This book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O'Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death.

This volume constitutes the first in-depth study of modernism in design and performance in interwar Romania, covering the period 1924 to 1934. It focuses on Jewish avant-garde artists and cultural producers, as well as design educators, arts patrons, and women entrepreneurs. Based on extensive research in Romania, Latvia, Germany, and the United States, it highlights the transnational impact of Jewish cultural production and its contribution to avant-garde movements across Europe and further afield. It shows how Bucharest was connected to places such as Berlin, Paris, Riga and Chicago through modern design and experimental Yiddish theatre, and argues that the Schule Reimann was more influential in Romania than the Bauhaus. Drawing on scholarship from the fields of performance studies, design history, and art history, this volume makes a valuable new contribution to histories of modernism and avant-garde.

A fascinating exploration and celebration of the life and work of the coolest man in Hollywood, Samuel L. Jackson--from his star-making turns in the films of Spike Lee and Quentin Tarantino to his ubiquitous roles in the Star Wars and Marvel franchises, not to mention the cult favorite Snakes on a Plane. Samuel L. Jackson's embodiment of cool isn't just inspirational--it's important. Bad Motherfucker lays out how his attitude intersects with his identity as a Black man, why being cool matters in the modern world, and how Jackson can guide us through the current cultural moment in which everyone is losing their cool. Edwards details Jackson's fascinating personal history, from stuttering bookworm to gunrunning revolutionary to freebasing addict to A-list movie star. Drawing on original reporting and interviews, the book explores not only the major events of Jackson's life but also his obsessions: golf, kung fu movies, profanity. Bad Motherfucker features a delectable filmography of Jackson's movies--140 and counting!--and also includes new movie posters for many of Jackson's greatest roles, reimagined by dozens of gifted artists and designers. The book provides a must-read road map through the vast territory of his on-screen career and more: a vivid portrait of Samuel L. Jackson's essential self, as well as practical instructions, by example, for how to live and work and be.

The director Peter Dews prophesied: "You'll be alright when you're forty, and even better when you're fifty." It turns out that Peter Dews was right, almost to the month. In a study of British theatre through a varied acting career spanning over sixty years, Oliver Ford Davies explores the many changes within the performing arts scene through his experiences on various stages, in a variety of productions, across the country. Davies charts the ups and downs of British theatre in the last sixty years, while offering a unique perspective on life behind the curtain and the daring journey from leaving behind an academic career and into acting. From Shakespeare to Shaw, Chekhov to Pirandello, this is the story of an actor initially struggling to make a mark before making his breakthrough at fifty, winning the Olivier Best Actor award and being propelled into thirty years of leading roles.

You ve spent an entire career working hard, and now it s time to retire. But what exactly does that mean?

Author Michael Bivona was unsure about what to do with his life when retiring, but he didn t let that stop him from finding ways to enjoy it. In this memoir and guidebook, he describes his retirement experiences and considers how to overcome challenging physical times that most retirees face; enjoy new hobbies without getting ripped off; find activities to enjoy with your significant other; and stretch a retirement budget.

He looks back on the great vacations and places he s enjoyed with his wife, Barbara, during retirement. Learn from his mistakes and follow in his footsteps to live some great experiences of your own.

You ve worked hard to get to this point, and you don t want to mess things up now. Get the information, tools, and strategies you need to live your life to the fullest in retirement.

Retired? What's Next? by Michael Bivona CPA, published by IUniverse, was a finalist in the Annual Eric Hoffer Awards for Short Prose & Independent Books. After a rigorous first round of judging, less than 10% of over 1,000 entrants were privileged to have the "2013 Eric Hoffer Award FINALIST-Excellence in Independent Publishing" assigned to their books and digital presentations.

The US Review of Books

"Before retiring, it's wise to begin building bridges to things you are passionate about, so that when the time comes, you have a choice of which bridges you can comfortably take into the next phase of your life."

Some people transition seamlessly into their "golden years," while others have a tougher time entering into retirement, wondering what's next? In Retired? What's Next?, retired accountant, Michael Bivona shares his answer. Part memoir, part retirement guide, this is both informative and inspirational. Touching on essential aspects of retirement like remaining healthy, financial matters, preparing a will, finding part-time and or volunteer work, Bivona delivers practical, real-life advice and insightful reflections.

