"[A] remarkably absorbing, supremely entertaining joint biography" (The New York Times) from bestselling author Scott Eyman about the remarkable friendship of Henry Fonda and James Stewart, two Hollywood legends who maintained a close relationship that endured all of life's twists and turns. Henry Fonda and James Stewart were two of the biggest stars in Hollywood for forty years, but they became friends when they were unknown. They roomed together as stage actors in New York, and when they began making films in Hollywood, they were roommates again. Between them they made such classic films as The Grapes of Wrath, Mister Roberts, Twelve Angry Men, and On Golden Pond; and Mr. Smith Goes to Washington, The Philadelphia Story, It's a Wonderful Life, Vertigo, and Rear Window. They got along famously, with a shared interest in elaborate practical jokes and model airplanes, among other things. But their friendship also endured despite their differences: Fonda was a liberal Democrat, Stewart a conservative Republican. Fonda was a ladies' man who was married five times; Stewart remained married to the same woman for forty-five years. Both men volunteered during World War II and were decorated for their service. When Stewart returned home, still unmarried, he once again moved in with Fonda, his wife, and his two children, Jane and Peter, who knew him as Uncle Jimmy. For his "breezy, entertaining" (Publishers Weekly) Hank and Jim, biographer and film historian Scott Eyman spoke with Fonda's widow and children as well as three of Stewart's children, plus actors and directors who had worked with the men-in addition to doing extensive archival research to get the full details of their time together. This is not just another Hollywood story, but "a fascinating...richly documented biography" (Kirkus Reviews, starred review) of an extraordinary friendship that lasted through war, marriages, children, careers, and everything else.

In this "heartrending, passionate, and surprisingly humorous account of the conjunction between art and death" (Andrew Solomon, New York Times bestselling author), acclaimed opera singer Charity Tillemann-Dick recounts her remarkable journey from struggling to draw a single breath to singing at the most prestigious venues in the world after receiving not one but two double lung transplants. Charity Tillemann-Dick was a vivacious young American soprano studying at the celebrated Franz Liszt Academy of Music in Budapest when she received devastating news: her lungs were failing, her heart was three and a half sizes too big, and she would die within five years. Medical experts advised Charity to abandon her musical dreams, but if her time was running out, she wanted to spend it doing what she loved. In just three years, she endured two double lung transplants and had to slowly learn to breathe, walk, talk, eat, and sing again. With new lungs and fierce determination, she eventually fell in love, rebuilt her career, and reclaimed her life. More than a decade after her diagnosis, she has a chart-topping album, performs around the globe, and is a leading voice for organ donation. Weaving Charity's extraordinary tale of triumph with those of opera's greatest heroines, The Encore illuminates the indomitable human spirit and is "an uplifting story of overcoming significant odds to fulfill a dream" (Kirkus Reviews).

The heroine of MARY POPPINS and THE SOUND OF MUSIC tells her life story from the music halls of London to Broadway stardom. Over the years Julie Andrews has been much interviewed in the press and on television, but she has never before revealed the true story of her childhood and upbringing. In HOME she vividly recreates the years before the movies. An idyllic early childhood in Surrey was cut short when her parents divorced and her mother remarried. The family moved to London, and there are vivid scenes of life during the Blitz. Her mother went into musical theatre with her stepfather, who encouraged Julie to have singing lessons which led to the discovery that her voice had phenomenal range and strength for someone her age. Before long she was appearing on stage with her parents. She soon realised how much she enjoyed looking out into the black auditorium with the spotlights on her. By the time she was a teenager, she was supporting her whole family with her singing. A London Palladium pantomime led to a leading role in THE BOYFRIEND on Broadway at 19. Parts in MY FAIR LADY opposite Rex Harrison and CAMELOT with Richard Burton soon followed, and there are wonderful anecdotes about the actors and actresses of her day. But this is far more than a collection of show stories (it's not until the last page of the book that Julie gets the call from Disney for MARY POPPINS), HOME is an honest, touching and revealing memoir of the early life of a true icon.

From the moment that he first shook up the world in the mid 1950s, Elvis Presley has been one of the most vivid and enduring myths of American culture.
"Last Train to Memphis: The Rise of Elvis Presley" is the first biography to go past that myth and present an Elvis beyond the legend. Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.
This volume tracks the first twenty-four years of Elvis' life, covering his childhood, the stunning first recordings at Sun Records ("That's All Right," "Mystery Train"), and the early RCA hits ("Heartbreak Hotel," "Hound Dog," "Don't Be Cruel"). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note.
"Last Train to Memphis" takes us deep inside Elvis' life, exploring his lifelong passion for music of every sort (from blues and gospel to Bing Crosby and Mario Lanza), his compelling affection for his family, and his intimate relationships with girlfriends, mentors, band members, professional associates, and friends. It shows us the loneliness, the trustfulness, the voracious appetite for experience, and above all the unshakable, almost mystical faith that Elvis had in himself and his music. Drawing frequently on Elvis' own words and on the recollections of those closest to him, the book offers an emotional, complex portrait of young Elvis Presley with a depth and dimension that for the first time allow his extraordinary accomplishments to ring true.
Peter Guralnick has given us a previously unseen world, a rich panoply of people and events that illuminate an achievement, a place, and a time as never revealed before. Written with grace, humor, and affection, "Last Train to Memphis" has been hailed as the definitive biography of Elvis Presley. It is the first to set aside the myths and focus on Elvis' humanity in a way that has yet to be duplicated.

