This book was first published in 2009. Literary critics often pursue analyses of music or painting and literature as 'sister arts', yet this was the first full-length study of the treatment of social dance in literature. A vital part of social life and courtship with its own symbolism, dance in the nineteenth century was a natural point of interest for novelists writing about these topics; and indeed ballroom scenes could themselves be used to further courtship narratives or illustrate other significant encounters. Including analyses of works by Jane Austen, W. M. Thackeray, George Eliot and Anthony Trollope, as well as extensive material from nineteenth-century dance manuals, Cheryl A. Wilson shows how dance provided a vehicle through which writers could convey social commentary and cultural critique on issues such as gender, social mobility and nationalism.

Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sur. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular. Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students. "The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Moliere-not to mention Monty Python. Vive la Farce!

Art and life become disturbingly interchangeable when a sculptor of baby dolls meets a woman desperate to recreate the past. This dark comedy takes an unsettling look at work, latex, and the power of creation.
Nominee 2011 Bay Area Theatre Critics Circle Award, Best Original Script

Libro chiave per la comprensione dell'Unione Europea dalle origini ad oggi.

n several of his writings on folk music Bela Bart6k recalls an incident I that happened to him in 1904 during a visit to a small village in Tran 1 syl vania. Quite by chance he heard there an eighteen-year-old Hun garian peasant girl singing Hungarian folk songs whose construction was 2 significantly different from the songs he had known until then. This experience appealed to his imagination far deeper than chance oc currences usually do. It sparked in him a creative fire that was there after to impart to his music certain characteristics that are recognizable today as indigenous to the Bart6kian style of composition. The inspirational value of the incident was rekindled by return trips to Transylvania. During these trips he was not merely listening. He began notating, melodies, building them into a coordinated collection. Soon Bart6k's itinerary took him into villages populated in checkered proximity by both Hungarians and Rumanians, thence into little communities where the population was exclusively Rumanian. There he discovered that their songs were much less, if at all, influenced by the urban civilization of Western Europe than those he had collected in Hungarian villages. In an interview he gave to a Transylvanian newspaper in 1922, Bart6k described the difference between the available Hungarian and Rumanian songs."

Running Up That Hill is a celebration of endurance running. Of running ridiculous distances - through cities, over mountains and across countries. Distances most people couldn't even imagine. But sports presenter Vassos Alexander is hooked!

Why else would he run an ultra in Paris, backwards, having missed the start? Why head to Wales for the world's hardest mountain race with a badly sprained ankle? And why follow in some unforgiving, ancient footsteps and attempt the oldest and toughest footrace on earth, the 153-mile Spartathlon?

There's joy to be found here. Really there is. Vassos recalls his own assaults on these gruelling races, along with ultra-running legends including Scott Jurek, Jasmin Paris, Kilian Jornet, Mimi Anderson and Dean Karnazes. They all testify to the transformative power of endurance running.

It's about the astonishing highs that come from pushing your body to the limit. The confidence and peace when you challenge yourself and succeed. All told, this is a cracking tale of what keeps ultra-distance runners running, mile after mile after mile.

"Hollywood Game Plan" is an in-depth, how-to guide for aspiring Hollywood hopefuls. It provides a concrete, step-by-step strategy to land a job in the entertainment industry.

Written by leaders in a wide range of creative fields and from all corners of the Asian region, this collection of essays presents arts and education programs which reflect traditional and contemporary practices. The volume aims to encourage the use of the arts in developing international understanding, celebrating cultural diversity, building cultural bridges and creating cross-cultural dialogue throughout the Asian region.

The representation and experience of embodiment is a central preoccupation of Samuel Beckett's drama, one that he explored through diverse media. McMullan investigates the full range of Beckett's dramatic canon for stage, radio, television and film, including early drama, mimes and unpublished fragments. She examines how Beckett's drama composes and recomposes the body in each medium, and provokes ways of perceiving, conceiving and experiencing embodiment that address wider preoccupations with corporeality, technology and systems of power. McMullan argues that the body in Beckett's drama reveals a radical vulnerability of the flesh, questioning corporeal norms based on perfectible, autonomous or invulnerable bodies, but is also the site of a continual reworking of the self, and of the boundaries between self and other. Beckett's re-imagining of the body presents embodiment as a collaborative performance between past and present, flesh and imagination, self and other, including the spectator / listener.

The scandal sheets and gossip magazines fabricate stories about who is sleeping with whom and who is getting divorced, or pregnant, or suffering from some exotic disease. Instead of depending on these very unreliable sources for her celebrity fix, psychic Lai Ubberud is going straight to a genuine source -- their pets.

