This book is about television in Latin America. Its national and regional industries create most television programming there within genres developed over time in the region. However, part of the programming has always come from the U.S., Europe and elsewhere. With cable, satellite and now streaming TV, that inflow of foreign programming has increased substantially. While many in the audience still prefer national or regional programs for their cultural proximity, an increasing number among the upper-middle and middle classes, particularly the young, are turning to the new foreign services, like Netflix, Amazon and Disney for class distinction, cosmopolitanism or other motives. Among the television industries, global, regional and national actors are creating a variety of programs and channels (broadcast, pay-TV and streaming) to segment and appeal to different parts of the audience.

This volume brings fresh perspectives to the study of James Bond. With a strong emphasis on the process of Bond's incarnation on screen and his transit across media forms, chapters examine Bond in terms of adaptation, television, computer games, and the original novels. Film nonetheless provides the central focus, with analysis of both the corpus as a whole-from Dr. No to Spectre-and of particular films, from popular and much-discussed movies such as Goldfinger and Skyfall to comparatively under-examined texts such as the 1967 Casino Royale and A View to a Kill. Contributors' expertise and interests encompass such diverse aspects of and approaches to the Bond stories as Sound Design, Empire, Food and Taste, Geo-politics, Feminist re-reading, Tarot, Landscape and Sets.

Poetry is increasingly democratic in its use of different formats, but it can be difficult to know how to navigate the range of options available. In a competitive field, this information is not always easy to access, and many poets make mistakes. This handbook is here to help. How do you make the finances work? Should you release a pamphlet or a full collection? Which promoters should you work with? How can you get your work reviewed? How do you maintain a public profile if performance isn't for you? What mentoring and publication options are open for mid-career poets? The Poetry Writers' Handbook will answer all these questions and more. It provides: - practical advice on managing income and funding a career - detailed information on printing and distribution, marketing and publicity, and submission to editors, reviewers and prizes - up-to-date contacts for funding organisations, prizes, publishers and magazines for poets and their work. It gives a clear and up-to-date picture of what poets should focus on at different stages in their career.

The bestselling blogging book--updated in a new edition! Ready to make your mark on the online world? Start a blog! Blogging For Dummies provides you with information on blogging basics, the anatomy of a good blog, and the tools required to get started. Plus, you'll get advice on a blog topic, choosing a domain name and host, writing your first post, planning an editorial calendar, and using your blog as an important part of your personal brand. Decide which of the major blogging platforms will work for you Use SEO to drive traffic to your blog Monetization through advertising and sponsorships Create content that draws readers in Covering shifts in popular blogging platforms and tools, changes in social media, and the latest best practices in the blogosphere, this new edition sets you up for blogging success!

The iconic Star Trek characters' lifestories told for the first time in their own words; perfect for fans of the upcoming Star Trek: Strange New Words. James T. Kirk chronicles the greatest Starfleet captain's life (2233-2293), in his own words. From his youth spent on Tarsus IV, his time in the Starfleet Academy, his meteoric raise through the ranks of Starfleet, and his illustrious career at the helm of the Enterprise, this in-world memoir uncovers Captain Kirk in a way Star Trek fans have never seen. Jean-Luc Picard tells the story of one of the most celebrated names in Starfleet history. His extraordinary life and career makes for dramatic reading: court martials, unrequited love, his capture and torture at the hand of the Cardassians, his assimilation with the Borg and countless other encounters as captain of the celebrated starship Enterprise. Kathryn Janeway reveals her career in Starfleet, from her first command to her epic journey through the Delta Quadrant leading to her rise to the top as vice-admiral in Starfleet Command. The woman who travelled further than any human ever had before, stranded decades from home, encountering new worlds and species and overcoming one of Starfleet's greatest threats - the Borg - on their own remote and hostile territory.

Using the guiding principle of balance, Working in Groups provides students with practical strategies, built on theory and research, for communicating and working successfully in groups. Looking at both how groups work and how to work in groups, this accessible and user-friendly text gives students the tools to apply group communication theories, methods, and skills-helping them become more effective and ethical group members. Comprehensive, up-to-date coverage includes traditional topics, from development and climate to leadership and problem solving, as well as key contemporary areas such as "team talk," communication apprehension, group goal setting, group motivation, critical thinking and argumentation, and listening.

An estranged bi-racial couple must confront their feelings about race and bias after their son is detained by the local police following a traffic stop incident. Their disparate histories and backgrounds inform their assumptions as they try to find out what happened to their son.

