For the hundredth time since they'd made their promise, she wondered if she and Agnes were really going to go through with it, if she was brave and terrible enough.

A THRILLING DEBUT NOVEL OF CORRUPTION AND MURDER, SET IN THE NIGHTCLUBS, TENEMENTS AND SKYSCRAPERS OF 1930s NEW YORK - FROM THE WINNER OF THE VIRAGO/THE POOL NEW CRIME WRITER AWARD.

At the top of the Empire State Building on a freezing December night, two women hold their breath. Frances and Agnes are waiting for the man who has wronged them. They plan to seek the ultimate revenge.

Set over the course of a single night, One Night, New York is a detective story, a romance and a coming-of-age tale. It is also a story of old New York, of bohemian Greenwich Village between the wars, of floozies and artists and addicts, of a city that sucked in creatives and immigrants alike, lighting up the world, while all around America burned amid the heat of the Great Depression.

‘Why can you not be friends anymore?’

It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.

Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …

The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.

Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?

An unputdownable story of murder, revenge and betrayal from international number one bestseller Jeffrey Archer.

In London, the Metropolitan Police set up a new Unsolved Murders Unit – a cold case squad – to catch the criminals nobody else can. In Geneva, millionaire art collector Miles Faulkner – convicted of forgery and theft – was pronounced dead two months ago. So why is his unscrupulous lawyer still representing a dead client? On a luxury liner en route to New York, the battle for power at the heart of a wealthy dynasty is about to turn to murder.

And at the heart of all three investigations are Detective Chief Inspector William Warwick, rising star of the Met, and ex-undercover operative Ross Hogan, brought in from the cold.

But can they catch the killers before it’s too late?

From the bestselling author of The Clockmaker's Daughter, comes a breathtaking mystery of love, lies and a cold case come back to life, told with her trademark intricacy and beauty.

Adelaide Hills, Christmas Eve, 1959. At the end of a scorching hot day, beside a creek in the grounds of a grand and mysterious mansion, a local delivery man makes a terrible discovery. A police investigation is called and the small town of Tumbilla becomes embroiled in one of the most shocking and perplexing murder cases in the history of South Australia.

Sixty years later, Jess is a journalist in search of a story. Having lived and worked in London for almost twenty years, she now finds herself laid off from her full-time job and struggling to make ends meet. A phone call out of nowhere summons her back to Sydney, where her beloved grandmother, Nora, who raised Jess when her mother could not, has suffered a fall and been raced to the hospital.

At a loose end in Nora's house, Jess does some digging into her past. In Nora's bedroom, she discovers a true crime book, chronicling the police investigation into a long-buried tragedy: the Turner Family Tragedy of Christmas Eve, 1959. It is only when Jess skims through the book that she finds a shocking connection between her own family and this once-infamous crime – a crime that has never been truly solved. And for a journalist without a story, a cold case might be the best distraction she can find . . .

An epic novel that spans generations, Homecoming asks what we would do for those we love, and how we protect the lies we tell. It explores the power of motherhood, the corrosive effects of tightly held secrets, and the healing nature of truth.

From celebrated New York Times bestselling author, Steve Berry, comes the latest Cotton Malone adventure, in which the discovery of a lost historical document challenges the global might of the United States.

King Ludwig II of Bavaria was an enigmatic figure who was deposed in 1886, mysteriously drowning three days later. Eccentric to the point of madness, history tells us that in the years before he died Ludwig engaged in a worldwide search for a new kingdom, one separate, apart, and in lieu of Bavaria. A place he could retreat into and rule as he wished. But a question remains: did he succeed?

Enter Cotton Malone. After many months, Malone’s protégé, Luke Daniels, has managed to infiltrate a renegade group intent on winning Bavarian independence from Germany. Daniels has also managed to gain the trust of the prince of Bavaria, a frustrated second son intent on eliminating his brother, the duke, and restoring the Wittelsbach monarchy, only now with him as king. Everything hinges on a 19th century deed which proves that Ludwig’s long-rumored search bore fruit--legal title to lands that Germany, China, and the United States all now want, only for vastly different reasons.

In a race across Bavaria for clues hidden in Ludwig’s three fairytale castles--Neuschwanstein, Linderhof and Herrenchiemsee--Malone and Daniels battle an ever-growing list of deadly adversaries, all intent on finding the last kingdom.

