his architectural career are applied to analogies of outlines, apparitions and angels throughout the book across seven chapters. Using these thematic examples, the author investigates the progression of thought and depth inside the architect's imagination by studying key projects such as the Texas houses, Wall House, Architectural Masques and his final works. Featuring comments by Gloria Fiorentino Hejduk, Stanley Tigerman, Steven Holl, Zaha Hadid, Charles Jencks, Phyllis Lambert, Juhani Pallasmaa, Toshiko Mori and others, this book brings to life the intricacies in the mind of John Hejduk, and would be beneficial for those interested in architecture and design in the 20th century.

An Ottoman Era Town in the Balkans: The Case Study of Kavala presents the town of Kavala in Northern Greece as an example of Ottoman urban and residential development, covering the long period of Kavala's expansion over five centuries under Ottoman rule. Kavala was part of the Ottoman Empire from 1387 to 1912. In the middle of the sixteenth century, Ibrahim Pasha, grand vizier of Suleiman the Magnificent, contributed to the town's prosperity and growth by the construction of an aqueduct. The Ottomans also rebuilt and extended the existing Byzantine fortress. The book uncovers new findings about Kavala, and addresses the key question: is there an authentic "Ottoman" built environment that the town and its architecture share? Through the examination of travellers' accounts, historical maps, and archival documents, the Ottoman influences on the urban settlement of Kavala are assessed. From its original founding by the Ottomans in the late fourteenth century to the nineteenth century when the expansion of tobacco production in the area transformed its prosperity, the development of Kavala as an Ottoman era town is explored. The book will be of interest to scholars and students interested in Ottoman history and urban history.

In this fully updated new edition, Frank Sear offers a thorough overview of the history of architecture in the Roman Empire. Arranged logically in six historical sections interspersed with material on Roman architects and their techniques, the building types found in Roman cities and the different buildings found in the Roman provinces, this volume now contains the latest insights into Roman architecture and takes account of the past 20 years of scholarship. This seminal work covers the architecture of the Republic, the Age of Augustus, the imperial period, Pompeii and Ostia, the eastern and western empire, and the Late Antique period, exploring subjects such as patronage, building techniques and materials, Roman engineering, town planning and imperial propaganda in a concise and readable way. Illustrated with nearly 300 photographs, maps and drawings, Roman Architecture continues to be the clearest introductory account of the development of architecture in the Roman Empire.

This collection of essays presents the exciting and innovative work being done in the field of medieval architectural history by scholars affiliated with AVISTA, one of the most active sponsors of such research in the Anglo-American scholarly community. These studies constitute a snapshot of the range of new interpretive strategies being deployed by researchers in the reassessment of previous scholarship and identification of new modes of inquiry. In recent years, the study of medieval architecture has been transformed by the emergence of new critical perspectives and new technologies. The contributors to this book are among those at the forefront of these developments. Several of the essays present dramatic reinterpretations of canonical monuments including the Abbey of Saint-Denis, Beauvais Cathedral and Notre-Dame in Paris. Others consider broader methodological issues such as the applications of geometry, workshop practice, and the shaping of historical narratives. Still others demonstrate how high-tech scanning and visualization methods can enhance our understanding of construction methods and the behavior of buildings. The publication of this collection of pioneering essays should foster further exploration by clarifying the state of research, by establishing specific historical arguments, and by providing models of inquiry to inspire emerging scholars.

Walking Cities: London (second edition) brings together a new interdisciplinary field of artists, writers, architects, musicians, human geographers and philosophers to consider how a city walk informs and triggers new processes of making, thinking, researching and communicating. In particular, the book examines how the city contains narratives, knowledge and contested materialities that are best accessed through the act of walking. The varied contributions take the form of short stories, illustrated essays, personal reflections and accounts of walks both real and fictional. While artist and RCA tutor Rut Blees Luxemburg and philosopher Jean-Luc Nancy recount a nocturnal journey from Shoreditch to the City of London; architect Peter St John of the practice Caruso St John offers a detailed and personal reflection on the Holloway Road; and architect and author Douglas Murphy examines what he calls London's 'more politically charged locations' in his account of a solitary walk through an area of South London. Ultimately, Walking Cities: London seeks to understand the wider significance of changing geographies to generate critical questions and creative perspectives for navigating the social and political impact of rapid urban change.

