The Godfathers of Nu Metal are set for a triumphant return, with the imminent release of their brand new album.

With over 5 million copies of their last record in circulation, these guys have certainly got a huge fanbase already and interest in Korn is sure to expand with their new release, making them the ultimate superstar heavy-metal icons.

'Kreature Komforts' charts this magnificent journey and details the highs and lows of a band as they develop into world-class entertainers. Ideally suited to the average Korn fans taste and budget, with equal parts intelligent text and full-colour photography throughout, the target market of 13-25-year-olds are certain to approve of the first full-length biography on this exceptional group.

Metal Music Manual shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory, and a comprehensive array of illustrations, photos, and screen grabs, Metal Music Manual is the essential guide to achieving professional production standards. The extensive companion website features multi-track recordings, final mixes, processing examples, audio stems, etc., so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers, who share their expertise, experience, and insight into the processes involved: Fredrik Nordstroem (Dimmu Borgir, At The Gates, In Flames) Matt Hyde (Slayer, Parkway Drive, Children of Bodom) Ross Robinson (Slipknot, Sepultura, Machine Head) Logan Mader (Gojira, DevilDriver, Fear Factory) Andy Sneap (Megadeth, Killswitch Engage, Testament) Jens Bogren (Opeth, Kreator, Arch Enemy) Daniel Bergstrand (Meshuggah, Soilwork, Behemoth) Nick Raskulinecz (Mastodon, Death Angel, Trivium) Quotes from these interviews are featured throughout Metal Music Manual, with additional contributions from: Ross "Drum Doctor" Garfield (one of the world's top drum sound specialists, with Metallica and Slipknot amongst his credits) Andrew Scheps (Black Sabbath, Linkin Park, Metallica) Maor Appelbaum (Sepultura, Faith No More, Halford)

_______________ 'The only rock book that is ready to turn it up to eleven' - Independent on Sunday 'The best a fan can get' - Time Out 'Full of extraordinary, often arcane, information' - Observer 'A real treat' - Empire _______________ This Spinal Tap companion includes a history of the band, a complete transcript of the 1984 rockumentary "This is Spinal Tap" (including rare out-takes), lyrics, discography and an A-Z guide to this imaginary band.

An indelible and irresistible portrait of the crucial formative years of the legendary rock band KISS and the music scene they changed forever--culminating with the groundbreaking success of their classic 1975 album Alive and the smash single "Rock and Roll All Nite"

Including original interviews with: Paul Stanley, Gene Simmons, Ace Frehley, Peter Criss, Bob Seger, Alice Cooper, and Ted Nugent, as well as members of Aerosmith, Black Sabbath, Rush, Slade, Blue Oyster Cult, Mott the Hoople, Journey, REO Speedwagon, Styx, Raspberries, the James Gang, the New York Dolls, Iggy & the Stooges, the Ramones, Suzi Quatro, Argent, and Uriah Heep.

Rez Metal captures the creative energy of Indigenous youth culture in the twenty-first century. Bridging communities from disparate corners of Indian Country and across generations, heavy metal has touched a collective nerve on the Navajo Reservation in Arizona in particular. Many cultural leaders-including former Navajo president Russell Begaye-have begun to recognize heavy metal's ability to inspire Navajo communities facing chronic challenges such as poverty, depression, and addiction. Heavy metal music speaks to the frustrations, fears, trials, and hopes of living in Indian Country. Rez Metal highlights a seminal moment in Indigenous heavy metal: when Kyle Felter, lead singer of the Navajo heavy metal band I Dont Konform, sent a demo tape to Flemming Rasmussen, the Grammy Award-winning producer of several Metallica albums, including Master of Puppets. A few months later, Rasmussen, captivated by the music, flew from Denmark to Window Rock, Arizona, to meet the band. Through a series of vivid images and interviews focused on the venues, bands, and fans of the Navajo Nation metal scene, Rez Metal provides a window into this fascinating world.

Paul Stump reassesses Progressive Rock in terms of transcendentalism, 1960s pop culture and the rise of the rock musician as Romantic Artist. He takes a wide ranging view of the social and cultural background and has carried out extensive interviews.

