Contents:
1. Introduction
A place for leisure and tourism? From geography to geographies Theorising the social-cultural nexus Social and cultural geographies of leisure and tourism landscapes
2. Locating Landscapes: Geographies of Lesiure and Tourism
Introduction Colonial geographies: mapping regional territories Systematic geographies: modelling land use and tourism Landscape evaluations: mapping scenic amenity in leisure and tourism Tourism geographies: topologies of land use Structuralist interpretations of leisure and tourism landscapes Post-colonial geographies of leisure and tourism Geography's cultural turn: the spatiality of leisure and tourism Leisure geographies of the street Tourism geographies of the spectacle and monument Geographies of social and cultural exclusion Overview
3. Moving Landscpaes: Leisure and Tourism in Time and Space
Introduction The Journey, travel and discovery Prospects of pleasure, landscapes of feeling Annihilating time and distance Landscape, leisure and mobility Road to nowhere? Overview
4. Valuing the Countryside: Leisure, Tourism and the Rural Landscape
Introduction Nature was His book Access and exclusion Landscape fit for heroes A people's charter for the open air A countryside for all? Overview
5. Introduction A landscape aesthetic? The socio-cultural context Landscape and imaginative reconstuction The Highlands of Scotland Ossianic tourism The Highlander in the picture The Highlands of Walter Scott Travelling in the Highlands Royal Patrons A Literary way of seeing The real Highlands Overview 6. Heritage Landscapes: Merging Past and Present Introduction The evolution of heritage Heritage in the landscape Stonehenge: multi-vocal landscape Avebury: evolving landscape Tintagel: mythical landscape Overview 7. Gendered Landscapes: Constructing and Consuming Leisure and Tourism Inroduction Spatialised feminism Feminism and leisure landscapes Gendered space Deconstructing dualisms The gendered other Gender and landscapes of tourism Gender and landscapes of heritage Overview 8. Retrophilia and the Urban Landscape Introduction Antiquity, restoration and fake Reverence, worldliness and action Modernism, collective memory and amnesia Urban conservation and civic pride Commercialism, decadence and tourism The historic quarters of London's City Fringe Overview 9. Landscapes of Desire: Reappropriating the City Introduction Queer space: material and symbolic landscapes Gay destinations: the landscape of the city Sexuality and spectacle: the landscape of the street Sexuality and hospitality: the landscape of the hotel Overview
10. Leisure, Tourism and Culture: Relocating Landscapes

This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production-from conceptualizing ideas and developing them, to realizing and then distributing them-across all forms and formats, including fiction and non-fiction for cinema, television, gallery spaces and the web. With chapters by practitioners, scholars and educators from around the world, the book provides a comprehensive collection of approaches for those studying and teaching the development and production of screen content. With college and university students in mind, the volume purposely combines theory and practice to offer a critically informed and intellectually rich guide to screen production, shaped by the needs of those working in education environments where 'doing' and 'thinking' must co-exist. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.

Alexander Dumas's rip-roaring yarn of derring-do, palace intrigue, and slushy amour, seamlessly transplanted to Pantoland. Here we find those famous swashbucklers, Porthos, Aramis, Athos and D'Artagnan, effortlessly recast as a bevy of roistering, thigh slapping lovelies - Principal Garcons par excellence. Throw in the despicable Cardinal Richeleeugh, his debauched sidekick Le Chevalier Du Lobster Roquefort, a clutch of other eminently hissable villains, plus a giant pantomime snail, and you have all the ingredients for un panteau cordon bleu.Large flexible cast

Based on the nineteenth century story by the French Countess d'Aulnois the story concerns the heirless King Pat-a-Cake of Euphoria who has three adopted sons. Seeking a successor he sets them a task, offering the throne to the winner. Dim-witted Princes Fyne and Dandi squabble over he quest whilst Prince Peerless encounters a beautiful girl on his travels. She is, in fact, Princess Rosamund, hidden twenty years ago by her distraught parents who believed she would be forced to marry Prince Ghastly by his mother Queen Venoma, who is still searching for her, using her magic powers.Large flexible cast

This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia's nation-states at the political, economic, and military levels-a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics.

