This book is an anthology of Mark Edward's creative practice-led projects. It transmits and communicates his research through varied artistic means, primarily contemporary dance, immersive art installation, drag performance, and photography. Through the innovative practice of 'mesearch', in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance. Instead of being an attempt to undervalue or challenge the accepted notions of style within academic research, it promotes a freedom of expression which allows greater fluidity between the researcher, the performer, and the writer.

Fifteen years in the making, "860 glittering pages" ("The New York Times"), the first volume of the astonishing life of Barbara Sanwyck--one of our greatest screen actresses--explores her extraordinary range of eighty-eight motion pictures, her work, her world, and her Hollywood through an American century.
Frank Capra called her "the greatest emotional actress the screen has yet known." Yet Barbara Stanwyck (1907-1990) was also one of its most underrated stars. Now, Victoria Wilson gives us the most complete portrait of this magnificent actress, seen as the quintessential Brooklyn girl whose family was in fact of old New England stock...her years in New York as dancer and Broadway star...her fraught marriage to Broadway genius, Frank Fay...the adoption of a son; her partnership with Zeppo Marx, with whom she created a horse breeding farm; her fairytale romance and marriage to Robert Taylor, America's most sought-after male star... Here is the shaping of her career working with Hollywood's most important directors, all set against the times--the Depression, the rise of the unions, the coming of World War II, and a fast-evolving motion picture industry. At the heart of the book is Stanwyck herself--how she transformed herself from shunned outsider into one of America's most revered screen actresses.
Volume One is the result of more than 100 exhaustive interviews with those who knew Stanwyck, many who never before had agreed to be interviewed: her family, friends, and co-workers from Lauren Bacall, Jane Fonda, and Jackie Cooper to Patricia Neal, Milton Berle, and Kirk Douglas; from Billy Wilder, Bruce Dern, and Anthony Quinn to Jane Powell, Charlton Heston, Arthur Laurents, and Sydney Lumet. "An epic Hollywood narrative," "A Life of Barbara Stanwyck "includes never-before-seen letters, journals, and photographs.

Jeffrey Jacob ""J. J."" Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest-grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S., and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker.

Clint Eastwood (b. 1930) is the only popular American dramatic star to have shaped his own career almost entirely through films of his own producing, frequently under his own direction; no other dramatic star has directed himself so often. He is also one of the most prolific active directors, with thirty-three features to his credit since 1971.As a star, he is often recalled primarily for two early roles--the "Man with No Name" of three European-made Westerns, and the uncompromising cop "Dirty" Harry Callahan. But on his own as a director, Eastwood has steered a remarkable course. A film industry insider who works through the established Hollywood system and respects its traditions, he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. His films as director have examined an eclectic variety of themes, ranging from the artist's life to the nature of heroism, while frequently calling into question the ethos of masculinity and his own star image. Yet they have remained accessible to a popular audience worldwide. With two Best Director and two Best Picture Oscars to his credit, Eastwood now ranks among the most highly honored living filmmakers.These interviews range over the more than four decades of Eastwood's directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources--several appearing here in English for the first time.

Roger Corman (b. 1926) is known by many names-craftsman, artist, maverick, schlock-meister, mini-mogul, mentor, cheapskate, and King of the B's. Yet his commitment to filmmaking remains inspired. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. And the list of directors and producers who learned under his tutelage--Francis Ford Coppola, Martin Scorsese, James Cameron, Jonathan Demme, and many more--is astonishing.

Collected here are many of the most honest and revealing interviews of his epic career, several of which have never been seen in print. "Roger Corman: Interviews" brings into focus a life committed to the entertaining art of motion pictures.

Corman's rare talent combined artistic drive with business savvy, ensuring a successful career that was constantly in motion. At a remarkable pace more akin to silent movies than modern Hollywood, he directed over fifty films in less than fifteen years, some entertaining ("Not of This Earth"), trendsetting ("The Wild Angels"), daring ("The Intruder"), workmanlike ("Apache Woman"), stylized ("The Masque of the Red Death") and even profound ("X: The Man with the X-Ray Eyes"). In a single year, Corman famously shot a cult classic in two and a half days ("The Little Shop of Horrors"), reinvigorated the American horror film with a dash of Poe and Price ("House of Usher")--and still turned out a few more films shot across the globe. Recently awarded an honorary Oscar for his lifetime contribution to cinema, the self-made Corman has created a legacy as a defining filmmaker.

