The proximity of the East L.A. barrio to Hollywood is as close as a short drive on the 101 freeway, but the cultural divide is enormous. Born to Mexican-born and American-naturalized parents, Alicia Armendariz migrated a few miles west to participate in the free-range birth of the 1970s punk movement. Alicia adopted the punk name Alice Bag, and became lead singer for The Bags, early punk visionaries who starred in Penelope Spheeris' documentary "The Decline of Western Civilization."

Here is a life of many crossed boundaries, from East L.A.'s "musica ranchera" to Hollywood's punk rock; from a violent male-dominated family to female-dominated transgressive rock bands. Alice's feminist sympathies can be understood by the name of her satiric all-girl early Goth band Castration Squad.

"Violence Girl" takes us from a violent upbringing to an aggressive punk sensibility; this time a difficult coming-of-age memoir culminates with a satisfying conclusion, complete with a happy marriage and children. Nearly a hundred excellent photographs energize the text in remarkable ways.

Alice Bag's work and influence can be seen this year in the traveling Smithsonian exhibition "American Sabor: Latinos in U.S. Popular Music."

Raised in Queens, where he worked as a plumber while honing his guitar skills, Johnny Ramone eventually became a founding member of The Ramones, one of the most influential rock bands of all time. Often called the first punk rock outfit, their status is now legendary. But despite becoming an international star when he was alive, Johnny never really strayed from his blue-collar roots and attitude. His bouts of delinquency as a kid might have given way to true discipline when it came to keeping the band in line, but he was truly imbued with the angr y-young-man spirit that would characterise his persona on and off stage. Johnny was the driving force behind the Ramones, sometimes referred to as a drill sergeant, bringing order and regiment to the band. This was evident in the speed, accuracy and intensity of their music. Johnny kept the band focused and moving forward, ultimately securing their place in rock history. The Ram ones were inducted into the Rock and Roll Hall of Fame in 2002 and two years later, Johnny dies of cancer, outliving the other two founding members and getting the last and complete word. Brutally honest, revealing and touching, this is Johnny Ramones's story and the story of the Ramones from start to finish, told in his own words and on his own terms. In addition to his story, the book will contain Johnny's annotated and graded assessment of the Ramones' albums, a number of eccentric Top Ten Lists; favourite Elvis films, favourite Republicans [Johnny was actually pretty conservative], favourite horror films, pages from his legendary "black books" with notes on concerts, inspirations, anecdotes and scores of black and white and colour photos, many of which have not been published before.

*THE SUNDAY TIMES BESTSELLER* The brand new memoir from the Sunday Times bestselling author of The Road Beneath My Feet. Taking 36 songs from his back catalogue, folk-punk icon Frank Turner explores his songwriting process. Find out the stories behind the songs forged in the hedonistic years of the mid-2000s North London scene, the ones perfected in Nashville studios, and everything in between. Some of these songs arrive fully-formed, as if they've always been there, some take graft and endless reworking to find 'the one'. In exploring them all, Turner reflects with eloquence, insight and self-deprecating wit on exactly what it is to be a songwriter. From love songs and break-up songs to political calls-to-arms; songs composed alone in a hotel room or in soundcheck with the Sleeping Souls, this brilliantly written memoir - featuring exclusive photos of handwritten lyrics and more - is a must-have book for FT fans and anyone curious about how to write music.

The most wide-ranging and provocative look at punk rock as a social change movement told through firsthand accounts. Punk rock has been on the frontlines of activism since exploding on the scene in the 1970's. Punk Revolution! is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through firsthand accounts of roughly 250 musicians and activists. John Malkin brings together a wide cast of characters that include major punk & post-punk musicians (members of The Ramones, Bad Religion, Crass, Dead Kennedys, Patti Smith's band, Gang of Four, Sex Pistols, Iggy & the Stooges, Bikini Kill, Talking Heads, The Slits, and more), important figures influenced by the punk movement (Noam Chomsky, Kalle Lasn, Keith McHenry, Marjane Satrapi, Laurie Anderson, Kenneth Jarecke), and underground punk voices. These insightful, radical, and often funny conversations travel through rebellions against Margaret Thatcher, Ronald Reagan, Donald Trump, and Vladimir Putin and to punk activism that has taken on nuclear war, neoliberalism, modern warfare, patriarchy, white supremacy, the police, settler colonialism, and more. The result is a fresh and unique history of punk throughout the ages.

