This book offers an examination of the political dimensions of a number of Jean-Luc Godard's films from the 1960s to the present. The author seeks to dispel the myth that Godard's work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard's little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard's investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director's oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard's work as experiments in dialectical materialist filmmaking, from Le Petit soldat (1963) to Adieu au langage (2014), the author brings attention to Godard's ongoing inquiry on the role filmmakers can have in progressive political engagement.

Cats have quite a few opinions, but with easy-to-follow instructions and helpful diagrams, this book will teach you how - and how not - to elicit approving purrs, mews, and chirps. From "The Booty Lift Pet" to the "I Need That Catnip on My Desk Yesterday Pet," learn over 20 tips and tricks to be the person your cat wants you to be. With bonus insights into cat sounds, body language, and more - as well as charming, full-color illustrations - this fun, lighthearted book will delight cat lovers of all kinds!

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The 'post-classic' era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The intense relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed, and the book tracks the trends in the genre up to and including the landmark HBO television series The Sopranos (1999-2007). A selected filmography listing such productions as Prizzi's Honor (1985), Goodfellas (1990) and The Departed (2005) is included, as well as a pre-1967 filmography covering the significant crime films produced since D.W. Griffith's seminal The Musketeers of Pig Alley (1912).

Dominantie en onderdanigheid, lichtvoetig vertolkt zonder ooit pornografies te worden. Slechts de speelse elementen van de boeiende interactie worden op beschouwende wijze behandeld. De sophisticated schrijver smijt verbaal nimmer met geslachtsdelen naar de lezer toe in zijn proza.

Media pilgrimage has become a booming business in the 21st century. Fans of television shows, rock groups and books flock to places associated with their favorite series, artist or writer, trying to embody and perhaps understand what inspired the beloved piece of work, and, more importantly, to cobble together their own personal identity, seeking meaning in an ever-more divergent and fast-paced world. At the same time, participation in organized group activities are dropping. One of the largest down turns in the US and the UK can be seen in the steep decline of attendance at traditional religious venues. This trend dovetails with the radical uptick in on-line sites dedicated to pop culture and celebrities, as well as an array of niche-focused real-time tours allowing fans to experience the spaces, places and scenery featured in their favorite entertainment medium. The Secular Religion of Fandom: Pop Culture Pilgrim examines the function of fandom, specifically the visiting of spaces which have been recently deemed worthy of sanctification and a newly elevated status of importance. It examines how such pilgrimages are used as a means for forming and maintaining a common language of culture, creating a replacement apparatus based on more traditional frameworks of religious worship and salvation, while becoming an ever more dominant mechanism for constructing individuality and finding belonging in a commodified culture. Looking at television shows such as The Walking Dead and Game of Thrones, bands like The Stone Roses and Joy Division, and authors like J.K. Rowling and the Bronte sisters, The Secular Religion of Fandom: Pop Culture Pilgrim delves into these issues by examining spaces, fan communities and rituals, providing a unique and provocative investigation into how technology, media and humanistic need for guidance are forming novel ways of expressing value, forging self and finding significance in an uncertain world.

A celebration of and behind-the-scenes look at Jerry Seinfeld’s groundbreaking streaming series Comedians in Cars Getting Coffee.

Over eleven seasons and eighty-four episodes, Jerry Seinfeld drove around in classic cars, grabbing coffee and chatting with the funniest people alive. He reminisced with the late Garry Shandling; bantered with legends Steve Martin, Tina Fey, and Eddie Murphy; reunited with the cast of Seinfeld; and even paid a visit to President Barack Obama in the Oval Office. These and dozens of other guests talked about the intricacies of stand-up, the evolution of their careers and personal lives, and whatever else popped into their brilliant minds. The result was not only a hilarious collection of casual yet intimate conversations—a rare opportunity for viewers to witness their favorite performers unscripted and unvarnished—but arguably the most important historical archive about the art of comedy ever amassed.

