Written by leaders in a wide range of creative fields and from all corners of the Asian region, this collection of essays presents arts and education programs which reflect traditional and contemporary practices. The volume aims to encourage the use of the arts in developing international understanding, celebrating cultural diversity, building cultural bridges and creating cross-cultural dialogue throughout the Asian region.

The Unofficial Ultimate Harry Potter Spellbook is a beautiful, elegantly designed reference that details all of the known spells cast in the Harry Potter films, books, video games and card games, as well as official Harry Potter spinoffs, such as Fantastic Beasts and Where to Find Them. Each spell is given its own entry including spell name, pronunciation details, a description of the spell effect, spell casting methods, wand movements, hand movements and vocalizations, plus primary sources in which the spell was used. Readers will also find trivia related to each spell, such as who it was used against, what the outcome was, or what a spell's unusual history might be.

The representation and experience of embodiment is a central preoccupation of Samuel Beckett's drama, one that he explored through diverse media. McMullan investigates the full range of Beckett's dramatic canon for stage, radio, television and film, including early drama, mimes and unpublished fragments. She examines how Beckett's drama composes and recomposes the body in each medium, and provokes ways of perceiving, conceiving and experiencing embodiment that address wider preoccupations with corporeality, technology and systems of power. McMullan argues that the body in Beckett's drama reveals a radical vulnerability of the flesh, questioning corporeal norms based on perfectible, autonomous or invulnerable bodies, but is also the site of a continual reworking of the self, and of the boundaries between self and other. Beckett's re-imagining of the body presents embodiment as a collaborative performance between past and present, flesh and imagination, self and other, including the spectator / listener.

The scandal sheets and gossip magazines fabricate stories about who is sleeping with whom and who is getting divorced, or pregnant, or suffering from some exotic disease. Instead of depending on these very unreliable sources for her celebrity fix, psychic Lai Ubberud is going straight to a genuine source -- their pets.

Did you know

Tinkerbell's disappearance may not have been an accident?

El Alamein and Little Man miss their Gipper?

Max is hopeful that George will find the right lady?

Read, learn, and smile your way through this charming and beautifully illustrated book to see just what Paris Hilton's delightful dog, Ronald Reagan's regal horses, and George Clooney's potbellied pig think about their owners' quirks, habits, and dislikes.

"I wish I'd met Lai while I was still alive. She could have interpreted for me to the scientists and the people who just saw me as an experiment! I had feelings like any other animal or human being. "Celebrity Pets" will help science take a step forward."

-- Dolly the cloned Sheep

"I really enjoyed the stories about celebrities. They prove that people in the limelight are like everybody else: They have feelings, get sick, suffer, stress out, worry and -- above all -- love and trust their beloved pets. Great job!"

-- Benji the movie and TV star

"What an exciting book! It is witty and sad, yet very insightful and expresses the love that animals have for our human families! Congratulations. I couldn't have done better myself."

-- Mr. Ed the talking Horse

"I think "Celebrity Pets Tell All" will open new lines of communication with animals, confirming that we animals are as capable of talking as humans are.Congratulations for making interspecies communication easier."

-- Koko the signing Gorilla

'This is the Pandora's Box of self-help books.' - Conan O'Brien One of this generation's hottest and boldest young comedians, Daniel Sloss presents a transgressive and hilarious analysis of all of our dysfunctional relationships, and attempts to point us in the vague direction of sanity. Including lovers, ex-lovers, ex-lovers who you hate, ex-lovers who hate you, with parents, with best friends (male and female), not-best friends, with children, with siblings, and even with the global pandemic and our own mortality.

This edited collection explores the representations of identity in comedy and interrogates the ways in which "humorous" constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture. Should there be limits to free speech when humour is aimed at marginalised social groups? What are the limits of free speech when comedy pokes fun at those who hold social power? Can taboo joking be used towards politically progressive ends? Can stereotypes be mocked through their re-invocation? Comedy and the Politics of Representation: Mocking the Weak breaks new theoretical ground by demonstrating how the way people are represented mediates the triadic relationship set up in comedy between teller, audience and butt of the joke. By bringing together a selection of essays from international scholars, this study unpacks and examines the dynamic role that humour plays in making and remaking identity and power relations in culture and society.

Rob Ryder made that pledge to his wife, and he was determined to stick to it. As technical consultant on blockbuster sports films, he had seen up close how the film business works and what kind of chaos can, and usually does, ensue. And now he was ready to take it on!

