The most common marks found on antique ceramics, 1600s to 1900s, hand-drawn and with identification and dates used. These are the marks that appear in today's market under ordinary conditions. Includes America before 1890, Austria, Belgium, Bohemia, China, England, France, Germany, Holland, Hungary, Italy, Japan, Portugal, Russia, Spain, Sweden, and Switzerland. Short entries give factory histories with names of relevant people and explanations of date markings.

Southern Potteries in Erwin, Tennessee, from 1938 through 1957, was the largest producer of hand-decorated pottery in America, including Blue Ridge China. Here thousands of pieces are illustrated in over 1400 color photos with informative captions, historical facts, newly identified patterns, and old favorites.

For the nearly all of their first fifty years of existence, Camel Cigarettes sat at the top of the marketplace. But a shift in consumer tastes toward filter cigarettes, begining in the late 1950s, led to a slow erosion of Camel's market share. To stem this loss, R.J. Reynolds began one of the most clever and effective campaigns in advertising history. On its 75th anniversary in 1988 a suave, new character appeared in the Camel Advertising: Joe Camel. This began the most recent chapter in a tradition of fine advertising started by R.J. Reynolds himself. This book documents the Camel advertising from 1964 to 1995. In addition to traditional posters and signs, these years saw the introduction of hundreds of premiums and merchandise bearing the Camel logos that have found their way into collections of tobacco memorabilia around the world. Each piece is illustrated in full color and current values are given to help the collector.

It is difficult to overestimate the impact of plastics on our modern way of living. A quick look at your surroundings will give you the idea. Almost everywhere you look you will see them. Kitchen items, jewelry, radios, flooring, car parts, toys, furniture: plastics can be used for almost anything, and they have been. It is not surprising, then, that plastics are a rapidly growing area of collecting. Here is a field guide for the collector; written by one of America's foremost dealers, it presents over 500 items illustrated in full color, with helpful background material, descriptions, and a comprehensive price guide. This is a collectible field that is still open to the new collector. The prices on these objects are reasonable, and the objects themselves bring color, beauty, and a touch of nostalgia to the homes of their owners. In addition, the price on these collectible plastics has risen in coming years, as reflected in the newly revised price guide. This is an essential tool in this burgeoning field.

Although advertising has a history that goes back thousands of years, it is the Americans who have made it into an art form. Advertisements were put on everything from pocket mirrors to memo pads, the sides of barns to the sides of carriages and buses. A history of advertising printed in the 1880s even show and advertisement on a tombstone. With the advent of color lithography in the late 1800s, some of the most beautiful and highly collectible items were created. Tin signs with colorful, strong images, often embossed, were made for stores, and often found their way into homes. Paper advertising in calendars, trade cards, and posters reached new levels of artistry in the latter years of the 19th century. This new book explores advertising in all its media, tin, paper, celluloid, and enamel. In full color it portrays the creativity of its makers, while at the same time bringing to life the styles of the past 120 years. Included are signs, three dimensional designs, smalls, and novelties. With some tin signs bringing in excess of $100,000 (a Campbell Soup sign included in this book), it is clear that this is an active and exciting area for collectors. At the same time, it is a good field for the new collector, who can find many pieces of advertising for under $50. Both ends of the spectrum are nicely covered in Antique advertising: America for Sale, making it an important book for all collectors.

First published in 1968, this classic work remains the basic reference book for collectors and fanciers of American spoons. Now offered in a new edition, it will be a welcome resource in your library. Spoons themselves originated in prehistoric times, when shells performed their function for the inhabitants of southern Europe, but spoons as commemorative items began with the Niagra Falls Suspension Bridge Spoon patented by Myron H. Kinsley in 1881. Soon their popularity spread as ideal mementos for practically every conceivable event, personage, or natural wonder. Ranging from expensive sterling silver sets to fifteen cent mailorder spoons, the variety of design, quality and interests reflected in this richly illustrated book is truly impressive.

Judaica embraces those objects associated with the celebration of and adherence to Jewish rituals. This book presents clear explanations and beautiful color pictures of candlesticks, boxes, plates cups, toys, and foods which celebrate Jewish traditions. These objects of creative design display, honor and rekindle the spirit of a 5000-year-old religion to reflect 20th-century modernism.