Rock City, Narita, Fire Down Under, Restless Breed, Born in America... These are the pioneering, superlative heavy metal records that represent the classic first decade of Brooklyn's Riot's, before the band would break up, eventually storming back with Thundersteel and The Privilege of Power, existing to this day as Riot V after the shocking death from Crohn's disease of guitarist and leader Mark Reale. Riot's is a tale of opportunities missed, of a band ahead of the curve, and of a band from which both its classic era lead singers - Guy Speranza and Rhett Forrester - are now dead, as is, of course, Mark Reale, a quiet man who, fatefully, wanted to leave the business to others and just play his heavy metal. But this book is not just about the '75 to '85 period of the band that spawned one of the finest metal records of all time, 1981's Fire Down Under. Even if the classics framed by those ten years get the full, dedicated chapter, track-by-track Popoff treatment, the subsequent rich and substantial catalogue of the band is discussed as well, right up to the present day where Riot shines on. But still, the focus is on songs like `Warrior', `49er', `Road Racin'', `Outlaw', `Don't Hold Back', `Altar of the King', `Violent Crimes', `Vigilante Killer' and of course the insanely anthemic `Swords and Tequila', as we celebrate a New York institution that is perhaps the shining example of the term, "honorary New Wave of British Heavy Metal" band.

Featuring never-before-seen photographs of U2 on their first US Tour, Bad Brains, Black Flag, Danzig, The Descendants, Fugazi, The Damned, The U.K. Subs, and many, many more Since 1981, Chris Barrows has taken pictures of bands at their concerts, backstage, and behind the scenes. From U2 during their first tour in 1982 to Captain Sensible of The Damned on his knees in an alley licking a dominatrix's thigh high vinyl boots, or Lee Ving standing on railroad tracks at night, Barrows' intimate and stirring portraits of bands stripped down and unguarded will be a wonderful addition to any music fan's collection.

Joel McIver's acclaimed Black Sabbath biography, Sabbath Bloody Sabbath, concluded in 2011 that its subjects were at a crossroads. Could Ozzy, Tony, Geezer and Bill manage after over 40 years in business to get back together one more time? After all, the veteran heavy metal musicians were grieving for their fallen comrade Ronnie James Dio and about to face a devastating medical diagnosis for one of their own. McIver's brand-new, updated volume brings the story up to date with the tale of Sabbath's near-miraculous return to form with the Rick Rubin-produced 13 album, which topped charts worldwide on its release in 2013. In true Sabbath style, however, nothing went entirely to plan, with internal arguments, last-minute band-member replacements -- and a genuine fear that this may be Sabbath's very last shot at glory.

'A passionate, pacey tome you should do anything for a copy of' - Kerrang! "I never wanted to be a big star. I just wanted to be the biggest at what I do! Powerful, unstoppable, heavy - when that word still meant something good!" - Meat Loaf, as told to Mick Wall Everything in the story of Meat Loaf is big. From the place he was born (Texas); to the family he was born into (his father weighed 22 stone, his uncle weighed over 40 stone, while Meat Loaf himself weighed 17 stone before he was even in his teens); to the sound he made (a colossal collision between Richard Wagner, Phil Spector and Bruce Springsteen); and of course the records he sold - nearly 50 million in Britain and America alone. From a tumultuous childhood with an alcoholic father to the relentless abusive bullying he endured, nobody could have predicted Meat Loaf's meteoric rise to fame. But when the messianic rock opera Bat Out of Hell was released in 1977, it became one of the biggest albums of all time, selling over 45 million copies worldwide to date. Its release marked the start of a rollercoaster ride of incredible highs and seemingly career-ending lows. By the 80s, Meat Loaf was battling with drug and alcohol addiction and escalating money problems. But just when it seemed like it was all over, the astonishing success of Bat Out of Hell II and the mega-hit 'I'd Do Anything For Love (But I Won't Do That)' marked an extraordinary new wave of success. Now, Mick Wall will bring this extraordinary story up to date, drawing on the hours he spent with Meat Loaf, both in interviews and on tour, as well as offering up a unique insight from those who have known him best.