"I realized after a friend's demise that many of the possessions that he had accumulated over his lifetime and were so dear to him, were of no interest to his heirs or friends, and were disposed of like pieces of junk."

Staking his own territory in the popular and compelling category of memoir writing, Bivona writes in a genuine narrative tone about how to manage the freedom, new opportunities and choices of retirement by focusing on what he knows and enjoys traveling, dancing, boating, fishing, tennis, golf, writing, reading, and collecting books. And showing by example, Bivona frames his real-life tips on planning for a rewarding retirement around his reflections and recounting of the collective highlights and significant moments and events of his life and retirement journey with his wife, Barbara.

Clearly, the Bivonas have a winning strategy for living life to the fullest in retirement. By learning not merely how to cope, but to thrive by crafting a retirement path that is focused on personal fulfillment and joyful meaning, as evidenced by their successful post-retirement journey. In Retired? What's Next?, retired readers, or those thinking of or planning for retirement, will gain insight from Bivona's shared personal wisdom and learn by example the guidance of his inner and outer retirement journeys, which can be applied to their own retirement goals for staying happy, healthy, and active.

Put on a pot of your favorite coffee, perk up, and enjoy nostalgic black-and-white photos that celebrate screen icons from the Silent Era through the eighties, making and drinking their own cups of joe, java, pour-overs, and percolated brews. Hollywood Cafe bridges the vibrant coffee culture of right-now with the glamorous coffee culture of the star-studded past. A dream cast of nearly 200 stars-Humphrey Bogart, Marilyn Monroe, Frank Sinatra, Grace Kelly, Audrey Hepburn, Katharine Hepburn, Bette Davis, Clara Bow, Charlie Chaplin, W. C. Fields, Robert Mitchum, Rita Hayworth, Bob Hope, Michael Caine, Jane Fonda, Ava Gardner, Jackie Gleason, Lucille Ball, Elvis Presley, Jayne Mansfield, Sammy Davis Jr., William Holden, Lauren Bacall, John Wayne, and many more-is captured on the set, on the run, in costume and out, behind-the-scenes and at the kitchen table, refilling and refueling, sipping and savoring, drinking the good stuff, just like us.

Audrey Hepburn once said "I never thought I'd land in pictures with a face like mine." Nothing could be further from the truth. As one of the 20th century's most loved icons, her face is instantly recognisable the world over. Here, for the first time, ACC Art Books and Iconic Images proudly present the work of six wonderful photographers - Norman Parkinson, Milton H. Greene, Douglas Kirkland, Lawrence Fried, Terry O'Neill and Eva Sereny - who were fortunate enough to capture the star at different moments of her life. In addition, former Curator of Photographs for the National Portrait Gallery and co-curator of the Audrey Hepburn: Portraits of an Icon exhibition, Terence Pepper, opens up his personal archive of vintage press prints, making this ode to Hepburn truly unique. Throughout the book, Douglas Kirkland, Terry O'Neill and Eva Sereny share their memories of working with the icon. They present a wonderful mix of on-set, fashion, portrait and behind-the-scenes photographs, including contact sheets and never-before-seen images. With an introduction by Terence Pepper, Always Audrey is sure to delight any Hepburn fan.

