'I was seduced from John Grey's first scene' Ann Cleeves Duke's Company actress Kitty Burgess has a stunning future before her - until she vanishes after the opening performance of Aminta Grey's new play, The Summer Birdcage. One of her fellow actors swears he saw her being bundled into a black coach driven by six black horses outside the theatre. Then no more is heard of her - until the body of a young woman is found dead beside the road in Hertfordshire. It appears to be Kitty, so Aminta and her husband Sir John Grey, travel to Bishop's Stortford to identify her. The girl has been so badly beaten it is impossible to tell who she is, but there are three clues - the dress she is wearing, a ring and a copy of the script of Aminta's play, left (perhaps a little too conveniently) in the victim's hands. Back in London Aminta catches sight of a young woman who looks exactly like Kitty but before she can do anything, the woman runs off and is lost in the crowd. Meanwhile, rumours abound at court that Kitty was about to become the king's new mistress and all fingers are being pointed at Lady Castlemaine for having arranged for her rival to be spirited away and killed. And now John Grey finds that is no longer just his wife who is determined to prove Kitty Burgess is alive. It would seem her disappearance - and possible reappearance - is part of some much wider conspiracy, and that Kitty may be about to play the most dangerous, and possibly deadly, role of her life. A role from which there may be no escape ... Praise for L.C. Tyler 'Len Tyler writes with great charm and wit . . . made me laugh out loud' Susanna Gregory 'Tyler juggles his characters, story, wit and clever one liners with perfect balance' The Times 'A dizzying whirl of plot and counterplot' Guardian 'Unusually accomplished' Helen Dunmore 'A cracking pace, lively dialogue, wickedly witty one-liners salted with sophistication . . . Why would we not want more of John Grey?' The Bookbag

'Pretty much everything I want in an historical thriller - an absolutely terrific read' - Philip Gwynne Jones 'A great insight into Renaissance Florence. What I love about these books is the seamless weaving of factual history with a great story' - Abir Mukherjee Florence. Spring, 1537. When Cesare Aldo investigates a report of intruders at a convent in the Renaissance city's northern quarter, he enters a community divided by bitter rivalries and harbouring dark secrets. His case becomes far more complicated when a man's body is found deep inside the convent, stabbed more than two dozen times. Unthinkable as it seems, all the evidence suggests one of the nuns must be the killer. Meanwhile, Constable Carlo Strocchi finds human remains pulled from the Arno that belong to an officer of the law missing since winter. The dead man had many enemies, but who would dare kill an official of the city's most feared criminal court? As Aldo and Strocchi close in on the truth, identifying the killers will prove more treacherous than either of them could ever have imagined . . . The Darkest Sin is an atmospheric locked-room thriller by D. V. Bishop, set in Renaissance Florence and is the sequel to City of Vengeance.

Widow Ursula Blanchard is urged to remarry for the sake of Queen and Country in this latest enthralling historical adventure January, 1576. After three husbands, widow Ursula Blanchard has no desire to marry again. However, she is not in a position to refuse when Sir Francis Walsingham decides she must wed Count Gilbert Renard, the illegitimate son of King Henri II, in order to build a strategic alliance with the French. When the Count arrives at her country home to pay court, Ursula's misgivings grow stronger. Then one of her household staff is found dead at the bottom of the stairs. An accident - or something more sinister? The disturbing chain of events that follows sees Ursula heading on a perilous journey in a race against time to prevent a national catastrophe. En route she will encounter danger, hardship, conspiracy - and murder.

The perfect murder mystery for fans of Richard Osman and Robert Thorogood. 'Spotswood understands that [...] spending time with unforgettable characters is paramount.' - New York Times 'A loving, intricately plotted tribute to the great days of American noir.' - Daily Mail New York, 1946: The last time Will Parker let a case get personal, she walked away with a broken face, a bruised ego, and the solemn promise never again to let her heart get in the way of her job. But she called Hart and Halloway's Travelling Circus and Sideshow home for five years, and Ruby Donner, the circus's tattooed ingenue, was her friend. To make matters worse the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go. To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren't playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink. Dodging fistfights, firebombs, and flying lead, Will puts a lot more than her heart on the line in the search of the truth. Can she find it before someone stops her ticker for good? Praise for Stephen Spotswood: 'Razor-sharp, tons of flair. A really good noir novel.' Tana French 'Spotswood's stellar debut puts a modern spin on classic hard-boiled fiction. . . The deep and sensitive characterization of the two protagonists, coupled with rich description and tonally spot-on humour, make this a novel to remember. Spotswood is definitely a writer to watch.' Publishers Weekly 'This novel not only offers fun, offbeat characters and an exceptional flavour of the time, it's utterly charming too.' Woman's Weekly 'This hugely enjoyable debut is a deft melange of Agatha Christie-style locked-room murder mystery and 1940s Chandler-esque pulp crime fiction with a feisty narrator' Irish Independent Review 'Persuasive in its attention to period detail and dialogue, with well-constructed set piece scenes deftly staged, this is a highly accomplished, auspicious first entry in what we must hope will be a long-running series' The Irish Times

