For the hundredth time since they'd made their promise, she wondered if she and Agnes were really going to go through with it, if she was brave and terrible enough.

A THRILLING DEBUT NOVEL OF CORRUPTION AND MURDER, SET IN THE NIGHTCLUBS, TENEMENTS AND SKYSCRAPERS OF 1930s NEW YORK - FROM THE WINNER OF THE VIRAGO/THE POOL NEW CRIME WRITER AWARD.

At the top of the Empire State Building on a freezing December night, two women hold their breath. Frances and Agnes are waiting for the man who has wronged them. They plan to seek the ultimate revenge.

Set over the course of a single night, One Night, New York is a detective story, a romance and a coming-of-age tale. It is also a story of old New York, of bohemian Greenwich Village between the wars, of floozies and artists and addicts, of a city that sucked in creatives and immigrants alike, lighting up the world, while all around America burned amid the heat of the Great Depression.

‘Why can you not be friends anymore?’

It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.

Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …

The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.

Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?

From the bestselling author of The Clockmaker's Daughter, comes a breathtaking mystery of love, lies and a cold case come back to life, told with her trademark intricacy and beauty.

Adelaide Hills, Christmas Eve, 1959. At the end of a scorching hot day, beside a creek in the grounds of a grand and mysterious mansion, a local delivery man makes a terrible discovery. A police investigation is called and the small town of Tumbilla becomes embroiled in one of the most shocking and perplexing murder cases in the history of South Australia.

Sixty years later, Jess is a journalist in search of a story. Having lived and worked in London for almost twenty years, she now finds herself laid off from her full-time job and struggling to make ends meet. A phone call out of nowhere summons her back to Sydney, where her beloved grandmother, Nora, who raised Jess when her mother could not, has suffered a fall and been raced to the hospital.

At a loose end in Nora's house, Jess does some digging into her past. In Nora's bedroom, she discovers a true crime book, chronicling the police investigation into a long-buried tragedy: the Turner Family Tragedy of Christmas Eve, 1959. It is only when Jess skims through the book that she finds a shocking connection between her own family and this once-infamous crime – a crime that has never been truly solved. And for a journalist without a story, a cold case might be the best distraction she can find . . .

An epic novel that spans generations, Homecoming asks what we would do for those we love, and how we protect the lies we tell. It explores the power of motherhood, the corrosive effects of tightly held secrets, and the healing nature of truth.

An unputdownable story of murder, revenge and betrayal from international number one bestseller Jeffrey Archer.

In London, the Metropolitan Police set up a new Unsolved Murders Unit – a cold case squad – to catch the criminals nobody else can. In Geneva, millionaire art collector Miles Faulkner – convicted of forgery and theft – was pronounced dead two months ago. So why is his unscrupulous lawyer still representing a dead client? On a luxury liner en route to New York, the battle for power at the heart of a wealthy dynasty is about to turn to murder.

And at the heart of all three investigations are Detective Chief Inspector William Warwick, rising star of the Met, and ex-undercover operative Ross Hogan, brought in from the cold.

But can they catch the killers before it’s too late?

Turn to the first page. Disavow what you think you know about the so-called Red Scare. This is commie malfeasance and ‘60s L.A. as you’ve never read it before.

It’s late October 1962. The Cuban Missile Crisis has just concluded. The Russkies blinked and pulled their ICBMs out of Cuba. Attorney General Robert Kennedy fears reprisals from commies. He orders a red probe and puts the LAPD on the job.

Freddy Otash is injudiciously named the lead investigating officer. He’s a stone-cold criminal with police sanction and a harrowing dope habit. He homes in on a red-front trade union. There’s a murder on Halloween night. It may link to ex-VP and current gubernatorial candidate Richard Nixon and two commie snuffs from eight years back. Freddy’s overworked and overamped. He’s running the probe, and Bob Haldeman and John Ehrlichman―Tricky Dick Nixon’s head goons―have hired him to keep Nixon away from the smear-minded press.

L.A. is coming unglued. Ex-cop/lawyer Tom Bradley is running for a city council seat and pushing the Rumford Fair Housing Act. Playboy kingpin Hugh Hefner is along for the ride, out to exploit racial tension and peddle untold copies of his dirty rag.

RED SHEET is James Ellroy’s most crazed kamikaze run and a daring, subversive work of fiction.

How do you catch a killer who believes they're above jusitce?

Munich, 1936. All eyes are on the Bavarian capital for the upcoming Olympic Games. As athletes fight for gold and the Nazis fight for power, Detective Sebastian Wolff faces a battle of his own.

A famous actress has disappeared and Wolff has been ordered to find her, fast. But Elena Lang is no ordinary film-star: she is the mistress of Joseph Goebbels - Hitler's right-hand-man in the party that Wolff despises.

But this is a country on the brink of war, and corruption runs deep. In a search that will take him from high society to the city's darkest corners, Wolff will soon learn just how fine the line is between justice and jeopardy...