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

In his first full-length autobiography, comedy legend and national treasure Billy Connolly reveals the truth behind his windswept and interesting life. Born in a tenement flat in Glasgow in 1942, orphaned by the age of 4, and a survivor of appalling abuse at the hands of his own family, Billy's life is a remarkable story of success against all the odds. Billy found his escape first as an apprentice welder in the shipyards of the River Clyde. Later he became a folk musician - a 'rambling man' - with a genuine talent for playing the banjo. But it was his ability to spin stories, tell jokes and hold an audience in the palm of his hand that truly set him apart. As a young comedian Billy broke all the rules. He was fearless and outspoken - willing to call out hypocrisy wherever he saw it. But his stand-up was full of warmth, humility and silliness too. His startling, hairy 'glam-rock' stage appearance - wearing leotards, scissor suits and banana boots - only added to his appeal. It was an appearance on Michael Parkinson's chat show in 1975 - and one outrageous story in particular - that catapulted Billy from cult hero to national star. TV shows, documentaries, international fame and award-winning Hollywood movies followed. Billy's pitch-perfect stand-up comedy kept coming too - for over 50 years, in fact - until a double diagnosis of cancer and Parkinson's Disease brought his remarkable live performances to an end. Since then he has continued making TV shows, creating extraordinary drawings... and writing. Windswept and Interesting is Billy's story in his own words. It is joyfully funny - stuffed full of hard-earned wisdom as well as countless digressions on fishing, farting and the joys of dancing naked. It is an unforgettable, life-affirming story of a true comedy legend. 'I didn't know I was Windswept and Interesting until somebody told me. It was a friend who was startlingly exotic himself. He'd just come back from Kashmir and was all billowy shirt and Indian beads. I had long hair and a beard and was swishing around in electric blue flairs. He said: "Look at you - all windswept and interesting!" I just said: "Exactly!" After that, I simply had to maintain my reputation...'

In The Twelve Lives of Alfred Hitchcock Edward White explores the Hitchcock phenomenon-what defines it, how it was invented, what it reveals about the man at its core and how its legacy continues to shape our cultural world. The book's twelve chapters illuminate different aspects of Hitchcock's life and work: "The Boy Who Couldn't Grow Up"; "The Murderer"; "The Auteur"; "The Womanizer"; "The Fat Man"; "The Dandy"; "The Family Man"; "The Voyeur"; "The Entertainer"; "The Pioneer"; "The Londoner"; "The Man of God". Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived, but also the various versions of himself that he projected and those projected on his behalf. White's portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist and his significance reaches far beyond the confines of cinema.

June Allyson (1917-2006) was an American film, television and stage actress, singer, dancer and author. After appearing in movie shorts and on Broadway as a chorus girl and featured player, she became an A-list box office attraction in the 1940s and 1950s in films like The Three Musketeers (1948), Little Women (1949), The Glen Miller Story (1954) and Strategic Air Command (1955). She went on to host and star in her own television anthology series from 1959 to 1961, and made many appearances in films in television shows. This first biography of Allyson covers her life and career, and features an appendix of her work.

Hugh Bonneville is one of Britain's most accomplished actors, whose credits include Downton Abbey, W1A and the Paddington films. 'I don't remember when I last read a book that gave me so many laughs' Christina Patterson, Sunday Times 'Tremendously entertaining' Rachel Cooke, Observer 'A writer of considerable urbanity and wit' Lynn Barber, Daily Telegraph 'You'll laugh, you'll cry, you'll love Hugh even more' Woman & Home 'Deliciously witty' Celia Imrie 'Utterly charming' Jack Whitehall 'A great read' Graham Norton 'Beautiful. Touching. And funny' Gary Oldman Hugh Bonneville is one of Britain's most accomplished actors, familiar to audiences worldwide for his roles in Notting Hill, the Paddington films and Downton Abbey. From getting his big break as Third Shepherd in the school nativity play, to mistaking a Hollywood star for an estate agent, Hugh creates a brilliantly vivid picture of a career on stage and screen. What is it like working with Judi Dench and Julia Roberts, or playing Robert de Niro's right leg, or not being Gary Oldman, twice? A wickedly funny storyteller, Hugh also writes with poignancy about his father's dementia and of his mother, whose life in the secret service only emerged after her death. Whether telling stories of working with divas, Dames or a bear with a penchant for marmalade, this is a richly entertaining account of his life as an actor.

Among the most innovative and influential filmmakers of the twentieth century, Alain Resnais (1922-2014) did not originally set out to become a director. He trained as an actor and film editor and, during the sixty-eight years of his working life, delved into virtually every corner of filmmaking, working at one time or another as screenwriter, assistant director, camera operator and cinematographer, special effects coordinator, technical consultant, and even author of source material. From such award-winning documentaries as Van Gogh and Night and Fog to the groundbreaking dramas Hiroshima mon amour, Last Year at Marienbad, and Muriel, Resnais's films experiment with such themes as consciousness, memory, and the imagination. Distinguishing himself from associations with the French New Wave movement, Resnais considered his films to be ""anti-illusionist,"" never allowing his spectators to forget they were watching a work of art. In Alain Resnais: Interviews, editor Lynn A. Higgins collects twenty-one interviews with the filmmaker, twelve of which are translated into English for the first time. Spanning his entire career from his early short subjects to his final feature film, the volume highlights Resnais's creative strategies and principles, illuminates his place in world cinema history, and situates his work relative to the New Wave, American film, and experimental filmmaking more broadly. Like his films, the interviews collected here reveal a creator who is at once an intellectual, a philosopher, an entertainer, a craftsman, and an artist.