In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Although he was highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.

Film historian and acclaimed New York Times bestselling biographer Scott Eyman has written the definitive, "captivating" (Associated Press) biography of Hollywood legend Cary Grant, one of the most accomplished-and beloved-actors of his generation, who remains as popular as ever today. Born Archibald Leach in 1904, he came to America as a teenaged acrobat to find fame and fortune, but he was always haunted by his past. His father was a feckless alcoholic, and his mother was committed to an asylum when Archie was eleven years old. He believed her to be dead until he was informed she was alive when he was thirty-one years old. Because of this experience, Grant would have difficulty forming close attachments throughout his life. He married five times and had numerous affairs. Despite a remarkable degree of success, Grant remained deeply conflicted about his past, his present, his basic identity, and even the public that worshipped him in movies such as Gunga Din, Notorious, and North by Northwest. This "estimable and empathetic biography" (The Washington Post) draws on Grant's own papers, extensive archival research, and interviews with family and friends making it a definitive and "complex portrait of Hollywood's original leading man" (Entertainment Weekly).

The anti-Communist hysteria that began in the 1930s was further empowered in 1938 when the House of Representatives established the House Committee on UnAmerican Activities. Soon thereafter, the creation of the blacklist in the late 1940s brought the Hollywood film and television community into the fold. Provocatively capturing the controversy and sentiments surrounding this period of political imbalance, Actors on Red Alert explores the repercussions of the blacklist through career interviews with five prominent actors and actresses.

Celebrated actor, personality, and all-around nerd, Wil Wheaton updates his memoir of collected blog posts with all new material and annotations as he reexamines one of the most interesting lives in Hollywood and fandom--and now for the first time in audio, narrated by Wil himself! From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture. Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn't expect many would want to read about his random experiences and personal philosophies. Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers. In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion--writing--Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one's true purpose that should resonate with fans and aspiring artists alike.

In The Twelve Lives of Alfred Hitchcock Edward White explores the Hitchcock phenomenon-what defines it, how it was invented, what it reveals about the man at its core and how its legacy continues to shape our cultural world. The book's twelve chapters illuminate different aspects of Hitchcock's life and work: "The Boy Who Couldn't Grow Up"; "The Murderer"; "The Auteur"; "The Womanizer"; "The Fat Man"; "The Dandy"; "The Family Man"; "The Voyeur"; "The Entertainer"; "The Pioneer"; "The Londoner"; "The Man of God". Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived, but also the various versions of himself that he projected and those projected on his behalf. White's portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist and his significance reaches far beyond the confines of cinema.

Gwen Ffrangcon-Davies is a paradox; a famous actress whose career spanned most of the twentieth century she is now largely forgotten. Drawing on material held in Ffrangcon-Davies's personal archive, Grime argues that the representation of the actress, on and off the stage, can be read in terms of its constructions of normative female behaviours.

For five decades, comedian, actor, singer, dancer, and entertainer Bob Hope (1903-2003) traveled the world performing before American and Allied troops and putting on morale-boosting USO shows. Dear Bob...: Bob Hope's Wartime Correspondence with the G.I.s of World War II tells the story of Hope's remarkable service to the fighting men and women of World War II, collecting personal letters, postcards, packages, and more sent back and forth among Hope and the troops and their loved ones back home. Soldiers, nurses, wives, and parents shared their innermost thoughts, swapped jokes, and commiserated with the "G.I.s' best friend" about war, sacrifice, lonely days, and worrisome, silent nights. The Entertainer of the Century performed for millions of soldiers in person, in films, and over the radio. He visited them in the hospitals and became not just a pal but their link to home. This unforgettable collection of letters and images, many of which remained in Hope's personal files throughout his life and which now reside at the Library of Congress, capture a personal side of both writer and recipient in a very special and often emotional way. This volume heralds the voices of those servicemen and women Hope entertained and who, it is clear, delighted and inspired him.

Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.