From celebrated New York Times bestselling author, Steve Berry, comes the latest Cotton Malone adventure, in which the discovery of a lost historical document challenges the global might of the United States.

King Ludwig II of Bavaria was an enigmatic figure who was deposed in 1886, mysteriously drowning three days later. Eccentric to the point of madness, history tells us that in the years before he died Ludwig engaged in a worldwide search for a new kingdom, one separate, apart, and in lieu of Bavaria. A place he could retreat into and rule as he wished. But a question remains: did he succeed?

Enter Cotton Malone. After many months, Malone’s protégé, Luke Daniels, has managed to infiltrate a renegade group intent on winning Bavarian independence from Germany. Daniels has also managed to gain the trust of the prince of Bavaria, a frustrated second son intent on eliminating his brother, the duke, and restoring the Wittelsbach monarchy, only now with him as king. Everything hinges on a 19th century deed which proves that Ludwig’s long-rumored search bore fruit--legal title to lands that Germany, China, and the United States all now want, only for vastly different reasons.

In a race across Bavaria for clues hidden in Ludwig’s three fairytale castles--Neuschwanstein, Linderhof and Herrenchiemsee--Malone and Daniels battle an ever-growing list of deadly adversaries, all intent on finding the last kingdom.

Fresh from the case of the stolen heart, one that shattered his belief in the regime he works for, Samson Kolechko is confronted with a mystery that borders on the impossible. How could a squad of Red Army soldiers have disappeared from the Galician bathhouse, leaving only their boots and their uniforms as evidence they ever existed?

Faced with such a fantastical conundrum, Samson resorts to fantastical investigation method: stitching his operative severed ear into a bathhouse worker's jacket, he is able to eavesdrop on his every move. But he discovers far more than he bargained for, uncovering human remains in the stoves and the presence of a sinister religious cult in the city.

With his quick-witted new wife Nadezhda at his side, Samson must not only solve the case but navigate the political turmoil that still grips Kyiv as civil war looms and trust between neighbours and comrades is eroded day by day.

In this third volume, Andrey Kurkov, Ukraine's greatest living novelist, and a true master of absurd storytelling, vividly depicts a city filled with political turbulence and eccentric characters - and draws playful parallels with the present day.

Hidden in the shadows, an evil will rise . . .

Piay, appointed Nomarch of Memphis by the God-Pharoah Rameses, has transformed his city, rebuilding the famous white walls, feeding the once starving citizens and returning the wealth plundered by the barbarian Hyksos. But when a murdered scribe is found sealed inside the city's newly-constructed vault - with the mark of Anubis, god of death, scrawled next to him in blood - panic tears through the people.

Piay calls on the only man in Egypt he knows can discover the truth: his mentor, the great sage Taita. But soon after Taita's arrival in Memphis, the bloody mark of Anubis appears again. Taita and Piay are pitted against a criminal mastermind turned warlord. The pair's adversary has a simple, brutal aim: restore the Red Pretender's kingdom - and obliterate Rameses's forces.

Drawn into a desperate battle of wits, can Taita and Piay finally reunite the two kingdoms? Or will the shadow of the Red Pretender tear Egypt apart once again?

Who will survive the battle in the house of the two pharaohs?

Charlie Chan is a Chinese Hero, solving mysteries with wit and courage. Biggers created the character because he disliked the negative stereotypes around Asian people at the time. S. T. Karnick writes in the National Review that Chan is "a brilliant detective with understandably limited facility in the English language whose] powers of observation, logic, and personal rectitude and humility made him an exemplary, entirely honourable character. The books have been adapted to television and film, creating characters and stories that adults and children alike love. This Omnibus Edition of the six Charlie Chan Novels is a must-read for every Charlie Chan fan: The House Without a Key (1925), The Chinese Parrot (1926), Behind that Curtain (1928), The Black Camel (1929), Charlie Chan Carries On (1930), Keeper of the Keys (1932)

'My father had spelt it out to me. Choice was a luxury I couldn't afford. This is your story, Red. You must tell it well . . .' A young girl known as Red, the daughter of a Cornish fortune-teller, travels with her father making a living predicting fortunes using the ancient method: the Square of Sevens. When her father suddenly dies, Red becomes the ward of a gentleman scholar. Now raised as a lady amidst the Georgian splendour of Bath, her fortune-telling is a delight to high society, but she cannot ignore the questions that gnaw at her soul: who was her mother? How did she die? And who are the mysterious enemies her father was always terrified would find him? The pursuit of these mysteries takes her from Cornwall and Bath to London and Devon, from the rough ribaldry of the Bartholemew Fair to the grand houses of two of the most powerful families in England. And while Red's quest brings her the possibility of great reward, it also leads into her grave danger . . . Laura Shepherd-Robinson's The Square of Sevens is an epic and sweeping novel set in Georgian high society, a dazzling story offering up mystery, intrigue, heartbreak, and audacious twists.

