'Well now, prove it, Sheila. As John would say, "Put your money where your mouth is." Be a depressed widow boring the arse off everyone, or get on with life. Your choice.' In The Two of Us Sheila relived her life with John Thaw - years packed with love and family, delight and despair. And then she looked ahead. What next? Gardening, grannying and grumbling, while they all had their pleasures, weren't going to fill the aching void that John had left. 'Live adventurously', a Quaker advice, was hovering around her brain. Putting her and John's much loved house in France on the market she embarked on a series of journeys. She tried holidaying alone, contending with invisibility and budget flights. She tried travelling in a group, but the questions she wanted to ask were never the ones the guide wanted to answer. She tried relaxing - harder than you might think. Finally, heading out of her comfort zone, she found her travels, and the things she discovered, led her back to her past; to consider her generation - the last to experience the Second World War - and the kind of person it made her. Just Me is a book about moving on, but it is also about looking back, and looking anew. Sheila, whether facing down burglars and Easyjet staff or making friends with waiters and taxi drivers, whether unearthing secrets in Budapest, getting arrested in Thailand, exulting in the art of Venice or searching for a decent cup of coffee in Dorset, is never less than stimulating company. Honest - because if you can't say what you think at seventy-three, when can you? - insightful and wonderfully down to earth, she is a woman seizing the future with wit, gusto and curiosity, on her own.

(FAQ). This entertaining and informative study of the Three Stooges focuses on the nearly 190 two-reel short comedies the boys made at Columbia Pictures during the years 1934-59. Violent slapstick? Of course, but these comic gems are also peerlessly crafted and enthusiastically played by vaudeville veterans Moe, Larry, Curly, Shemp, and Joe arguably the most popular and long-lived screen comics ever produced by Hollywood. Detailed production and critical coverage is provided for every short, plus information about each film's place in the Stooges' careers, in Hollywood genre filmmaking, and in the larger fabric of American culture. From Depression-era concerns to class warfare to World War II to the cold war to rock-and-roll the Stooges reflected them all. Seventy-five stills, posters, and other images many never before published in book form bring colorful screen moments to life and help illuminate the special appeal of key shorts. Exclusive sections include a Stooges biographical and career timeline; a useful, colorful history of the structure and behind-the-camera personnel of the Columbia two-reel unit; and personality sidebars about more than 30 popular players who worked frequently with the Stooges. Also included is a filmography that covers all 190 shorts, plus a bibliography, making this the ultimate guide for all Three Stooges fans

Woody Strode's extraordinary career led him from football field to wrestling ring to Hollywood. In 1939 Woody, Jackie Robinson and Kenny Washington led UCLA to its first undefeated football season. After World War II Woody and Kenny Washington became the first blacks to play in the NFL. In 1950 Woody became pro wrestling's first black star, After that it was a small step to Hollywood where he appeared in such films as The Ten Commandments, Spartacus, and The Cotton Club. Sam Young and Woody Strode met while working on a televisions production. Their relationship grew until after three years, countless hours of conversations and interviews, Goal Dust was completed.

With no formal training as an actor, Welsh-born Ray Milland (1907-1986), a former trooper in the British Army's Household Cavalry, enjoyed a half-century career working alongside some of the great directors and stars from the Golden Age of cinema. He won the Academy Award for Best Actor for his performance as the alcoholic writer in The Lost Weekend (1946), a defining moment that enabled him to break free from romantic leads and explore darker shades of his debonair demeanor, such as the veiled menace of his scheming husband in Hitchcock's Dial M For Murder (1954). A consummate professional with wide range, Milland took the directorial reins in several of his starring vehicles in the 1950s, most notably in the intelligent Western A Man Alone (1955). He comfortably slipped into most genres, from romantic comedy to adventure to film noir. Later he turned to science fiction and horror movies, including two with cult filmmaker Roger Corman. This first complete filmography covers the actor's screen career, with a concise introductory biography and an appendix listing his extensive radio and television credits.

This book theorizes auteur Robert Lepage's scenography-based approach to adapting canonical texts. Lepage's technique is defined here as 'scenographic dramaturgy', a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage's adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage's scenographic dramaturgy in re-'writing' extant texts, including Shakespeare's Tempest on Huron-Wendat territory, Stravinsky's Nightingale in a twenty-seven ton pool, and Wagner's Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage's twenty-first century 'auto-adaptations' of his own seminal texts, The Dragons' Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration.