Now that archive is preserved in the form of a gorgeously designed and carefully curated book. Seinfeld has hand-picked the show’s keenest insights and funniest exchanges. Also included is a fascinating oral history featuring interviews with dozens of crew members, executives, guests, and Seinfeld himself that details how this scrappy creative experiment landed unprecedented access to the White House, earned multiple Emmy nominations, and helped lead the streaming revolution.

Featuring a newly written introduction by Seinfeld and filled with beautiful never-before-seen production photos, this book is essential reading for comedy lovers, car aficionados, coffee connoisseurs, and Jerry Seinfeld fans.

"Ending violent conflict requires societies to take leaps of political imagination. Artistic communities are often uniquely placed to help promote new thinking by enabling people to see things differently. In place of conflict's binary divisions, artists are often charged with exploring the ambiguities and possibilities of the excluded middle. Yet, their role in peacebuilding remains little explored. This excellent and agenda-setting volume provides a ground-breaking look at a range of artistic practices, and the ways in which they have attempted to support peacebuilding - a must-read for all practitioners and policy-makers, and indeed other peacemakers looking for inspiration."Professor Christine Bell, FBA, Professor of Constitutional Law, Assistant Principal (Global Justice), and co-director of the Global Justice Academy, The University of Edinburgh, UK "Peacebuilding and the Arts offers an impressive and impressively comprehensive engagement with the role that visual art, music, literature, film and theatre play in building peaceful and just societies. Without idealizing the role of the arts, the authors explore their potential and limits in a wide range of cases, from Korea, Cambodia, Colombia and Northern Ireland to Uganda, Rwanda, South Africa and Israel-Palestine."Roland Bleiker, Professor of International Relations, University of Queensland, Australia, and author of Aesthetics and World Politics and Visual Global Politics "Peacebuilding and the Arts is the first publication to focus critically and comprehensively on the relations between the creative arts and peacebuilding, expanding the conventional boundaries of peacebuilding and conflict transformation to include the artist, actor, poet, novelist, dramatist, musician, dancer and film director. The sections on the visual arts, music, literature, film and theatre, include case studies from very different cultures, contexts and settings but a central theme is that the creative arts can play a unique and crucial role in the building of peaceful and just societies, with the power to transform relationships, heal wounds, and nurture compassion and empathy. Peacebuilding and the Arts is a vital and unique resource which will stimulate critical discussion and further research, but it will also help to refine and reframe our understanding of peacebuilding. While it will undoubtedly become mandatory reading for students of peacebuilding and the arts, its original approach and dynamic exploratory style should attract a much wider interdisciplinary audience."Professor Anna King, Professor of Religious Studies and Social Anthropology and Director of Research, Centre of Religion, Reconciliation and Peace (WCRRP), University of Winchester, UK This volume explores the relationship between peacebuilding and the arts. Through a series of original essays, authors consider some of the ways that different art forms (including film, theatre, music, literature, dance, and other forms of visual art) can contribute to the processes and practices of building peace. This book breaks new ground, by setting out fresh ways of analysing the relationship between peacebuilding and the arts. Divided into five sections on the Visual Arts, Music, Literature, Film and Theatre/Dance, over 20 authors offer conceptual overviews of each art form as well as new case studies from around the globe and critical reflections on how the arts can contribute to peacebuilding. As interest in the topic increases, no other book approaches this complex relationship in the way that Peacebuilding and the Arts does. By bringing together the insights of scholars and practitioners working at the intersection of the arts and peacebuilding, this book develops a series of unique, critical perspectives on the interaction of diverse art forms with a range of peacebuilding endeavours.

This volume explores the character of the domestic worker in twenty-first century Latin American cinema and analyzes how recent filmic representations of the housemaid question the marginalization of domestic servants, in particular women, by making them the center of their narratives, their families, and society. The essays in this book posit the female domestic worker as an emergent subjectivity, a complex character who problematizes and contests the hierarchical power structures within the family dynamics and new socioeconomic orders found in contemporary Latin America. Readers will find a variety of representations across the continent as well as transnational commonalities of the cinematic figure and role of the housemaid, including the negotiation of a multilayered politics of affection in the framework of prevalent paternalism, and the complex and contradictory dynamic between private and public spaces, where domestic paid labor occupies a central role in maintaining gender, class, and ethnic inequalities.