LONGLISTED FOR THE CARNEGIE MEDAL FOR EXCELLENCE LONGLISTED FOR THE HWA NON-FICTION CROWN 'A moving, powerful and highly innovative sidelight on the fall of Communism in East Germany through punk style and music. This is a complete original' HWA Non-Fiction Crown Judges 'A thrilling and essential social history that details the rebellious youth movement that helped change the world' Rolling Stone 'A riveting and inspiring history of punk's hard-fought struggle in East Germany' New York Times 'Wildly entertaining' Vogue THE SECRET HISTORY OF PUNKS IN EAST GERMANY It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery: in an authoritarian state where the future was preordained, punk, with its rejection of society and DIY approach to building a new one, planted the seeds for revolution. As these kids began to form bands, they also became more visible, and security forces - including the dreaded secret police, the Stasi - targeted them. They were spied on by friends and family; they were expelled from schools and fired from jobs; they were beaten by police and imprisoned. But instead of conforming, the punks fought back, playing an indispensable role in the underground movement that helped bring down the Berlin Wall. Rollicking, cinematic and thrillingly topical, this secret history brings to life the young men and women who successfully fought authoritarianism three chords at a time. Burning Down the Haus is a fiery testament to the irrepressible spirit of revolution. 'Original and inspiring . . . an important work of Cold War cultural history' Wall Street Journal

This expanded edition is updated with six more interviews and a new introduction, bringing the definitive book of conversations with the underground's greatest minds up to 2007.

When Punk Rock took on the establishment in the late 1970s it was about more than just the music. Fashion, culture, attitude, all went hand in hand with what the likes of The Sex Pistols, The Damned and The Clash gave the youth of the day. This visual biography charts all of that with fabulous photography of the bands, the fans and the day-to-day happenings. Re-live your youth or if you weren't around at the time, immerse yourself in the youth culture of the late seventies and early eighties.

Factory Records' fame and fortune were based on two bands - Joy Division and New Order - and one personality - that of its director, Tony Wilson. At the height of the label's success in the late 1980s, it ran its own club, the legendary Hacienda, had a string of international hit records, and was admired and emulated around the world. But by the 1990s the story had changed. The back catalogue was sold off, top bands New Order and Happy Mondays were in disarray, and the Hacienda was shut down by the police. Critically acclaimed on its original publication in 1996, this book tells the complete story of Factory Records' spectacular history, from the label's birth in 1970s Manchester, through its '80s heyday and '90s demise. Now updated to include new material on the re-emergence of Joy Division, the death of Tony Wilson and the legacy of Factory Records, it draws on exclusive interviews with the major players to give a fascinating insight into the unique personalities and chaotic reality behind one of the UK's most influential and successful independent record labels.

Punk Identities, Punk Utopias: Global Punk and Media seeks to unpack and illuminate punk as a trajectory of 'timelesness...as a set of diverse but confluent values and appropriations' that have both reflected and informed an increasingly complex, indefinable social, political and economic setting. Whereas the first two volumes in the series were broadly focused on local punk 'scenes' in a disparate range of countries and regions around the world, Punk Identities, Punk Utopias extends that critical enquiry to reflect broader social, political and technological concerns impacting punk scenes around the world, from digital technology and new media to gender, ethnicity, identity and representation. This new volume therefore draws upon the interdisciplinary areas of cultural studies, musicology and social sciences to present an edited text on the notion of identities, ideologies and cultural discourse surrounding contemporary global punk scenes. It is hoped that the books in the Global Punk series will add to the academic discussion of contemporary popular culture, particularly in relation to punk and the critical understanding of transnational and cross-cultural dialogue. Punk is a global phenomenon and the Global Punk series aims to reflect contemporary scenes around the world since the millennium. Punk and its subsequent variants, from hardcore to post-punk, have always crossed borders and become assimilated within countercultural practices with local, national and regional variations. Produced in collaboration between the Punk Scholars Network and Intellect Books, the Global Punk book series focuses on the development of contemporary global punk (c. 2000 onwards), reflecting upon its origins, aesthetics, identity, legacy, membership and circulation. Critical approaches draw upon the interdisciplinary areas of (among others) cultural studies, art and design, sociology, musicology and social sciences in order to develop a broad and inclusive picture of punk and punk-inspired subcultural developments around the globe. The series adopts an essentially analytical perspective, raising questions about the dissemination of punk scenes and subcultures and their form, structure and contemporary cultural significance in the daily lives of an increasing number of people around the world. This book has a genuine crossover appealed. It will be a key resource for established academics, postdoctoral researchers and Ph.D. students, as well as being suitable for adoption as an undergraduate student textbook. Suitable courses will include those in the fields of popular music, youth culture, sociology, urban/cultural geography, political history, heritage studies, media and cultural studies.

