The anti-Communist hysteria that began in the 1930s was further empowered in 1938 when the House of Representatives established the House Committee on UnAmerican Activities. Soon thereafter, the creation of the blacklist in the late 1940s brought the Hollywood film and television community into the fold. Provocatively capturing the controversy and sentiments surrounding this period of political imbalance, Actors on Red Alert explores the repercussions of the blacklist through career interviews with five prominent actors and actresses.

Legendary actress and two-time Academy Award winner Olivia de Havilland is best known for her role as Melanie Wilkes in Gone with the Wind (1939). She often inhabited characters who were delicate, elegant, and refined. At the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She fought and won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever. She is also noted for her long feud with her fellow actress and sister Joan Fontaine -- a feud that lasted from 1975 until Fontaine's death in 2013. Victoria Amador utilizes extensive interviews and forty years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress . Amador begins with de Havilland's early life -- she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries -- and her theatrical ambitions at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown. Readers are given an inside look at her love affairs with iconic cinema figures such as James Stewart and John Huston, and her onscreen partnership with Errol Flynn, with whom she starred in The Adventures of Robin Hood (1938) and Dodge City (1939 ). After she moved to Europe in the mid-1950s, de Havilland became the first woman to serve as the president of the Cannes Film Festival in 1965, and remained active but selective in film and television until 1988. Olivia de Havilland: Lady Triumphant is a tribute to one of Hollywood's greatest legends, who has evolved from a gentle heroine to a strong-willed, respected, and admired artist.

A behind-the-scenes look at the life of the most extraordinary martial artist of all time--Bruce Lee. Bruce Lee: The Celebrated Life of the Golden Dragon is an illustrated biography of this fascinating martial artist and movie star, from the start of his career to his untimely and tragic death in 1973. This book reveals a quiet family man behind the charismatic public persona. It shows the real Bruce Lee--the man who was so much more than an international film and martial arts celebrity. This brilliant photo essay--compiled and edited by Bruce Lee expert John Little with the assistance of Lee's widow, Linda Lee Cadwell--reveals never-before-published family photos, including rare photos of Bruce's childhood in Hong Kong. Tender moments with his children are caught on camera, and action shots from his martial arts films are shown. With a preface by his daughter Shannon Lee and a foreword by wife Linda, the text is drawn directly from Bruce Lee's own diaries and journals. Based on the award-winning Warner Bros. documentary, Bruce Lee: In His Own Words, sections include: Chronology of the Life of Bruce Lee Early Years--why he began studying gung fu (kung fu) and took up wing chun, his first starring role, and his return to the US Hollywood--why he got the part in The Green Hornet, teaching Steve McQueen, James Coburn and Stirling Silliphant, filming Enter the Dragon, The Way of the Dragon, Fist of Fury and more, training and acting with Chuck Norris, Kareem Abdul-Jabbar, Dean Martin and Sharon Tate, and the creation of Jeet Kune Do (JKD) Family--meeting Linda, having children and daily life This Bruce Lee Book is part of the Bruce Lee Library which also features: Bruce Lee: Striking Thoughts Bruce Lee: The Tao of Gung Fu Bruce Lee: Artist of Life Bruce Lee: Letters of the Dragon Bruce Lee: The Art of Expressing the Human Body Bruce Lee: Jeet Kune Do

Adrian Howells (1962-2014) was one of the world's leading figures in the field of one-to-one performance practice - the act of staging an event for one audience participant at a time. Developed over more than a decade, Howells's award-winning work demonstrated not only his enduring commitment to this genre of performance, but also his determination to find new challenges and innovations in performance art, 'intimate theatre' and socially engaged art. It's All Allowed, edited by Deirdre Heddon and Dominic Johnson, is the first book devoted to Howells's remarkable achievements and legacy. Contributors here testify to the methodological, thematic and historiographical challenges posed by Howells' performances. Citing his permissive mantra as its title, It's All Allowed includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores and visual materials, which together reveal new insight into Howells's groundbreaking process.

