Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the "spatial turn," contributors from disciplines ranging from geography and history to literary and media studies theorize narrative constructions of the city and cities, and analyze relevant examples from a variety of discourses, media, and cities. Subdivided into six sections, the book explores the interactions of city and text-as well as other media-and the conflicting narratives that arise in these interactions. Offering case studies that discuss specific aspects of the narrative construction of Berlin and London, the text also considers narratives of urban discontinuity and their theoretical implications. Ultimately, this volume captures the narratological, artistic, material, social, and performative possibilities inherent in spatial representations of the city.

Communication Research on Expressive Arts and Narrative as Forms of Healing: More than Words examines a number of widely used expressive arts therapies from a communication perspective, providing case studies and other qualitative investigations focused specifically on communication aspects of expressive therapies including drama, music, and dance/movement therapies. This collection, edited by Kamran Afary and Alice Marianne Fritz and authored by contributors with experience as educators, artists, and licensed therapists, integrates communication, therapy, and pedagogy to explore the role and efficacy of expressive arts therapies. Scholars of communication, performing arts, and mental health will find this book particularly useful, along with mental health practitioners and scholars conducting fieldwork.

Recognized from Seinfeld and MTV, Dan Cortese now gives readers a personal and humorous look at the life and career of an American TV actor and host Fans of Veronica's Closet, MTV Sports, What I Like About You, 8 Simple Rules, and Castle will relish this exclusive account of Dan's life and career. Step Off! is a hilarious look inside the eccentric experiences of a Hollywood favorite. He discusses life from his own honest, outrageous Hollywood perspective. Cortese shares the lessons he's learned--and a few he hasn't--working on screen for over two decades as an American actor. He also reveals details about his most rewarding job: being a father. Step Off! is a side-splitting, heart-warming journey through Dan's life and career, showing the hilarious and memorable aspects of acting, fame, and striving to be a super dad. Follow the actor's path from working in a steel mill in Pittsburgh, to the rock-climbing "Mimbo" on Seinfeld, to his life as a father of three. You're sure to laugh with this noteworthy celebrity book from Dan Cortese.

41 TAC GIA G0P MAT TRONG VAN HOC MOI SO 3 Nguyen Vy Khanh - Hoang Xuan Son - Dang Phung Quan - Duc Pho Nguyen Van Sam - Phan Tan Hai - Nguyen Trung Hoi - Ha Nguyen Du - Pham Quoc Bao - Dang Tho Tho - Le Thi Hue & Dao Trung Dao Nguyen Luong Ba - Huynh Lieu Ngan - Le Hung Tien - Ngo Nguyen Nghiem - Tram Ca Mau - Quynh Thi - Quyen Di - Tran Viet Hai - Sa Chi Le - Khaly Cham - Nguyen Duc Tung - Tran Hoai Thu - Phan Ni Tan - Doan Khanh - Ma Lam - Ha Du - Xuan Thuy - Nguyen Vinh Long - Khe Kinh Kha - Nguyen Thi Khanh Minh - Do Quyen Nguyen Minh Triet - Chu Thuy Nguyen - Ha Bach Quyen - Le Huu - Nguyen Thi Hong Hai - Nguyen Khoi Viet - Tran Dza Lu - Tran Yen Hoa - Nga Phuong Huyen

This book explores the comedy and legacy of women working as performers on the music-hall stage from 1880-1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female 'serio-comic', the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, Shazia Mirza and Sarah Silverman.

W. C. Fields is known as a virtuoso comedian and legendary iconoclast who gave the gift of laughter to multitudes. As the first author to use the newly-opened Fields Papers at the Academy library, Arthur Frank Wertheim illuminates the comedian's arduous ascent to stardom during Hollywood's golden age. The book reveals details of Fields's turbulent private life, from his wife's refusal to divorce, to his estranged son, and to his fleeting relationships with women. Here is a portrait of an aggrieved artist whose emotional anguish found refuge in his poignant comedy about life's frustrations and the human condition. This third volume in Wertheim's trilogy documents Fields's rise to iconic status during the counterculture 1960s, creating a legacy of his comedy for generations to come.

This finely illustrated book offers a simple yet comprehensive 'grammar' of a new discipline. Performance Art first became popular in the fifties when artists began creating 'happenings'. Since then the artist as a performer has challenged many of the accepted rules of the theatre and radically altered our notion of what constitutes visual art. This is the first publication to outline the essential characteristics of the field and to put forward a method for teaching the subject as a discipline distinct from dance, drama, painting or sculpture.
Taking the theory of primary and secondary colours as his model, Anthony Howell posits three primaries of action and shows how these may be mixed to obtain a secondary range of actions. Based on a taught course, the system is designed for practical use in the studio and is also entertaining to explore. Examples are cited from leading performance groups and practitioners such as Bobbie Baker, Orlan, Stelarc, Annie Sprinkle, Robert Wilson, Goat Island, and Station House Opera.
This volume, however, is not just an illustrated grammar of action - it also shows how the syntax of that grammar has psychoanalytic repercussions. This enables the performer to relate the system to lived experience, ensuring a realisation that meaning is being dealt with through these actions and that the stystem set forth is more than a dry structuring of the characteristics of movement.
Freud's notion of 'transference' and Lacan's understanding of 'repetition' are compared to a performer's usage of the same terms. Thus the book provides a psychoanalytic critique of performance at the same time as it outlines an efficient method for creating live work on both fine art and theatre courses.

