This book explores the increasing imperatives to speak up, to speak out, and to 'find one's voice' in contemporary media culture. It considers how, for women in particular, this seems to constitute a radical break with the historical idealization of silence and demureness. However, the author argues that there is a growing and pernicious gap between the seductive promise of voice, and voice as it actually exists. While brutal instruments such as the ducking stool and scold's bridle are no longer in use to punish women's speech, Kay proposes that communicative injustice now operates in much more insidious ways. The wide-ranging chapters explore the mediated 'voices' of women such as Monica Lewinsky, Hannah Gadsby, Diane Abbott, and Yassmin Abdel-Magied, as well as the problems and possibilities of gossip, nagging, and the 'traumatised voice' in television talk shows. It critiques the optimistic claims about the 'unleashing' of women's voices post-#MeToo and examines the ways that women's speech continues to be trivialized and devalued. Communicative justice, the author argues, is not about empowering individuals to 'find their voice', but about collectively transforming the whole communicative terrain.

Nuts and Bolts Filmmaking, an ideal book for the rapidly growing number of low-budget filmmakers, provides how-to information on the day-to-day techniques of actual low-budget production. Containing construction details describing how to replicate expensive tools for under $30 a piece, this book provides quick and inexpensive remedies to both the most common and most difficult production challenges. Nuts and Bolts Filmmaking is an invaluable resource to anyone looking to make a film without a big budget.
* Achieve professional results with inexpensive materials from your local hardware store
*A must-have reference for all low-budget and independent filmmakers
* Time-saving tips and techniques with easy-to-follow photos

This book addresses print-based modes of adaptation that have not conventionally been theorized as adaptations-such as novelization, illustration, literary maps, pop-up books, and ekphrasis. It discusses a broad range of image and word-based adaptations of popular literary works, among them The Wizard of Oz, Alice in Wonderland, Daisy Miller, The Strange Case of Dr. Jekyll and Mr. Hyde, Moby Dick, and Adventures of Huckleberry Finn. The study reveals that commercial and franchise works and ephemera play a key role in establishing a work's iconography. Newell argues that the cultural knowledge and memory of a work is constructed through reiterative processes and proposes a network-based model of adaptation to explain this. Whereas most adaptation studies prioritize film and television, this book's focus on print invites new entry points for the study of adaptation.

Author Biography:
Petra Kuppers is Assistant Professor of Performance Studies at Bryant College. She is Artistic Director of the Olimpias Performance Research Project and she has written extensively in the fields of cultural, performance and disability studies.

This book explores the effects of modernization on the study, practice, and performance of Balinese traditional arts, especially the shadow play, through the analysis of oral and written discussion from local performers, administrators and students. This approach permits a rare view into contemporary Balinese conception and practices of music from the actual performers and scholars and covers diverse topics from village life to the educational curriculum.

"The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude"--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. "The Last Great American Picture Show" explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood."
Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, "The Last Great American Picture Show" reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.

Concert Design: The Road, The Craft, The Industry offers an exceptional journey though the world of concert design, exploring not only its unique design attributes but also the industry that has grown around it and how to make a career of 'the road'. Concert designer Seth Jackson analyzes how the industry has changed over the last three decades - from its early days of 'no rules' and 'cowboys' to a thriving and growing industry with countless career opportunities. Drawing on 25 years of experience and clients ranging from Carrie Underwood to Don Henley, he explores design techniques, working with Artists and directors, the rigors of concert touring, and navigating a career path through a challenging industry. The book also includes stories from numerous industry luminaries such as Steve Cohen, Jeff Ravitz, Eric Loader, Howard Ungerleider, and Jim Lenahan, along with Jackson's own experiences. Written for aspiring concert lighting designers and students of Concert Lighting and Theatre Lighting courses, Concert Design is an excellent resource for anyone who has ever wondered what backstage life is really all about.