Stories like Joey Giambras' have been attempted many times in many different styles. So what's the difference? This is the truth. The Gods' honest, ghetto style, Italian-American truth. Dramatic and intimate details about his childhood, life and death experiences, and life in the world of boxing controlled by the mafia. Rising from poverty during the Great Depression, to dining with royalty and celebrities. The book is finally here to reconstruct each and every moment of a man who would eventually be denied of the very thing he trained and fought so hard to attain. This is a story teeming with challenge, love, abuse, and family. Both kinds... It has a heart warming love story, a quality about the underdog makes good and the seedy truths about the controlled history of the boxing world feared to be told before now. The Golden era of boxing from the forties, fifties, and sixties... Famous and infamous Italian Mafia members trying to kill and then saving the young Giambra, despite him not joining the Mafia or playing hardball with them to throw fights for an eventual title shot... Mobsters, such as Vito Genevese, Carlo Gambino, Frankie Carbo, and Jack Ruby were all key figures in Giambra's career. He had real friendships with major sports figures such as heavyweight champions Rocky Marciano and Cassius Clay (Muhammad Ali), who was taught the "Rope-A-Dope" by the young Giambra. A middleweight champion, Sugar Ray Robinson, openly stated he would not fight Giambra for the title when he was champ Lightweight champion Willie Pep and baseball legend Joe DiMaggio were two of Giambra's biggest fans And being in Hollywood during the romantic era of the 60s, he acted in movies, such as The Misfits, and the television series, Mission Impossible and The Joey Bishop Show, a comedy series, and also had friendships with Ann Margaret, Marilyn Monroe, Clark Gable, and Joey Bishop. The original self-published book, The Uncrowned Champion, has sold over 100,000 copies since its release in 1980, despite not being marketed. A lot of material was left out of the original book due to sensitivity to subject matter, people, and many situations.(RE: mafia) This is the new book and is a tell-all. This book is a piece of American history. Told by the warrior... Joey Giambra

At last, the definitive biography of Katharine Hepburn-the story she herself has never told. Hollywood has produced many stars, but no one compares to Katharine Hepburn. She is the last of the great ones; a celebrated actress, a brilliant personality, an original. In more than sixty years of public life, countless men have fallen in love with her, women have admired her, and yet only a handful have ever known the real Kate.

For the New York Times best seller, Barbara Leaming discovered thousands of never-before-seen documents that finally illuminate the mystery of this enigmatic, fascinating artist. From letters by Hepburn, her friends, and her family, as well as from interviews with Hepburn herself, Ms. Leaming has written a saga as vivid and entrancing as any novel. It is also richly textured, altogether compelling biography of great American woman.

This book marks a significant methodological shift in studies of black British women's theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals' personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women's Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green. Drawing on new interviews with the playwrights/practitioners and their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women's creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women's Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past.

Join Helen in her family's exploits as they travel to a new life in America as Immigrants leaving their old way of life behind. You will share their family's passion for freedom as they fulfill their aspirations and dreams to enjoy a better life in their new country America.

She continues her true story for almost a century sharing their achievements as well as the hard ships that followed. Read on and share her adventures and points of interest as she travels along visiting places such as London, England, Istanbul, Turkey, Barcelona, Spain, and the Mediterranean, and ride along the Orient Express. This is a true story that will make you cry at times and feel the difficulties, and at other times you will find yourself laughing. It's a book that's hard to put down as you feel the challenges they faced each day. It is written so that others could believe in themselves, and they, too, could accomplish their goals and enjoy all that life has to offer.

Sometimes Broadway dreams do come true.

Fresh from the obscurity of living in the small farming community of Grove, Oklahoma, Ronald Young, at 22, is catapulted onto New York City's "Great White Way..". BROADWAY.

After arriving in Manhattan on a Friday, he auditions for his first Broadway show on Monday. Bingo After three call back auditions he snags his first dancing role in the soon to be mega hit "HELLO, DOLLY " directed and choreographed by Gower Champion and starring Carol Channing.

Armed with three music degrees and lots of enthusiasm he embarks on his career on Broadway. His resume includes working with some of the legends of the theater: Ethel Merman, Shirley Booth, Angela Lansbury, Tommy Tune, Bernadette Peters, Joel Gray, Chita Rivera, Sandy Duncan, Georgia Engel and many others. He appeared in a host of shows: "MAME," "GEORGE M " "THE BOY FRIEND," "MY ONE AND ONLY," "A CHORUS LINE" and the films "HAIR" and "ANNIE."

"THE ONLY BOY WHO DANCED" is a series of compelling, riveting stories about Ronald Young's personal quest to make it on Broadway. If you or a friend have hidden aspirations to make it on the New York theatrical scene, you will enjoy his tips and suggestions on how to break through this tough barrier.