Patrick Geddes is one of Scotland's most remarkable thinkers of the late-nineteenth century. His environmental and cultural message endures today, yet the distinctively Scottish context to his thinking has not been properly acknowledged. This book situates Geddes within his own intellectual background (described by George Davie as 'the democratic intellect') and explores the relevance of that background to Geddes's substantial national and international achievements across a truly impressive range of disciplines. Key Features: Explores Patrick Geddes Scottish intellectual background in depth for the first time; Highlights Geddes's insistence on the importance of arts to sciences and vice versa, and the distinctively Scottish context of this approach; Considers the interdisciplinary achievements of Geddes in Edinburgh, Dundee, Paris, London and India; Pays particular attention to his leadership of the Celtic Revival both from a Scottish perspective and with respect to international links, in particular with Indian cultural revivalists such as Ananda Coomaraswamy.

This edited volume sheds light on the lives of young people in various central and peripheral regions of Russia, including youth belonging to different ethnic and religious groups and who have differing views on contemporary politics. While the literature continues to grow regarding the inclusion of youth in global contexts, the specific cultural, political, and economic circumstances of being young in Russia make the Russian case unique. Chapter authors focus on four key aspects that characterize the youth experience in contemporary Russia: cultural practices and value affiliations, citizenship and patriotism, ethnic and religious diversity, and the labor market. This collection will appeal to readers interested in contemporary life in Russia and looking for the latest empirical material on youth identities and cultures, as well as those looking to learn about the critical viewpoint of local academics regarding the ongoing processes in contemporary Russian society.

More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms. Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.

Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as Jose Fajardo, Johnny Pacheco, George Castro, and Eddy Zervigon dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachacha and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugalu's development in the late 1960s with little mention of the chachacha and pachanga's popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.

In the late 1800s, "Arctic Fever" swept across the nation as dozens of American expeditions sailed north to the Arctic to find a sea route to Asia and, ultimately, to stand at the North Pole. Few of these missions were successful, and many men lost their lives en route. Yet failure did little to dampen the enthusiasm of new explorers or the crowds at home that cheered them on. Arctic exploration, Michael F. Robinson argues, was an activity that unfolded in America as much as it did in the wintry hinterland. Paying particular attention to the perils facing explorers at home, "The Coldest Crucible "examines their struggles to build support for the expeditions before departure, defend their claims upon their return, and cast themselves as men worthy of the nation's full attention. In so doing, this book paints a new portrait of polar voyagers, one that removes them from the icy backdrop of the Arctic and sets them within the tempests of American cultural life.
With chronological chapters featuring emblematic Arctic explorers--including Elisha Kent Kane, Charles Hall, and Robert Peary--"The Coldest Crucible" reveals why the North Pole, a region so geographically removed from Americans, became an iconic destination for discovery.

Pervasive myths of European domination and indigenous submission in the Americas receive an overdue corrective in this far-reaching revisionary work. Despite initial upheavals caused by the European intrusion, Native people often thrived after contact, preserving their sovereignty, territory, and culture and shaping indigenous borderlands across the hemisphere. Borderlands, in this context, are spaces where diverse populations interact, cross-cultural exchanges are frequent and consequential, and no polity or community holds dominion. Within the indigenous borderlands of the Americas, as this volume shows, Native peoples exercised considerable power, often retaining control of the land, and remaining paramount agents of historical transformation after the European incursion. Conversely, European conquest and colonialism were typically slow and incomplete, as the newcomers struggled to assert their authority and implement policies designed to subjugate Native societies and change their beliefs and practices. Indigenous Borderlands covers a wide chronological and geographical span, from the sixteenth-century U.S. South to twentieth-century Bolivia, and gathers leading scholars from the United States and Latin America. Drawing on previously untapped or underutilized primary sources, the original essays in this volume document the resilience and relative success of indigenous communities commonly and wrongly thought to have been subordinated by colonial forces, or even vanished, as well as the persistence of indigenous borderlands within territories claimed by people of European descent. Indeed, numerous indigenous groups remain culturally distinct and politically autonomous. Hemispheric in its scope, unique in its approach, this work significantly recasts our understanding of the important roles played by Native agents in constructing indigenous borderlands in the era of European imperialism. Chapters 5, 6, 8, and 9 are published with generous support from the Americas Research Network.

