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Books > Arts & Architecture > Antiques & collectables > General
Rule collectors rejoice! In Source Book for Rule Collectors with
Rule Concordance and Value Guide, Philip Stanley has crafted a
masterfully comprehensive illustrated reference guide to the
history, uses, and values of measuring instruments. Source Book for
Rule Collectors includes reprints of the best articles from the
past 100 years dealing with rules and measurement; extensive
coverage of the materials, construction, graduations and uses of
rules; a detailed table of the European measures used before the
metric system, for identifying rules by size and county of origin;
a thorough cataloging of rule accessories; and a complete
bibliography of reprints, articles, books, and publications dealing
with measuring instruments. The included Rule Concordance and Value
Guide gives complete information for identifying and comparing all
rules by all major American makers; estimates for each rule's value
based on condition and maker; extensive information on rule value,
including condition, selling environment, and charisma. This book
is an essential reference. Rule enthusiasts will find the
combination a pleasure to read. Mr. Stanley's breadth of knowledge
and his regard for the rules he discusses are apparent throughout.
For the antique tool dealer, rule collector, and student of the
history of technology, this book is essential.
It's all here! Pictured and listed in this massive volume, now in
its fourth edition, are fifty-four years' worth of toys produced
between Matchbox's founding in 1947, and 2001, including their
popular diecast vehicles, playsets, dolls, plastic kits, robots,
and ephemera. The international scope of Matchbox toys is
illustrated in catalogs and on boxes and labels printed in a dozen
languages. Certain toys have been made for sale in specific
countries or to promote specific companies or products. In 1982 the
international numbering system on miniatures changed. The result of
all these variables is a fascinating and infinite variety of
Matchbox toys. In the largest volume about Matchbox Toys ever
published, 2,447 color photos illustrate nearly all of Matchbox's
vast line. Helpful captions and a price guide make this an
essential part of every collector's library.
From rare books, valuable sculpture and paintings, the relics of
saints, and porcelain and other precious items, through stamps,
textiles, military ribbons, and shells, to baseball cards, teddy
bears, and mugs, an amazing variety of objects have engaged and
even obsessed collectors through the ages. With this captivating
book the psychoanalyst Werner Muensterberger provides the first
extensive psychological examination of the emotional sources of the
never-ending longing for yet another collectible. Muensterberger's
roster of driven acquisition-hunters includes the dedicated, the
serious, and the infatuated, whose chronic restlessness can be
curbed--and then merely temporarily--only by purchasing,
discovering, receiving, or even stealing a new "find." In an easy,
conversational style, the author discusses the eccentricities of
heads of state, literary figures, artists, and psychoanalytic
patients, all possessed by a need for magic relief from despair and
helplessness--and for the self-healing implied in the phrase "I
can't live without it!" The sketches here are diverse indeed:
Walter Benjamin, Mario Praz, Catherine the Great, Poggio
Bracciolini, Brunelleschi, and Jean de Berry, among others. The
central part of the work explores in detail the personal
circumstances and life history of three individuals: a contemporary
collector, Martin G; the celebrated British book and manuscript
collector Sir Thomas Phillipps, who wanted one copy of every book
in the world; and the great French novelist Honore de Balzac, a
compulsive collector of bric-a-brac who expressed his empathy for
the acquisitive passions of his collector protagonist in Cousin
Pons. In addition, Muensterberger takes the reader on a charming
tour of collecting in the Renaissance and looks at collecting
during the Golden Age of Holland, in the seventeenth century.
Throughout, we enjoy the author's elegant variations on a
complicated theme, stated, much too simply, by John Steinbeck: "I
guess the truth is that I simply like junk." Originally published
in 1993. The Princeton Legacy Library uses the latest
print-on-demand technology to again make available previously
out-of-print books from the distinguished backlist of Princeton
University Press. These editions preserve the original texts of
these important books while presenting them in durable paperback
and hardcover editions. The goal of the Princeton Legacy Library is
to vastly increase access to the rich scholarly heritage found in
the thousands of books published by Princeton University Press
since its founding in 1905.
With opulent fashions the ultimate in style, women of the late
Victorian era wore a great deal of silks and satins. Daring
combinations of bright colors were in. So were large hats,
profusely trimmed. But by the end of the nineteenth century,
ladies' tastes in fashion were changing, along with female
lifestyles. Larger numbers of women were not only working outside
the home, they were also playing tennis and golf, and riding
bicycles and horses. All these activities called for a definite
change in female fashions. Women came to rely on tailored suits
with full skirts and fitted jackets over simple blouses. Riding
habits called for a long, draped skirt worn over a pair of
trousers.
With the dawn of the twentieth century, professional tailors turned
to the comprehensive 1895 "Keystone" guide to create office
outfits, riding pants, shirtwaists, and other garments. Filled with
more than eighty patterns, the handy resource provided tailors with
suggestions for fabric choices as well as instructions for the
proper measurement, fitting, cutting, and sewing of such items as a
bolero jacket, a shirtwaist with yoke, a single-breasted vest, and
riding breeches.
Supplemented with a selection of newly captioned illustrations from
"The Delineator" magazine, this volume will be a valuable reference
for costume designers and fashion historians, and a fascinating
window on the past for nostalgia enthusiasts.
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