"Hollywood Jock" is the suspenseful, dramatic, outrageous, and honest true story of the year when Rob Ryder, screenwriter, laid it all on the line -- and kicked, scratched, wheeled, dealed, and fought like hell to hit the Tinseltown big time. It is a chronicle of schmoozing producers, shopping screenplays, corralling sports legends, and dodging irate actors -- a fascinating perspective on the highs, the very lows, and the behind-the-scenes madness that makes the world of Hollywood so endlessly compelling . . . and infamously brutal.

Bridgerton's England is a location guide to all the key filming sites in the hit Netflix series with author Antonia Hicks linking each fictional location to its real-life counterpart. Winston Churchill's former gentleman's retreat, The Reform Club, becomes 'Whites Club' where Anthony Bridgerton and Simon Basset meet to discuss infidelities and smoke cigars, and 18th-century dress shop 'Modiste' is a deli in Bath's Abbey Street.

Readers can learn about the locations used for the Bridgertons, Featheringtons, Lady Danbury, the Duke of Hastings, Queen Charlotte, Whites, Vauxhall Pleasure Gardens, Somerset House, Primrose Hill, and Cliveden Castle. Sites include Stowe and Painshill Park, Henry VIII's Hampton Court, Castle Howard, Bath's Royal Crescent, Holburne Art Museum, Wilton House, Lancaster House and the most upmarket Air Force officer's mess in the world!

This is the perfect book for fans of the show but also of grand stately homes and sweeping classical landscapes that producers Chris Van Dusen and Shonda Rhimes picked to bring Julia Quinn's novels to life on the screen. Almost all the stately homes, houses, parks and gardens used in Bridgerton are open to the public and the book examines their history, linking important scenes to each location and giving details of where and when you can visit them to relive the drama.

Learn how to adapt your cinematography and production skills to this growing medium and be part of the movement.

Master the unique technical requirements of shooting 3D stereoscopic images. 3DTV and 3D Cinema defines the concept of a professional 3D camera system and describes what features are required to make a successful unit to keep your production on schedule and on budget. You will learn how to work with the complex hardware and software systems, with a section dedicated to the specific requirements of shooting for 3D cinema. 3D conversions, keying, and CG processes are analyzed, as well as the essential staging, lighting, set dressing, framing, and camera movement techniques. The theoretical knowledge is complemented with real-world examples of 3D TV and cinema productions that are analyzed by crew members or producers.

Shooting theory, rig design, and best practices are fully illustrated Contributions from top 3D cinematographers

The Pacific Northwest has a thriving, rich film culture, and it's finally celebrated in a guide as visually arresting and compelling as the films and television themselves. Author David Schmader put in a lot of screen time watching movies and TV shows, and the result is more than 200 entries that feature hilarious and insightful synopses, behind-the-scene facts and trivia, and regional scenic highlights. Sidebars showcase filmmakers like Gus Van Sant and Lynn Shelton, the television shows that shaped the public's perception of the region (such as Twin Peaks, Shrill, and Portlandia!), documentaries, queer cinema, silent films, Vancouver-shot imposters, and more. This is a book for any cinephile, but for those who love and live in the PNW, it's an absolute must-have.

Robert Wilson, the leading American avant-garde theatre director, revolutionised the stage by making visual communication more important than words. His productions cut across the boundaries that traditionally have defined theatre, dance, opera and the visual arts to create a total work of art. This book, the first comprehensive study of Wilson, traces the evolution of the director's astonishing career as well as his complex relationship to language and his visual rhetoric. It explains how he renovated the stage and describes in detail major productions such as: Deafman Glance, Einstein on the Beach, and the Civil Wars. Arthur Holmberg's numerous personal interviews and first-hand observations of Wilson's creative process, provide an intimate, behind-the-scenes view of one of our most original directors. Photographs and sketches from Wilson's private collection are included, along with a chronology of his work.

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection, now in paperback for the first time and with a new Preface, raises provocative questions about documentary theatre's relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment, globalisation and postmodernity, and explores its past and potential contribution within the public sphere.