Laure Humbert explores how humanitarian aid in occupied Germany was influenced by French politics of national recovery and Cold War rivalries. She examines the everyday encounters between French officials, members of new international organizations, relief workers, defeated Germans and Displaced Persons, who remained in the territory of the French zone prior to their repatriation or emigration. By rendering relief workers and Displaced Persons visible, she sheds lights on their role in shaping relief practices and addresses the neglected issue of the gendering of rehabilitation. In doing so, Humbert highlights different cultures of rehabilitation, in part rooted in pre-war ideas about 'overcoming' poverty and war-induced injuries and, crucially, she unearths the active and bottom-up nature of the restoration of France's prestige. Not only were relief workers concerned about the image of France circulating in DP camps, but they also drew DP artists into the orbit of French cultural diplomacy in Germany.

This book examines the representation of Birsa's political life, memory politics and the making of anticolonialism in contemporary Jharkhand. It offers contrasting features of political imaginations deployed in developing memorial landscapes. Framing of Birsa in the heroic narrative through a grand scale of memorialisation, often in the form of the built environment, curates a selective version. This isolates the scope of elaborating his political ideas outside the confines of atypical historical records and their relevance in the contemporary context. The book argues that everyday politics through affective sites such as memorials and statues produce political visions, emotions, and opportunities. It shows how such symbolic sites are often strategically placed and politically motivated to inscribe ideologies. This process outlines how the state and Adivasi use memory as a political tool to lay claims to the past of the Birsa Movement.

This book looks at the different ways in which Russian historians and authors have thought about their country's first Antarctic expedition (1819-21) over the past 200 years. It considers the effects their discussions have had on Russia's Antarctic policy and may yet have on Antarctica itself. In particular, it examines the Soviet decision in 1949, in line with the cultural policies of late Stalinism, to revise the traditional view of the expedition in order to claim that it was Russian seamen that first sighted the Antarctic mainland in January 1820; this claim remains the official position in Russia today. The author illustrates, however, that the case for such a claim has never been established, and that attempts to make it damaged the work of successive Russian historians. Providing a timely assessment of Russian historiography of the Bellingshausen expedition and examining the connections between the priority claim and national policy goals, this book represents an important contribution to the history of the Antarctic.

This book examines the history of translation under European communism, bringing together studies on the Soviet Union, including Russia and Ukraine, Yugoslavia, Hungary, East Germany, Czechoslovakia, Bulgaria, and Poland. In any totalitarian regime maintaining control over cultural exchange is strategically important, so studying these regimes from the perspective of translation can provide a unique insight into their history and into the nature of their power. This book is intended as a sister volume to Translation Under Fascism (Palgrave Macmillan, 2010) and adopts a similar approach of using translation as a lens through which to examine history. With a strong interdisciplinary focus, it will appeal to students and scholars of translation studies, translation history, censorship, translation and ideology, and public policy, as well as cultural and literary historians of Eastern Europe, Soviet communism, and the Cold War period.

In this illuminating and comprehensive account, Talbot C. Imlay chronicles the life of Clarence Streit and his Atlantic federal union movement in the Unites States during and following the Second World War. The first book to detail Streit's life, work and significance, it reveals the importance of public political cultures in shaping US foreign relations. In 1939, Streit published Union Now which proposed a federation of the North Atlantic democracies modelled on the US Constitution. The buzz created led Streit to leave his position at The New York Times and devote himself to promoting the union. Over the next quarter of a century, Streit worked to promote a new public political culture, employing a variety of strategies to gain visibility and political legitimacy for his project and for federalist frameworks. In doing so, Streit helped shape wartime debates on the nature of the post-war international order and of transatlantic relations.

