The most-respected text on manufactured American silver has now gone one step further. The authors have updated the text and added photos to now include over 2400 marks illustrated with brief histories and cross references of more than 1600 manufacturers. The result is the most comprehensive reference source on the subject.

The very first book devoted to antique silver lemon strainers, this is the fruit of a decade's research by a biology teacher turned silver expert who gives equal weight to analysis and aesthetics. Lemon strainers, normally consigned to the 'miscellany' pages of antique silver guides, are varied, beautiful and collectable and survive in surprising numbers considering their 150 years of use in punch making ended 200 years ago: the author's database contains 900 examples from England, Ireland, Scotland and America. After an extensive introduction, lemon strainers are described in 27 categories and lavishly illustrated with 268 figures.

This is a complete guide to collecting copper and brass, beginning with the composition and properties and how it is treated for manufacture. It includes descriptions of brass, bronze, ormulu, pinchbeck, Muntz's metal, gunmetal and bell metal, and how these are made into useful articles or ornaments. Copper and brass have been used during many centuries all over the world, and this book includes products in the metals from Europe, India and the Orient and Africa. There are notes on repairs and preservation and hints on collecting and display. The book describes a list ranging alphabetically from ale and spirit measures to wax jacks and weights and measures it also discusses such things as aquamaniles, buttons, ormulu mounts and mortars, armory and much else. Contents Include COPPER AND ITS ALLOYS: Mining and Manufacture Alloys, Composition and Uses Countries in Which Copper Alloys Have Been Used A DICTIONARY OF ARTICLES MADE FROM COPPER AND ITS ALLOYS: Fakes Cleaning

This splendidly illustrated book celebrates the historic silver and turquoise jewelry of the Navajo and Pueblo Indians. It presents for the first time over 300 superb objects that are usually hidden from view in museum storerooms and private collections across the United States. Larry Frank discusses the history of this jewelry from 1868, when the Navajos were restored to their homeland, to 1930, when tourist demand and mass production ended the innovative first phase of the craft. He explores early design sources in contemporary Spanish, Mexican, and Plains Indian work; describes Navajo tools and techniques (often used under conditions of extreme hardship); traces the cultural development of jewelry-making from a past-time to an esteemed profession; and notes the Pueblo Indians' contribution - the sophisticated use of turquoise. Of interest to specialists will be his reevaluation of the Plains Indian contribution and his dating sequence, based on close examination of the style and technique of hundreds of objects. Indian Silver Jewelry contains 253 close-up photographs - 52 of them in color - of conchas, necklaces, bracelets, rings, hair ornaments, bridles, and other pieces, as well as rare photographs of Indians wearing jewelry. The illustrations are grouped by collection - The Smithsonian Institution, the Field Museum of Natural History, the Museum of the American Indian, the Museum of New Mexico, the Heard Museum, the Wheelwright Museum, the Millicent Rogers Museum, the Lynn D. Trusdell Collection, and assorted private collections. The detailed captions invite the reader to look, compare, and discover for himself the extraordinary beauty and vitality of Southwest Indian silver jewelry.

As the founding of the Roycroft art community in New York State reaches its one hundredth anniversary this year, collector interest in the Arts & Crafts-style items that were made there is stronger than ever before. Of particular interest are the beautiful and varied hammered copper ware the "Roycrofters" made. This second volume provides nearly two hundred color photographs of copper vases, bookends, trays, and more-including many rarely-seen items. The history of the group and the evolution of its art metal are discussed, along with criteria for evaluating the quality of individual pieces. The different marks and patinas used by the company are documented. of further interest is a discussion of the Tookay Shop and Avon Coppersmith, both spin-offs from the Roycroft community, which continued in a similar tradition. A price guide is included.

The discovery of silver cannot be pinpointed; humans have mined it far back into antiquity. Our fascination with this malleable metal and the beautiful works of art that can be shaped from it continues to this day. This book brings together two expansive collections of silver objects, the 'Lion' collection and the 'Hamme' collection. The 'Lion' collection provides a broad overview of beautiful silver objects made by a great variety of British contemporary silversmiths. It is divided between holloware, caddy spoons and napkin rings. Part of the collection revolves around the theme of lions, because the lion image bears a resemblance to the collector's family history. The Hamme collection is a spectacular array of 'hero' pieces and commissions that demonstrate some of the best of each silversmith's work. With more than 500 images, Contemporary British Silver Designers shares some of the finest work crafted by 21st-century silversmiths. Interviews with numerous modern silversmiths - Jane Short, Kevin Grey, Miriam Hanid, Nan Nan Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter, Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd and Wally Gilbert - offer insight into the silversmiths' process and inspirations. Brief biographies are also included on numerous other silversmiths whose work is featured in this book: Phil Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker, Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, , Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork, Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers and Katie Watson, among others.

