Tsui Hark, one of China's most famous film artists, is little known outside of Asia even though he has directed, produced, written, or acted in 64 films over the last twenty years, some of which are considered to be classics of modern Asian cinema. This work, the first of its kind about Tsui Hark, begins with a biography of the man and a look at his place in Hong Kong and world cinema, his influences, and his thematic obsessions. Each major film of his career is then reviewed, with thematic comparisons made among them (lesser films are included but receive smaller reviews). Also provided are production details, comments from Tsui Hark himself, box office and awards information, anecdotes, and various other particulars. Also included are a complete listings of Hong Kong locations where information on Tsui Hark can be found, and where his films can be found outside of Hong Kong.

Derek's journey to Albert Square has proved to be an eventful one. A bone fide East Ender, born within the sound of Bow Bells, Derek grew up during the Blitz in a tight-knit, working-class family. In this candid memoir he describes those tough early days, his stint in the police, life on the wrong side of the law and how he turned his dream of being an actor into a reality. But not before trying his hand as a professional gambler and acting as a runner for the notorious East End gangster Charlie Kray, brother of twins Ronnie and Reggie. Determined to be an actor, Derek began his hugely successful stage and screen career firstly as a stuntman; before landing memorable TV roles in series such as Law and Order, Minder, King and Castle, The Governor and doomed soap Eldorado. In this frank and revealing tale, Derek pulls no punches as he admits past mistakes and describes his remarkable transformation into one of our best loved actors. Meet the man behind the character as he shares with readers his heartbreak over two marriage break ups and his devotion to his twin boys. An East End Life is a truly remarkable story spanning nearly seven decades, packed with tears and laughter that will endear you to this popular star.

There have been several biographies of Mickey Rooney, including two autobiographies that focus primarily on his tumultuous personal life. In Mickey Rooney on Film and Television equal attention is finally paid to the staggering body of work this man created in a career that began as a child performer in vaudeville in the 1920's and stretched across the century to the CGI hit, Night at the Museum: Secret of the Tomb released in 2015. There is a particular need for a book that chronicles Rooney's career because he either couldn't or wouldn't talk about his own work in any meaningful way no matter how hard interviewer's tried to get him to do so. It is perhaps understandable why biographers focused on the more sensational aspects of Rooney's life but his own books sound like a press agent wrote them. Mickey was a show business vagabond who went from one job to another and didn't seem to give much thought to the quality of the project or indeed his own work. I have interviewed several of the primary creative people who worked with Mickey on the Emmy Award winning, Bill for TV and his great performance in the classic film, The Black Stallion. They will speak for Mickey. Here at last is a book that cuts through his scandalous personal travails to focus on the work of an actor admired by Sir Laurence Olivier, Marlon Brando, Anthony Quinn, Gore Vidal, Tennessee Williams, and millions of film and TV fans.

Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.

This book THE LIFE is a tell all book covering 40 years of criminal activity. The book is written by a retired mobster who was the main drug connection to the stars in hollywood (The Candy Man To The Stars). The book is shocking, honest, revealing and real. It is a cover to cover page turner.

Rose Hobart enjoyed an extensive theatrical career in the 1920s, became a Hollywood leading lady in 1930, and had a second film career as a character player in the late 1930s and 1940s. Born into a family of musicians, she recalls childhood summers in Woodstock, NY, the beginnings of her theatrical career in Chautauqua, and an early and misunderstood friendship with the great Broadway star Eva Le Gallienne, which led to her appearing opposite Noel Coward in The Vortex and starring in the original stage production of Death Takes a Holiday. In 1930, she made her Hollywood screen debut in Frand Borzage's production of Liliom. Rouben Mamoulian selected her to co-star opposite Fredric March in his legendary 1932 Dr. Jekyll and Mr. Hyde. Unhappy in Los Angeles, Miss Hobart returned to New York, but after various misadventures, came back to the screen as a character actress in such films as Tower of London (1939) with Basil Rathbone and Susan and God(1940) with Joan Crawford. During World War II, she toured with the USO in the Aleutians, a difficult but also amusing period. The autobiography is peppered with famous names from Broadway to Hollywood, but it is also a highly personal work, in which Miss Hobart unabashedly discusses her three marriages and her failures. She ends her story with the grim reality of being blacklisted. Rose Hobart is perhaps the only Hollywood star to be immortalized in a modern work of art, an avant-garde short by filmmaker and artist Joseph Cornell, named in her honor and based on footage from the 1931 film East of Borneo. Readers of her autobiography will be as mesmerized by Rose Hobart as was Joseph Cornell more than fifty years ago.