Like many western boomtowns at the turn of the twentieth century, Spokane, Washington, enjoyed a lively theatrical scene, ranging from plays, concerts, and operas to salacious variety and vaudeville shows. Yet even as Spokanites took pride in their city's reputation as a "good show town," the more genteel among them worried about its "Wild West" atmosphere. In Show Town, historian Holly George correlates the clash of tastes and sensibilities among Spokane's theater patrons with a larger shift in values occurring throughout the Inland West-and the nation-during a period of rapid social change. George begins this multifaceted story in 1890, when two Spokane developers built the lavish Auditorium Theater as a kind of advertisement for the young city. The new venue catered to a class of people made wealthy by speculation, railroads, and mining. Yet the refined entertainment the Auditorium offered conflicted with the rollicking shows that played in the town's variety theaters, designed to draw in the migratory workers-primarily single men-who provided labor for the same industries that made the fortunes of Spokane's elite. As well-to-do Spokanites attempted to clamp down on the variety theaters, performances at even the city's more respectable, "legitimate" playhouses began to reflect a movement away from Victorian sensibilities to a more modern desire for self-fulfillment-particularly among women. Theaters joined the debate over modern femininity by presenting plays on issues ranging from woman's suffrage to shifting marital expectations. At the same time, national theater monopolies transmitted to the people of Spokane new styles and tastes that mirrored larger cultural trends. Lucidly written and meticulously researched, Show Town is a groundbreaking work of cultural history. By examining one city's theatrical scene in all its complex dimensions, this book expands our understanding of the forces that shaped the urban American West.

The Holocaust and the Nakba are foundational traumas in Israeli-Jewish and Palestinian societies and form key parts of each respective collective identity. This book offers a parallel analysis of the transmission of these foundational pasts in Israeli-Jewish and Palestinian societies by exploring how the Holocaust and the Nakba have been narrated since the signing of the 1993 Oslo Accords. The work exposes the existence and perpetuation of ethnocentric victimhood narratives that serve as the theoretical foundations for an ensuing minimization - or even denial - of the other's past. Three established realms of societal memory transmission provide the analytical framework for this study: official state education, commemorative acts, and mass mediation. Through this analysis, the work demonstrates the interrelated nature of the Israeli-Palestinian conflict and the contextualization of the primary historical events, while also highlighting the universal malleability of mnemonic practices.

In the late 1800s and early 1900s, colonial powers clashed over much of Central and East Asia: Great Britain and Germany fought over New Guinea, the Bismarck Archipelago, Fiji, and Samoa; France and Great Britain competed over control of continental Southwest Asia; and the United States annexed the Philippines and Hawaii. Meanwhile, the possible disintegration of China and Japan's growing nationalism added new dimensions to the rivalries. Surveying these and other international developments in the Pacific basin during the three decades preceding World War I, Kees van Dijk traces the emergence of superpowers during the colonial race and analyzes their conduct as they struggled for territory. Extensive in scope, Pacific Strife is a fascinating look at a volatile moment in history.

In 1909, young William F. Buckley Sr. (1881-1958), who grew up in the dusty South Texas town of San Diego, graduated from the University of Texas law school and headed for Mexico City. Fluent in Spanish, familiar with Mexican traditions, and soon fit to practice law south of the border, Buckley was headed up the aisle to vast wealth and cultural power. On the way, he took a front-row seat at the Mexican Revolution and played a key role in steering the nascent oil industry through tumultuous and dangerous times. This book for the first time tells the story of the man behind the family that would become nothing short of a conservative institution, reaching its apogee in the career of William F. Buckley Jr., arguably the most prominent conservative commentator of the twentieth century. Buckley witnessed the overthrow and exit of President Porfirio DIaz, the rise of Madero, and the coup of General Victoriano Huerta, all while building the Pantepec Oil Company, the most profitable small petroleum producer in Mexico. He faced down Pancho Villa, survived encounters with hired assassins, evaded snipers in the streets of Veracruz, gambled and won in many a business venture-and ultimately was expelled from the country. As the narrative follows Buckley from his small-town Texas beginnings to the founding of a family dynasty, the streak of independence and distrust of government that would become the Buckley hallmark can be seen in the making. An eventful chapter in the life and career of a singular character, this dramatic account of a man and his moment is a document of political and historical significance-but it is also a remarkable story, told with irresistible brio.

Towards the end of the Cold War, the last great struggle between the United States and the Soviet Union marked the end of detente, and escalated into the most dangerous phase of the conflict since the Cuban Missile Crisis. Aaron Donaghy examines the complex history of America's largest peacetime military buildup, which was in turn challenged by the largest peacetime peace movement. Focusing on the critical period between 1977 and 1985, Donaghy shows how domestic politics shaped dramatic foreign policy reversals by Presidents Jimmy Carter and Ronald Reagan. He explains why the Cold War intensified so quickly and how - contrary to all expectations - US-Soviet relations were repaired. Drawing on recently declassified archival material, The Second Cold War traces how each administration evolved in response to crises and events at home and abroad. This compelling and controversial account challenges the accepted notion of how the end of the Cold War began.