Available once again, the definitive biography of the pioneering Black performer-the first nominated for a Best Actress Academy Award-who broke new ground in Hollywood and helped transform American society in the years before Civil Rights movement-a remarkable woman of her time who also transcended it. "An ambitious, rigorously researched account of the long-ignored film star and chanteuse. . . . Bogle has fashioned a resonant history of a bygone era in Hollywood and passionately documented the contribution of one of its most dazzling and complex performers."-New York Times Book Review In the segregated world of 1950s America, few celebrities were as talented, beautiful, glamorous, and ultimately influential as Dorothy Dandridge. Universally admired, she was Hollywood's first full-fledged Black movie star. Film historian Donald Bogle offers a panoramic portrait of Dorothy Dandridge's extraordinary and ultimately tragic life and career, from her early years as a child performer in Cleveland, to her rise as a nightclub headliner and movie star, to her heartbreaking death at 42. Bogle reveals how this exceptionally talented and intensely ambitious entertainer broke down racial barriers by integrating some of America's hottest nightclubs and broke through Tinseltown's glass ceiling. Along with her smash appearances at venues such as Harlem's famed Cotton Club, Dorothy starred in numerous films, making history with her role in Otto Preminger's Carmen Jones, playing opposite Harry Belafonte. Her performance earned her an Academy Award nomination for Best Actress-the first Oscar nod for a woman of color. But Dorothy's wealth, fame, and success masked a reality fraught with contradiction and illusion. Struggling to find good roles professionally, uncomfortable with her image as a sex goddess, coping with the aftermath of two unhappy marriages and a string of unfulfilling affairs, and overwhelmed with guilt for her disabled daughter, Dorothy found herself emotionally and financially bankrupt-despair that ended in her untimely death. Woven from extensive research and unique interviews, as magnetic as the woman at its heart, Dorothy Dandridge captures this dazzling entertainer in all her complexity: her strength and vulnerability, her joy and her pain, her trials and her triumphs.

This study provides an overview of philosophical questions relating to sight and vision. It discusses the intertwinement of seeing and ways of seeing against the background of an entirely different theoretical framework. Seeing is both a proven means of acquiring information and a personality-specific way of disclosing the apparent, perceptible world, conditioned by individual and cultural variations. In a peculiar way, the eye holds a middle position between inside and outside of the self and its relations towards itself and others. This book provides a way out of false alternatives by offering a third way with reference to concrete cases of aesthetical and ethical experiences. It will be of particular interest to scholars of the phenomenology and philosophy of perception and it will be valuable to students of philosophy, cultural studies and art.

Designed for media professionals working across a broad range of formats, Developer's Digital Media Reference is an excellent reference guide for those keeping pace with this dynamic industry. As "convergence" between the World Wide Web, multimedia, and television production communities continues, there is an increased demand for professionals to familiarize themselves with the many new delivery contexts, including hybrid DVD (where digital video content and computer data live on the same disc), interactive TV, and streaming media.

Developer's Digital Media Reference covers essential technologies such as SVG (scalable vector graphics), SMIL (Synchronized Multimedia Integration Language, a markup language for creating animations on the web), MPEG-4 (compression standard for streaming audio/video), and Dynamic Web Applications. In addition to serving as a quick-look-up guide, this text is organized to explain today's major media: server-based architectures, disc-based architectures, distribution architectures, and merging/shared architectures. Each topic is discussed in terms of the technological background-evolution, current tools, and production tips and techniques.
* Enables content creators to work across today's many media platforms: streaming media, broadband, DVD, MPEG, as well as Web TV technologies
* Unites DVD, interactive TV, and World Wide Web technologies for Audio-Video professionals, content creators, and students
* Provides an advanced roadmap for all media pros who must navigate the new content-delivery route: convergent TV, Web, and multimedia technologies

This book offers a clearly written and engaging introduction to the basics of interactive digital media. As our reliance on and daily usage of websites, mobile apps, kiosks, games, VR/AR and devices that respond to our commands has increased, the need for practitioners who understand these technologies is growing. Author Julia Griffey provides a valuable guide to the fundamentals of this field, offering best practices and common pitfalls throughout. The book also notes opportunities within the field of interactive digital media for professionals with different types of skills, and interviews with experienced practitioners offer practical wisdom for readers. Additional features of this book include: An overview of the history, evolution and impact of interactive media; A spotlight on the development process and contributing team members; Analysis of the components of interactive digital media and their design function (graphics, animation, audio, video, typography, color); An introduction to coding languages for interactive media; and A guide to usability in interactive media. Introduction to Interactive Digital Media will help both students and professionals understand the varied creative, technical, and collaborative skills needed in this exciting and emerging field.