Here is what could be the largest collection of vintage cigarette lighters ever assembled. It is a fascinating chronicle of cigarette lighters' Golden Age. This era begins with the primitive lighters made at the turn of the 20th century and continues through to the contemporary Scripto Vu-Lighters of the 1960s. These popular personal accessories were made by the most widely known and respected manufacturers of the time including Dunhill, Ronson (Art Metal Works Company), Evans, Scripto, and Zippo, as well as many smaller, specialized manufacturers. Stunningly photographed, the book is illustrated with over 1000 color photographs of vintage lighters including the debonair "Town and Country" gentlemen's lighters, beautiful and fanciful Art Deco lighters, whimsical figural lighters to one of a kind Zippos. Invaluable as a reference for collectors and antique dealers, it is conveniently organized by country of origin and includes essays by noted experts in the lighter collecting field. Current values as well as detailed descriptions are included in the captions.

Popular carved wooden jewelry and novelties, from the 1920 to 1950 era, are attracting attention at antiques markets because they are delightful design images and happy reminders of a by-gone age. With over 425 color examples to delight the eye, this book gives readers a wonderful variety of items that often incorporate Plastics, Bakelite, and Lucite. The jewelry includes bracelets, necklaces, and charming figural pins in design themes encompassing of water creatures, military, cowboys, Indians, animals, fruit, nuts, and more. The related novelties include advertising and kitchen items, buttons, masks, clothespin figures, pictures, toys, and more. Value ranges are included with the captions.

Sterling Silver jewelry and tableware that was sold at the Jensen store in New York City included designs by American craftsmen, especially William De Matteo and Alphonse La Paglia, in the late 1940s. This is the story of these two silversmiths work and its impact on fancy goods of the mid-20th century period. Silver tea sets, candelabra, centerpieces, bowls, serving spoons, and women's jewelry sets were made in original designs that incorporated Danish styles for which the store was famous. Today, these are vintage items that are valuable and highly popular among collectors of fine traditional style decorative arts. Many identifying marks, catalog pages, and original advertisements are presented and discussed. Through newly found documentation, original working drawings, and careful analysis, these vintage silver items finally can be identified and appreciated for their specialty status among the finest luxury goods worldwide.

This second book by Nick Snider presents the popular collectible military sweetheart jewelry and collectibles that were so important to the home front during World War I and II. Over 200 color photographs, most of full-page size, display thousands of items of jewelry, banners, pillow covers, paper items and compacts, as well as special sections on the Seabee(Construction Batallion) and WASP(Women's Airforce Service Pilot) items. Experience the human side of warfare through appreciation of the patriotic items displayed herein.

The various worldwide uses of glass beads, from antiquity to the modern time, are presented in this new book, along with the fascinating evolution of the beadmaking industry. From roots in Asian and African glassmaking, the European beadmaking industry is shown to have developed in response to political and economic factors of international trade and keen businessmen who saw potential profits, 475 color photographs, illustrate the different styles uses, and patterns of glass beads that originated from or influenced the European industry. Phoenician, Celtic, Viking, Venetian, African, Bavarian, Bohemian, Dutch, French, and Russian styles that were made for symbolic, fashion, magic, and controversial uses are shown. Even today's foiled, flower, mosaic, pearl, bronze, and fancy beads are discussed and shown. As beads play an important role in ornamentation today, this book will be of interest to a wide circle of creative people. The price guide reveals the current collector's market for popular bead types.

Stunning Art Nouveau, Art Deco, and modern jewelry was manufactured by the firm of Theodor Fahrner for a hundred and twenty-five years (1855-1979.) Growing into a major producer of style-conscious jewelry, the company both led and was inspired by the major European art movements of Arts and Crafts, Art Nouveau, Art Deco, Art Moderne, and Contemporary styles. This new book is profusely color-illustrated, documenting the designs and the people who made them. Working in silver, enamels, marcasites, iron, and semi-precious stones, the designers made each contemporary style of jewelry available to a wide segment of the population. From their workshops in Pforzheim, Germany, they exported large quantities to near and distant cities, including London and the U.S.A. A detailed chronological study, the volume displays Fahrner jewelry through precise, original research and over 480 photographs, most in full color. Sections include advertisements, original design sketches, all known marks, pictures of the important people, and, most of all, hundreds of pieces of jewelry.

This reprint of jewelry and hollowware catalog pages from Georg Jensen brings eagerly sought information together in one volume. Hard to find, the original catalogs have been widely dispursed and costly, yet they provide primary information to enable identification of thousands of pieces found on the vintage market today. The jewelry section presents women's and men's gold and silver designs, including those sold at the retail store in New York that represented a selection of American-made items, and those made during the 1940s which were difficult to identify previously. The enormous section on hollowware displays hundreds of designs from the late 1950s and early 1960s. During this period Georg Jensen designers expanded their range of tea sets, pitchers, bowls, etc. to include very popular modern forms based on Scandinavian design principles. These designs have remained among the most cherished Jensen forms. The catalog descriptions include the product numbers, original retail prices from the mid-century era, measurements, and designers. A special information list identifies forty-three Georg Jensen designs in museum collections around the world. This easy-to-use volume will become a standard reference for all the collectors, dealers, auction houses, and individuals who own and are inspired by Georg Jensen designs.