America's Anchor articulates the naval history of the Delaware River and Bay, spanning the three centuries from discovery to the end of the Second World War. Offering a narrative tale of ships, and the men from the Delaware Valley who sailed them, it weaves the story of shipbuilders, and marine infrastructure from a waterway that was a surprisingly active estuary of marine conflict. From Philadelphia to the Delaware Capes, the story of the nascent United States Navy emerges into full maturity from these shores as the nation's defender. The author provides a broad historical context as his canvas, upon which he limns a compelling narrative of naval growth and expansion in peace and war. His story is highlighted by selected quotes and personal thoughts of the colorful actors in his tale. From pirates to pilots, navigators to notable commanders, Wiggins' describes the arc of nautical history of the Delaware estuary for the first time, between the covers of one volume. He brings to life an under-appreciated history of a familiar place. This tale of the sea and its able seamen is illustrated with 88 historic images and supplemented by four appendices.

The musical and cultural impact of the Fab Four in FloridaIn 1964, Beatlemania flooded the United States. The Beatles appeared live on the Ed Sullivan Show and embarked on their first tour of North America-and they spent more time in Florida than anywhere else. Good Day Sunshine State dives into this momentous time and place, exploring the band's seismic influence on the people and culture of the state. Bob Kealing sets the historical stage for the band's arrival-a nation dazed after the assassination of John F. Kennedy and on the precipice of the Vietnam War; a heavily segregated, conservative South; and in Florida, recent events that included the Cuban Missile Crisis and the arrest and imprisonment of Martin Luther King Jr. in St. Augustine. Kealing documents the culture clashes and unexpected affinities that emerged as the British rockers drew crowds, grew from fluff story to the subject of continual news coverage, and basked in the devotion of a young and idealistic generation. Through an abundance of letters, memorabilia, and interviews with journalists, fellow musicians, and fans, Kealing takes readers behind the scenes into the Beatles' time in locations such as Miami Beach, where they wrote new songs and met Muhammad Ali. In the tropical environs of Key West, John Lennon and Paul McCartney experienced milestone moments in their friendship. And the band dodged the path of Hurricane Dora to play at the Gator Bowl in Jacksonville, where they famously refused to perform until the city agreed to integrate the audience. Kealing highlights the hopeful futures that the Beatles helped inspire, including stories of iconic rock-and-rollers such as Tom Petty who followed the band's lead in their own paths to stardom. This book offers a close look at an important part of the musical and cultural revolution that helped make the Fab Four a worldwide phenomenon.

The book addresses authoritarian legacies of politically motivated justice and its unwritten practices that have re-emerged in the recent trials related to both political and ordinary criminal charges against prominent opposition leaders in many former Soviet republics. Taking into account that in any country all trials are more or less related to politics, the author differentiates between trials on political issues (political trials that are not necessarily arbitrary) and politicized partisan trials (arbitrary trials against political opponents). The monograph, thus, adopts a broad definition of a political trial, which includes all trials that are related to politicians and political matters such as elections, regime change, activities of parties and other political organizations. The focus lies on a separate group of partisan trials that are politicized (i.e. politically motivated) and which are used by governments to restrain political opposition and dissent. Primarily aimed at legal practitioners such as human rights lawyers, prosecutors, and judges, as well as postgraduates, researchers, teaching assistants and university law professors, readers can gain from the book information that is useful in assessing the interdisciplinary phenomenon of politically motivated criminal justice in transitional and authoritarian post-Soviet republics. Additionally, the volume is indispensable to readers that are interested in Eastern European Studies, Transitional Justice, Law and Society, Slavic Studies, and Theory and History of State and Law. Artem Galushko is a post-doctoral researcher at the Max Planck Institute for the Study of Religious and Ethnic Diversity in Germany.