A Hawkenlye medieval mystery February, 1212. Sir Josse d'Acquin and Helewise are summoned to Southfire Hall, where Josse's elderly uncle, Hugh, lies dying, surrounded by his children. But the pair soon discovers that Hugh's ill health is not the only cause of distress in the house: for Hugh's son and heir, Herbert, has taken an unpleasant new wife, the widowed Lady Cyrille. Josse and Helewise are distracted by the discovery of an injured young man on the road outside on the evening of their arrival, but the longer they remain in the house, the more they feel that something is very wrong. What happened to Josse's cousin Aeleis, who no one speaks of? Where is Lady Cyrille's small son? And why do they both feel as if the house itself is alive - and threatened by approaching evil?

Turn a Blind Eye is the third instalment in the gripping story of Detective Inspector William Warwick, by the master storyteller and Sunday Times number one bestselling author of the Clifton Chronicles. William Warwick, now a Detective Inspector, is tasked with a dangerous new line of work, to go undercover and expose crime of another kind: corruption at the heart of the Metropolitan Police Force. His team is focused on following Detective Jerry Summers, a young officer whose lifestyle appears to exceed his income. But as a personal relationship develops with a member of William's team, it threatens to compromise the whole investigation. Meanwhile, a notorious drug baron goes on trial, with the prosecution case led by William's father and sister. And William's wife Beth, now a mother to twins, renews an old acquaintance who appears to have turned over a new leaf, or has she? As the undercover officers start to draw the threads together, William realizes that the corruption may go deeper still, and more of his colleagues than he first thought might be willing to turn a blind eye. 'Peerless master of the page-turner' - Daily Mail

After nearly 400 years, an emerald-encrusted gold pectoral cross belonging to the Catholic Church is discovered by two salvage divers off the coast of Bermuda. Carried by an Augustinian friar on the ill-fated Spanish galleon San Pedro, which sank in 1596, the cross contains a priceless hidden key. The divers want it for the money. The Bermuda government wants it for its historical value. A group of cardinals known as the "Silenti" want it for the key hidden inside. Only one of the divers and the cardinals are aware of the key. Only the cardinals know of its significance to the Papacy. Displayed in the Bermuda Maritime Museum since its discovery, it is not until Queen Elizabeth's visit to the island nine years later that the cross in the museum is found to be a fake. Who made the forgery and who stole the original cross? Who has the key and what is its significance to the Church? Inspired by real events, the crime on which The Cross is based remains one of Bermuda's greatest unsolved mysteries. Fact and fiction are skilfully woven together throughout this debut novel from author B. R. Bentley as the characters conspire to achieve their aims.

The thirteenth book in the ever-popular Hawkenlye medieval mystery series Autumn, 1210. A year ago, King John was excommunicated - and now his men have come to Hawkenlye Abbey to take it over. Abbess Caliste, Helewise's successor, worries how she is to feed the nuns under her care, let alone conduct her usual good works. Meanwhile, Helewise has moved into Hawkenlye Manor with Josse, and their lives are full of family and warmth. But after a visit to St Edmund's Chapel, Helewise's eleven-year-old granddaughter, Rosamund, goes missing - and soon all that they hold dear is threatened . .

After leaving Atlanta in disgrace three years before, detective Thomas Canby is called back to the city on the eve of Atlanta's 1881 International Cotton Exposition to partner with Atlanta's first African American police officer, Cyrus Underwood. They are assigned a chilling case: a serial murderer who seems to be violently targeting Atlanta's wealthiest black entrepreneurs. After Canby's arrival the murders become increasingly disturbing and unpredictable, and his interference threatens to send the investigation spinning off in the wrong direction. Canby must face down enduring racism, and his own prejudices, to see clearly the source of these bloody crimes. Meanwhile, if he can restore his reputation, he might win back the woman he loves.