Norfolk Summer presents the story about the making of a film starring Julie Christie and Alan Bates Joseph Losey's award-winning movie The Go-Between was filmed entirely on location in Norfolk in 1970. The film charts the tragic story of a young boy's loss of innocence during a hot summer and stars Julie Christie and Alan Bates as a pair of lovers crossing class boundaries in late Victorian England. The production brought together the playwright Harold Pinter, who adapted L.P. Hartley's elegant novel for the screen, the acclaimed director Joseph Losey and a cast of international stars for ten weeks' filming in and around Melton Constable Hall in north Norfolk - a time of happy creativity, some tension and a good deal of comedy. But the idyllic summer only came about after years of bitter battling over the rights of the book, and it was to be followed by yet more intrigue and high drama, which culminated in the film's triumph at the 1971 Cannes Film Festival, where it won the prestigious Palme d'Or.

From the earliest days of radio to the golden age of television and beyond, Orson Welles has occupied a unique place in American culture. In "Orson Welles, Shakespeare, and Popular Culture, " Michael Anderegg considers Welles's influence as an interpreter of Shakespeare for twentieth-century American popular audiences. Exploring his works on stage, radio, and in film, Anderegg reveals Welles's unique position as an artist of both high and popular culture. At once intellectually respected and commercially viable, the Shakespeare Welles gave the American public reflects his unique genius as a writer, director, and actor.

From early plays in school to the "Everybody's Shakespeare" books and the Mercury Text Records adaptations, Anderegg illustrates how Welles tried to transcend the barriers between the classical and the popular. He argues that "Welles the Shakespearean" sought to be a restorer as well as an innovator by drawing on his knowledge of the abundant, lowbrow popularity of Shakespeare in nineteenth-century America. Welles's three film adaptations of Shakespeare, "Macbeth, Othello, " and "Chimes at Midnight, " are examined. From his peculiarly "Scottish" version of Macbeth, to his postmodern reading of the history plays in "Chimes at Midnight, " Welles's interpretive strategies--and the public's reception of them--are considered. In the final chapter, Anderegg surveys Welles's work as an actor--his legacy and myth--and reexamines the common view that he squandered his talents in the era after "Citizen Kane." Taking into account his non-Shakespearean roles, Anderegg shows Welles to have been a markedly "Shakespearean" actor and, in his versions of the Bard's plays, a key arbiter of culture.

Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Each edition offers: -Facing-page notes -Short, clear definitions of words -Easily accessible information about key textual variants -Notes on pronunciation of difficult names and unfamiliar words -An easy-to-read layout -Space to write notes -A short introduction to the play

More than a biography, this is a savvy portrait of how Archie Leach, born to a poor working-class family in Bristol, England became Cary Grant, one of Hollywood's most irresistible and admired celebrities of all time.

An insight into French film through its actors: profiles of 175 actors and actresses of the French Cinema, illustrated with caricatures of each actor by Jenny BATLAY and Igor BRATUSEK. - Not just biographies, but personal sketches of the actors and actresses, looking at their personalities, acting, and careers. The book is presented alphabetically in mini-dictionary form, and its contributors include academics from around the world - from universities in Australia, Austria, Canada, Cyprus, France, Ireland, Malaysia, New Zealand, the United Kingdom, and throughout the United States - as well as journalists, film curators, and lovers of French cinema, both francophones and Francophiles. It contains a comprehensive alphabetical Index of 2,200 Films - mostly French Films (with their alternative English titles where these were issued), as well as American and European films in which the profiled French actors have appeared. Accurate biographical details (from original records) are provided, including birth names for those actors with a stage name different to their birth names.

Steven Berkoff is the playwright, director and actor whom theatre scholars have until now chosen to ignore. Yet this notorious Cockney enfant terrible has left an imprint on modern British theatre is as impossible to ignore as his presence on the stage. This study of this contentious, larger-than-life figure examines the strategies adopted by Berkoff in the construction and projection of his multifaceted public persona. into the dynamic processes involved in the self-mythologization of a theatre artist famously concerned with revealing himself through his plays and writings, Robert Cross covers all of Berkoff's works, including Greek, East, Kvetch and Metamorphosis, as well as looking at his choice of film roles, including Octopussy and The Krays. With its specific approach, this text attempts to fill a large gap in theatre scholarship and also attempts to contribute to our understanding of the role of peformance in identity formation in general. academic researchers and teachers involved in theatre and drama studies, English literature, cultural and film studies and psychology should find this long-awaited and lively study both provocative and informative.