From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment- and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism - simplicity, functionality, and rawness - reimagining them for today's standards and tastes. Drawing from the radical approach of the controversial architectural movement, today's Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism's new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture's legacy, this book is an exciting exploration of how today's most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier's original vision.

By linking building theory to the emancipatory project of critique advanced by radical thinkers in our time, this work investigates the key conceptual and historical elements that culminate in an emancipatory theory of building entitled: 'Toward a philosophy of shelter'. Taking Marx as its only resource, this work proceeds with the conviction that our era is contemporaneous to Marx's historical era. This means 'not judging the validity of Marx from the perspective of the historical situation', but rather, 'demonstrating the validity of a Marxian perspective for a singular historical situation', as ours. This work will therefore translate this perspective into seeing the situation of architecture through the eyes of Marx. All those concerned with the predicament in our current condition in which architecture must play a major social role in upholding the universal value of what Alain Badiou calls 'generic humanity' will take an interest in this work. In particular, architects, critics, scholars, and students inside the field of architecture who would be seeking the application of this universal value to a new theory of building will be a welcoming audience for this work.

By linking building theory to the emancipatory project of critique advanced by radical thinkers in our time, this work investigates the key conceptual and historical elements that culminate in an emancipatory theory of building entitled: 'Toward a philosophy of shelter'. Taking Marx as its only resource, this work proceeds with the conviction that our era is contemporaneous to Marx's historical era. This means 'not judging the validity of Marx from the perspective of the historical situation', but rather, 'demonstrating the validity of a Marxian perspective for a singular historical situation', as ours. This work will therefore translate this perspective into seeing the situation of architecture through the eyes of Marx. All those concerned with the predicament in our current condition in which architecture must play a major social role in upholding the universal value of what Alain Badiou calls 'generic humanity' will take an interest in this work. In particular, architects, critics, scholars, and students inside the field of architecture who would be seeking the application of this universal value to a new theory of building will be a welcoming audience for this work.

This new volume in the AVISTA series focuses on the study of medieval limestone. As the principal building material in the Middle Ages and a prized medium for architectural sculpture, limestone played a significant role in medieval artistic manufacture. The choice of material inherently informed the final product, thus understanding the material and its uses gives insight into the medieval creative process and the production-driven choices that were made by masons and sculptors. Quality limestone was a highly sought-after commodity that was often shipped across great distances; yet in other instances, masons made do with locally available resources. Through an intensive study of medium, many broader topics can be addressed, for instance the economics of medieval construction, the artistic process, or the application of modern technology in understanding and preserving medieval buildings and sculpture. The papers collected in this volume present the depth and scope of recent scholarship in the field, through a wide-ranging overview of the state of the discipline of medieval stone studies. They address such methodological approaches to the study of limestone as the use of neutron activation analysis to determine quarries of origin, issues of labor and transportation, as well as issues faced in the cleaning and conservation of limestone. This volume is the first comprehensive study in English that investigates limestone as an essential component of large-scale medieval artistic production, and as such, it is a valuable resource for both students and scholars in the field.

Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in 20th-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. This study is the first to examine the influence of alchemy and the Surrealist tradition in Australian art as well as also in Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.

This book examines the history of Boston in Lincolnshire as reflected in its buildings and townscape from medieval times to the present day. Boston has a position as an important market from medieval times and as a major port with links with Europe and America. The homes and warehouses of its citizens show the evidence of this. Boston's religious and public buildings are discussed, and its physical expansion throughout the 19th and into the 20th century are examined. Other important influences on the town's development include fen drainage, the role of agriculture and manufacturing, and transport links. Bringing the story up to date, problems created by the town's remoteness from large centres of population, a low-wage agricultural economy and the impact of 1970s redevelopment are discussed, where they have affected the physical appearance of the town. A final chapter looks at how successful regeneration projects have been in Boston and how these can be built upon to promote a more prosperous future for the town that recognises the important role heritage can play in achieving it.

