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Arts & Crafts > Fine Art Supplies > Canvas > Gesso
Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.
Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.
Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.
Holbein created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as a highly opaque and ultra-matt finish acrylic paint medium.Holbein Coloured Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matt surface. It may be overpainted with water-based or oil-based colours or pastels.
A flexible acrylic ground with a high grit content designed to provide a stable white surface on which to paint. Atelier Gesso may be used directly from the container for all over thick textural effects.
Holbein has created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as an extremely opaque and ultra-matt finish acrylic paint medium.
A flexible acrylic ground with a high grit content designed to provide a stable white surface on which to paint. Atelier Gesso may be used directly from the container and has a thinner consistency then the regular Atelier Gesso Primer, it spreads more easily for a smoother painting surface.
White Gesso Primer is a unique formulation which needs no dilution. This product is highly adhesive and is ideal for directly sealing all semi-absorbent surfaces before applying colour – both acrylics and oils. Daler Rowney’s White Gesso Primer is suitable for both interior and exterior applications. It dries quickly to produce a matt white surface, with a slight tooth, which is easily sanded for highly detailed work.
Pouches are the green way to buy your Jackson's Acrylic Gesso Primer. Purchasing a primer in a pouch means less wasteful packaging that can harm the environment. These light bags are also great for easy lifting and pouring. The clear packaging tells you instantly how much primer you have left. Space saving bags such as these, are excellent for both transportation and storage. The ability to squeeze the air out of your primer pouch for storage between uses, reduces the dried up edges that can crumble in and contaminate the rest of your gesso. Imagine no more dried up lumps in your primer! Instructions: 1. Stir contents before use. Thin with water up to 10% when applying to absorbent surfaces. 2. Surface to be primed should be clean and free of loose particles. 3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours. 4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer. Avoid exposure to frost and do not apply at temperatures below 5C. |
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