This handbook is an essential creative, critical and practical guide for students and educators of screen production internationally. It covers all aspects of screen production-from conceptualizing ideas and developing them, to realizing and then distributing them-across all forms and formats, including fiction and non-fiction for cinema, television, gallery spaces and the web. With chapters by practitioners, scholars and educators from around the world, the book provides a comprehensive collection of approaches for those studying and teaching the development and production of screen content. With college and university students in mind, the volume purposely combines theory and practice to offer a critically informed and intellectually rich guide to screen production, shaped by the needs of those working in education environments where 'doing' and 'thinking' must co-exist. The Palgrave Handbook of Screen Production fills an important gap in creative-critical knowledge of screen production, while also providing practical tools and approaches for future practitioners.

Sustainability in an Imaginary World explores the social agency of art and its connection to complex issues of sustainability. Over the past decade, interest in art's agency has ballooned as an increasing number of fields turn to the arts with ever-expanding expectations. Yet just as art is being heralded as a magic bullet of social change, research is beginning to throw cautionary light on such enthusiasm, challenging the linear, prescriptive, instrumental expectations such transdisciplinary interactions often imply. In this, art finds itself at a treacherous crossroads, unable to turn a deaf ear to calls for help from an increasing number of ostensibly non-aesthetic fields, yet in answering such prescriptive urgencies, jeopardizing the very power for which its help was sought in the first place. This book goes in search of a way forward, proposing a theory of art aiming to preserve the integrity of arts practices within transdisciplinary mandates. This approach is then explored through a series of case studies developed in collaboration with some of Canada's most prominent artists, including internationally renowned nature poet Don McKay; Italian composer and Head of Vancouver New Music, Giorgio Magnanesi; the renowned Electric Company Theatre, led by Kevin Kerr; and finally through a largescale multimedia installation aiming to reimagine the relationship between climate, culture, and human agency. Sustainability in an Imaginary World will be of great interest to students and scholars of arts-based research fields, sustainability studies, and environmental humanities.

This collection interrogates and stimulates deep, cross-disciplinary engagement with the various understandings and interplays of 'radio modernisms' from the early decades of the twentieth century through to the 1950s. Academics from a range of different disciplines explore their common interests in the richness and heterogeneity of BBC Radio's imaginative programming - in terms of sound; as cultural events from specific moments in time; as team creations; as something experienced live in the domestic context; and as cultural works that, in many cases, attracted a certain canonical pedigree. Radio modernisms are, as these chapters demonstrate, a combination of the particular, the contingent, and the contextual. More than a decade after the publication of the first scholarly works to yoke together 'modernism' and 'radio', this collection emphasises the plurality of 'modernisms' as a defining aspect of contemporary BBC historiography. The authors bring multiple lenses to bear - including race, gender, and transnationalism - in order to (re)locate twentieth-century radio programming in broad, expansive contexts. They also underline the dynamic entanglements of radio - and radiogenic feature programmes, in particular - with other kinds of media and cultural forms and formats, reframing radio as a site of and vehicle for remediation and intermediality. In examining the myriad ways in which radio gave shape to new modernities, and both evolved and constituted new forms of modernism, this collection offers fresh perspectives on the interconnected significance of 'radio modernisms' within the socio-cultural, literary, and political landscapes of twentieth-century Britain. This book was originally published as a special issue of Media History.

This scholarly work looks at the issue of politics and performance in America today with particular attention paid to performances produced by activists, the NEA Four, and `Miss Saigon'.

'If you want to be more present, more reactive and have more fun - this book is for you' SARA PASCOE 'Funny, insightful and inspiring' RACHEL PARRIS 'Essential reading for anyone wanting to do life, but better' CARIAD LLOYD 'A wonderfully witty, charmingly personal guide to the art of improvisation for the stage & life' DEBORAH FRANCES WHITE An improviser's guide to embracing whatever life throws at you! PIPPA EVANS is an expert in saying Yes - and No. She's a master of thinking on her feet, but has also had to learn how to go with the flow. In this book she's passing on everything she's learnt from her award winning improv career, as both a performer and teacher, so YOU can take centre stage in your own life. In telling her story, delving into the craft of improvisation, and sharing fun exercises and practice you can do at home, Pippa will help you become fully yourself - realising your potential and ability to adapt to the ever changing world around you. It's dangerous, being yourself, but let's just take it one step at a time. Open the book, take a breath and get ready to say YES. (If it's a NO from you then perhaps consider buying for a friend, family member or enemy who you think needs some improv-ment)