This book discusses architectural excellence in Islamic societies drawing on textual and visual materials, from the Aga Khan Documentation Center at MIT, developed over more than three decades. At the core of the discussion are the efforts, processes, and outcomes of the Aga Khan Award for Architecture (AKAA). The AKAA recognises excellence in architectural and urban interventions within cities and settlements in the Islamic world which are continuously challenged by dramatic changes in economies, societies, political systems, decision-making, and environmental requirements. Architectural Excellence in Islamic Societies responds to the recurring question about the need for architectural awards, arguing that they are critical to validating the achievements of professional architects while making their contributions more widely acknowledged by the public. Through analysis and critique of over sixty awarded and shortlisted projects from over thirty-five countries, this book provides an expansive look at the history of the AKAA through a series of narratives on the enduring values of architecture, architectural and urban conservation, built environment sustainability, and architectural pluralism and multiple modernities. Architectural Excellence in Islamic Societies will appeal to professionals and academics, researchers, and upper-level students in architectural history and theory and built environment related fields.

The leader's portrait, produced in a variety of media (statues, coins, billboards, posters, stamps), is a key instrument of propaganda in totalitarian regimes, but increasingly also dominates political communication in democratic countries as a result of the personalization and spectacularization of campaigning. Written by an international group of contributors, this volume focuses on the last one hundred years, covering a wide range of countries around the globe, and dealing with dictatorial regimes and democratic systems alike. As well as discussing the effigies that are produced by the powers that be for propaganda purposes, it looks at the uses of portraiture by antagonistic groups or movements as forms of resistance, derision, denunciation and demonization. This volume will be of interest to researchers in visual studies, art history, media studies, cultural studies, politics and contemporary history.

This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings' desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.

Studying the relation of architecture to society, this book explains the manner in which the discipline of architecture adjusted itself in order to satisfy new pressures by society. Consequently, it offers an understanding of contemporary conditions and phenomena, ranging from the ubiquity of landmark buildings to the celebrity status of architects. It concerns the period spanning from 1966 to the first years of the current century ? a period which saw radical change in economy, politics, and culture and a period in which architecture radically transformed, substituting the alleged dreariness of modernism with spectacle.

Studying the relation of architecture to society, this book explains the manner in which the discipline of architecture adjusted itself in order to satisfy new pressures by society. Consequently, it offers an understanding of contemporary conditions and phenomena, ranging from the ubiquity of landmark buildings to the celebrity status of architects. It concerns the period spanning from 1966 to the first years of the current century a period which saw radical change in economy, politics, and culture and a period in which architecture radically transformed, substituting the alleged dreariness of modernism with spectacle.

Patrick Geddes is considered a forefather of the modern urban planning movement. This boook studies the various, and even opposing ways, in which Geddes has been interpreted up to this day, providing a new reading of his life, writing and plans.

Geddes' scrutiny is presented as a case study for Town Planning as a whole. Tying together for the first time key concepts in cultural geography and colonial urbanism, the book proposes a more vigorous historiography, exposing hidden narratives and past agendas still dominating the disciplinary discourse. Written by a cultural geographer and a town planner, this book offers a rounded, full-length analysis of Geddes' vision and its material manifestation, functioning also as a much needed critical tool to evaluate Modern Town Planning as an academic and practical discipline. The book also includes a long overdue model of his urban theory.

Constructing Building Enclosures investigates and interrogates tensions that arose between the disciplines of architecture and engineering as they wrestled with technology and building cultures that evolved to deliver structures in the modern era. At the center of this history are inventive architects, engineers and projects that did not settle for conventional solutions, technologies and methods. Comprised of thirteen original essays by interdisciplinary scholars, this collection offers a critical look at the development and the purpose of building technology within a design framework. Through two distinct sections, the contributions first challenge notions of the boundaries between architecture, engineering and construction. The authors then investigate twentieth-century building projects, exploring technological and aesthetic boundaries of postwar modernism and uncovering lessons relevant to enclosure design that are typically overlooked. Projects include Louis Kahn's Weiss House, Minoru Yamasaki's Science Center, Sigurd Lewerentz's Chapel of Hope and more. An important read for students, educators and researchers within architectural history, construction history, building technology and design, this volume sets out to disrupt common assumptions of how we understand this history.