'Utterly charming' - Jack Whitehall 'Funny, touching, revealing' - Gyles Brandreth 'A gorgeous book' - Richard Curtis 'Hugh Bonneville's considerable talent for writing is on display page after page. Beautiful. Touching. And funny' - Gary Oldman 'Shows a great verve for storytelling' The Independent Hugh Bonneville is one of Britain's most accomplished actors, familiar to audiences worldwide for his roles in Notting Hill, the Paddington films and Downton Abbey. From getting his big break as Third Shepherd in the school nativity play, to mistaking a Hollywood star for an estate agent, Hugh creates a brilliantly vivid picture of a career on stage and screen. What is it like working with Judi Dench and Julia Roberts, or playing Robert de Niro's right leg, or not being Gary Oldman, twice? A wickedly funny storyteller, Hugh also writes with poignancy about his father's dementia and of his mother, whose life in the secret service only emerged after her death. Whether telling stories of working with divas, Dames or a bear with a penchant for marmalade, this is a richly entertaining account of his life as an actor.

Lew Resseguie has known Presidents, worked professionally as an actor in theater, film and television, a songwriter, newspaperman, and theatrical director and producer. He started his professional life as a newspaperman for the Washington Daily News in the Nations Capitol, decided to pursue his passion at the age of 44, in theater, and was highly successful in pursuit of that career working in theater, TV and film in New York City for nearly 30 years.He is married To Diane Lefrancois, a dancer formerly of Norwich, CT whom he met while performing in FIDDLER ON THE ROOF

Introduction to the Alexander Technique, part of the brand-new Acting Essentials series, is the first textbook about the Alexander Technique written specially for undergraduates. This eight-week program can be taught over the course of half a semester, a full semester, or dipped into as needed to address students' issues with physicality, movement, breathing, voice and performance habits. The Alexander Technique has been a vital part of training for performers since the early 20th century. It is a core part of the curriculum at most acting conservatories and in many BFA programs. Sometimes considered purely a movement discipline, the Alexander Technique in fact takes into consideration the entire person-mind, body, voice, emotions, and imagination. Introduction to the Alexander Technique addresses the student's self as a whole and is suitable for beginning acting students in any academic setting, including those who take performance classes as an elective. The book also includes more than 150 practical, easy-to-follow exercises that help students reduce tension and improve their alignment, flexibility, and poise. The textbook is supported by a range of online videos demonstrating key exercises described throughout the book.

"It shouldn't surprise us that politicians, clerics, rock singers as well as actors queue up to train their voices under the supervision of Patsy Rodenburg. This book will explain her popularity among her pupils." - Sir Ian McKellen Practical, passionate and inspiring, this book teaches how to use the voice fully and expressively, without fear and in any situation. Patsy Rodenburg is one of the world's foremost voice and acting coaches, having trained thousands of actors, singers, lawyers, politicians, business people, teachers and students: her book distils that knowledge and experience so that everyone can enjoy the right to speak. Part one is a discursive account of our right to speak which examines impediments to clear, natural, confident speech and establishing habits that will help overcome these, while part two is a practical 'workbook' containing exercises and practical tips, providing a step-by-step approach to using the voice effectively. Covering speech and phonetics, dialects and accents, vocalising heightened emotions, singing, auditions, recording and caring for the health of your voice, these approachable and informative exercises aren't just designed to benefit actors and singers, but a wide range of readers who wish to improve the use of their voice to help them at work or when communicating in formal and informal situations. This Bloomsbury Revelations edition also considers the effect of social media on communication skills, the need for empathetic listening, how scientific discovery now illuminates why and how voice exercises work, and cultural and global issues of ethics and storytelling.