The apples gather for a ceremonious party, Rosie is ready to be picked from the tree and united with her loving parents, Mr and Mrs Russet. But amongst the guests are Bad Apples who send the party into disarray, then the dastardly Pieman arrives looking for fresh apples and the hunt is on.

Lively yet intriguing, The Body in Performance is a varied collection of essays about this much-discussed area.
Posing the question "Why this current preoccupation with the performed body?" the collection of specially commissioned essays from both academics and practitioners - in some cases one and the same person - considers such cutting edge topics as the abject body and performance, censorship and live art, the presentation of violence on stage, carnal art, and the vexed issue of mimesis in the theatre. Drawing variously on the work of Franko B., Orlan, Annie Sprinkle, Karen Finley, and Forced Entertainment, it concludes with a creative piece about a 'Famous New York Performance Artist.' Contributors include Rebecca Schneider whose book The Explicit Body in Performance is a key text in this area, and Joan Lipkin, director and writer.

Methods for overcoming pre-performance jitters

"Notes from the Green Room" explains the causes of musical performance anxiety and suggests methods for dealing with it effectively. The authors show how proper preparation?as well as techniques such as learning experiments, relaxation training, tension management, and graded exposure to groups of various sizes?can relieve the compulsion that often accompanies an individual's performance. An essential resource for musicians at any level.

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were "mad." Such portraits demand a "rediagnosing" of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.

Packed with more than 500 techniques, this book delivers what you need to know-on the spot. It is suited to editors of all experience levels, whether you are: Migrating from another NLE Upgrading to Final Cut Studio 2 Seeking a handy reference to raise your proficiencyNo need to wade through tomes of documentation. Final Cut Studio On the Spot presents immediate solutions in an accessible format. Step-by-step instruction by Apple Certified Pros shows you how to: Optimize system performance Create impressive titles with Generators, Motion, LiveType, and Photoshop Build Commercial-quality transitions Work quickly with buttons and keyboard shortcuts Color correct to save vital shots, and keep them broadcast legal Fix and mix for professional-quality audio Use the compositing tools of master editors Design and import graphics seamlessly Integrate with other applications including Motion, Soundtrack Pro and Color Troubleshoot and recover files Manage media and backup strategies Export and publish finished projects to tape, DVD, or the Web

Serge Diaghilev was the Russian impresario who is often said to have invented the modern art form of ballet. Commissioning such legendary names as Nijinsky, Fokine, Stravinsky, and Picasso, this intriguingly complex genius produced a series of radically original art works that had a revolutionary impact throughout the western world.Off stage and in its wake came scandal and sensation, as the great artists and mercurial performers involved variously collaborated, clashed, competed while falling in and out of love with each other on a wild carousel of sexual intrigue and temperamental mayhem. The Ballets Russes not only left a matchless artistic legacy - they changed style and glamour, they changed taste, and they changed social behaviour. The Ballets Russes came to an official end after many vicissitudes with Diaghilev's abrupt death in 1929. But the achievements of its heroic prime had established a paradigm that would continue to define the terms and set the standards for the next. Published to mark the hundred and fiftieth anniversary of Diaghilev's birth, Rupert Christiansen - leading critic and self-confessed 'incurable balletomane' - presents this freshly researched and challenging reassessment of a unique phenomenon, exploring passionate conflicts and outsize personalities in a story embracing triumph and disaster.

A pantomime script based around the "Sleeping Beauty" story. Princess Aurora suffers a curse from the evil Carabosse, and falls asleep for hundred years. With a kiss from Florizel, and a little help from the audience in solving a riddle, Carabosse is defeated and all ends happily. 4 women, 4 men

Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered.
Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.

Unlike other books on the philosophy of music, Stan Godlovitch considers music from the vantage point of active music-making. Rather than looking at the composition or the perception of music, Musical Performance considers playing traditions which have developed physical mastery to serve expressive ends. These traditions have been challenged by electronic technology which has made live, human performance seem a mere transfer medium. After developing a full model of traditional performance, Stan Godlovitch asks how well performance proper has stood up, and where (if anywhere) its unique value lies.
This radical new evaluation of music making in the past and future will be essential reading for students of aesthetics, the philosophy of music, as well as musicologists and performance specialists.