Having taken on the role of Roger Moore's executive assistant in 2002, Gareth Owen became the right-hand man to an icon, as well as his co-author, onstage co-star and confidant. Gareth was faithfully at Roger's side for fifteen years until his passing in 2017. In this affectionate and amusing book, the author recounts his times with Roger Moore and gives a unique and rare insight into life with one of the world's most beloved actors. Roger always said, 'Gareth knows me better than I know myself.' For all his celebrity, Roger Moore was quite reserved. In interviews he rarely spoke about himself, much preferring to tell fun tales about others. But his trusted sidekick was with him throughout his worldwide travels, his UK stage shows, his writing process and his book tours, as he received his Knighthood, and as he rubbed shoulders with the rich and famous. There were genuinely hilarious, heartfelt and extraordinary moments to be captured and Gareth Owen was there to share them all.

This book examines the theatrical movement-based pedagogy of Jacques Lecoq (1921-1999) through the lens of the cognitive scientific paradigm of enaction. The conversation between these two both uncovers more of the possible cognitive processes at work in Lecoq pedagogy and proposes how Lecoq's own practical and philosophical approach could have something to offer the development of the enactive paradigm. Understanding Lecoq pedagogy through enaction can shed new light on the ways that movement, key to Lecoq's own articulation of his pedagogy, might cognitively constitute the development of Lecoq's ultimate creative figure - the actor-creator. Through an enactive lens, the actor-creator can be understood as not only a creative figure, but also the manifestation of a fundamentally new mode of cognitive selfhood. This book engages with Lecoq pedagogy's significant practices and principles including the relationship between the instructor and student, identifications, mime, play, mask work, language, improvisation, and movement analysis.

Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists-singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats-provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include "authentic" performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues.

This book features twenty heroines who portrayed imperiled women in science fiction, horror, film noir and mystery movies from the 1930s to the 1960s. Some - like Sandy Descher, who confronted the giant ants of ""Them!"" - were only girls when they faced their screen perils. Others - such as Mary Murphy, who played opposite Marlon Brando in ""The Wild One"" - were leading ladies in other film genres. Yet others - such as June Wilkinson, considered by many as ""Playboy""'s greatest model - came from outside the acting world. In this book, each interview is preceded by an introduction. Besides the three above, the interviewees are Ramsay Ames, Claudia Barrett, Jean Byron, Linda Christian, Faith Domergue, Amanda Duff, Evangelina Elizondo, Margaret Field, Mimi Gibson, Marilyn Harris, Kitty de Hoyos, Donna Martel, Joyce Meadows, Noreen Nash, Cynthia Patrick, Paula Raymond and Joan Taylor. Among the films they starred in are ""The Mummy's Ghost"", ""Robot Monster"", ""Tarzan and the Mermaids"", ""This Island Earth"", ""It Came from Beneath the Sea"", ""Where Danger Lives"", ""The Man from Planet X"", ""The Monster That Challenged the World"", ""Frankenstein"", ""The Brain from Planet Arous"", ""Phantom from Space"", ""The Mole People"", ""The Beast from 20,000 Fathoms"" and ""Earth Vs. the Flying Saucers"". Some interviews were previously published in a different form in fan magazines.

This book reflects the changes in technology and educational trends (cross-disciplinary learning, entrepreneurship, first-year learning programs, critical writing requirements, course assessment, among others) that have pushed theatre educators to innovate, question, and experiment with new teaching strategies. The text focuses upon a firm practice-based approach that also reflects research in the field, offering innovative and proven methods that theatre educators may use to actively engage students and encourage student success. The sixteen essays in this volume are divided into five sections: Teaching with Digital Technology, Teaching in Response to Educational Trends, Teaching New Directions in Performance, Teaching Beyond the Traditional, and Teaching Collaboratively or Across Disciplines. Study of this book will provoke readers to question both teaching methods and curricula as they consider the ever-shifting arts landscape and the potential careers for theatre graduates.