Constructing Building Enclosures investigates and interrogates tensions that arose between the disciplines of architecture and engineering as they wrestled with technology and building cultures that evolved to deliver structures in the modern era. At the center of this history are inventive architects, engineers and projects that did not settle for conventional solutions, technologies and methods. Comprised of thirteen original essays by interdisciplinary scholars, this collection offers a critical look at the development and the purpose of building technology within a design framework. Through two distinct sections, the contributions first challenge notions of the boundaries between architecture, engineering and construction. The authors then investigate twentieth-century building projects, exploring technological and aesthetic boundaries of postwar modernism and uncovering lessons relevant to enclosure design that are typically overlooked. Projects include Louis Kahn's Weiss House, Minoru Yamasaki's Science Center, Sigurd Lewerentz's Chapel of Hope and more. An important read for students, educators and researchers within architectural history, construction history, building technology and design, this volume sets out to disrupt common assumptions of how we understand this history.

Interweaving nuanced discussions of politics, visuality, and gender, Gender and Activism in a Little Magazine uncovers the complex ways that gender figures into the graphic satire created by artists for the New York City-based socialist journal, the Masses. This exceptional magazine was published between 1911 and 1917, during an unusually radical decade in American history, and featured cartoons drawn by artists of the Ashcan School and others, addressing questions of politics, gender, labor and class. Rather than viewing art from the Masses primarily in terms of its critical social stances or aesthetic choices, however, this study uses these images to open up new ways of understanding the complexity of early 20th-century viewpoints. By focusing on the activist images found in the Masses and studying their unique perspective on American modernity, Rachel Schreiber also returns these often-ignored images to their rightful place in the scholarship on American modernism. This book demonstrates that the centrality of the Masses artists' commitments to gender and class equality is itself a characterization of the importance of these issues for American moderns. Despite their alarmingly regular reliance on gender stereotypes"and regardless of any assessment of the efficacy of the artists' activism"the graphic satire of the Masses offers invaluable insights into the workings of gender and the role of images in activist practices at the beginning of the last century.

This book focuses on the expanding contemporary art scene in Syria, particularly Damascus, during the first decade of the twenty-first century. The decade was characterized by a high degree of experimentation as young artists began to work with artistic media that were new in Syria, such as video, installation and performance art. They were rethinking the role of artists in society and looking for ways to reach audiences in a more direct manner and address socio-cultural and socio-political issues. The Contemporary Art Scene in Syria will be of interest to scholars of global and Middle Eastern art studies, and also to scholars interested in the recent social and cultural history of Syria and the wider Middle East.

This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com

Prominently located on the Arx, the northern summit of the Capitoline hill, S. Maria in Aracoeli is the most significant medieval church of Rome to survive to the present day. Second major church of the Lesser Brothers or fratres minores in the Italian peninsula, and Roman headquarters of the Order, the Aracoeli played a vital role in the interaction between the Franciscans and the papacy, the friars and the laity, and the religious and civic authorities, as reflected in its art and architecture. On the basis of an interdisciplinary approach combining archaeological analysis with the finding of new archival evidence, reinterpretation of documents and literary and epigraphic sources, this book offers a reconstruction of the original church, its monuments and its Benedictine as well as eighth/ninth-century predecessors, which differs radically from earlier hypotheses. This reassessment in turn allows the author to revisit a number of major questions, including the Franciscans' physical and theoretical appropriation of the past, the adaptation of an ancient site by a 'modern' religious order, the use and functions of space, the interaction between friars, laity and artists, and the contribution of the Roman Franciscans to the development of Marian devotion, thus shedding new light on the social, political and religious history of late-medieval Italy and its impact beyond the peninsula, from England to Bohemia and the Holy Land.

This set of essays brings together studies that challenge interpretations of the development of modernist architecture in Third World countries during the Cold War. The topics look at modernisma (TM)s part in the transnational development of building technologies and the construction of national and cultural identity. Architectural modernism is far more than another instance of Western expansionist aspirations; it has been developed in cross-cultural spaces and variously localized into nation-building programs and social welfare projects.

The first volume to address countries right across the developing world, this book has a key place in the historiography of modern architecture, dealing with non-Western traditions.

This set of essays brings together studies that challenge interpretations of the development of modernist architecture in Third World countries during the Cold War. The topics look at modernisma (TM)s part in the transnational development of building technologies and the construction of national and cultural identity. Architectural modernism is far more than another instance of Western expansionist aspirations; it has been developed in cross-cultural spaces and variously localized into nation-building programs and social welfare projects.

The first volume to address countries right across the developing world, this book has a key place in the historiography of modern architecture, dealing with non-Western traditions.