A refugee from post-World War II Europe who emigrated to the US in 1949, Jonas Mekas (1922-2019) became one of America's foremost champions of independent cinema and one of its most innovative filmmakers. An admired poet in his native Lithuania, Mekas began recording his life on film shortly after his arrival in New York. Through his work as the author of the Village Voice's "Movie Journal" column, editor of Film Culture magazine, and founder of Anthology Film Archives and the Film-Makers' Cooperative, Mekas played a vital role in the promotion of avant-garde and independent films. His early films, Guns of the Trees and The Brig, challenged the structure of traditional narrative filmmaking. He is best known for his "diary films," including Walden (Diaries, Notes, and Sketches); Reminiscences of a Journey to Lithuania; and As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty. His films, writings, and the institutions he built have influenced generations of filmmakers, poets, artists, musicians, critics, and scholars. In Jonas Mekas: Interviews, volume editor Gregory R. Smulewicz-Zucker collects eighteen interviews covering almost sixty years of the filmmaker's career. Mekas discusses his remarkable life as a refugee from Nazi- and Soviet-occupied Lithuania, his role as one of the major figures in the development of the American avant-garde, and his thoughts about his own work. In conversation with scholars, journalists, and other prominent artists, Mekas speaks of his passion for artistic expression and uncompromising vision for a liberated cinema. These interviews preserve Mekas's voice so that it might speak to future generations of artists and intellectuals.

This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" - the very question that drove his stage directing work. The book demonstrates that the answer led him through the path of gradually stripping the theatrical phenomenon down to its most elemental aspect, which shows itself through the craft of the performer as a non-representational event. This particular quality released at the heights of the art of the performer is referred to as aliveness, or true liveness in this study in order to shift scholarly focus onto something that has always fascinated great theatre practitioners, including Stanislavski and Grotowski, and of which academic scholarship has limited grasp. Salata's theoretical analysis of aliveness reaches out to phenomenology and a broad range of post-structural philosophy and critical theory, through which Grotowski's project is portrayed as philosophical practice.

Let the games begin and may the biggest ego win This book dishes the dirt with stories of every word uttered, letter written, or fist swung from the cantankerous stars' first calamitous encounters to their deathbed declarations. Tiffs include: Madonna vs. Sandra Bernhard; Johnny Carson vs. Joan Rivers; Elton John vs. David Bowie; and Bette Davis vs. Joan Crawford. Exposing the shocking tactics of the most bitter rivals in the entertainment industry and the vindictive, unseen ire of stars, this book reveals Hollywood with all its claws bared.

Acting wasn't a long-held childhood dream for Larry Lamb, instead his childhood memories are filled with recollections of his parents continuously fighting. His mother and father were totally mismatched, the only thing they shared in common was their children and life in the Lamb household veered from laughter and happy moments to hysterical outbursts and terrifying episodes. Larry, the eldest of three children was only too often caught in the middle and found himself at the centre of his father's raging anger, tormented by a man who struggled with the enormity of fatherhood. When his parents' marriage finally broke down, Larry's mother moved out along with her baby daughter and as they grew up, Larry and his brother, Wesley, lived with their father, seeing their mother and sister only in rushed meetings at bus stops and in public parks. For years Larry didn't know where his mum lived and he didn't dare talk of her at home, his mother's presence left a gaping hole. As soon as Larry was old enough, he left home. Putting as much distance as he could between himself and his volatile childhood, he set off on a journey that would take him to work as an encyclopaedia salesman in Germany, in the oil business in Libya and Nova Scotia until he found himself starring on Broadway. In time it would take him to Hollywood too and bring him leading roles on the Square in Eastenders and in Billericay in the much-loved comedy Gavin and Stacey. Along the way Larry wasn't just trying to make his own way in the world, he was seeking the close female companionship he'd missed out on with his mother too. After a series of relationships, he found himself back in England and father to George. Facing fatherhood was a pivotal moment, so easily he could have fallen into the ways of his own father but whilst his marriage to George's mother didn't last, he couldn't let the same mistakes be repeated again and he vowed to have the relationship with his son that he'd never been able to have with his father. Mummy's Boy is by turns heartrending as Larry recalls the relationship broken beyond repair with his father, searingly honest as he describes the effect his childhood had in later life and hugely entertaining as he tells captivating tales of making it as an actor, breaking out from his little world in Essex and finding himself in a new life on stage and screen. 'What a life! I loved it. Almost as good as sitting with him and listening to his stories.' Rob Brydon 'A wonderful story of survival against the odds told with compassion and humour. This is so much more than a showbiz autobiography.' Anne Robinson 'Mummy's Boy manages to be touching, funny and uniquely warm all at once. A must-read.' Best

