Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Pay tribute to your favorite show and transport yourself to the lovable northeastern town of Stars Hollow with this special kit. * SPECIFICATIONS: 3-1/2 x 3-inch light-up Stars Hollow sign with display stand * BOOK INCLUDED: 48-page book filled with essential information on Stars Hollow and featuring full-color photos from the show throughout * PERFECT GIFT: Must-have gift item for fans of the Gilmore Girls * FOR YOUR DESKTOP: Small size allows for fun anytime, anywhere and is perfect for a mantle or desktop * OFFICIALLY LICENSED: Authentic collectible

A comprehensive catalogue of American Antiques illustrated with text drawings. Invaluable to the amateur or professional antiquarian. Contents Include: Preface; Foreword by Charles Messer Stow; Seventeenth-Century Furniture; Seventeenth-Century Press and Court Cupboards; Seventeenth-Century Chests; William and Mary Furniture; Queen Anne Furniture; Chippendale Furniture in America, 1725-90; Block-Front Furniture; Adam Furniture; Hepplewhite Furniture; Pioneer and Cottage Furniture; Introduction to American Federal Furniture; Federal Furniture of Sheraton Influence; Federal Furniture of Directoire Influence; Federal Furniture of Greed-Revival Influence; Federal Furniture by Phyfe and His Peers; Post-Federal and Pre-Victorian American Furniture; Victorian Furniture; Dual-Purpose Furniture; Spool Furniture of 1815-65; Philadelphia, Stick, or Windsor Chairs; Fancy Chairs for the People; Rocking Chairs; Buffet or Corner Chairs; Mirrors; Cast-Iron Furniture; Children's Furniture and Toys; Scientific Antiques; Early American Silver; Sheffield Plate; American Pewter Ware; Painted Tin, Japanned Ware, and Tole; Woodenware; Early Blown Glass; Glass Bottles and Flasks; Sandwich Glass; Pressed Glass; Old Glass Paperweights; Lighting Fixtures and Lamps; Candlesticks and Candle Fixtures; Historic Staffordshire China and Pottery; Lowestoft or Oriental Export Porcelain; Liverpool Ware; Gaudy Dutch and Pennsylvania Tulip Pottery; American Samplers; Floor Coverings; Hooked Rugs; Engraved Prints and Pictures; Currier & Ives Lithographs; Other American Lithographers; Miniature, Profile, and Silhouette Portraits; Primitive or Pioneer Paintings; Art-Instruction Books and Drawing Books; Firebacks; Ten-Plate, Six-Plate, Five-Plate, and Franklin Stoves; American Victorian Period Stoves; Ironwork; Ship and Other Models; Clocks; Scrimshaw Work; Paper Cutwork; Paper Dolls; Weather Vanes; Jackknife Sculpture and Carving; Daguerreotype Cases; Illustrated Merchandise Catalogues; Trade Cards and Craftsmen's Labels; American and European Pottery and Porcelain; Early American Packages; Cast-Iron Mechanical Banks; Buttons; Theatrical and Circus Posters; Local Provisional, and Carrier's Postage Stamps; and Glossary and Index. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This fascinating early work is a catalogue of furniture and decoration with hundreds of photographs detailing historical styles. Thoroughly recommended for the antiquarian's bookshelf. Contents Include: Part I - The Development of Decoration - Introductory; Italy; Spain; France; France: After Louis XIV; England; England: the Age of Walnut; England: The Age of Mahogany; England: The Age of Satinwood; The Nineteenth Century; Early American; The Federal Period and After; The Twentieth Century; Part II - The Elements of Decoration - Materials of Decoration; Fabrics; Wall Coverings; Floor Coverings; Decorative Objects; Color; Lighting; Windows and Window Treatment; Furniture and How to Buy It; Part III - The Principles of Decoration - Room Planning and Arrangement; Rooms; Seasonal Changes; Bibliography, and Index. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This classic, historical book provides instruction on the facts necessary to enable the reader to identify any typical specimen of the better known classes of Oriental rugs. It gives diverse direction on classification with regard to their type, their age and their value. Despite its age this book contains much information that is still practical and useful today. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Originally published in early 1900's. A detailed and well illustrated guide dealing with every aspect of collecting portrait miniatures. The contents Include: Origins of the Art - Hans Holbein and the Earliest Painters - Nicholas and Lawrence Hilliard - The Olivers - John Hoskins and his son - Samuel Cooper - The Interregnum - Richard Cosway - Andrew and Nathaniel Plimer - George Engleheart - John Smart - Ozias Humphrey - William Wood - Painters in Enamel - Foreign Painters - Plumbag Drawings - The Collector - Collections - Forgeries - American Painters - Portrait Sitters etc. Many of the earliest art and antique books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

Delve into the fascinating origins and contemporary interpretations of Sun Face and Thunderbird/Hopi Bird designs. This thorough study was undertaken to establish the identities of 33 Zuni artists and their interpretations of these traditional designs from the 1940s through the 1960s. Their mosaic stone and shell inlay pins, bracelets, bolo ties, and other ornaments appear in over 190 color photos that display subtle variations indicative of each masters work and distinctive style. Also introduced are important but forgotten artists, such as Harry Deutsawe and Raphael Homer. It also features two intriguing variations of Sun Face designs, such as Sun Face with Horns and Sun Father and His Twin Sons. Detailed analysis explains the changes and connections among early and recent makers and their individual styles, materials, and designs.