Blessed with a natural beauty that faded but little over the years, Scotland-born actress Deborah Kerr (1921-2007) provided the cinema with memorable studies of English gentility. A star in British pictures before she was 21 and a Hollywood fixture from 1946, she projected a cool reserve and stoic nobility, often hinting at a passion and insecurity beneath the surface. Frequently portraying selfless, sympathetic women, she was brilliant in such roles as Anna Leonowens in The King and I (1956). And in a fascinating departure from her normal range, Kerr's portrayal of the sexually frustrated Army wife in From Here to Eternity (1953) resulted in the screen's most famous ""clinch""--the beach scene with Burt Lancaster. Though she never won an Academy Award despite six nominations, Deborah Kerr received an honorary Oscar in 1994.

Kubrick is Michael Herr's memoir of his nearly twenty-year friendship and collaboration with Stanley Kubrick, one of the greatest filmmakers of all time and the creator of such classics as Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange. From their first meeting at an advance screening of The Shining in 1980, Kubrick and Herr began an intense intellectual exchange that grew into the artistic collaboration that ultimately produced the groundbreaking Vietnam film Full Metal Jacket.

Filled with personal insights and previously untold anecdotes, Kubrick is a probing view into the inner life of a man whose creative passion and powerful intellect changed the art of filmmaking forever -- and of the complicated, often misunderstood man behind the art.

A juicy saga of a film icon's early love affairs, revealing what really lay under the trench coat of history's most famous movie star. This is a radical expansion of one of Darwin Porter's earlier Bogart biographies, incorporating a wider timeline - in this case, the years between Bogart's birth in 1899 until his marriage to Lauren Bacall in 1944. This revelatory book is based on dusty, unpublished memoirs, letters, diaries and personal interviews from the women and the men who adored him, as well as shocking allegations from those who didn't.

In the closing pages of her 1988 autobiography Debbie: My Life, Debbie Reynolds wrote about finding her brave, loyal, and loving new husband. After two broken marriages, this third, she believed, was her lucky charm. But within a few years, Debbie discovered that he had betrayed her emotionally and financially, nearly destroying her life. Today, she says, When I read the optimistic ending of my last memoir now, I can't believe how naive I was when I wrote it. In Unsinkable, I look back at the many years since then, and share my memories of a film career that took me from the Miss Burbank Contest of 1948 to the work I did in 2012...To paraphrase Bette Davis: Fasten your seatbelts, I've had a bumpy ride. Unsinkable shines a spotlight on the resilient woman whose talent and passion for her work have endured for more than six decades. In her engaging, down-to-earth voice, Debbie shares private details about her man and money troubles, including building and losing both her Las Vegas dream hotel and her treasured Hollywood memorabilia collection. Yet no matter how difficult the problems, the show always goes on. Debbie also invites us into the close circle of her family life, speaking with deep affection and honesty about her relationships with her children, Carrie and Todd Fisher. She looks back at her life as an actress during Hollywood's Golden Age- the most magical time you could imagine, including her lifelong friendship with (and years-long estrangement from) the legendary Elizabeth Taylor. Here, too, are stories that never reached the tabloids about numerous celebrities such as Ava Gardner, Clark Gable, Frank Sinatra, Mick Jagger, Gene Kelly, and many more. She takes us on a guided tour through her movies with delightful, often hilarious behind-the-scenes anecdotes about every film in which she was involved, from 1948 to the present. Frank and forthright, and featuring dozens of previously unseen photos from her personal collection, Unsinkable is a poignant reminder that there is light in the darkest times. It is a revealing portrait of a woman whose determination is an inspiration.

This book addresses the notion posed by Thomas Kilroy in his definition of a playwright's creative process: 'We write plays, I feel, in order to populate the stage'. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.

Maurice Tourneur (1876-1961), the French and American director, actor, and theatrical manager, is the focus of this work that takes a look at his life and career in the film industry. He began in France during the years 1912 to 1914, making a number of silents of which the subject was often gamin and orphan seeking shelter and love. Tourneur spent 1914-1926 in New Jersey and Hollywood, directing more than 50 films, using his French interests and talents to help shape the industry, and bringing 'stylization' to the screen. He was known in America for his mastery of lighting, design, and atmosphere. Tourneur worked in many genres, but one theme that ran throughout his work dealt with the tricks and ruses of love that women often faced - and sometimes used - to find happiness. While special attention is paid to facts about his films, a notable feature of this work are the photographs of Tourneur and his film subjects.