The updated version of McIver's bestselling biography explores the aftermath of Metallica's comeback in the wake of 2008's Death Magnetic. The band entering the Rock And Hall Of Fame, toured as the leading member of the Big Four Of Thrash alongside Slayer, Megadeth and Anthrax Establishing their own Orion festival Embarking on side projects aplenty (Lars Ulrich as an actor, Kirk Hammett as a horror buff) and recorded what is possibly the most despised record in heavy metal history, a collaboration with Lou Reed titled Lulu. Here McIver reveals a refreshing new spin on the Lulu album, re-evaluating its contents in the light of Reed's death in 2013.

Tab transcriptions for 22 tunes from the original shred master who brought the neo-classical style into the forefront of the metal movement. Songs include: Bedroom Eyes * Black Star * Deja Vu * Dreaming (Tell Me) * Eclipse * Far Beyond the Sun * Heaven Tonight * I'll See the Light Tonight * Icarus Dream Suite Opus 4 * Liar * Marching Out * Rising Force * You Don't Remember I'll Never Forget * more.

'A weighty discussion of metal, for both passionate fans and neophytes' Guardian 'Heavy opens an ornate portal into a murky subculture, illuminating the marginalia as well as the big beasts' Sunday Times What exactly is heavy metal music? How deep do its roots go? Long established as an undeniable force in culture, metal traces its roots back to leather-clad iron men like Black Sabbath and Judas Priest, who imbued their music with a mysterious and raw undercurrent of power. Heavy unearths this elusive force, delving deep into the fertile culture that allowed a distinctive new sound to flourish and flaying the source material to get to the beating heart of the music. From the imminent threat of nuclear apocalypse that gave rise to Metallica's brand of volatile thrash metal to Bloodbath and Carcass, the death metal bands resurrecting the horror of medieval art.But there are always more lines to be drawn. Cradle of Filth and Ulver trade in the transgressive impulses of gothic literature; Pantera lay bare Nietzsche's 'superman'; getting high leads to the escapist sci-fi dirges of Sleep and Electric Wizard; while the recovery of long-buried urns in the seventeenth century holds the key to the drone of Sunn O))).Dissecting music that resonates with millions, Heavy sees Slipknot wrestling with the trauma of 9/11, Alice in Chains exposing the wounds of Vietnam and Iron Maiden conjuring visions of a heroic England. Powerful, evocative and sometimes sinister, it gives shape and meaning to the terrible beauty of metal.

Heavy metal is now over 40 years old. It emerged at the tail end of the 1960s in the work of bands including Iron Butterfly, Vanilla Fudge, Jimi Hendrix, Deep Purple, Led Zeppelin and - most importantly - Black Sabbath. In the 1970s and early 1980s, heavy metal crystallised as a genre as bands such as Judas Priest and Iron Maiden removed most of the blues influence on the genre, codifying a set of basic metal characteristics that endure to this day: distorted guitars, aggressive vocals, denim, leather and spikes. In broad terms, wherever it is found and however it is played, metal tends to be dominated by a distinctive commitment to 'transgressive' themes and musicality causing it to be frequently seen as controversial music. Controversies surrounding the alleged (and often documented) connection between heavy metal and, variously, sexual promiscuity, occultism and Satanism, subliminal messages, suicide and violence have all made heavy metal a target of moral panics over popular culture. Metal has variously embraced, rejected, played with and tried to ignore this controversy. At times, the controversy dies down and the previously transgressive becomes relatively harmless - as in the transformation of Ozzy Osbourne from public enemy to loveable dad. Still, metal remains irrevocably marked by its controversial, transgressive tendencies. Indeed, the various moral panics that metal has been subjected to are not only constitutive, at least in part, of metal scenes, but are encoded in metal's transgression itself. As with hiphop's "ghetto" roots, metal's history of extreme sonic, lyrical and visual messages continue to give it credibility with new generations of fans today. The aim of this anthology is to analyse the relationship between heavy metal and society within a global context. It provides a thorough investigation of how and why metal becomes controversial, how metal 'scenes' are formed and examines the relationship between metal and society, including how fans, musicians and the media create the culture of heavy metal.

As a rock journalist and ex-editor of Metal Hammer magazine, Kirk Blows has spent his life in the company of hard rock's most debauched superstars. This no-holds-barred collection of interviews with heavyweights including Motorhead, Metallica, and Queen provides a portrait of lives lived to the limits of rock'n'roll excess.