Did you know

Tinkerbell's disappearance may not have been an accident?

El Alamein and Little Man miss their Gipper?

Max is hopeful that George will find the right lady?

Read, learn, and smile your way through this charming and beautifully illustrated book to see just what Paris Hilton's delightful dog, Ronald Reagan's regal horses, and George Clooney's potbellied pig think about their owners' quirks, habits, and dislikes.

"I wish I'd met Lai while I was still alive. She could have interpreted for me to the scientists and the people who just saw me as an experiment! I had feelings like any other animal or human being. "Celebrity Pets" will help science take a step forward."

-- Dolly the cloned Sheep

"I really enjoyed the stories about celebrities. They prove that people in the limelight are like everybody else: They have feelings, get sick, suffer, stress out, worry and -- above all -- love and trust their beloved pets. Great job!"

-- Benji the movie and TV star

"What an exciting book! It is witty and sad, yet very insightful and expresses the love that animals have for our human families! Congratulations. I couldn't have done better myself."

-- Mr. Ed the talking Horse

"I think "Celebrity Pets Tell All" will open new lines of communication with animals, confirming that we animals are as capable of talking as humans are.Congratulations for making interspecies communication easier."

-- Koko the signing Gorilla

'This is the Pandora's Box of self-help books.' - Conan O'Brien One of this generation's hottest and boldest young comedians, Daniel Sloss presents a transgressive and hilarious analysis of all of our dysfunctional relationships, and attempts to point us in the vague direction of sanity. Including lovers, ex-lovers, ex-lovers who you hate, ex-lovers who hate you, with parents, with best friends (male and female), not-best friends, with children, with siblings, and even with the global pandemic and our own mortality.

Rob Ryder made that pledge to his wife, and he was determined to stick to it. As technical consultant on blockbuster sports films, he had seen up close how the film business works and what kind of chaos can, and usually does, ensue. And now he was ready to take it on!

"Hollywood Jock" is the suspenseful, dramatic, outrageous, and honest true story of the year when Rob Ryder, screenwriter, laid it all on the line -- and kicked, scratched, wheeled, dealed, and fought like hell to hit the Tinseltown big time. It is a chronicle of schmoozing producers, shopping screenplays, corralling sports legends, and dodging irate actors -- a fascinating perspective on the highs, the very lows, and the behind-the-scenes madness that makes the world of Hollywood so endlessly compelling . . . and infamously brutal.

This edited collection explores the representations of identity in comedy and interrogates the ways in which "humorous" constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture. Should there be limits to free speech when humour is aimed at marginalised social groups? What are the limits of free speech when comedy pokes fun at those who hold social power? Can taboo joking be used towards politically progressive ends? Can stereotypes be mocked through their re-invocation? Comedy and the Politics of Representation: Mocking the Weak breaks new theoretical ground by demonstrating how the way people are represented mediates the triadic relationship set up in comedy between teller, audience and butt of the joke. By bringing together a selection of essays from international scholars, this study unpacks and examines the dynamic role that humour plays in making and remaking identity and power relations in culture and society.

Robert Wilson, the leading American avant-garde theatre director, revolutionised the stage by making visual communication more important than words. His productions cut across the boundaries that traditionally have defined theatre, dance, opera and the visual arts to create a total work of art. This book, the first comprehensive study of Wilson, traces the evolution of the director's astonishing career as well as his complex relationship to language and his visual rhetoric. It explains how he renovated the stage and describes in detail major productions such as: Deafman Glance, Einstein on the Beach, and the Civil Wars. Arthur Holmberg's numerous personal interviews and first-hand observations of Wilson's creative process, provide an intimate, behind-the-scenes view of one of our most original directors. Photographs and sketches from Wilson's private collection are included, along with a chronology of his work.

This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each.

The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.

The authoritative biography of Britain's most subversive twentieth-century clown from celebrated biographer Graham McCann, author of Dad's Army and Morecambe & Wise. The rambling perambulations, the catchphrases, the bland brown suit and chestnut hairpiece: such were the hallmarks of a revolution in stand-up comedy that came in the unique shape of Frankie Howerd. His act was all about his lack of act, his humour reliant on trying to prevent the audience from laughing ('No, no please, now...now control please, control'). This new biography from Graham McCann charts the circuitous course of an extraordinary career - moving from his early, exceptional, success in the forties and early fifties as a radio star, through a period at the end of the fifties when he was all but forgotten as a has-been, to his rediscovery in the early sixties by Peter Cook. Howerd returned to television popularity with 'Up Pompeii', which led to work with the Carry On team. In his last few years he became the unlikely doyen of the late eighties 'alternative' comedy circuit. But his life off-stage was equally fascinating: full of secrets, insecurities (leading at one point to a nervous breakdown) and unexpected friendships. Graham McCann vividly captures both Howerd's colourful career and precarious private life through extensive new research and original interviews with such figures as Paul McCartney, Eric Sykes, Bill Cotton, Barbara Windsor, Joan Simms and Michael Grade. This exceptional biography brings to life an unique British entertainer.