Pete Battistini released "American Top 40 with Casey Kasem (The 1970's)" in 2005.  Now comes the follow-up, "American Top 40 with Casey Kasem (The 1980's)."

Battistini painstakingly documented approximately 425 weekly, Casey Kasem-hosted countdown programs from the 80s, and compiled individual program summaries for each week exclusively for this book.  In addition, the text includes a complete list of all radio stations, in the U.S. and around the world, that carried the program.  Coupled with numerous testimonials of both AT40 insiders and listeners, and more than a hundred illustrations from the 80s, this book is brimming with highlights of the greatest radio program ever! 

To the American public, she will always be remembered as the woman who had a grapefruit ground into her face by James Cagney in the 1931 film classic Public Enemy. In fact, in an acting career that spanned nearly four decades, Mae Clarke appeared in nearly 100 feature films and logged in nearly as many television appearances. During the two years before she died at the age of 82, Mae Clarke spent many hours reliving those years. In a series of candid and often poignant interviews, she talks about her years in Hollywood, her failed marriage, and her health problems.

IF YOU THOUGHT TINSELTOWN WAS TOUGH . . .
Tori Spelling might have grown up with everything a girl could wish for, but these days she's just another suburban working mom . . . whose toddler regularly recognizes her in the pages of "US Weekly." Welcome to "Mommywood," where the stars are two feet tall and your neighbors know who you are before you move in.
Like most parents, Tori wants her children to have the one thing she didn't have as a kid--a normal family. On their hit Oxygen reality show, "Tori & Dean: Home Sweet Hollywood," the starlet and her husband Dean McDermott regularly wrestle dirty diapers, host the neighborhood block party, and tackle temper tantrums on the red carpet. But when the cameras aren't rolling, Tori's still having awkward run-ins with a former "90210 "costar at a laser tag birthday party, scooping rogue poo out of the kiddie pool on a resort vacation, and racing to win back her pre-baby body before the media starts calling her fat. For all her suburban fantasies, Tori Spelling is no June Cleaver.
With the same down-to-earth wit that made her entertaining memoir "sTORI telling "a #1 "New York Times "bestseller, Tori tells the hilarious and humbling stories of life as a mom in the limelight, from learning to be the kind of parent her own mother never was to revealing what it's like to raise a family while everyone is watching. "Mommywood "is an irresistible snapshot of celebrity parenthood that you won't get from the paparazzi.

'Is there one in all the world who has not trembled before the seeming chaos precipitated by rapid change? This book of poems owes so much to the turbulent unfolding of a new paradigm forged in these early shape-shifting years of a third millennium. Here, in the clamorous intermingling of cultures and races in Fish Hoek, I?have become part of an exciting and often challenging metamorphosis, a sea-change of outer and inner perspectives.'

Libraries abound with books on silent film history and numerous biographies on the legendary stars, but what about the thousands and thousands of actors who never obtained legendary status? Film enthusiasts with easy access to silent films today have become interested in those long ago players who supported the star. This necrology is devoted solely to the actors of the Silent Screen. The book includes entries for some 7,500 deceased actors as well as directors, producers, writers, politicians, and sports figures who appeared in silent films. Included are 50 biographical essays on former stars, leading players and comedians who until now have been primarily footnotes in film history. The essays relate the early demise of promising players, how some lived lives as tragic as any they portrayed on the screen and how some lived long lives on the fringes of past glory, totally forgotten. Invaluable to film researchers and enthusiasts who want to know what happened to the actors of the silent screen who made shadows an art form.