The first-ever biography of Mozhdah Jamalzadah: refugee, pop singer, and champion of women's rights. Many have tried to silence her, but Mozhdah Jamalzadah remains the most powerful female voice of her generation in Afghanistan, boldly speaking out about women's rights. Voice of Rebellion charts her incredible journey, including arriving in Canada as a child refugee, setting her father's protest poem to music (and making it a #1 hit), performing that song for Michelle and Barack Obama, and, finally, being invited to host her own show in Afghanistan. The Mozhdah Show earned her the nickname "The Oprah of Afghanistan" and tackled taboo subjects like divorce and domestic violence for the first time in the country's history. But even as her words resonated with women and families, Mozhdah received angry death threats-some of them serious-and was eventually advised to return to Canada. Traversing Central Asia and North America, Voice of Rebellion profiles a devoted singer and activist who continues to fight for change, even from afar.

By combing through the journals that Hannah has kept for much of her life, this collection of narrative essays deliver a fuller picture of her life, her experiences, and the things she's figured out about family, faith, love, sexuality, self-worth, friendship and fame. Revealing what makes Hannah tick, this sometimes cringe-worthy, poignant collection of stories is sure to deliver plenty of Hannah's wit and wisdom, and hopefully encourage you to try your hand at her patented brand of reckless optimism. Personal note: Hello, my darlings! I am incredibly pleased to present BUFFERING: Unshared Tales of a Life Fully Loaded! As a big fan of memoirs, I wanted to try my hand at writing about the events of my life that deserve a little more consideration than can be accomplished in 140-characters or a 6-minute vlog. Now on the cusp of turning 30, I'm ready to expose some parts of my life that I haven't shared before. Before, it was all about privacy, process and time. And now the time has come! I'm ready to put myself out there, for you. I'm a little nervous about all these vulnerable words going into the world, these tales about my love life, the wrestling I've done with faith, how I feel about sex and my family and myself. I've had a lot of trials, a lot of errors, but also a lot of passion. Here's the thing - I've always found comfort in the stories shared by others, so I hope my stories, now that I feel ready to tell them, will bring you some comfort too. And when you read this book please remember: Buffering is just the time it takes to process. Enjoy! Love, Hannah

Libraries abound with books on silent film history and numerous biographies on the legendary stars, but what about the thousands and thousands of actors who never obtained legendary status? Film enthusiasts with easy access to silent films today have become interested in those long ago players who supported the star. This necrology is devoted solely to the actors of the Silent Screen. The book includes entries for some 7,500 deceased actors as well as directors, producers, writers, politicians, and sports figures who appeared in silent films. Included are 50 biographical essays on former stars, leading players and comedians who until now have been primarily footnotes in film history. The essays relate the early demise of promising players, how some lived lives as tragic as any they portrayed on the screen and how some lived long lives on the fringes of past glory, totally forgotten. Invaluable to film researchers and enthusiasts who want to know what happened to the actors of the silent screen who made shadows an art form.

Curly Watts is a TV icon - for twenty years appearing on millions of TV screens around the country in Coronation Street. Kevin Kennedy is one of the UK's most successful soap actors, although behind the scenes and high-profile appearances, he faced a painful personal battle. Kevin shares his experiences of alcoholism, rehab and IVF as well stories from the set and stars he worked with during some of the brightest, and darkest moments of his life, through to his music career and current roles. This brutally honest autobiography provides a rare glimpse into life behind the scenes, the power of addiction, and his battle with recovery.

Harry Langdon was a silent screen comedian unlike any other. Slower in pace, more studied in movement, and quirkier in nature, Langdon challenged the comic norm by offering comedies that were frequently edgy and often surreal. After a successful run of short comedies with Mack Sennett, Langdon became his own producer at First National Pictures, making such features as Tramp Tramp Tramp, The Strong Man, and Long Pants before becoming his own director for Three's a Crowd, The Chaser, and Heart Trouble. In The Silent Films of Harry Langdon (1923-1928), film historian James Neibaur examines Langdon's strange, fascinating work during the silent era, when he made landmark films that were often ahead of their time. Extensively reviewing the comedian's silent screen work film by film, Neibaur makes the case that Langdon should be accorded the same lofty status as his contemporaries: Charlie Chaplin and Buster Keaton. With fascinating insights into the work of an under-appreciated artist, this book will be of interest to both fans and scholars of silent cinema.

From Ann Miller to Jimmy Stewart, from Marilyn Monroe to George Clooney to Sir Laurence Olivier, Giancarlo Menotti, Dolly Parton, Billy Crystal, and a host of others, author and actress Peggy Pope has crossed paths with a number of extraordinary artists. In "atta girl," she tells stories from her life, beginning with her childhood in Montclair, New Jersey, in the 1930s as she acts her way through the years to the twenty-first century.