Formed by five young black men from Chicago, The Flamingos rose to prominence as one of the top vocal acts of the 1950s rock and roll explosion. They appeared in motion pictures and turned out a string of hit records that have remained popular for more than a half-century. Providing a wealth of never-before-told stories of the influential quintet and their experiences in a white-dominated industry, this book details the back-room record deals, life on the road, the creative process, meticulous recording sessions and live performances, based on interviews with original members and those who worked with them.

'The problem with The Problem with Men is that I do believe men will have less trouble with it than the title suggests as it is actually a glorious, funny book written by a glorious funny man' AISLING BEA 'Very moving, one of the few things I've consumed in 2020 that has left me with a sense of hope... but one thing wasn't made clear, when is International Men's Day?' JOHN ROBINS For the past decade, Richard Herring has been answering sexist trolls on International Women's Day when they ask 'when is International Men's Day?' in the mistaken belief there isn't one. If only the trolls had learned to use Google they would realise that there is an International Men's Day - it's on November 19th. In The Problem with Men Richard expands on his Twitter discussions and tackles some of the big questions surrounding the problems of toxic masculinity - for women, but also for men - including: - Should men fear feminism? - Is society sexist against men? - Could you win a point against Serena Williams? *spoiler* The answer to all of these is no. With Richard's signature humour and insight, The Problem with Men is a book for anyone striving for an equal society, all year round. 'This is a great book but I think the last thing it needs is a quote by yet another man' JAMES ACASTER

Literally the last word for Hollywood trivia buffs, a celebrity death certificate is also strangely compelling. Its matter-of-fact reportage makes the famous ordinary, illuminating previously well-lit profiles with the unfiltered light of the everyday. A death certificate may also reveal information that stars concealed, such as actual birthdates. In California, death certificates are a matter of public record--a real mine of information.

This follow-up to M.F. Steen's previous two collections (2003 and 2005) reproduces in full 226 death certificates. Brief biographical notes are included, listing birth and professional name as well as notable film, television and entertainment credits.

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection, now in paperback for the first time and with a new Preface, raises provocative questions about documentary theatre's relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment, globalisation and postmodernity, and explores its past and potential contribution within the public sphere.

Essays in this work investigate the relationship between our past and science fiction and fantasy television. Some essays contextualize a particular program or series while others discern ways in which a show depicts history. Thus, through close readings of televised science fiction and fantasy, some authors illuminate such topics as Cold War culture, renegotiations of race and gender, anxiety over the impact of technology, and the legacies of colonialism. Other authors study science fiction and fantasy television to show how historical narratives are constructed and communicated to the larger public.

By the tender of age of five, Bernie Mac had found his calling: making others laugh. Now this amazing comedian delves deep inside to share the poignant story of his childhood and the people who shaped him into the strong, self-reliant man and ruthlessly funny comedian he is today.When Bernie was just sixteen, he lost his mother to cancer.A tough but loving teacher, she showered the unwilling boy with life lessons and "Mac-isms" that would later carry him through many hardships and give him strength during his slow rise to stardom. Maybe You Never Cry Again recounts this ascent in hilarious detail, from eight-year-old Bernie's stand-up comedy performance at a church dinner to open mike nights in Chicago, the jobs he juggled to make ends meet and eventually, his success in entertaining huge audiences on stage, in film, and on television.Maybe You Never Cry Again is a powerful testamentto how a mother's love makes everything possible.

Borges and Black Mirror convenes a dialogue between one of the most influential writers of the twentieth century, the philosophical fabulist Jorge Luis Borges, and one of the most important writers and producers of the twenty-first century, Charlie Brooker, whose Black Mirror series has become a milestone in an age of "post-television" programming. The book's introduction provides a detailed examination of the terms of engagement of Borges and Brooker and each of the chapters explores in a sustained way the resonances and affinities between one particular story by Borges and one particular episode of Black Mirror. The result is a series of essays that locate Brooker's work with respect to a rich literary and philosophical tradition on the one hand and, on the other, demonstrate the relevance of Borges's work for anyone who wishes to understand one of our most emblematic cultural artifacts in the age of Netflix.