Since first published in 1991 Pocket Jackson's, as it is most often called, has enjoyed enormous success and is constantly rated as a best seller in the Arts & Antiques category. During the last twenty three years important developments have taken place in the Hallmarking system. Most notably the introduction within Europe of a universally accepted system of marking has lead not only to the addition of new marks, but also, to a change of status of several historic marks. This edition brings up to the present day all the date letters and commemorative marks. It also includes the recently introduced marks for Palladium and a section illustrating the Assay Office identification marks of those countries that are signatories to the International Convention marking system. In addition and of importance are the changes made in the early cycles of Dublin date letters which result from recent research by silver scholars in Ireland.

The discovery of silver cannot be pinpointed; humans have mined it far back into antiquity. Our fascination with this malleable metal and the beautiful works of art that can be shaped from it continues to this day. This book brings together two expansive collections of silver objects, the 'Lion' collection and the 'Hamme' collection. The 'Lion' collection provides a broad overview of beautiful silver objects made by a great variety of British contemporary silversmiths. It is divided between holloware, caddy spoons and napkin rings. Part of the collection revolves around the theme of lions, because the lion image bears a resemblance to the collector's family history. The Hamme collection is a spectacular array of 'hero' pieces and commissions that demonstrate some of the best of each silversmith's work. With more than 500 images, Contemporary British Silver Designers shares some of the finest work crafted by 21st-century silversmiths. Interviews with numerous modern silversmiths - Jane Short, Kevin Grey, Miriam Hanid, Nan Nan Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter, Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd and Wally Gilbert - offer insight into the silversmiths' process and inspirations. Brief biographies are also included on numerous other silversmiths whose work is featured in this book: Phil Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker, Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, , Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork, Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers and Katie Watson, among others.

This book examines the art of the gold box in 18th and 19th century Europe. Distinguished international scholars explore the contributions made by individual workshops in major European centres of production in the context of contemporary patronage and the international market for such boxes. Consideration is given to the design of gold boxes with reference to the V&A's important collection of design drawings. Leading experts explore the ways in which different techniques of gold box decoration -- portrait miniatures, gems, enamels, mosaics and hard-stones -- were developed. Contributors to the volume include experts from Amsterdam, Berlin, Dresden, London, Munich, New York, Paris, Rome, and St Petersburg. Senior museum curators, auction house specialists and independent scholars illustrate and discuss examples from private and public collections in their cities and elsewhere. The result is a unique record of the state of knowledge on the European production of gold boxes and of the history of collecting. This book will appeal to international collectors, scholars, dealers, museum curators and museum visitors, and all those interested in gold and silver fine art.

Antique household items made from silver, both sterling and plated, fill these pages in over 1300 engravings from period catalogs. Detailed descriptions include pattern names and numbers, special features, and values lists. Many collecitble souvenir spoons are shown along with table items from ash trays to wine coolers. The decorative tastes of a hundred years ago are represented in these images.

A beautifully illustrated book exploring the art of Iran and Central Asia from the 5th to the 2nd Millennium BC This richly illustrated book explores the art of ancient Iran and Central Asia between the 5th and 2nd millenniums BC, a time that proved to be one of the region's most prolific periods. Over this period, the first cities arise, strengthen their power and multiply, and undergo continuous innovation. To serve this new world, items are invented and artistry flourishes-jars for storage and transportation of goods, prestigious weapons, jewellery, ceremonial vessels and statuary. Exquisite photography and illustrations throughout the book demonstrate the skilful design and wealth of materials used to create such objects. Ancient Iran was rich in minerals, while Central Asia had precious commodities such as lapis lazuli, gold and tin. Showcasing the distinctive artistic output of the region, magnificent objects from the Sarikhani Collection and other collections come together in this illuminating book. Distributed for the Sarikhani Collection