'Joyfully entertaining. Full of warmth, wisdom and affectionate delight in the wonder and absurdity of being human.' Observer 'Funny, honest and heart-warming.' Matt Haig What better way to understand ourselves than through the eyes of comedians - those who professionally examine our quirks on stage? In this touching and witty book, award-winning presenter and comic Robin Ince uses the life of the stand-up as a way of exploring some of the biggest questions we all face. Where does anxiety come from? How do we overcome imposter syndrome? What is the key to creativity? How can we deal with grief? Informed by personal insights as well as interviews with some of the world's top comedians, neuroscientists and psychologists, this is a hilarious and often moving primer to the mind.

Katie Makanya, whose voice once charmed Queen Victoria, died in Natal in 1955 at the age of 83. But not before she had related the remarkable story of her life to Margaret McCord, daughter of Dr James McCord, for whom Katie had worked for 35 years as interpreter, dispenser and loyal assistant.;Margeret McCord has written down Katie's oral testimony as a biography that spans the late 19th century into the apartheid years. We read of Katie's travels to England, where as a member of the Jubilee Singers she was presented at court to Queen Victoria; her return to South Africa; her faith, her marriage and her children; and her work with Dr McCord at the Zulu hospital he founded in Durban.

Comedy and Critique explores British professional stand-up comedy in the wake of the Alternative Comedy movement of the late twentieth century, seeing it as an extension of the politics of the New Left: standing up for oneself as anti-racist, feminist and open to a queering of self and social institutions. Daniel Smith demonstrates that the comic sensibility pervading contemporary humour is as much 'speaking truth to power' as it is realising one's position 'in' power. The professionalisation of New Left humour offers a challenge to social and cultural critique. Stand-up comedy has made us all sociologists of self, identity and cultural power while also resigning us to a place where a comic sensibility becomes an acknowledgment of the necessity of social change.

The rapid transformations of the internet have brought about extraordinary changes in the portability and speed of information transfer. These changes present significant opportunities that are yet to be fully recognised by the performing arts community. This paper identifies contemporary developments and explores their impact on the performing arts and their future potential for collaboration, growth and engagement. It also highlights areas of conflict, such as current copyright and intellectual property legislation, issues of site administration, privacy and quality control and speaks to some of the leading experts in the field of social media and the performing arts in Australia.

From intertextuality to postmodern cultural studies, narratology to affect theory, poststructuralism to metamodernism, and postcolonialism to ecocriticism, humanities adaptation studies has engaged with a host of contemporary theories. Yet theorizing adaptation has been declared behind the theoretical times compared to other fields and charged with theoretical incorrectness by scholars from all theoretical camps. In this thorough and groundbreaking study, author Kamilla Elliott works to explain and redress the problem of theorizing adaptation. She offers the first cross-disciplinary history of theorizing adaptation in the humanities, extending back to the sixteenth century, revealing that until the late eighteenth century, adaptation was valued for its contributions to cultural progress, before its eventual - and ongoing - marginalization by humanities theories. The second half of the book offers ways to redress the troubled relationship between theorization and adaptation. Ultimately,Theorizing Adaptation proffers shared ground upon which adaptation scholars can debate productively across disciplinary, cultural, and theoretical borders.

Jokes change from generation to generation, but the experience of the comedian transcends the ages: the drive, jealousy, heartbreak, and triumph. From the Marx Brothers to Milton Berle to George Carlin to Eddie Murphy to Louis CK--comedy historian Kliph Nesteroff brings to life a century's worth of rebels and groundbreakers, mainstream heroes and counterculture iconoclasts, forgotten stars and workaday plodders in this essential history of American comedy. Beginning with the nationwide vaudeville circuits that dominated at turn of the twentieth century, Nesteroff describes the rise of the first true stand-up comedian--a variety show emcee who abandoned physical shtick for straight jokes. The end of Prohibition ushered in a surprising golden age of comedy, as funnymen were made into radio stars and the combination of the "Borscht Belt," the "Chitlin Circuit," and Mafia-run supperclubs furnished more jobs and money than ever before. Those were the days of the Copacabana, tuxedos, and smoking cigars onstage, when insulting the boss could result in a hit man at your door and obscenity charges could land you in jail. In the 1950s, late-night television cemented the status of the comedy establishment while young comics rebelled, arriving on the beatnik coffeehouse scene with cerebral jokes and social angst. They soon found their own way to fame through comedy records that vied with top musicians for Billboard spots. Then came the comedy clubs of the coke-fueled 1970s and 80s, Saturday Night Live and cable TV, and with the internet, a whole new generation of YouTube stars, podcast personalities, and Twitterati. Through the decades, Nesteroff reveals the contradictions between comedians' public and private personas and illuminates the often-seedy underbelly of an industry built on laughs. Based on over two hundred original interviews and extensive archival research, The Comedians is a sharply written and highly entertaining look at one hundred years of comedy, and a valuable exploration of the way comedians have reflected, shaped, and changed American culture along the way.