"Dukore's style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic." - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century." - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship - of his plays and those of others, of his works for the screen and those of others - he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called "disgusting," "immoral", and "degenerate." Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren's Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.

How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world. This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms. The authors create a step-by-step guide to explore how voice can: - Respond to our thoughts, senses, feelings, imagination and will - Fully express language in content and form - Communicate imaginary circumstances and human experience - Transform to adapt to different roles - Connect to a variety of audiences and spaces Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.

The book covers my life growing up as a child in a poor neighborhood helping my single parent mom raise six sisters and brothers. I never lost sight of the challenges facing my family and doing whatever was necessary to help. Working after school was mandatory for our existence. I later went on to earn a BS in Electrical Engineering from Tennessee State University and and a Masters degree in Industrial Engineering from the University Of Toledo. I handled the opportunities as they presented them selves. The Corvette was suffering from poor quality and low customer satisfaction when I arrived and at my retirement we had achieved the highest quality and customer satisfaction ever experienced. August 29, 2013, I am being inducted into the Corvette Hall Of Fame of the National Corvette Museum.

Screening Scarlett Johansson: Gender, Genre, Stardom provides an account of Johansson's persona, work and stardom, extending from her breakout roles in independent cinema, to contemporary blockbusters, to her self-parodying work in science-fiction. Screening Scarlett Johansson is more than an account of Johansson's career; it positions Johansson as a point of reference for interrogating how femininity, sexuality, identity and genre play out through a contemporary woman star and the textual manipulations of her image. The chapters in this collection cast a critical eye over the characters Johansson has portrayed, the personas she has inhabited, and how the two intersect and influence one another. They draw out the multitude of meanings generated through and inherent to her performances, specifically looking at processes of transformation, metamorphosis and self-deconstruction depicted in her work.

"The writing of 'The Courage Machine, ' which covers ten years, was retarded by illness. For a long time I lived beside death. But I had a presentiment that something essential -- something foreseen in New York -- would develop for me during these last years. I was not mistaken.

"This book follows an evolution which, for me, is not a curve but an ascending line. There is a beginning and an end; a new beginning, an advance, and a new search; then again an advance -- but this time on an essential plane, where the great events are inner ones."

Georgette Leblanc's first encounter with the celebrated mystic, teacher and philosopher, George Ivanovitch Gurdjieff, was the turning point of her life. Impressed by his vast knowledge and "unknown doctrine," she attended his Institute at the Chateau du Prieure in Fontainebleau-Avon for two years. From then on, she continued to live according to his principles, absorbing his doctrine more and more deeply. Her effort to incorporate what she had assimilated during her years with Gurdjieff is recorded in the last part of the book.

At a growth rate of baby chick to full adult in less than two months, chickens are one of the fastest growing food source known to man. It seems that chickens were put on earth to supply the world's population with eggs and meat. This book tells the story of Albert Okura's belief that his destiny in life is to sell more chickens than anyone else in the world. Although sounding preposterous at first glance, it needs to be noted that Colonel Sanders did not sell his first franchise until he was 60 years old. Albert was born in 1951 and grew up with the fledgling fast food industry. His first full time job was working at Burger King as a hamburger cook. Recognizing that mental toughness as well as the ability to train, develop, and motivate others was critical for long term success, Albert gravitated to those who inspired him. Lessons learned from life experiences helped him realize his destiny. In 1984, at the age of 32, Albert opened a rotisserie chicken restaurant with help from his uncle. Albert has become Southern California's foremost expert on mass producing, tender and moist rotisserie chickens. Juan Pollo is now poised to go into the bigtime. This is their story.