The Fitzwilliam Museum, University of Cambridge, holds stunning examples of jewellery and metalwork from the late nineteenth and early twentieth centuries. This exceptional period of design covers the neo-Gothic and historicist designs of the mid- to late nineteenth century, the groundbreaking work of British Arts & Crafts designers, sinuous curves influenced by the European Art Nouveau movement and the structural modernity of the 1930s. The collection contains jewellery by some of the finest historicist designers, including the Castellani and Giuliano families and John Brogden, as well as a spectacular decanter by William Burges. There are important pieces of jewellery and silver by the most famous of Arts & Crafts designers, including C.R. Ashbee, Henry Wilson, Gilbert Marks and John Paul Cooper. Unique pieces designed by the artist Charles Ricketts hold a special place in the history of queer art in Britain, having been designed for his friends Katherine Bradley and Edith Cooper, a couple known collectively as Michael Field. Modernist silver is represented by leaders of the field Omar Ramsden and H.G. Murphy. This beautifully illustrated volume reproduces 70 of the Museum's most important pieces from this period, many previously unpublished, with comparative illustrations of some of the original designs. Importantly, the book is arranged chronologically by designer and includes biographies, a description of their work and how it changed over time, as well as commentary about the specific works in the Museum's collection. The resulting book therefore brings together for the first time the Fitzwilliam's exceptionally fine holdings of jewellery and metalwork from this highly popular and fruitful period of design.

This book not only tabulates the hallmarks that enable the identification of silver items but also traces the history of English silver, describing some famous makers and provides hints on spotting fakes.' There is a helpful chapter on Sheffield plate.

This is an account of the unique assemblage of silver and silver-mounted artefacts belonging to Corpus Christi College, Cambridge, some of them dating back to the College’s foundation 650 years ago. They include extraordinary objects such as a thirteenth-century drinking vessel made of the horn of an extinct animal, as well as the everyday tools and utensils of past centuries. Although some of them are well known to art historians, they have never been published in detail. The objects are especially significant for being documented in the College’s archives from the fourteenth century onwards. The book investigates the objects’ construction, how the College came by them, their original meaning and context, how they came to survive the depredations of the Civil War, what happened to those that do not survive, evidence of wear and repair, and what they were (and still are) used for.

Dunham Massey, near Altrincham in Cheshire, is home to one of the most outstanding collections of silver in Britain. Largely collected by the 2nd Earl of Warrington, the silver collection is remarkable in terms of scale and quality of craftsmanship and decoration. Dunham Massey, near Altrincham in Cheshire, is home to one of the most outstanding collections of silver in Britain. Largely collected by the 2nd Earl of Warrington, the silver collection is remarkable in terms of scale and quality of craftsmanship and decoration. This handsome volume constitutes a comprehensive catalogue of this extraordinary collection which contains over one thousand individual objects, many of which date from the period regarded as the Great Age of Country House Silver, 1680-1750. It is probably the largest collection of plate to have survived in the house for which it was originally made, with over weighing 26,000 ounces in total. Ranging from magnificent tureens to exquisite salt cellars, the range and quality of pieces in this magnificent collection are examined in detail for the first time in this lavishly illustrated catalogue. Specially commissioned photography and detailed catalogue entries provide information about the specification, manufacture, provenance and significance of the various pieces. Illustrated essays provide valuable background on the life of Lord Warrington at Dunham Massey, and a series of appendices include a transcript of the celebrated 1750 inventory, as well as information about other relevant collections of plate and the Huguenot goldsmiths who produced these superb works.

The most-respected text on manufactured American silver has now gone one step further. The authors have updated the text and added photos to now include over 2400 marks illustrated with brief histories and cross references of more than 1600 manufacturers. The result is the most comprehensive reference source on the subject.