This valuable text provides a sweeping survey of the McCoy pottery produced by both the Nelson McCoy Pottery Company and its predecessor, the Nelson McCoy Sanitary Stoneware Company. Among the more than 750 color photographs are illustrations of McCoy wares ranging from utilitarian stonewares to beautiful artwares, including bookends, centerpieces, flowerpots, jardinieres, tea sets, vases, and the ever popular cookie jars. Historical photographs of the company's early years are also provided. Accompanying the photographs are a history of the company, beginning with the W.F. McCoy Pottery of 1848, a detailed discussion of McCoy manufacturing techniques, and an examination of the firm's numerous manufacturer's marks. In fact, these marks are used in a unique way as tools to guide readers quickly and efficiently to the wares they seek. Also included in this volume are a bibliography, an appendix chronicling the many cookie jars produced by the company over the years, and an index. Updated values for the wares displayed are included in the captions.

America in the nineteenth century Victorian age was changing as fast as the engines of the Industrial Revolution could carry it. At every turn, Flow Blue was there, first sparking the interest of the affluent and later the middle class with its rich colors and complete table services. This book puts Flow Blue in its historical context and covers the British, American and European manufacturers who produced it, the exhibitions that promoted it, the people who owned it and what moved them to buy it. Over 500 color photographs present the variety of forms and patterns in these popular wares from the 1840s to turn of the twentieth century.

Kachina dolls are carved from cottonwood by Hopi artists in Arizona to represent the many spirits of their religion. Old examples are preserved at the Heard Museum in Phoenix and most of the important Indian museums nationally. Today, modern Hopi artists continue to make exquisite Kachina dolls, and they have become very sought after by a growing number of collectors world-wide. The reader of this new book is able to grasp the art of Kachina wood carvings, and enjoy knowledge behind each doll, through the carvers who make them. The book beautifully illustrates contemporary Kachina dolls with over 150 exquisite color photographs, and delves into the lives of the carvers who make them. Twenty-five of today's important Kachina carvers have been interviewed personally for a first-hand glimpse into their work. Discussions with Cecil Calnimptewa, Von Monongya, and Loren Phillips, to name just a few, bring to life the essence behind their carvings. All who are interested in Southwestern crafts and art in general will appreciate these beautiful art works carved by such interesting people.

For over 140 years, the Homer Laughlin Company, of East Liverpool, Ohio, made popular ceramic plate shapes, each with different decorative treatments that are identified by numbers and date codes. This book shows, in 805 color photographs, 43 dinnerware shapes as well as kitchenware, specialty items, and backmarks. With this information, you can learn to identify each shape and treatment. Today, this dinnerware is valuable in antiques markets.

This book represents an extraordinary sample of Depression era glass, because Tiffin was an extraordinary glass company. Its output during the Depression was well documented and enough to keep any collector occupied for years. Most of the glass presented in this volume is from the 1920s and 1930s. With detailed captions for the more than 450 illustrations--color photographs, catalog pages, advertisements, and drawings--it is a guide to help the collector, researcher, and dealer identify, price, and enjoy this compelling glassware.

Unquestionably, this is the most comprehensive study ever written on the subject of Connecticut working decoys. The author has documented and shown examples of decoys from eighty-odd carvers throughout the state. Henry C. Chitwood begins his book with a table of carvers listing them by name, date, location, carving period, number of decoys made, and a description of the types of decoys they carved. This is followed by a detailed text covering the various geographic areas in Connecticut and the decoys produced there, along with biographical notes on the gunners as well as the carvers. Finally on factory decoys, shore birds and descriptive decoy features. The hunting as well as decoy enthusiast could not ask for a more informative source on Connecticut working decoys.

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The identification of English white ironstone plates is made far easier through this new book. Organized according to the shape names, the 327 color photographs and 252 drawings of plates, rims, potters' marks and registry marks are easy to compare. Copper Lustre and Tea Leaf decorations are included. Because few written records from the manufacturers are available to help analyze these plates, made in large quantities for export primarily to the United States between about 1840 and 1890, this study will be an important reference for identification and comparisons. It is both comprehensive and easy to use, providing an important tool for collectors, dealers, curators, designers, auctioneers, and historians for analyzing Victorian cultural history.

