Born Isidore Iskowitz in 1892, Eddie Cantor became one of the greatest entertainers of Depression-era America. The star of such films as Roman Scandals (1933) and Kid Millions (1934), he symbolized the ordinary person who falls into extraordinary circumstances. Off-screen or on, Cantor exuded a spirit of charity and hopefulness. His life was marked by numerous humanitarian achievements and a strong commitment to political and social causes. On October 29, 1995, as part of a nationwide celebration of the 75th anniversary of radio, he was posthumously inducted into the Radio Hall of Fame at Chicago's Museum of Broadcast Communication. Despite his significant achievements and enormous popularity with his public, Eddie Cantor is today among the most overlooked performers of the golden age of American entertainment. This reference book provides detailed information on his extensive stage, film, radio, television, and musical work and includes an extensive bibliography. The volume begins with a carefully documented biography that discusses Cantor's upbringing, his rise as a vaudeville star, his social and political activism, and his success as a film, radio, and television personality. A chronology then highlights the most memorable achievements in his remarkable career. The chapters that follow are devoted to his stage, film, radio, and television work. Each chapter lists Cantor's performances in a particular medium and provides detailed material, such as cast and credit information, plot synopses, review excerpts, and a critical commentary. The volume also includes entries for his various recordings and for sheet music bearing his name or image. Appendices cite his newsreel appearances and cartoons featuring his likeness. An extensive bibliography of works by and about Cantor concludes the book.

A celebration of contemporary comedy which focuses on the trend for discomfort and the extreme, this title covers major hits of recent years from Borat, Little Britain and The Office.

Fourteen and growing up in the streets, Sonny can't wait to leave; he lives for the day he can put all the shame behind him. But with the depression that has hit the country and the fact all the kids depend on him, the ones his mom keeps having since she hooked up with Rex!where would he go? It's not as if he has a direction. All he has in this world is his brother Paul. !and even though Paul has him by a few years, the big guy depends on him too. Naw, labeled bastards since as far back as he can remember!it's just he and Paul against the rest of them. Forced to be the responsible one, he will bide his time and deal with the chaos and turmoil as it comes. That is until he finds out the secret kept; one that ignites a fire so strong that without thought leads him on a journey that will take him to all but two of the forty-eight states in the Union. Join him on his mission. Share his thoughts. Share his dreams. Life now his school, meet those that help shape the man he grows up to be. Travel with him at a period of time when millions of Americans are on the same path. All looking for a better life!all except one. Sonny isn't looking for a better life!he is looking for his life. !but they call me Sonny is a book based on a real life. Does he find what he is looking for? Does he have a dad? If so, where is he? Why would the man take off and leave him alone with Susie? !and is it true, was he robbed of the life he was born to live? Who are these strangers standing over your grave; ...not knowing your story and you not knowing theirs. We are the ones that know where you lie; ...yet we are the ones that won't let you die. Maybe this story will comfort our hearts; ...to bring us closer and not so far apart. We always wondered, we were always sad; ...and all we could do is call you Dad.

Henry McAvoy was employed by Fox Silent Films as Location Manager from 1915 until his death in 1920. Henry had managed a fire works company, which gave him the experience of handling explosives to becoming an electrician. His job included that whenever Fox needed anything (submarines, war ships, naval aircraft. locations for filming) it was his job to acquire it. It was also his job to handle the explosives that were used in the thrilling scenes. The breathtaking scenes that thrilled the audiences were staged at the location. Many times this almost cost the life of one of the actors or actresses and in one case did. Author George McAvoy was only three months old when his father was killed in a dynamite explosion in his own garage. George only knew of his father, Henry McAvoy, through stories passed down from his mother and two brothers, from the letters his father had written to his mother when they were courting and when he was traveling, and from the thousands of photographs that his father took. George McAvoy uses these photos to tell the story of his entrepreneurial father who during the period of silent films became in charge of Fox Films special effects and finding the right locations for movies to be filmed. It was a much wilder time in the film industry when the center was Fort Lee, New Jersey, before the move to Hollywood. Many more risks were taken and there were few, if any, stuntmen. Unfortunately much of the film history was destroyed in a large fire at the Fort Lee storage warehouse where the highly flammable films were kept. The story includes onsite tales of filming and details of Henry McAvoy's family life.

This reference work provides a comprehensive record of the life and career of Betty Grable. The book begins with a biography that presents and discusses the most significant events in Grable's life. The chronology that follows summarizes her career in capsule form. The succeeding chapters provide a detailed account of Grable's performances in various media, including films, television, radio, stage, nightclubs, videos, and records. The entries in these sections succinctly present the facts concerning each of Grable's performances and offer insightful commentary. The volume concludes with a list of Grable memorabilia, a section of miscellaneous information, and an annotated bibliography of books and articles containing extensive or unique material about Grable and her career.

NewsLady is the memoir of a trailblazing African American woman journalist whose life is about "firsts." Carole Simpson was the first woman to broadcast radio news in Chicago, the first African American woman to anchor a local newscast in the same city, the first African American woman national network television correspondent, the first African American woman to anchor a national network newscast and the first woman or minority to moderate a presidential debate. Hers is a story of survival in a male-dominated profession that placed the highest premium on white males. In this book she recounts how she endured and conquered sex discrimination and racial prejudice to reach the top ranks of her profession. Along the way she covered some of the most important news events over the four decades of her illustrious broadcasting career. Her inspirational story is for all trying to succeed in a corporate environment.

