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Musical Modernism and German Cinema from 1913 to 1933 (Paperback, Softcover reprint of the original 1st ed. 2017)
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Musical Modernism and German Cinema from 1913 to 1933 (Paperback, Softcover reprint of the original 1st ed. 2017)
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This book investigates the relationship between musical Modernism
and German cinema. It paves the way for anunorthodox path of
research, one which has been little explored up until now. The main
figures of musical Modernism, from Alban Berg to Paul Hindemith,
and from Richard Strauss to Kurt Weill, actually had a significant
relationship with cinema. True, it was a complex and contradictory
relationship in which cinema often emerged more as an aesthetic
point of reference than an objective reality; nonetheless, the
reception of the language and aesthetic of cinema had significant
influence on the domain of music. Between 1913 and 1933, Modernist
composers' exploration of cinema reached such a degree of
pervasiveness and consistency as to become a true aesthetic
paradigm, a paradigm that sat at the very heart of the Modernist
project. In this insightful volume, Finocchiaro shows that the
creative confrontation with the avant-garde medium par excellence
can be regarded as a vector of musical Modernism: a new aesthetic
paradigm for the very process - of deliberate misinterpretation,
creative revisionism, and sometimes even intentional subversion of
the Classic-Romantic tradition - which realized the "dream of
Otherness" of the Modernist generation.
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