This book presents the most comprehensive collection of antique and collectible office technology that has appeared to date. 645 beautiful color photos capture the marvelous mechanical inventions that paved the way for the electronic age of computers. See an incredible array of typewriters, adding machines, calculators, check protectors, copiers, duplicators, coin changers, and dictating machines. Items like ribbon tins, medals and awards, novelties, and office-related toys bring offices of the past to life, along with ephemera such as books, catalogs, correspondence, legal documents, magazines, and original patents. Detailed captions, historical data, and helpful pricing information make this book a must for any collector interested in office-related antiques and evolution of technology!

Here is the first book written about collectibles from the Standard Oil Company of New Jersey, including Esso, Humble, and affiliate companies. To complete this authoritative guide, the author enlisted help from other collectors and included photographs of their prized collections. The result contains photographs and comments about some items so rare that the only ones known are reproduced here for the first time-this may be the only time you will ever see them. Also photographs of common items are here with comments on their origins. Globes, pumps, cans, signs, map racks, banners, lighters, ashtrays, buttons, toys, knives, and credit cards all will bring back memories. Gas and oil memorabilia collectors and all those with an affection for Esso and Standard Oil Company of New Jersey memorabilia will want this valuable reference work.

Cobalt blue glass holds a fascination for collectors of glassware. The origin of this distinctive blue glass goes back to the Egyptians. In this book, authors Monica Lynn Clements and Patricia Rosser Clements showcase nearly 400 photographs that illustrate the wide appeal of cobalt blue glass. From Depression Era patterns and elegant glassware to reproduction pieces and new glass, the colorful photographs exemplify what appeals to the collector. Also shown are cobalt blue glass jewelry, condiment pieces, candlesticks, vases, lamps, bells, perfume bottles, bottles and jars, animals, iridescent glass pieces, and other items. This revised and expanded second edition contains up-to-date market values and nearly 30 new photographs. For anyone who appreciates the beauty of cobalt blue glass, this book is an indispensable reference guide.

Saddle up for adventure with the horse-and-rider sets by Hartland Plastics, the small midwestern company that set a standard of excellence for mass produced, plastic figurines. Whether you like horses; collect toys, model horses, TV mementos or Western memorabilia; or just want to recall the days when heroes were good guys on horseback, this book will make you smile. Hartland Plastics manufactured about six dozen riders and 10 standing gunfighters, over 100 horses for the riders, and countless miniature accessories--and the fun they had shows. The quality sculpture by Roger Williams and Alvar Backstrand and fine attention to painted details give Hartland models a place in the history of American toys and the hearts of kids and collectors. Hartland expert Gail Fitch has assembled a guide loaded with color photography and valuable information for the collector, including current prices, data tables, and advice on care and repair of your models.

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

The Collector's Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin

Many people enjoy collecting antique figures, dolls, toys, containers, sheet music... etc. that show black people in all styles of dress and function. They often depict famous people, musicians, and advertising figures, and the variations are many. This book displays 425 color images from several private collections, each item described with measurements and an estimated value range.

Scenic relief carving is the art of bringing life and depth to a carving that is essentially two dimensional. In the traditional carving of Germany this is an exquisite and beautiful technique, and now Georg Keilhofer, a master woodcarver, shares it with his readers and students. Step-by-step he takes the reader through the carving of a plaque depicting a deer running through the forest. The difficulties and challenges of relief carving and techniques for handling them are explained. Everything is illustrated with full color photographs. This is Georg's second book. His first, Basic Relief Carving, has met with critical and popular success. This new book will take the reader further into the art of traditional wood-carving.

The 1950s saw the popularity of television explode in America, and the 1900s are seeing the growth of the exciting television collectibles field. This brand new book contains information and pictures of memorabilia from over 260 television programs dating from the 1950s to the 1990s, from "The Honeymooners" and "Bonanza" to "M*A*S*H", "The Brady Bunch", "Lost in Space", and "The A-Team". Nearly 900 items are shown in over 500 color pictures. Photographs feature dolls, paper dolls, games, coloring books, comic books, toys, puppets, action figures, and other interesting television memorabilia. Program information is provided, listing the main cast members, time on the air, and networks carrying each series. Manufacturers and marks are meticulously listed, as are sources for securing television collectibles. Current prices for these items are listed conveniently with each photograph. This book is a must for anyone interested in the fast-growing hobby of television collectibles!