'Pretty much everything I want in an historical thriller - an absolutely terrific read' Philip Gwynne Jones 'A great insight into Renaissance Florence. What I love about these books is the seamless weaving of factual history with a great story' Abir Mukherjee Florence. Spring, 1537. When Cesare Aldo investigates a report of intruders at a convent in the Renaissance city's northern quarter, he enters a community divided by bitter rivalries and harbouring dark secrets. His case becomes far more complicated when a man's body is found deep inside the convent, stabbed more than two dozen times. Unthinkable as it seems, all the evidence suggests one of the nuns must be the killer. Meanwhile, Constable Carlo Strocchi finds human remains pulled from the Arno that belong to an officer of the law missing since winter. The dead man had many enemies, but who would dare kill an official of the city's most feared criminal court? As Aldo and Strocchi close in on the truth, identifying the killers will prove more treacherous than either of them could ever have imagined . . . The Darkest Sin is an atmospheric historical thriller by D. V. Bishop, set in Renaissance Florence and is the sequel to City of Vengeance.

'a tour de force work of art' - The Wall Street Journal, Best Books of the Year Longlisted for the 2022 CWA Ian Fleming Steel Dagger Award It's Saturday evening, 9 March 1566, and Mary, Queen of Scots, is six months pregnant. She's hosting a supper party, secure in her private chambers. She doesn't know that her Palace is surrounded - that, right now, an army of men is creeping upstairs to her chamber. They're coming to murder David Rizzio, her friend and secretary, the handsome Italian man who is smiling across the table at her. Mary's husband, Lord Darnley, wants it done in front of her and he wants her to watch it done ... Denise Mina brilliantly portrays the sexual dynamics and politics of power - between men and women, monarch and subjects, master and servants. The period is masterfully researched yet lightly drawn, the characterisation quick, subtle and utterly convincing. This breathtakingly tense work is a tale of sex, secrets and lies, one that explores the lengths that men - and women - will go to in the search for love and power.

'Here ends one of the finest achievements of recent crime fiction' - Sunday Telegraph 'Outstanding' - The Times *Winner of the 2022 CWA Historical Dagger and Gold Dagger* Los Angeles. Christmas, 1967. A devil is loose in the City of Angels . . . A young nurse, Kerry Gaudet, travels to the City of Angels desperate to find her missing brother, fearing that something terrible has happened to him: a serial killer is terrorising the city, picking victims at random, and Kerry has precious few leads. Ida Young, recently retired Private Investigator, is dragged into helping the police when a young woman is discovered murdered in her motel room. Ida has never met the victim but her name has been found at the crime scene and the LAPD wants to know why . . . Meanwhile mob fixer Dante Sanfelippo has put his life savings into purchasing a winery in Napa Valley but first he must do one final favour for the Mob before leaving town: find a bail jumper before the bond money falls due, and time is fast running out. Ida's friend, Louis Armstrong, flies into the city just as her investigations uncover mysterious clues to the killer's identity. And Dante must tread a dangerous path to pay his dues, a path which will throw him headlong into a terrifying conspiracy and a secret that the conspirators will do anything to protect . . . Completing his American crime quartet, Ray Celestin's Sunset Swing is a stunning novel of conspiracy, murder and madness, an unforgettable portrait of a city on the edge.

Summer, 1986. Tween sisters Georgie Ayyar and Agatha Krishna welcome their aunt, uncle and young cousin - newly arrived from India - into their house in rural Wyoming where they'll all live together. Because this is what families do. That is, until the sisters decide that it's time for their uncle to die.

To understand why, you need to hear Georgie's story. It's one of violence hiding in their house and history, of her once-unshakeable bond with her sister, of being an Indian-American girl in the heart of the West. Her account is cheeky, unflinching and infectiously inflected with the trappings of teendom: pen pal letters, how-to guides, games of MASH and teen-magazine-style quizzes. And the tale she weaves is either:

a) a vivid portrait of an extended family
b) a moving story of sisterhood
c) a playful ode to the 80s
d) a murder mystery (of sorts)
e) a ruthless meditation on history and language, trauma and healing, and the meaning of independence

Or maybe it's really:

f) all of the above.

When Annie Adams heads to London to visit her mother, Laura, the last thing she expects to find is a dead body. Least of all for it to be Fliss, the budding artist Laura had just taken under her wing.

Annie is no stranger to murder - after all, she's solved a few cases already. And something about the way Fliss died feels familiar. She's seen a case like this before. Or read about it, rather, in the journals of her dead Great Aunt Frances, whose close friend was killed in the 1960s in the exact same way: with her heart surgically removed from her chest.

As threats pile up on Laura's doorstep, it soon becomes clear that she's next, and that she's hiding something . . . With her mother's life on the line, can Annie find the killer before it's too late?

From the gritty streets of 1960s Soho to the lofty galleries of present-day West London, follow Annie and Frances as they race to bring a killer to justice.