Bursting with beautiful illustrations to color, Harry Potter: The Official Hufflepuff Coloring Book is a must-have coloring book for members of this house and fans of the magical film series. Grab your colored pencils--it's time for coloring wizardry! Show your house pride with intricate all-new artwork of characters, iconic objects, and magical places from the Harry Potter films, all themed to house Hufflepuff. Featuring important house moments from the Triwizard Tournament, Yule Ball, feasts, and so much more, this coloring book is jam-packed with special designs and scenes every loyal Hufflepuff will love. GORGEOUSLY INTRICATE: 64 pages of intricate designs, perfect for hours of coloring relaxation and creativity BELOVED CHARACTERS: Includes all-new artwork of beloved Hufflepuffs, including Cedric Diggory, Nymphadora Tonks, Pomona Sprout, and more COLLECT ALL HOGWARTS HOUSES: Collect all four official Harry Potter Coloring Books: Gryffindor, Slytherin, Ravenclaw, and Hufflepuff OFFICIAL WIZARDING WORLD COLORING BOOK: Created in collaboration with the studio behind the Harry Potter films 20th ANNIVERSARY: Released to coincide with the 20th anniversary celebration of the first Harry Potter film.

Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Bela Bartok's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Marchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Elegie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.

Juliette is a new mother, but life isn't going the way she'd hoped. She doesn't live in a cottage with roses around the door. She doesn't own a rolling pin. And Daisy's out-of-work actor father still hasn't proposed. While Juliette sobs her way through sleepless nights and nappy changes, Nick drinks Guinness and plays computer games. Meanwhile, his helicopter mother is always on hand to find fault - with Juliette. At least when Nick pops the question, things will look up...won't they? With a supporting cast including Juliette's over-honest mother, potty-mouthed grandmother, militant hippy best friend and handsome-but-scarred hotel magnate Alex Dalton, the first in Suzy K. Quinn's hilarious, bestselling Bad Mother series is a sassy, uplifting, addictive treat.

- ONE-OF-A-KIND CARD DECK: Includes 40 full-color printed cards filled with profiles of top-selling Wheezes (from Puking Pastilles to Fainting Fancies, Screaming Yo-yos, Pigmy Puffs, and beyond), and "Words of Weasley" for magical mischief inspiration; all feature eye-catching graphic artwork from the Weasleys' shop - GUIDED JOURNAL: An accompanying book is filled with prompts for jokes, inventions, and creative ideas of all kinds, plus space for brainstorming and journaling; with full-color graphics and movie images throughout - PERFECT GIFT: A unique gift for fans of the Wizarding World and Harry Potter - OFFICIALLY LICENSED: Authentic Wizarding World collectible - SPECIFICATIONS: 40 illustrated cards are 3 x 5 inches, shrink-wrapped in an interior travel case; journal is an 88-page paperback book, 3 x 5 inches; deck and book are packaged in a keepsake magnetic closure box A note on packaging: In order to help honor our planet and reduce waste, we have only shrink wrapped the interior card deck, rather than the keepsake box. Please feel confident that your product is not defective or used. When you open your deck, you will find that the actual cards inside the box are shrink wrapped for protection and to ensure first use by the buyer. Copyright (c) 2022 Warner Bros. Entertainment. WIZARDING WORLD characters, names, and related indicia are (c) & (TM) Warner Bros. Entertainment Inc. WB SHIELD: (c) & (TM) WBEI. Publishing Rights (c) JKR. (s22)

In examining the major critical humorists that have clashed with religion, this book investigates the dynamics at the heart of this long-standing cultural antagonism. The dramatic skirmishes recounted here revolve around various facets of religion, including its policies and edicts, its political manifestations, and the nature of faith itself. The popular wits profiled in each chapter draw upon an array of humor techniques (satire, parody, sarcasm, irony, hyperbole, jokes, puns, and the grotesque), and their expressions are analyzed in the contexts of their particular forms and methods. Genres covered include literature (Twain, Vonnegut), journalism (Mencken, Hitchens), film (Monty Python), cartoons (Charlie Hebdo), cartoon sit-coms (The Simpsons, South Park), stand-up comedy (Carlin, Maher), music (Newman, Pussy Riot), performance monologue (Sweeney), and magic (Jillette). Structured in a loose chronology that allows readers to dip and sip as they choose, this entertaining and insightful survey highlights the expressive diversity of our frontline secular humorists in a sweep that spans the last 150 years.