Concert Design: The Road, The Craft, The Industry offers an exceptional journey though the world of concert design, exploring not only its unique design attributes but also the industry that has grown around it and how to make a career of 'the road'. Concert designer Seth Jackson analyzes how the industry has changed over the last three decades - from its early days of 'no rules' and 'cowboys' to a thriving and growing industry with countless career opportunities. Drawing on 25 years of experience and clients ranging from Carrie Underwood to Don Henley, he explores design techniques, working with Artists and directors, the rigors of concert touring, and navigating a career path through a challenging industry. The book also includes stories from numerous industry luminaries such as Steve Cohen, Jeff Ravitz, Eric Loader, Howard Ungerleider, and Jim Lenahan, along with Jackson's own experiences. Written for aspiring concert lighting designers and students of Concert Lighting and Theatre Lighting courses, Concert Design is an excellent resource for anyone who has ever wondered what backstage life is really all about.

This book offers an account of an unprecedented North American study of contemporary female and male strip shows. It particularly focuses on the contradictory sex roles, cultural positions, and performance practices of 'straight' strip shows during their second heyday in the early 1990s.
Katherine Liepe-Levinson's research took her to over seventy different strip bars, clubs, theatres and sex emporiums ranging from elaborate lap-dancing and couch-dancing 'gentlemen's' clubs in New York, Houston, and San Francisco; to Peoria's onetime duplex cabaret where women strip for men downstairs, and men for women upstairs; to the nightclubs of Montreal where female and male performers displayed the 'Full Monty'.
Liepe-Levinson's intriguing, comprehensive study concentrates on the cultural and theatrical elements of the strip shows themselves including the geographic locations and interior designs of the clubs, the choreography and costumes of the dancers and the all-important participation of the audience. She draws upon a variety of methodologies as well as interviews with performers to explore how the strip show's cultural and theatrical aspects simultaneously uphold and break traditional sex roles. Her findings readily complicate several of the most prominent and prevalent theories about sexual representation, gender and desire.

This book offers an account of an unprecedented North American study of contemporary female and male strip shows. It particularly focuses on the contradictory sex roles, cultural positions, and performance practices of 'straight' strip shows during their second heyday in the early 1990s.
Katherine Liepe-Levinson's research took her to over seventy different strip bars, clubs, theatres and sex emporiums ranging from elaborate lap-dancing and couch-dancing 'gentlemen's' clubs in New York, Houston, and San Francisco; to Peoria's onetime duplex cabaret where women strip for men downstairs, and men for women upstairs; to the nightclubs of Montreal where female and male performers displayed the 'Full Monty'.
Liepe-Levinson's intriguing, comprehensive study concentrates on the cultural and theatrical elements of the strip shows themselves including the geographic locations and interior designs of the clubs, the choreography and costumes of the dancers and the all-important participation of the audience. She draws upon a variety of methodologies as well as interviews with performers to explore how the strip show's cultural and theatrical aspects simultaneously uphold and break traditional sex roles. Her findings readily complicate several of the most prominent and prevalent theories about sexual representation, gender and desire.

Alexander Dumas's rip-roaring yarn of derring-do, palace intrigue, and slushy amour, seamlessly transplanted to Pantoland. Here we find those famous swashbucklers, Porthos, Aramis, Athos and D'Artagnan, effortlessly recast as a bevy of roistering, thigh slapping lovelies - Principal Garcons par excellence. Throw in the despicable Cardinal Richeleeugh, his debauched sidekick Le Chevalier Du Lobster Roquefort, a clutch of other eminently hissable villains, plus a giant pantomime snail, and you have all the ingredients for un panteau cordon bleu.Large flexible cast