Borges and Black Mirror convenes a dialogue between one of the most influential writers of the twentieth century, the philosophical fabulist Jorge Luis Borges, and one of the most important writers and producers of the twenty-first century, Charlie Brooker, whose Black Mirror series has become a milestone in an age of "post-television" programming. The book's introduction provides a detailed examination of the terms of engagement of Borges and Brooker and each of the chapters explores in a sustained way the resonances and affinities between one particular story by Borges and one particular episode of Black Mirror. The result is a series of essays that locate Brooker's work with respect to a rich literary and philosophical tradition on the one hand and, on the other, demonstrate the relevance of Borges's work for anyone who wishes to understand one of our most emblematic cultural artifacts in the age of Netflix.

"New York Times" bestselling author Allen St. John started off looking for the world's greatest guitar, but what he found instead was the world's greatest guitar builder. Living and working in Rugby, Virginia (population 7), retired rural mail carrier Wayne Henderson is a true American original, making America's finest instruments using little more than a pile of good wood and a sharp whittling knife. There's a 10-year waiting list for Henderson's heirloom acoustic guitars -- and even a musical legend like Eric Clapton must wait his turn. Partly out of self-interest, St. John prods Henderson into finally building Clapton's guitar, and soon we get to pull up a dusty stool and watch this Stradivari in glue-stained blue jeans work his magic. The story that ensues will captivate you with its portrait of a world where craftsmanship counts more than commerce, and time is measured by old jokes, old-time music, and homemade lemon pies shared by good friends.

Tarkovsky for me is the greatest, wrote Ingmar Bergman. Andrey Tarkovsky only made seven films, but all are celebrated for its striking visual images, quietly patient dramatic structures, and visionary symbolism.Time within Time is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. Intense and intimate, it offers reflections on Dostoyevsky, Tolstoy, Hermann Hesse, Thomas Mann, and others. He writes movingly of his family, especially his father, Arseniy Tarkovsky, whose poems appear in his films. He records haunting dreams in detail and speaks of the state of society and the future of art, noting significant world events and purely personal dramas along with fascinating accounts of his own filmmaking. Rounding out this volume are Tarkovsky's plans and notes for his stage version of Hamlet; a detailed proposal for a film adaptation of Dostoyevsky's The Idiot; and a glimpse of the more public Tarkovsky answering questions put to him by interviewers.

The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Shakespeare's King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play. The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom--one reason this most devastating of Shakespeare's tragedies is also perhaps his most moving. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

This book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney's work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney's creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies.

Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of "loss" and "gain" in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.

Bursting with beautiful illustrations to color, Harry Potter: Gryffindor House Pride: The Official Coloring Book is a must-have coloring book for members of this house and fans of the magical film series. Grab your colored pencils--it's time for coloring wizardry! Show your house pride with intricate, all-new artwork of characters, iconic objects, and magical places from the Harry Potter films, all themed to house Gryffindor. Featuring important house moments from the Sorting Ceremony, Quidditch matches, Yule Ball, feasts, and so much more, this coloring book is jam-packed with special designs and scenes every brave Gryffindor will love. GORGEOUSLY INTRICATE: 64 pages of intricate designs, perfect for hours of coloring relaxation and creativity BELOVED CHARACTERS: Includes all-new artwork of beloved Gryffindors, including Harry Potter, Hermione Granger, Albus Dumbledore, and more COLLECT ALL HOGWARTS HOUSES: Collect all four official Harry Potter Coloring Books: Gryffindor, Slytherin, Ravenclaw, and Hufflepuff OFFICIAL WIZARDING WORLD COLORING BOOK: Created in collaboration with the studio behind the Harry Potter films 20th ANNIVERSARY: Released to coincide with the 20th anniversary celebration of the first Harry Potter film.

Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.