This splendidly illustrated book celebrates the historic silver and turquoise jewelry of the Navajo and Pueblo Indians. It presents for the first time over 300 superb objects that are usually hidden from view in museum storerooms and private collections across the United States. Larry Frank discusses the history of this jewelry from 1868, when the Navajos were restored to their homeland, to 1930, when tourist demand and mass production ended the innovative first phase of the craft. He explores early design sources in contemporary Spanish, Mexican, and Plains Indian work; describes Navajo tools and techniques (often used under conditions of extreme hardship); traces the cultural development of jewelry-making from a past-time to an esteemed profession; and notes the Pueblo Indians' contribution - the sophisticated use of turquoise. Of interest to specialists will be his reevaluation of the Plains Indian contribution and his dating sequence, based on close examination of the style and technique of hundreds of objects. Indian Silver Jewelry contains 253 close-up photographs - 52 of them in color - of conchas, necklaces, bracelets, rings, hair ornaments, bridles, and other pieces, as well as rare photographs of Indians wearing jewelry. The illustrations are grouped by collection - The Smithsonian Institution, the Field Museum of Natural History, the Museum of the American Indian, the Museum of New Mexico, the Heard Museum, the Wheelwright Museum, the Millicent Rogers Museum, the Lynn D. Trusdell Collection, and assorted private collections. The detailed captions invite the reader to look, compare, and discover for himself the extraordinary beauty and vitality of Southwest Indian silver jewelry.

This is the first publication in a single work of all known Chester punch marks, and continues the tradition of the standard volumes of Jackson, Grimwade, Culme and Pickford. It is also the first time that the twentieth-century Chester marks have been published. It is produced in dictionary format, in alphabetical order from 1570, the date of the earliest known mark, to 1962 at which time the Chester assay office was closed. The authors, both members of the silver society, were given unlimited access to the Chester assay office records covering 1686 to 1962, and to the Chester Goldsmith's Company records dating from the 16th century. The compendium has four sections. The preface provides an historical background and details of all extant records and copper plates. Part 1 is devoted to assay office marks, with a full set of date letter tables to assist the reader in dating wares. Part 2 covers nearly 10,000 entries for makers' marks, including pictograms and monograms. Finally, the appendices inclu

The Grosvenor Museum's silver has been described by Country Life as 'one of the country's finest collections'. Its greatest strength is Chester hallmarked, between c.1570 and 1992, spanning a wide range of uses. After the collection's growth is set in the historical context of the developing scholarship of the subject, each piece is illustrated, described in detail and with a full background of the design evolution, its maker and ownership. An essential work of reference for all collectors and a rich source for students of the decorative arts and history of silver.

THE ULTIMATE A-TO-Z GUIDE REVEALING EVERYTHING YOU NEED TO KNOW TO BECOME A METAL DETECTING EXPERT Nothing is as thrilling as finding cool (and often valuable) stuff right under your feet. So grab this guide and get ready to dig up more and more finds. Packed with helpful information on making your search successful and exciting, The Metal Detecting Bible serves up step-by-step instructions, illustrations, and useful photos that can turn you into a professional treasure hunter. From quick-start tips for novices to insider secrets for the most experienced hobbyists, this hands-on guide is the ultimate resource on all aspects of metal detecting. * Choose the best metal detector * Learn where to search and why * Practice appropriate swing techniques * Integrate advanced GPS technology *Scout out beaches, parks and historic sites * Gain permission to hunt on private property *Identify antique coins, relics and jewelry * Use handy target recovery tools * Clean and safely preserve your finds * Sell your finds for a profit

With over six thousand objects coming largely from Europe and Asia, the Villa San Luca in Ospedaletti (province of Imperia) is a splendid villa-museum set up by antique dealers and collectors Luigi Anton and Nera Laura, donated to the FAI - Fondo Ambiente Italiano, in 2001. It is one of Italy's most important private collections dedicated to the decorative arts. This catalogue presents a selection of the most representative pieces of the vast and diverse collection of silver produced in various European nations from the 17th to the first third of the 19th century: from the old Germanic States to those of the Italian peninsula, from France to England. The objects described in these pages testify to the great skill of master silversmiths in forging the precious metal while following the artistic trends of the moment, as well as proposing a 'nearly complete' compendium of the main types of tableware and household utensils in use on the tables of the upper classes over three centuries of European history. Text in English and Italian.