Robert Mitchum - aka 'Mr Bad Taste', 'Trouble Himself', 'The Man with the Immoral Face', 'Daddy Bad' - was the original Hollywood bad-boy and one of the greatest screen actors of the twentieth century. But his pre-fame life is cloaked in mystery, the truth hidden within conflicting tales of time spent as a Depression-era hobo, prizefighter, escaped felon - and secret poet. Writer and broadcaster Lloyd Robson trailed the Eastern Seaboard in search of Mitchum, his poetry, America, a surrogate father, and how to be a man. "Oh Dad!" is the result - a boozy, drug-fuelled attempt to define masculinity in the modern age and to match the standards set by the ultimate man and the personification of Film Noir, Robert Mitchum.

What happens when an actor owns shares in the stage on which he performs and the newspapers that review his performances? Celebrity that lasts over 240 years. From 1741, David Garrick dominated the London theatre world as the progenitor of a new 'natural' style of acting. From 1747 to 1776, he was a part-owner and manager of Drury Lane, controlling most aspects of the theatre's life. In a spectacular foreshadowing of today's media convergences, he also owned shares in papers including the St James's Chronicle and the Public Advertiser, which advertised and reviewed Drury Lane's theatrical productions. This book explores the nearly inconceivable level of cultural power generated by Garrick's entrepreneurial manufacture and mediation of his own celebrity. Using new technologies and extensive archival research, this book uncovers fresh material concerning Garrick's ownership and manipulation of the media, offering timely reflections for theatre history and media studies.

An access-all-areas book marking the 25th anniversary of the era-defining Oasis concerts at Knebworth, with stunning images taken by acclaimed music photographer Jill Furmanovsky - including contributions from Noel Gallagher and Alan McGee, and hundreds of never-before-seen pictures *** "A wonderful document of the last great gathering of the pre-internet age. No camera phones, no social media, just a band and its fans as one" - NOEL GALLAGHER On 10th and 11th August 1996, Oasis played the concerts that would define them, a band at the height of their powers playing to over 250,000 people. Twenty-five years on, this is the inside story of those nights, told through the breathtaking photographs of Jill Furmanovsky, granted unprecedented access to Oasis throughout that summer. Also includes newly obtained first-hand accounts from the people who were there - including Noel Gallagher and Alan McGee - in text by award-winning author Daniel Rachel. From relaxed rehearsals and warm-up concerts to Knebworth itself - backstage, onstage, flying high above the site - many of the stunning photographs in this book have never been seen anywhere before. This the definitive account of two nights that a generation will never forget.

In his own words is the candid, witty, and unvarnished story of the songs and shows, the hits and pans, the marriages and divorces, the ascents to the top of the charts and into the tabloid headlines. As one of only three musicians to sell over 100 million records both in a group and as a solo artist, Collins breathes rare air, but he has never lost his talent for crafting songs that touch listeners around the globe. This is the story of his epic career, from child actor to one of the most successful songwriters of the pop music era. A drummer since almost before he could walk, Collins received on-the-job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. Later he would step into the spotlight on vocals after the departure of Peter Gabriel, and compose the songs that would rocket him to international solo fame with the release of Face Value and 'In the Air Tonight'. Whether he's recalling jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, playing twice at Live Aid, or writing the Oscar-winning music for Disney's smash-hit animated film Tarzan, Collins keeps it intimate and his storytelling gift never wavers.

The most successful Bond of all time. One of the most stylish men in Britain. A United Nations ambassador. Skydiving with the Queen herself. Is there anything Daniel Craig can't do? With the release of No Time to Die, Craig will appear for the fifth time as James Bond. The public and the critics have been united in their praise for Craig in the most-pressurised role there is in global film. However, there has been much more to Craig over the years than just Bond. Roles in Layer Cake, Knives Out and the movie adaptation of Stieg Larssons's The Girl with the Dragon Tattoo have met with acclaim, and shown breadth and charisma beyond being 007. In this biography, author Sarah Marshall explores the road to success for one of Britain's finest actors - from the Guildhall School of Music and Drama his status as a global icon. A must for any fan, this biography examines not just the star gracing billboards and magazines covers, but also the character of the man behind the famous blue eyes.