She belongs to that group of professional actors who travels from from job to job and coast to coast performing on stage, film, television, cabaret, and commercials. She writes in detail about her work as well as how she got into show business where she gave advice to Dolly Parton in "9 to 5," gave Billy Crystal a hard time on "SOAP," and acted in an EMMY winning episode of Barney Miller. On ER she was brought in for a psychiatric evaluation.

Filled with humorous touches, "atta girl" offers a potpourri of stories from the trenches and gives an insider's look at both the joys and challenges of show business.

Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.

With a career spanning four decades, Wes Craven (1939-2015) bridged independent exploitation cinema and Hollywood big-budget horror. A pioneer of the modern horror cinema, Craven directed such landmark films as The Last House on the Left, The Hills Have Eyes, A Nightmare on Elm Street, and Scream-considered not only classics of the genre, but examples of masterful filmmaking. Producing an impressive oeuvre that mixed intellectual concerns and political ideas, Craven utilized high-tension suspense, devastating visual brutality, and dark humor to evoke a unique brand of fear. Moreover, his films draw attention to the horror of American society-Namely racism, classism, and the traumas often associated with family. This collection of twenty-nine interviews-spanning from 1980 until his final interview in 2015-traces Craven's life and career, from his upbringing in a strict religious family and his life as an academic to his years toiling in exploitation cinema. The volume also chronicles Craven's ascendancy as an independent director, his work within the studio system, and his eventual triumph in mainstream cinema. Within the interviews gathered here, including three previously unpublished pieces, Craven reflects on failed projects and the challenges of working with studios while offering thoughtful meditations on the dynamics and appeal of horror. Wes Craven: Interviews cements Craven's legacy as a master of horror who left an indelible mark on the genre by forever altering expectations of-and approaches to-the cinema of fear.

Curly Watts is a TV icon - for twenty years appearing on millions of TV screens around the country in Coronation Street. Kevin Kennedy is one of the UK's most successful soap actors, although behind the scenes and high-profile appearances, he faced a painful personal battle. Kevin shares his experiences of alcoholism, rehab and IVF as well stories from the set and stars he worked with during some of the brightest, and darkest moments of his life, through to his music career and current roles. This brutally honest autobiography provides a rare glimpse into life behind the scenes, the power of addiction, and his battle with recovery.

In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Although he was highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.

From his early horror movies, including Scanners, Videodrome, Rabid, and The Fly-with their exploding heads, mutating sex organs, rampaging parasites, and scientists turning into insects-to his inventive adaptations of books by William Burroughs (Naked Lunch), Don DeLillo (Cosmopolis), and Bruce Wagner (Maps to the Stars), Canadian director David Cronenberg (b. 1943) has consistently dramatized the struggle between the aspirations of the mind and the messy realities of the flesh. ""I think of human beings as a strange mixture of the physical and the non-physical, and both of these things have their say at every moment we're alive,"" says Cronenberg. ""My films are some kind of strange metaphysical passion play."" Moving deftly between genre and arthouse filmmaking and between original screenplays and literary adaptations, Cronenberg's work is thematically consistent and marked by a rigorous intelligence, a keen sense of humor, and a fearless engagement with the nature of human existence. He has been exploring the most primal themes since the beginning of his career and continues to probe them with growing maturity and depth. Cronenberg's work has drawn the interest of some of the most intelligent contemporary film critics, and the fifteen interviews in this volume feature remarkably in-depth and insightful conversations with such acclaimed writers as Amy Taubin, Gary Indiana, David Breskin, Dennis Lim, Richard Porton, Gavin Smith, and more. The pieces herein reveal Cronenberg to be one of the most articulate and deeply philosophical directors now working, and they comprise an essential companion to an endlessly provocative and thoughtful body of work.

The anti-Communist hysteria that began in the 1930s was further empowered in 1938 when the House of Representatives established the House Committee on UnAmerican Activities. Soon thereafter, the creation of the blacklist in the late 1940s brought the Hollywood film and television community into the fold. Provocatively capturing the controversy and sentiments surrounding this period of political imbalance, Actors on Red Alert explores the repercussions of the blacklist through career interviews with five prominent actors and actresses.