Presiding from 1875 to 1896 over the United States Court for the Western Judicial District of Arkansas, Isaac Charles Parker attained notoriety as the "Hanging Judge" responsible for law and order in Indian Territory. Popular accounts have portrayed him as a jurist driven relentlessly by a Biblical sense of justice to administer absolute authority over a lawless jurisdiction inhabited by bold outlaws.Let No Guilty Man Escape, the first new Parker biography in four decades, corrects this simplistic image by presenting Parker's unique brand of frontier justice within the legal and political context of his time. Using primary documents from the National Archives, Missouri court records, and other sources not included by previous biographers, Roger H. Tuller demonstrates that Parker was an ambitious attorney who used the law to advance his own career. Parker rose from a frontier Missouri lawyer to become a congressional representative, and when Reconstructionist-era politics denied him continued progress, he sought the judicial appointment for which he is most remembered. Although he sent seventy-nine felons to the gallows, Parker's public hangings were actually restricted by federal officials, commutations, and pardons, as well as Supreme Court rulings. In an ironic twist, during his final public interview, the "Hanging Judge" claimed he supported the abolition of the death penalty.

The first detailed treatment of Switzerland in British literature and culture from Joseph Addison to John Ruskin, this book analyzes the aesthetic and political uses of what is commonly called the 'Swiss myth' in the parallel development of Romanticism and liberalism. The myth merged the country's legends going back to the Middle Ages with the Enlightenment image of a happy, free nation of alpine shepherds. Its unique combination of conservative, progressive, and radical associations enabled writers before the French Revolution to call for democratic reforms, whereas those coming after could refigure it as a conservative alternative to French liberte. Integrating intellectual history with literary studies, and addressing a wide range of Romantic-period texts and authors, among them Byron, the Shelleys, Hemans, Scott, Coleridge, and, above all, Wordsworth, the book argues that the myth contributed to the liberal idea of the people as a sublime yet sleeping sovereign.

While the French Revolution drew immense attention to French radicals and their ideas, London also played host to a radical intellectual culture. Drawing on both original material and a range of interdisciplinary insights, Radical Conduct transforms our understanding of the literary radicalism of London at the time of the French Revolution. It offers new accounts of people's understanding of and relationship to politics, their sense of the boundaries of privacy, their practices of sociability, friendship, gossip and discussion, the relations between radical men and women, and their location in a wider world of sound and movement in the period. It reveals a series of tensions between many radicals' deliberative practices and aspirations and the conventions and practices in which their behaviour remained embedded. Exploring these relationships and pressures reveals the fractured world of London society and politics, dramatically illuminating both the changing fortunes of radical men and women, and the intriguing uncertainties that drove some of the government's repressive policies.

Poor Atlanta looks at the poor people's campaigns in Atlanta in the 1960s and 1970s, which operated in relationship to Sunbelt city- building efforts. With these efforts, city leaders aimed to prevent urban violence, staunch disinvestment, check white flight, and amplify Atlanta's importance as a business and transportation hub. As urban leaders promoted Forward Atlanta, a program to, in Mayor Ivan Allen Jr.'s words, "sell the city like a product," poor families insisted that their lives and living conditions, too, should improve. While not always operating within public awareness, antipoverty campaigns among the poor presented a regular and sometimes strident critique of inequality and Atlanta's uneven urban development. With Poor Atlanta, LeeAnn B. Lands demonstrates that, while eclipsed by the Black freedom movement, antipoverty organizing (including direct action campaigns, legal actions, lobbying, and other forms of activism) occurred with regularity from 1964 through 1976. Her analysis is one of the few citywide studies of antipoverty organizing in late twentieth-century America.

When Lenin and the Bolsheviks shut down the Constituent Assembly after only one session, it was said to mark the end of Russia's one-day experiment with democracy. However, with the fall of the Soviet Union in 1991, a true period of democracy was ushered in - creating a strange world scarcely believable when viewed from the era of Vladimir Putin. A fascinated witness of Russian politics, Kenneth MacInnes lived in the country through this unique and exciting era. His book not only chronicles this ten-year period, but also reveals all the other times in history when Russia led the world in democratic freedoms and popular representation. During the Middle Ages, the republic of Novgorod was the world's largest democracy. The national parliament established by Ivan the Terrible elected tsars, while the Russian Empire was the first place in Europe where women voted in local and national elections. In 1917, the Provisional Government passed the freest electoral law ever written. This book covers everything from the popular democratic struggles of 1612 and 1991 to the local 'republics' set up during wars, revolutions and foreign invasions. It describes how Lenin and Stalin stood in democratic elections, the day Yeltsin's tanks bombed parliament, the history of 'Western interference' in Russian polls - and why Putin has such a deep aversion to free ballots.