The authoritative biography of Britain's most subversive twentieth-century clown from celebrated biographer Graham McCann, author of Dad's Army and Morecambe & Wise. The rambling perambulations, the catchphrases, the bland brown suit and chestnut hairpiece: such were the hallmarks of a revolution in stand-up comedy that came in the unique shape of Frankie Howerd. His act was all about his lack of act, his humour reliant on trying to prevent the audience from laughing ('No, no please, now...now control please, control'). This new biography from Graham McCann charts the circuitous course of an extraordinary career - moving from his early, exceptional, success in the forties and early fifties as a radio star, through a period at the end of the fifties when he was all but forgotten as a has-been, to his rediscovery in the early sixties by Peter Cook. Howerd returned to television popularity with 'Up Pompeii', which led to work with the Carry On team. In his last few years he became the unlikely doyen of the late eighties 'alternative' comedy circuit. But his life off-stage was equally fascinating: full of secrets, insecurities (leading at one point to a nervous breakdown) and unexpected friendships. Graham McCann vividly captures both Howerd's colourful career and precarious private life through extensive new research and original interviews with such figures as Paul McCartney, Eric Sykes, Bill Cotton, Barbara Windsor, Joan Simms and Michael Grade. This exceptional biography brings to life an unique British entertainer.

This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each.

The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.

Formed by five young black men from Chicago, The Flamingos rose to prominence as one of the top vocal acts of the 1950s rock and roll explosion. They appeared in motion pictures and turned out a string of hit records that have remained popular for more than a half-century. Providing a wealth of never-before-told stories of the influential quintet and their experiences in a white-dominated industry, this book details the back-room record deals, life on the road, the creative process, meticulous recording sessions and live performances, based on interviews with original members and those who worked with them.

Literally the last word for Hollywood trivia buffs, a celebrity death certificate is also strangely compelling. Its matter-of-fact reportage makes the famous ordinary, illuminating previously well-lit profiles with the unfiltered light of the everyday. A death certificate may also reveal information that stars concealed, such as actual birthdates. In California, death certificates are a matter of public record--a real mine of information.

This follow-up to M.F. Steen's previous two collections (2003 and 2005) reproduces in full 226 death certificates. Brief biographical notes are included, listing birth and professional name as well as notable film, television and entertainment credits.

Entertainment entrepreneur Nils T. Granlund (1882-1957) created the first movie preview, filmed the first commercial, was the first to broadcast a live sports event, and, as a popular radio personality, introduced the Jazz Age to America via his broadcasts from Harlem's Cotton Club. He is also acknowledged as the creator of the modern nightclub, introducing the high-kicking chorus line to the stages of Las Vegas. But though he was among the highest-grossing entertainers of the World War II era--and famous enough to star as ""himself"" in several Hollywood films--he died virtually penniless, and today is all but forgotten. This work is a comprehensive biography of Nils T. Granlund, from his herding reindeer in Sweden to shepherding the most beautiful chorus girls on Broadway.

Borges and Black Mirror convenes a dialogue between one of the most influential writers of the twentieth century, the philosophical fabulist Jorge Luis Borges, and one of the most important writers and producers of the twenty-first century, Charlie Brooker, whose Black Mirror series has become a milestone in an age of "post-television" programming. The book's introduction provides a detailed examination of the terms of engagement of Borges and Brooker and each of the chapters explores in a sustained way the resonances and affinities between one particular story by Borges and one particular episode of Black Mirror. The result is a series of essays that locate Brooker's work with respect to a rich literary and philosophical tradition on the one hand and, on the other, demonstrate the relevance of Borges's work for anyone who wishes to understand one of our most emblematic cultural artifacts in the age of Netflix.

Essays in this work investigate the relationship between our past and science fiction and fantasy television. Some essays contextualize a particular program or series while others discern ways in which a show depicts history. Thus, through close readings of televised science fiction and fantasy, some authors illuminate such topics as Cold War culture, renegotiations of race and gender, anxiety over the impact of technology, and the legacies of colonialism. Other authors study science fiction and fantasy television to show how historical narratives are constructed and communicated to the larger public.

By the tender of age of five, Bernie Mac had found his calling: making others laugh. Now this amazing comedian delves deep inside to share the poignant story of his childhood and the people who shaped him into the strong, self-reliant man and ruthlessly funny comedian he is today.When Bernie was just sixteen, he lost his mother to cancer.A tough but loving teacher, she showered the unwilling boy with life lessons and "Mac-isms" that would later carry him through many hardships and give him strength during his slow rise to stardom. Maybe You Never Cry Again recounts this ascent in hilarious detail, from eight-year-old Bernie's stand-up comedy performance at a church dinner to open mike nights in Chicago, the jobs he juggled to make ends meet and eventually, his success in entertaining huge audiences on stage, in film, and on television.Maybe You Never Cry Again is a powerful testamentto how a mother's love makes everything possible.

Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals-from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)-author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

This book is about creativity in business, management and many professions. The authors have interviewed well known creative people to identify how creative methods work. Their analysis shows that while there are common themes, creativity will also solve problems with uncommon results. This book is of interest to anyone concerned with creativity.