This book teaches readers how to put a working system together by showing them the equipment available to them, and what it can do. Readers will learn how to create video products using the computer as an editing tool, and how to refine sound and combine graphics with video. Information on web distribution is included.

With the advent of the new digital camcorders developed by Panasonic and Sony in the new DV format, professional quality video is available in consumer-level equipment. At the same time, digital editing is now available for the PC using video capture cards in the $500-$1,000 price range, and digital editing software in the $800-$1,200 range, such as Adobe Premiere. This combination enables users such as the sophisticated amateur video maker, the wedding or business presentation video maker, and people working in multimedia for educational, training, or other presentation purposes, to edit their own work and turn out competent professional-quality video.
Provides amateur and professional videographers information on the newest digital editing software available
Examines a wide range of presentation issues such as sound, and combining graphics with video
Covers web distribution

Sophocles classic drama of a daughter s revenge of her father s murder has been translated into playable language for modern audiences. As an example of Sophoclean tragedy, with its fatalistic acceptance of human doom, Electra is unsurpassed. It is, in addition, a potent metaphor for the current disintegration of some European nations.

This handbook is a comprehensive and up-to-date resource covering the booming field of Audiovisual Translation (AVT) and Media Accessibility (MA). Bringing together an international team of renowned scholars in the field of translation studies, the handbook surveys the state of the discipline, consolidates existing knowledge, explores avenues for future research and development, and also examines methodological and ethical concerns. This handbook will be a valuable resource for advanced undergraduate and postgraduate students, early-stage researchers but also experienced scholars working in translation studies, communication studies, media studies, linguistics, cultural studies and foreign language education.

The first volume to focus exclusively on lesbian performance work, Acts of Passion: Sexuality, Gender, and Performance draws on the experiences and expertise of a wide range of lesbian practitioners and theorists to explore the impact and influences of sexuality and gender on performance. It examines essays, dialogues, and performance texts from theater directors, performers, theorists, playwrights, and performance writers against social and cultural constructs and performance theories to produce a diverse and challenging portrait of lesbian live performance art. The book's penetrating scope covers drag queens, lesbian vampires, representations of lesbian sex, solo artists, the art of collaboration, lesbian aesthetics, and lesbian playwrights writing straight and illustrates why live performance is one of the most dynamic forums in which women can create, control, and produce their work without artistic constraint.Acts of Passion explodes binary definitions of gender and sexuality by destabilizing familiar notions of the 'real'and creating new production values and aesthetics in the process. The relationships between experience and expression, sexuality and cultural placing, context and artistic control, representation and self-representation become clearer as the book discusses: the manner in which women are represented as absent in the signifying system of patriarchal society how questions of purity, 'authenticity,'and self-definition complicate the field of representation the power of lesbian dance performance to make the lesbian body culturally visible several 'new wave'performers--creating work, getting seen, showing flesh, doing politics, and making money the projections, preconceptions, expectations, and general baggage attached to the performing lesbian body what the term 'lesbian playwright'means within contemporary culture 'It's Queer Up North'--a British National Arts Organization the arguments for and against mainstreaming lesbian performanceAnyone interested in theater and performance, cultural studies, gender issues, and the politics of 'positive representation'--whether playwright, performer, director, writer, academic, student, or theatre goer--will find Acts of Passion a powerful step in wrenching the power of representation away from the dominant culture. Defiant, saucy, sexy, and smart, the contributors appropriate their own spaces, identities, crafts, and languages, both within this book and without.

This book problematizes the role of education in an increasingly mediatized world through the lenses of creativity, new media, and consumerism. At the core of the issue, the author argues, creativity in art education is being co-opted to serve the purposes of current economic trends towards designer capitalism. Using an East meets West approach, jagodzinski draws on Deleuze and Guattarian philosophy to explore visual and popular culture in Korean society, addressing the tensions that exist between designer education and art that explores the human condition. In doing so, he challenges art educators to envision a new paradigm for education which questions established media ontologies and incorporates new ways to confront the crisis of the Anthropocene.

In seiner jungsten Erzahlung zeichnet Ralph Pordzik das eindringliche und bewegende Portrait eines Paars, das sich auseinandergelebt hat und dessen Trennung zum Anlass einer beklemmenden Analyse ihrer gemeinsam verbrachten Jahre und Erlebnisse wird. Dabei eroffnet sich dem Leser schrittweise ein Jenseits der alltaglichen Erfahrung, das durch Sprache und Kommunikation wohl ermoglicht wird, aber in seinen Paradoxien durch die gemeinsam und gegeneinander gefuhrten Gesprache nicht mehr fassbar ist.

