R.U.R.--written in 1920, premiered in Prague in 1921, and first performed in New York in 1922--garnered worldwide acclaim for its author and popularized the word robot. Mass-produced as efficient laborers to serve man, Capek's Robots are an android product--they remember everything but think of nothing new. But the Utopian life they provide ultimately lacks meaning, and the humans they serve stop reproducing. When the Robots revolt, killing all but one of their masters, they must strain to learn the secret of self-duplication. It is not until two Robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium's intersection with contemporary social issues, film's kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.

Roland Auguet examines the Roman taste for blood and considers what the games, that strange combination of Cruelty and Civilization, reveal about the Roman mentality. He shows how the great spectacles became a part of city life - they were awaited with impatience, everyone discussed them, some applauded the action in the arena, while others booed frantically.
This book provides an exciting history of gladiators, chariot racing and other games as well as an investigation of their function and significance within society. It is essential reading for anyone who is interested in the Romans' violent form of entertainment.

The first serious study of tournaments throughout Europe reveals their importance - in the training of the medieval knight, the development of arms and armour, as an instrument of political patronage, and as a grand public spectacle. Will appeal to a wide audience. It is beautifully presented...the illustrations add further glory to a thorough historical analysis which is based on extensive research in Europe-wide sources... particularly useful in bringing toour attention lesser-known materials from the Iberian peninsula. The level of discussion, range and thoroughness of treatment and excellence of annotation make this a useful reference work for the academic historian too: it is hard to find any aspect of tournaments that is not covered.HISTORY The first serious study of tournaments throughout Europe reveals their importance - in the training of the medieval knight, the development of arms and armour, as an instrument of political patronage, and as a grand public spectacle.

As seen on The View and Good Morning America! If you think Joan Rivers said funny, outrageous, and ridiculous things ONSTAGE, wait 'til you read the funny, outrageous, and ridiculous things she said OFFSTAGE...things that will make you laugh out loud...and keep Melissa in therapy for the foreseeable future. The only thing my mother loved more than making people laugh was lying...or as she'd say, "embellishing." Her motto was: "Why let the truth ruin a good story?" This book contains some of those stories. ***************** "When Joan told a story, the truth disappeared faster than I did." - Jimmy Hoffa "If you thought Dante's Inferno was hot, read Lies My Mother Told Me; it's a five-alarmer." - Dante's second wife, Allie "Twelve of my twenty-six personalities loved this book." - Sybil "The words on the page absolutely crackle and spark; I burned my fingers reading it!" - Annie Sullivan "The Bible may be the good book, but Lies My Mother Told Me is way funnier." - Matthew 2:14 The Jets. 7 "Lies My Mother Told Me is the feel-good book of 2022." - Torquemada "All's not well that ends well. I've had massages with happier endings." - Wm. Shakespeare "Melissa, I don't care what your mother said in this book, I LOVE your bangs." - Mamie Eisenhower "Lies My Mother Told Me is so funny even those 'woke' m***********s will laugh." - Lenny Bruce

Il testo contiene una raccolta di esperienze personali, tecniche teoriche e pratiche innovative (Teoria dello Sciame) sul Marketing Politico dei Social Network non convenzionale preceduto da una descrizione del Marketing Politico tradizionale sui Social Network. Governare la Rete senza Comandarla

In Torch Song - the two-act revival of Harvey Fierstein's award-winning Torch Song Trilogy - the life of Arnold Beckoff, a torch song-singing, Jewish drag queen living in New York City, is dramatized over the span of the late 1970s and 1980s. Told with a likable, human voice, Torch Song follows Arnold's odyssey to find happiness in New York. All he wants is a husband, a child, and a pair of bunny slippers that fit, but a visit from his overbearing mother reminds him that he needs one thing more: respect.

Stuck at home in a state of shocked limbo, Julie and Zander, two thirteen-year-olds, try to make sense of the chaos they've witnessed, their awkward crushes, and an infinitely more complicated future - but the grown-ups are no help at all. An urgent response to our times, This Flat Earth is a startling and deeply felt story of growing up in our confounding world.

Smack-dab in the middle of America in Winnetka, Illinois, four women enter a Betty Crocker cooking contest in hopes of changing their lives. What they get is much more than they bargained for. Little did they know that it would take a zoologist from Indiana University, Alfred C. Kinsey, to really get them "cooking"! In an age when people believed the way to a man's heart was through his stomach, the four women discover that the way to a woman's heart is through her best friends.

Set in San Diego, this gripping, time-bending story sheds light on a little-known chapter in medical history during the onset of the AIDS crisis. While navigating through the complexities of the medical establishment, Roz and Ray tells a profound story of love, trust, and sacrifice that grapples with the messy process of healing the human heart.

Klook is a drifter who's gotten too old to drift. Vinette is on the run but she doesn't know what's chasing her. Together they make a tentative stab at happiness, before the past they are evading begins to catch up with them. Tough, tender, funny and poignant, Klook and Vinette will grab you from the inside out. Soulful music and a lyrical text make this a mesmerising theatre experience.

Behind Lily's every move lies her greatest secret, her undying devotion to the child she was forced to abandon. The Confession of Lily Dare is the latest comic melodrama written by and starring the legendary master of theatrical parody Charles Busch (Vampire Lesbians of Sodom, Die Mommie Die, The Divine Sister). Here he celebrates the gauzy "confession film" tearjerkers of early 1930's pre-code cinema, such as The Sin of Madelon Claudet, Frisco Jenny, and Madame X.

Based on over seventy interviews conducted around the world by playwright Paul Lucas, Trans Scripts, Part I: The Women is a compelling exploration of the lives of trans women, as told in their own words. These unique and compelling stories are honest, funny, moving, insightful, and inspiring, but most of all, they are human, shedding light not on our differences but on what we all, as humans, share.

As lines between characters and actors - as well as observers and observed - blur, a dizzying series of vignettes builds to a climactic moment in which performance and reality collide, highlighting the absurdity of anti-Blackness in our society. Through facilitation and dialogue we must decide how to cope, resist, and move forward.