Summer, 1986. Tween sisters Georgie Ayyar and Agatha Krishna welcome their aunt, uncle and young cousin - newly arrived from India - into their house in rural Wyoming where they'll all live together. Because this is what families do. That is, until the sisters decide that it's time for their uncle to die.

To understand why, you need to hear Georgie's story. It's one of violence hiding in their house and history, of her once-unshakeable bond with her sister, of being an Indian-American girl in the heart of the West. Her account is cheeky, unflinching and infectiously inflected with the trappings of teendom: pen pal letters, how-to guides, games of MASH and teen-magazine-style quizzes. And the tale she weaves is either:

a) a vivid portrait of an extended family
b) a moving story of sisterhood
c) a playful ode to the 80s
d) a murder mystery (of sorts)
e) a ruthless meditation on history and language, trauma and healing, and the meaning of independence

Or maybe it's really:

f) all of the above.

An aged-up THE TOMBS OF ATUAN meets AVA REID in this uniquely dark and gothic religious fantasy duology following three spiritual enemies forced to team up to find a murderer whose evil is responsible for degrading the magic that protects their Vatican-inspired city and all its people.

In a holy walled city where sin and sanctity are revealed through touch, Csilla - a girl born without a soul - is worth little to the Church that raised her. But when a series of murders corrodes the faithful magic that keep the city safe, the Church elders see a use for her flaw: she can assassinate their prime suspect, a heretic with divine heritage, without risking the stain of sin.

The heretic, however, makes Csilla a counteroffer: clear his name by helping him catch the real killer, and he'll use his angelic gifts to grant her very own soul. Meanwhile, ruthless Ilan, desperate to earn back his position as Church Inquisitor, sees the case as his chance at redemption: he'll bring in the murderer - or, failing that, Csilla and the heretic - and regain his title.

Following the mysterious disappearance of her husband, Dorothy Gibbons, affectionately known as Lady Pink Hat, trudges the lanes around Drumford, homeless and directionless. Alone she rolls a dice, reflecting on her life, times both painful and pleasant. She stumbles upon The Grange, an old disused Georgian farmhouse, and this changes the course of her fortune, although even this is not without conflict and drama. She finds an old social history book of her temporary refuge, but the sound of swinging from the rafters above her makeshift bed disturbs Dorothy and her imagination stirs her to write. Millie, an 18th Century aspirant nun, runs away from The Grange. Dorothy tells of her protagonist's adventures and tragedies, some parallel to her own. It is Jamal, a Syrian refugee and asylum seeker, whom Dorothy fosters until leaving school, who is driven to solve the mysteries. He and his brother settle in a nearby flat until the misguided Ahmed also disappears. With three missing people in his life, Dorothy, Gerald her husband and Ahmed, Jamal is determined to discover the truth? Is Millie also still haunting The Grange until her story is told?

Charlie Chan is a Chinese Hero, solving mysteries with wit and courage. Biggers created the character because he disliked the negative stereotypes around Asian people at the time. S. T. Karnick writes in the National Review that Chan is "a brilliant detective with understandably limited facility in the English language whose] powers of observation, logic, and personal rectitude and humility made him an exemplary, entirely honourable character. The books have been adapted to television and film, creating characters and stories that adults and children alike love. This Omnibus Edition of the six Charlie Chan Novels is a must-read for every Charlie Chan fan: The House Without a Key (1925), The Chinese Parrot (1926), Behind that Curtain (1928), The Black Camel (1929), Charlie Chan Carries On (1930), Keeper of the Keys (1932)

'Pretty much everything I want in an historical thriller - an absolutely terrific read' Philip Gwynne Jones 'A great insight into Renaissance Florence. What I love about these books is the seamless weaving of factual history with a great story' Abir Mukherjee Florence. Spring, 1537. When Cesare Aldo investigates a report of intruders at a convent in the Renaissance city's northern quarter, he enters a community divided by bitter rivalries and harbouring dark secrets. His case becomes far more complicated when a man's body is found deep inside the convent, stabbed more than two dozen times. Unthinkable as it seems, all the evidence suggests one of the nuns must be the killer. Meanwhile, Constable Carlo Strocchi finds human remains pulled from the Arno that belong to an officer of the law missing since winter. The dead man had many enemies, but who would dare kill an official of the city's most feared criminal court? As Aldo and Strocchi close in on the truth, identifying the killers will prove more treacherous than either of them could ever have imagined . . . The Darkest Sin is an atmospheric historical thriller by D. V. Bishop, set in Renaissance Florence and is the sequel to City of Vengeance.