Based on the nineteenth century story by the French Countess d'Aulnois the story concerns the heirless King Pat-a-Cake of Euphoria who has three adopted sons. Seeking a successor he sets them a task, offering the throne to the winner. Dim-witted Princes Fyne and Dandi squabble over he quest whilst Prince Peerless encounters a beautiful girl on his travels. She is, in fact, Princess Rosamund, hidden twenty years ago by her distraught parents who believed she would be forced to marry Prince Ghastly by his mother Queen Venoma, who is still searching for her, using her magic powers.Large flexible cast

***** THE PERFECT GIFT FOR FIRST-TIME DADS 'So funny you'll be glad you're having a baby!' - Josh Widdicombe 'Great advice - funny enough to read if it wasn't.' - Romesh Ranganathan Are you ready for fatherhood? DON'T PANIC - dad and comedian George Lewis is here with all the seriously useful practical and emotional advice that you need to keep you (and your partner) sane! From birth to pre-school, EVERYTHING you need to know is here. And even better, it's packed with useful tips, inside knowledge and hilarious real-life stories from dads and medical professionals who know exactly what it's like to take your first steps as a new father. With contributions from fellow comedians Adam Kay, Romesh Ranganathan, and many others this book will get you totally prepared for the biggest thing to even happen in your life! WITH HELP FROM ADAM KAY - ANDY PARSONS - CARL DONNELLY - ELIS JAMES - IAIN STIRLING - IVO GRAHAM - JEN BRISTER -JOSH WIDDICOMBE - KERRY GODLIMAN - MATT CROSBY - RICH HALL - ROMESH RANGANATHAN - RUSSELL KANE - SINDHU VEE & The Midwife

This text contains all the information necessary to get the best out of an Avid system, presented in a clear, accurate and easy-to-follow format. The book provides a comprehensive guide through all the main video editing tools of Media Composer, Avid Xpress and Symphony. The techniques are all based on the latest versions of the software, with specific references to version 7, 8, 9 and 10 Media Composer and version 4 Xpress. These are all cross-platform with specific Mac and Windows NT information included.

Contents:
1. Introduction
A place for leisure and tourism? From geography to geographies Theorising the social-cultural nexus Social and cultural geographies of leisure and tourism landscapes
2. Locating Landscapes: Geographies of Lesiure and Tourism
Introduction Colonial geographies: mapping regional territories Systematic geographies: modelling land use and tourism Landscape evaluations: mapping scenic amenity in leisure and tourism Tourism geographies: topologies of land use Structuralist interpretations of leisure and tourism landscapes Post-colonial geographies of leisure and tourism Geography's cultural turn: the spatiality of leisure and tourism Leisure geographies of the street Tourism geographies of the spectacle and monument Geographies of social and cultural exclusion Overview
3. Moving Landscpaes: Leisure and Tourism in Time and Space
Introduction The Journey, travel and discovery Prospects of pleasure, landscapes of feeling Annihilating time and distance Landscape, leisure and mobility Road to nowhere? Overview
4. Valuing the Countryside: Leisure, Tourism and the Rural Landscape
Introduction Nature was His book Access and exclusion Landscape fit for heroes A people's charter for the open air A countryside for all? Overview
5. Introduction A landscape aesthetic? The socio-cultural context Landscape and imaginative reconstuction The Highlands of Scotland Ossianic tourism The Highlander in the picture The Highlands of Walter Scott Travelling in the Highlands Royal Patrons A Literary way of seeing The real Highlands Overview 6. Heritage Landscapes: Merging Past and Present Introduction The evolution of heritage Heritage in the landscape Stonehenge: multi-vocal landscape Avebury: evolving landscape Tintagel: mythical landscape Overview 7. Gendered Landscapes: Constructing and Consuming Leisure and Tourism Inroduction Spatialised feminism Feminism and leisure landscapes Gendered space Deconstructing dualisms The gendered other Gender and landscapes of tourism Gender and landscapes of heritage Overview 8. Retrophilia and the Urban Landscape Introduction Antiquity, restoration and fake Reverence, worldliness and action Modernism, collective memory and amnesia Urban conservation and civic pride Commercialism, decadence and tourism The historic quarters of London's City Fringe Overview 9. Landscapes of Desire: Reappropriating the City Introduction Queer space: material and symbolic landscapes Gay destinations: the landscape of the city Sexuality and spectacle: the landscape of the street Sexuality and hospitality: the landscape of the hotel Overview
10. Leisure, Tourism and Culture: Relocating Landscapes