"Science and the Stanislavsky Tradition of Acting "offers new
insight into the well-known tradition of acting. Rooted in practice
this is the first book to contextualize the Stanislavsky tradition
with reference to parallel developments in science, it presents an
alternative perspective based on philosophy, physics, romantic
science and theories of industrial management.
Working from practical sources, historical and archive material
Jonathan Pitches traces an evolutionary journey of actor training
from the roots of the Russian tradition, Konstantin Stanislavsky,
to the contemporary Muscovite director, Anatoly Vasiliev. The book
explores two key developments that emerge from Stanislavsky's
system - one linear, rational and empirical, while the other is
fluid, organic and intuitive. The otherwise highly contrasting
acting theories of Vsevolod Meyerhold (biomechanics) and Lee
Strasberg (the Method) are dealt with under the banner of the
rational or Newtonian paradigm; Michael Chekov's acting technique
and the little known ideas of Anatoly Vasiliev form the centerpiece
of the other Romantic, organic strain of practice. "Science and the
Stanislavsky Tradition of Acting" opens up the theatre laboratories
of five major practitioners in the twentieth and twenty first
centuries and scrutinizes their acting methodologies from a
scientific perspective.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Routledge Advances in Theatre & Performance Studies |
Release date: |
September 2005 |
First published: |
November 2005 |
Authors: |
Jonathan Pitches
|
Dimensions: |
234 x 156 x 19mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
236 |
ISBN-13: |
978-0-415-32907-1 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
General
|
LSN: |
0-415-32907-8 |
Barcode: |
9780415329071 |
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