Here is a magnificent presentation of the Mexican artisans and their creations displayed in 484 beautiful color photographs. The chapters present the master designers and silversmiths whose reputations have grown to international fame with an intimate look at one of the principal designers, H-ctor Aguilar, and the personnel at this workshop. Valentin Vidaurreta, Los Castillo, William Spratling, Antonio Pineda, Hubert Harmon, Enrique Ledesma, and many more craftsmen are represented by their exquisite designs.

With more than 2300 marks illustrated and brief histories and cross-references of more than 1600 manufacturers, this is the most comprehensive reference source on the subject. To compile the information presented here, the authors devoted much time researching numerous sources. These include various editions of Trademarks of the Jewelry & Kindred Trades, U.S. Patent Office records, silver and jewelry catalogs of manufacturers, wholesalers and retailers, records of companies still in business, and pieces examined in antiques shops all over the country. This fifth edition includes new trademarks, additional companies, and brings to date the many changes in company ownership during the last decade.

Silverplating by electricity spawned a new industry in America in 1847. By the 1880's, over forty firms centered largely around Meriden, Connecticut, produced ornate objects of silverplate which have become highly prized. Today these are studied and collected as representatives of an interesting period of American history. The designs drew heavily on nature and the articles are ornamented with flowers, twigs, nuts, birds, bees, butterflies, squirrels, cows, goats, dogs, lizards, fish, young boys and girls, fairies and cherubs. In this book, the forms of American silverplate are identified, illustrated and grouped together; ice pitchers, card receivers, tea sets, baskets, butter dishes, napkin rings, toilet stands, flatware, and specially commissioned pieces. Closely related pewter, glassware, and silver are discussed as they affect the silverplate industry.

This is a treasury of silver jewelry from 20th century European, American Indian, Mexican, and modern designers. Hand-wrought, filigree, openwork, repousse and inaly designs are carefully described. The many styles of jewelry are chronologically arranged. More than 250 dynamic color photographs, text, and updated values in the captions make this a handy and vital reference.

Movie stars first wore them, then retail pieces were made for sale to the public, and now collectors avidly search for the special jewelry of Joseff. Jewelry of the Stars takes you on a journey through and beyond the career of Joseff of Hollywood, whose extraordinary design talents contributed to over ninety-percent of the jewelry supplied for the movies during Hollywood's golden years of the 1930s, '40s and beyond. The jewelry includes the unique Joseff retail line that was sold through jewelry departments of fine stores and is widely coveted by jewelry collectors worldwide today. Jewelry of the Stars willl be treasured by movie buffs and jewelry lovers alike. It is a nostalgic glimpse of the movies that adds another dimension to the fascinating progression of jewelry design.

Brimming over with over 150 full-page, luscious photographs of superb jewelry, this is a treasure chest of bakelite, celluliod and lucite. Several of today's leading bakelite collectors lent their finest pieces of this book. Layered, carved molded, translucent, painted and imbedded jewelry styles are displayed in profusion. The captions include the values guide. From common to exceedingly rare, this book presents excitement and the best plastic jewelry to be found.

Since first published in 1991 Pocket Jackson's, as it is most often called, has enjoyed enormous success and is constantly rated as a best seller in the Arts & Antiques category. During the last twenty three years important developments have taken place in the Hallmarking system. Most notably the introduction within Europe of a universally accepted system of marking has lead not only to the addition of new marks, but also, to a change of status of several historic marks. This edition brings up to the present day all the date letters and commemorative marks. It also includes the recently introduced marks for Palladium and a section illustrating the Assay Office identification marks of those countries that are signatories to the International Convention marking system. In addition and of importance are the changes made in the early cycles of Dublin date letters which result from recent research by silver scholars in Ireland.

Bakelite jewelry was popular during The Depression because it was decorative, fun, and very affordable. Today, it is sought after and worn for the same reasons-except its affordability is rapidly changing. This book is designed to show off an extraordinary variety of this wonderfully colorful, always appealing, and sometimes startling jewelry, along with a sample of other objects through 420 color photos. It shows how to rate quality-good, better, best-and answers the many questions asked about Bakelite, from dealers' secrets to historical facts. The photos, the detailed information, and the indispensable price guide will provide beginner and connoisseur collector alike with all that is needed in the hunt for Bakelite.

This is the second volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 2 includes 1025 photographs of sculptures on 272 pages with a numbered list of the sculpture categories and an essay on early twentieth-century sculptural styles by Tom Tomc of Chicago. It incorporates lists of the sculptors whose work is shown, the founders represented, and 58 different founders' seals. The photographs are remarkably clear enabeling small details in the scuptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.