Examining the multigenerational impact of punk rock music, this international survey of the political-punk straight edge movement--which has persisted as a drug-free, hardcore subculture for more than 25 years--traces its history from 1980s Washington, DC, to today. Asserting that drugs are not necessarily rebellious and that not all rebels do them, the record also defies common conceptions of straight edge's political legacy as being associated with self-righteous, macho posturing and conservative Puritanism. On the contrary, the movement has been linked to radical thought and action by the countless individuals, bands, and entire scenes profiled throughout the discussion. Lively and exhaustive, this dynamic overview includes contributions from famed straight edge punk rockers Ian MacKaye of Minor Threat and Fugazi, Dennis Lyxzen of Refused and the International Noise Conspiracy, and Andy Hurley of Fall Out Boy; legendary bands ManLiftingBanner and Point of No Return; radical collectives such as CrimethInc. and Alpine Anarchist Productions; and numerous other artists and activists dedicated as much to sober living as to the fight for a better world.

By January 1978, the Sex Pistols were the most talked about band on the planet. They also enjoyed the sobriquet of being the "scourge" of the British Establishment. The Pistols' anarchic antics had largely gone unnoticed in America, and it wasn't until Warner Bros secured the U.S. rights to distribute the band's debut album Never Mind The Bollocks in November 1977 that the American media sat up and took notice. Plans were soon underway to bring the Pistols over to America, but Warners hadn't counted on the band's manager, the irascible Malcolm McLaren. In purposely eschewing New York and Los Angeles in favor of off-the-rock'n'roll radar outposts such as Memphis, San Antonio and Baton Rouge, McLaren sowed the seeds for a countercultural clash that continues to resonate across America. No Feelings, No Future, No Fun: the Sex Pistols' '78 U.S. Tour covers the tour from varying perspectives-with many people sharing their experiences for the first time. The book also endeavours to separate fact from the many fallacies that still surround those twelve days of mayhem when the Sex Pistols wended their way across an unsuspecting USA.

Featuring never-before-seen photographs of U2 on their first US Tour, Bad Brains, Black Flag, Danzig, The Descendants, Fugazi, The Damned, The U.K. Subs, and many, many more Since 1981, Chris Barrows has taken pictures of bands at their concerts, backstage, and behind the scenes. From U2 during their first tour in 1982 to Captain Sensible of The Damned on his knees in an alley licking a dominatrix's thigh high vinyl boots, or Lee Ving standing on railroad tracks at night, Barrows' intimate and stirring portraits of bands stripped down and unguarded will be a wonderful addition to any music fan's collection.

Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1986, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national and often the international stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of Doe and DeSavia's punk history will portray how the Reagan years affected the movement, how the scene ultimately influenced popular culture from fashion to television and film, and how mainstream stars adapted punk sounds and style. As with Under the Big Black Sun, the book will feature stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene with a cohesive narrative from authors John Doe and Tom DeSavia. Along with many returning voices, More Fun in the New World will weave in the perspectives of Belinda Carlisle, Susanna Hoffs, Joan Jett, and Shepard Fairey among others. In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercial acts such as Green Day, Rancid, and Offspring. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows this progression of L.A. punk and, some say, its conclusion.