From Tennessee Williams and Carson McCullers to Arthur Kopit and Brian Friel, New York-based literary agent Audrey Wood encouraged and guided the unique talents of playwrights in the Broadway theatre of her day. Audrey Wood and the Playwrights illuminates the gifts and strategies of the tenacious woman at the Liebling-Wood Agency who melded playwrights with producers, directors, and leading actors and shaped the American theatre and film industry during the mid-twentieth century. Wood's story is told here through her interactions with her clients, now household names, whose works she steered through periods of triumph and failure. In an era when women, with the exception of actresses, were rare in the theatre business, she was known as the "go-to" agent for success in the commercial theater. Dubbed a "guardian agent," her quiet determination and burning enthusiasm brought America's finest mid-century playwrights to prominence and altered stage history.

ERROL FLYNN "Those first thoughts of death, destruction and suicide began to occur within me--which would not easily or perhaps ever vanish. I no longer had such an interest in living. I didn't give a damn, in fact. Much of the will to live had gone." Like Hemingway, he sat with a gun to his head. He contemplated suicide. Three nights in a row he sat at the edge of the bed with a revolver to his head. The third night it was in his mouth. He, Errol Flynn, had power, fame, money, women, yet it was all an empty victory. He had been destroyed by the rape trial. "That which I had, my big house, my yacht, my bank account, seemed hollow. None of these could take the place of self respect, which I had lost." He would write in his autobiography, "Inside I was smarting, terribly wounded from the scar of the rape trial." He had other aspirations for his life than becoming a phallic symbol. Everyone thought they knew Errol Flynn, but they didn't. He was a complicated man who camouflaged his true self from the outside world and only through some of his own writing could one glean the type of person he really was and what he had hoped to be. No one could enter with aplomb and grace like him, who clicked his heels in salute like him, who was the greatest swashbuckler like him, a terrific horseman who held his sword and lance as if they were part of him; no one could be as great a leader like him, tall, handsome, dashing, whose voice, eyes and mannerisms would make ladies fall in love with him and men follow him to the end of the earth. The Adventures of Robin Hood, The Charge of the Light Brigade, The Sea Hawk, They Died with Their Boots On, and Objective Burma are some of the finest films ever made, and undoubtedly no one has been able to replace him. He was a natural actor who lived his roles and his characters, but who aspired to be a writer and war correspondent. He was a man marred by an ugly childhood of neglect and abandonment, who rose out of sheer fortitude of his character to become one of the great stars of the golden age. This book is a probing and extensively researched attempt to explore the people, events and factors that made Errol Flynn who he was. It is an analysis of his triumph, his tortured inner self and his ultimate downfall. There is in addition a complete filmography with historical background.

'Once upon a time, the London theatre was a charming mirror held up to cosiness. Then came Joan Littlewood, smashing the glass, blasting the walls, letting the wind of life blow in a rough, but ready, world. Today, we remember this irresistible force with love and gratitude.' (Peter Brook) Along with Peter Brook, Joan Littlewood, affectionately termed 'The Mother of Modern Theatre', has come to be known as the most galvanising director of mid-twentieth-century Britain, as well as a founder of so many of the practices of contemporary theatre. The best-known work of Littlewood's company, Theatre Workshop, included the development and premieres of Shelagh Delaney's A Taste of Honey, Brendan Behan's The Hostage and The Quare Fellow, and the seminal Oh What A Lovely War. This autobiography, originally published in 1994, offers an unparalleled first-hand account of Littlewood's extraordinary life and career, from illegitimate child in south-east London to one of the most influential directors and practitioners of our times. It is published along with an introduction by Philip Hedley CBE, previously Artistic Director of Theatre Royal Stratford East and Assistant Director to Joan Littlewood.

Audiences everywhere fell in love with Marlee Matlin as the deaf student-turned-custodian in Children of a Lesser God, a role for which she became the youngest woman ever to win a Best Actress Oscar. Since then, she has become an inspirational force of nature - as a mother, activist and role model - in addition to playing memorable roles on popular television shows, such as Seinfeld, The West Wingand The L Word, and competing on Dancing with the Stars.Now, in I'll Scream Later, Marlee shares the story of her life. Marlee takes readers on a journey of her life, from the frightening loss of her hearing at eighteen months old to the highs and lows of Hollywood, her battles with addiction, and the unexpected challenges of being thrust into the spotlight as an emissary for the deaf community. She candidly shares for the first time the troubles of her youth, the passionate and tumultuous two-year relationship with Oscar winner William Hurt that led to a stint in rehab, and her subsequent romances with heartthrobs like Rob Lowe, Richard Dean Anderson, and David E. Kelley. Written with uncompromising honesty and humour, Matlin's story is an unforgettable lesson in having the courage to follow your dreams.

"Jean Genet: Performance and Politics" is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theater, film and dance. Its new approach brings together the diverse aspects of Genet's work through essays by international scholars and interviews with such key theater directors as Richard Schechner, Terry Hands, Cornerstone Theatre and Jean-Baptiste Sastre.