This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance. It examines essays, dialogues, and performance texts from theater directors, performers, theorists, playwrights, and performance writers against social and cultural constructs and performance theories to produce a diverse and challenging portrait of lesbian live performance art. The book's penetrating scope covers drag queens, lesbian vampires, representations of lesbian sex, solo artists, the art of collaboration, lesbian aesthetics, and lesbian playwrights writing straight and illustrates why live performance is one of the most dynamic forums in which women can create, control, and produce their work without artistic constraint.Acts of Passion explodes binary definitions of gender and sexuality by destabilizing familiar notions of the 'real'and creating new production values and aesthetics in the process. The relationships between experience and expression, sexuality and cultural placing, context and artistic control, representation and self-representation become clearer as the book discusses: the manner in which women are represented as absent in the signifying system of patriarchal society how questions of purity, 'authenticity,'and self-definition complicate the field of representation the power of lesbian dance performance to make the lesbian body culturally visible several 'new wave'performers--creating work, getting seen, showing flesh, doing politics, and making money the projections, preconceptions, expectations, and general baggage attached to the performing lesbian body what the term 'lesbian playwright'means within contemporary culture 'It's Queer Up North'--a British National Arts Organization the arguments for and against mainstreaming lesbian performanceAnyone interested in theater and performance, cultural studies, gender issues, and the politics of 'positive representation'--whether playwright, performer, director, writer, academic, student, or theatre goer--will find Acts of Passion a powerful step in wrenching the power of representation away from the dominant culture. Defiant, saucy, sexy, and smart, the contributors appropriate their own spaces, identities, crafts, and languages, both within this book and without.

The elaborate and inventive slaughter of humans and animals in the arena fed an insatiable desire for violent spectacle among the Roman people. Donald G. Kyle combines the words of ancient authors with current scholarly research and cross-cultural perspectives, as he explores
* the origins and historical development of the games
* who the victims were and why they were chosen
* how the Romans disposed of the thousands of resulting corpses
* the complex religious and ritual aspects of institutionalised violence
* the particularly savage treatment given to defiant Christians.
This lively and original work provides compelling, sometimes controversial, perspectives on the bloody entertainments of ancient Rome, which continue to fascinate us to this day.

While chronicling the development of Teer's National Black Theatre of Harlem, this study explores the National Black Theatre's quest to develop a new black theory of acting. Teer's theory of performance was realized in a theater that combined elements of Pentacostal worship and African ritual, melding spontaneity from the performers, percussive music, singing, dancing, emotional expression from both actors and audience, and spectacle. The National Black Theatre's major achievement is the creation of an original art form that helps African Americans identify with their roots and invites spontaneous audience interaction. The study offers the National Black Theatre as a model African American community theater with valuable lessons for other theaters. The innovative methods of the National Black Theatre provide a model for enlightening and sensitizing audiences to cultural diversity. A pioneering institution, the National Black Theatre has proven itself over its 25 year history to be a cultural treasure and the quintessential theater in Harlem. Also includes maps.(Bibliography, and index; foreword by Dr. Winona Fletcher, Professor Emeritus of Theater and Drama and Afro-American Studies; Founder of the National Black Theatre)

Richard Lloyd has combined a pastiche of the Robert Louis Stevenson classic with the essential elements of pantomime, including romantic interludes and knockabout fun. The swiftly moving scenes are interchangeable and allow for staging to be as simple or as sophisticated as facilities permit.

This book shows how the unique characteristics of traditionally differentiated media continue to determine narrative despite the recent digital convergence of media technologies. The author argues that media are now each largely defined by distinctive industrial practices that continue to preserve their identities and condition narrative production. Furthermore, the book demonstrates how a given medium's variability in institutional and technological contexts influences diverse approaches to storytelling. By connecting US film, television, comic book and video game industries to their popular fictional characters and universes; including Star Wars, Batman, Game of Thrones and Grand Theft Auto; the book identifies how differences in industrial practice between media inform narrative production. This book is a must read for students and scholars interested in transmedia storytelling.

In this text a variety of voices and opinions are heard discussing aspects of musical performance. These include those of: a conductor responding to questions about opera in translation and other questions relating to opera; a singer writing about the difficulties and rewards of taking the title role in three different productions of an opera; two orchestral musicians describe their journey into the profession and provide an insight into it; and an ardent concert and opera lover relates his feelings when listening to music in various environments.