"Land/Scape/Theater" proposes landscape as a necessary paradigm for understanding modern theater's increasingly spatialized aesthetic as well as its engagement with the cultural meanings of place and space.
Embracing subjects as diverse as the "landscape dramaturgy" of Suzan-Lori Parks, Artaud's trip to the Sierra Madre, Gertrude Stein's landscape theory and practice, Guillermo Gomez-Pena's "border subjects," and Bayreuth and Disneyland as cultic sites, "Land/Scape/Theater" draws on a broad range of theory, dramatic texts, and performance. All aspects of modern theater, these essays suggest, including the bedrock Aristotelian constituents of plot and character, have a landscape dimension that often goes unrecognized.
With its broad theoretical range and cross-disciplinary reach, "Land/Scape/Theater" will interest theater theorists and practitioners and cultural studies specialists, including historians of landscape. Theater students, scholars, teachers, directors, designers, and actors will find here a new framework and a new vocabulary for understanding both theater and the larger culture.

This volume explores film and television for children and youth. While children's film and television vary in form and content from country to country, their youth audience, ranging from infants to "screenagers", is the defining feature of the genre and is written into the DNA of the medium itself. This collection offers a contemporary analysis of film and television designed for this important audience, with particular attention to new directions evident in the late twentieth and early twenty-first centuries. With examples drawn from Iran, China, Korea, India, Israel, Eastern Europe, the Philippines, and France, as well as from the United States and the United Kingdom, contributors address a variety of issues ranging from content to production, distribution, marketing, and the use of film, both as object and medium, in education. Through a diverse consideration of media for young infants up to young adults, this volume reveals the newest trends in children's film and television and its role as both a source of entertainment and pedagogy.

"Performing America" provides fresh perspectives on the development of visions of both America and "America"--that is, the actual community and the constructed concept--on a variety of theatrical stages. It explores the role of theater in the construction of American identity, highlighting the tension between the desire to categorize American identity and the realization that such categorical uniformity may neither be desirable nor possible.
The topics covered include the links between politics and the stage during the Federalist period, the appropriation of "Indian" artifacts, an exploration of early gender roles, and the metaphorical connections between the theater and western expansion. Other essays treat vaudeville's artistically colonized cultures; Chautauqua's attempt to homogenize culture and commercialize American ideals; W. E. B. Du Bois's pageant, "The Star of Ethiopia," as a strategy for constructing "African-American" as "Other" in an attempt to promote a vision of black nationalism; and how theater was used to help immigrants form a new sense of community while joining the resident culture.
The collection then turns to questions of how various ethnic minorities through their recent theatrical work have struggled to argue their identities, especially in relation to the dominant white culture. Two final essays offer critiques of contrasting aspects of the American male.
Throughout, the collection addresses questions of marginality and community, exclusion and inclusion, colonialism and imperialism, heterogeneity and homogeneity, conflict and negotiation, repression and opportunity, failure and success, and, above all, the relationship of American stages at large.It will appeal to readers of a wide range of disciplines including history, American culture, gender studies, and theater studies.
Jeffrey D. Mason is Professor of Theatre, California State University, Bakersfield. J. Ellen Gainor is Associate Professor of Theatre Studies and Women's Studies, Cornell University.

The apples gather for a ceremonious party, Rosie is ready to be picked from the tree and united with her loving parents, Mr and Mrs Russet. But amongst the guests are Bad Apples who send the party into disarray, then the dastardly Pieman arrives looking for fresh apples and the hunt is on.