The comic autobiography of 2014 A comedian's autobiography? I wonder if he's ever used humour to deflect from his insecurities? To avoid being bullied? Is there heartache behind the humour? I wonder if he's a manic-depressive? Tears of a clown? Yes, all of that. Discover the hilarious life-story of one of Britain's best-loved comedians in Kevin Bridges' brilliant memoir. 'First of all, I have never written a book before, you probably haven't either, so there we have it; a connection is established between reader and writer . . .' Aged just 17, Kevin Bridges walked on stage for the first time in a Glasgow comedy club and brought the house down. He only had a five-minute set but in that short time he discovered that he really could earn a living from making people laugh. Kevin began life as a shy, nerve-ridden school-boy, whose weekly highlights included a cake-bombing attack by the local youths. Reaching his teens, he followed his true calling as the class clown, and was soon after arrested for kidnapping Hugh Grant from his local cinema on a quiet Saturday night. This was a guy going somewhere - off the rails seeming most likely. Kevin's trademark social commentary, sharp one-liners and laugh-out-loud humour blend with his reflections on his Glaswegian childhood and the journey he's taken to become one of the most-loved comedians of our time. '. . . Hopefully now you'll take this over to the till and I can accompany you for the next wee while. That's the benefit of book shops, reading the little bit and then deciding if the author deserves to be part of your carefully selected 3 for 2 deal, or part of your plane journey, train journey, your next bath, your next shite.' Praise for Kevin Bridges: 'The Best Scottish Stand up of his Generation.' The Scotsman 'A wonderfully dry and deadpan Glaswegian comic . . . one the most exciting talents to have emerged from Scotland since Billy Connolly' Guardian 'Kevin Bridges might just become the best stand-up in the land . . . he will go and deliver a one-liner that you want to jot down and frame' The Times 'Wonderfully sharp, assured stand-up from the preternaturally gifted young comic' Independent

Brief Lives (1669-1697) is a collection of short biographical sketches on famous British figures by author, antiquarian, and archaeologist John Aubrey. The work is significant for its unique style, a blend of facts-names, dates, family, important works-and personal anecdotes for which Aubrey combined his skills for research and conversation to compile. Unpublished during his lifetime, the text was pieced together from extensive handwritten manuscripts by numerous editors and scholars, and over the centuries has become a beloved cultural artifact of early-modern Britain. A fascinating figure and gifted researcher in his own right, John Aubrey sought to capture the significance of his era and the people whose contributions to art, politics, science, and philosophy were not only changing Britain, but the world, forever. As a historical record, his Brief Lives provides valuable information on such figures as poet John Milton, playwright William Shakespeare, philosopher Thomas Hobbes, and chemist Robert Boyle. But as a work of art, the text humanizes them, reminding its readers that these were people whose desires, imperfections, and day-to-day lives were not unlike our own. We turn to his works to discover that Sir Walter Raleigh was a "poor" scholar "immerst...in fabrication of his owne fortunes," or to read that Shakespeare, the son of a butcher who worked for his father as a youth, was known to "make a speech" while slaughtering a calf. At times straightforwardly factual, at others filled with gossip, Brief Lives is a document of its time that attempts to record a living history of knowledge and influence. Whether it succeeds is beside the point-that it speaks to us centuries on is the heart of the matter, the reason it must be read. A well-known man in his lifetime, Aubrey moved between cultural and political circles with ease, compiling the sources that would later become Brief Lives. Although a tireless writer and scholar, he published little during his life. His work, including Brief Lives, is thus the product of centuries of diligent research and editing from numerous scholars who understood, as the reader of this volume surely will, that Aubrey's work deserved to reach the public. With a beautifully designed cover and professionally typeset manuscript, this edition of John Aubrey's Brief Lives is a classic of British literature and biography reimagined for modern readers.

Christine's Kilimanjaro: My Suburban Climb Up the Mountain of Life began with the author writing a thank-you letter to God. Christine found herself at a crossroads in her life when she stumbled across an episode of The Oprah Winfrey Show one day. There she sat transfixed before the television, not expecting that her reality in an ordinary world would ever change. She never saw it coming-that this was the day her dreams would begin to change her life forever. "For the first time, I was going to be my own tour guide up my mountain. I could take a new path, instead of the tired one I had become accustomed to. I discovered something new-something that was no longer impossible-along the way, learning as I wrote that life is going to be messy, hurtful, confusing, even magical at times. But if I don't stop to enjoy my view in the climb, when and if I finally make it to the top, the top will be nothing more than that. The 'top' of a mountain!" A beautifully written story about one woman's quest to be the change she wishes to see in this world. A spiritual awakening took place as the author wrote out snapshots of her life, standing up to her past and a few demons she really never faced until she began to write her memoir. A moving and poignant path to self-discovery about her present and what she envisions her future to become. "Please stay seated, keep all hands and arms inside the moving vehicle at all times. It's going to be a bumpy ride, people!" That is, unless when you are reading this book you want to stand up and shout WOO-HOO with me. Face it, some rules are meant to be broken!"