This early work is a fascinating read for amateur and professional antiquarians, thoroughly recommended for use as a reference on all aspects of antique chairs. Extensively illustrated with text and full page drawings to accompany the text. Contents Include: The Historic Background of Chairs; Chairs of the Seventeenth Century from Tudor Gothic through William and Mary; Slat-back and Banister-back Chairs; American Windsor Chairs; Queen Anne and Georgian Chairs; Corner Chairs; Note on the Chair Styles of the Brothers Adam and the Louis XV Period; Chippendale Chairs; Hepplewhite Chairs; Directoire and Sheraton-style Chairs; Fancy Chairs; Empire and William IV Chairs; French Antique or Victorian Chairs; Rocking Chairs; Glossary; A Partial Exemplary List of Chairmakers 1660s to 1850s; and Directory Listings of Chairmakers. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This early collection on Chester County Clocks is thoroughly recommended for inclusion on the bookshelf of all horologists. Extensively illustrated with text and full page photographs. Contents Include: Foreword; Acknowledgments; Introduction; The Parts of a Grandfather Clock; Individual Clockmakers and Clocks - David M. Anderson, Emmor Baily, Joel Baily, George Baldwin, Harlan Baldwin, Thomas F. H. Baldwin, Eli Bentley, John Boyd, John Breckwell, Butler & Bartlett, Canby & Nielson, Joseph Cave, Benjamin Chandlee, Sr, Benjamin Chandler, Jr, George Cochran, Abraham Corl, Thomas Crow, Benedict Darlington, Thomas Dring, Jacobn Fertig, Benjamin Garrett, Goshenville's Big Ben, John Hall, Jonathan N. Hatch, Caleb Hibbard, Joseph M. Hollis, Honey Brook's Community Clock, Joshua Humphrey, George Jackson, Jr, John Jackson, Isaac Jackson, Curtis Ferreris, Elisha Kirk, James Kinkead, A. Sydney Logan, J. Clemens McConnell, John Murphy, Abraham Olwine, Henry Olwine, William H. Price, Moses A. Regensburg, Thomas Scott, Samuel Sligh, James Starrett, mordecai Thomas, Isaac Thomas, David Underwood, Russell Vibber, John Way, West Chester's Town Clock, David Williams, Thomas Wolf (deWolf) Allan Yarnall; and a Bibliography. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the Italian Violin Makers Between the Years 1550 and 1750, A. D. By JOSEPH MICHELMAN Published by JOSEPH MICHELMAN, Cincinnati, Ohio, U. S. A. 1946 Introduction PUBLICATION OF THIS BOOK is approached with a little temerity. After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experi mental purposes. Therefore, synthesis must precede analysis .... and with no assistance from the latter. This, then, will explain the sub-title of this book as A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D. However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the find ings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. Secondly, possibly the results will be suggestive to others so that the confirmed rediscovery of the so-called lost art of var nishing violins will eventually ensue.It is unfortunate that this policy of freely exchanging ideas and information has not gen erally existed. Almost every violin-maker has his own private formulas for varnishes, which he treasures highly and guards closely. The secret of the old Italian masters has defied dis covery for nearly one hundred years, and any disclosures that will shed light on the mystery should be made. vi VIOLIN VARNISH Thirdly, the results may be interesting from a chemical stand point the literature investigated does not contain many refer ences to similarly colored vaniishes. The varnishes are perfectly transparent and many are exceedingly permanent, which may be of interest to paint and varnish chemists. Investigators in the realm of colloid chemistry may be interested in the organosols that will be discussed. If the results of this investigation are eventually confirmed, then it must follow that the varnish makers of medieval times produced Synthesized their own resins. The synthetic resin would then become a product of the 16th cen tury and not belong exclusively to more recent years as hereto fore pre-supposed. Lastly, and most important of all, publication of these results should make freely and permanently accessible to violinists, and lovers of the instrument throughout the world, violins that satisfy the criteria that have been established for the instruments cellos and basses included of the old Italian makers. . . . The instru ments of these masters are now two hundred to four hundred years old. Their violins are made entirely of wood held to gether only with glue and cannot be expected to withstand the ravages of time forever. . . . Then too, better instruments should be made more universallyavailable to violinists students as well as amateurs and professional players. Deserving playere are too frequently deprived of the advantages of good quality instru ments and are compelled to use ill-sounding, unresponsive violins with a resulting decrease in interest and advancement. Further improvement in the quality of modern violins is desired, and that improvement should approach the standards established by the old Italian masters. The subject matter of this book will of necessity become tech nical, especially when the theoretical aspects are considered...