After a ruthless faction seizes power in Washington, Carlton Berg, a bureaucrat for the State Department, runs off with the new regime's top secret enemies list. Unfortunately for Carlton, the chase has come to an end in a police station in the Ozarks town of Lodus. With a pair of DHS agents on the way, Carlton's last hope is in the people around him: an unsympathetic police chief, an ambivalent administrative assistant, and fellow prisoner Tanya Shepke, a motor-mouthed recidivist who's turned herself in for drunk driving and thinks Skynyrd should be on the new money. The revolution starts now

"The classic drama of a daughter's revenge of her father's murder, in a brilliant new translation for modern audiences. Plays for Performance Series."

In this text a variety of voices and opinions are heard discussing aspects of musical performance. These include those of: a conductor responding to questions about opera in translation and other questions relating to opera; a singer writing about the difficulties and rewards of taking the title role in three different productions of an opera; two orchestral musicians describe their journey into the profession and provide an insight into it; and an ardent concert and opera lover relates his feelings when listening to music in various environments.

A compelling guide to the fundamental place of humour and comedy within Western culture-by one of its greatest exponents Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.

From master comedian Mark Schiff, a long-time touring partner of Jerry Seinfeld, comes a hilarious account of decades of foolery with comedy and acting legends and how he honed his mensch skills in all of life's arenas. Pursuing a career in comedy has always taken a lot of chutzpah. Today Mark Schiff looks back at his fifty-year career as a stand-up comic, actor, and writer and knows he's laughed with the best of them. His comedy and character have been widely praised by everyone from Jerry Seinfeld to Bill Maher, Paul Reiser, and Colin Quinn-as Seinfeld writes in his foreword, Mark is "the greatest comedy pal a guy could ever wish for"-but it hasn't always been easy. In this brilliantly honest collection of essays inducing both heart tugs and deep belly laughs, Mark recounts growing up Jewish in the outer boroughs of New York City and shares how he survived a harrowing childhood and managed health crises, aging, marriage, parenting, and career highs and lows. With wit and wisdom, Mark reminds us that no matter the troubles at-hand, the show must always go on. The result is an unforgettable and highly relatable account from one of the best humor writers of our time that will leave readers of all faiths energized and feeling like they've schmoozed with the best of them.

For more than twenty years, Michael Moore has transformed himself from a marginal filmmaker into a cultural icon, unofficial spokesperson for liberals and the Left. American conservatives constantly use him for target practice and target. Book author, film director, television personality, and Web presence, Moore is now a one-man cultural phenomenon. Although Michael Moore is a constant presence on the media landscape, this is the first volume to focus on the Moore phenomenom. It explores Moore's work in film and elsewhere, bringing diverse perspectives on his activities and status as voice of liberal America and the disenfranchised working class. Topics examined include the disjunction between Moore's celebrity status and everyman, middle-western persona, his self-mocking ironic sensibility, his tendency to diagnose American social and political problems in terms of class rather than gender, his reception abroad, and his uneasy relationship with the conventions of documentary filmmaking. The contributors are leading scholars and film critics, including Paul Arthur, Cary Elza, Jeffrey P. Jones, Douglas Kellner, Richard Kilborn, William Luhr, Charles Musser, Richard R. Ness, Miles Orvell, Richard Porton, Sergio Rizzo, Christopher Sharrett, Gaylyn Studlar, and David Teztlaff. The volume features both assessments of Moore's work in general and close analyses of his most successful films. The result is a definitive assessment of Moore's career to date.

(Applause Books). The complete play scripts to: The Misanthrope by Moliere, English version by Richard Wilbur; Phaedra by Racine, English version by Robert Lowell; The Cid by Corneille, English version by James Schevill; and Figaro's Marriage by Beaumarchais, English version by Jacques Barzun.

Based on a favourite character from BBC TV sitcom `Allo `Allo! In this delightful book, Officer Crabtree's masterly grasp of 'Fronch' falls under the spotlight as never before. From 'Ploose may I hov a kippy of the dooly nosepooper?' to 'frigs logs', 'scrimbled oggs' and 'fosh and chops' the book is a tribute to mangled words and phrases. Arthur Bostrom, who played Officer Crabtree on stage and screen, mixes vowels and pronunciation trying to educate those less gifted in the French 'longwodge'... For example: 'Criss chunnel fairy'... 'Which bonk do you bonk with?'... 'Would you lick a drunk?'.... Illustrated by John Cooper and ideal for travellers and fans of `Allo `Allo! alike, Good Moaning France! is a wake-up call for anyone who thinks they are competent in French (or English or any other language). Readers' questions are answered in Ask Crabtree, there are examples from Crabtree's 'poloce newtberks' and a most unhelpful 'Undex'. In a Foreword music legend Rick Wakeman recalls how he fell off his chair laughing on seeing the character created by screenwriters David Croft and Jeremy Lloyd at the start of the second series (the book is published by permission).