The memoirs of the pioneering Danish silent film star Asta Nielsen in English translation for the first time, with scholarly introduction and annotations. From her explosive screen debut in The Abyss (1910) through her "scandalous" fourth marriage at age 89, the Danish actress Asta Nielsen (1881-1972) was a darling of fans and the press, a global star without parallel in the silent era. So famous in Germany that she was known simply as "die Asta," during her two decades of active filmmaking Nielsen also published about her career, her impoverished childhood, her breakthrough into film, the price of fame, and her interactions with the German film industry. In 1938 Nielsen returned to Denmark, where she published her memoirs in two volumes in 1945-46, expanding on her earlier writings. This carefully crafted, colorful text offers eyewitness insights into early European film, Nielsen's star persona, and the challenges of stardom in Germany in the tumultuous period before World War II. Yet although they have appeared in multiple Danish, German, and Russian editions, the memoirs have never been published in English until now. Nielsen's work has enduring value for transnational film history, and the recent growth of interest in women's contributions to early film makes the time ripe for this translation. Julie K. Allen accompanies the text with a scholarly introduction and annotations, and a foreword by leading early film scholar Jennifer M. Bean frames the volume.

On June 29, 1978, Bob Crane, known to Hogan's Heroes fans as Colonel Hogan, was discovered brutally murdered in his Scottsdale, Arizona, apartment. His eldest son, Robert Crane, was called to the crime scene. In this poignant memoir, Robert Crane discusses that terrible day and how he has lived with the unsolved murder of his father. But this storyline is just one thread in his tale of growing up in Los Angeles, his struggles to reconcile the good and sordid sides of his celebrity father, and his own fascinating life. Crane began his career writing for Oui magazine and spent many years interviewing celebrities for Playboy -- stars such as Chevy Chase, Bruce Dern, Joan Rivers, and even Koko the signing gorilla. As a result of a raucous encounter with the cast of Canada's SCTV, he found himself shelving his notepad and tape recorder to enter the employ of John Candy -- first as an on-again, off-again publicist; then as a full-time assistant, confidant, screenwriter, and producer; and finally as one of Candy's pallbearers. Through disappointment, loss, and heartbreak, Crane's humor and perseverance shine. Beyond the big stars and behind-the-scenes revelations, this riveting account of death, survival, and renewal in the shadow of the Hollywood sign makes a profound statement about the desire for love and permanence in a life where those things continually slip away. By turns shocking and uplifting, Crane is an unforgettable and deeply human story.

Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.

Among silent film comedians, three names stand out -- Charlie Chaplin, Buster Keaton, and Harold Lloyd -- but Harry Langdon indisputably deserves to sit among them as the fourth "king." In films such as The Strong Man (1926) and Long Pants (1927) , Langdon parlayed his pantomime talents, expressive eyes, and childlike innocence into silent-era stardom. This in-depth biography, which features behind-the-scenes accounts and personal recollections compiled by Langdon's late wife, provides a full and thoughtful picture of this multifaceted entertainer and his meteoric rise and fall. Authors Gabriella Oldham and Mabel Langdon explore how the actor developed and honed his comedic skills in amateur shows, medicine shows, and vaudeville. Together they survey his early work on the stage at the turn of the twentieth century as well as his iconic routines and characters. They also evaluate his failures from the early sound period, including his decision to part ways with director Frank Capra. Despite his dwindling popularity following the introduction of talkies, Langdon persevered and continued to perform in theater, radio, and film -- literally until his dying day -- leaving behind a unique and brilliant body of work. Featuring never-before-published stories and photos from his immediate family, this biography is a fascinating and revealing look at an unsung silent film giant.

John Ford's classic films--such as "Stagecoach," "The Grapes of Wrath," "How Green Was My Valley," "The Quiet Man," and "The Searchers"--have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past.

Joseph McBride's "Searching for John Ford," described as definitive by both the "New York Times" and the "Irish Times," surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as "Bull" Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.

When it comes to living life to its fullest, Rosalind Russell's character Auntie Mame is still the silver screen's exemplar. And Mame, the role Russell (1907-1976) will always be remembered for, embodies the rich and rewarding life Bernard F. Dick reveals in his biography, "Forever Mame: The Life of Rosalind Russell," now available in paperback.

Drawing on personal interviews and information from the archives of Russell and her producer-husband Frederick Brisson, Dick begins with Russell's childhood in Waterbury, Connecticut, and chronicles her early attempts to achieve recognition after graduating from the American Academy of Dramatic Arts. Frustrated by her inability to land a lead in a Broadway show, she headed for Hollywood in 1934 and two years later played her first starring role, the title character in Craig's Wife.

Dick discusses all of her films along with her triumphal return to Broadway, first in the musical "Wonderful Town" and later in "Auntie Mame." "Forever Mame" details Russell's social circle of such stars as Loretta Young, Cary Grant, and Frank Sinatra. It traces an extraordinary career, ending with Russell's courageous battle against the two diseases that eventually caused her death: rheumatoid arthritis and cancer. Russell devoted her last years to campaigning for arthritis research. So successful was she in her efforts to alert lawmakers to this crippling disease that a leading San Francisco research center is named after her.