King Lear is arguably the most complex and demanding play in the whole of Shakespeare. Once thought impossible to stage, today it is performed with increasing frequency, both in Britain and America. It has been staged more often in the last fifty years than in the previous 350 years of its performance history, its bleak message clearly chiming in with the growing harshness, cruelty and violence of the modern world. Performing King Lear offers a very different and practical perspective from most studies of the play, being centred firmly on the reality of creation and performance. The book is based on Jonathan Croall's unique interviews with twenty of the most distinguished actors to have undertaken this daunting role during the last forty years, including Donald Sinden, Tim Pigott-Smith, Timothy West, Julian Glover, Oliver Ford Davies, Derek Jacobi, Christopher Plummer, Michael Pennington, Brian Cox and Simon Russell Beale. He has also talked to two dozen leading directors who have staged the play in London, Stratford and elsewhere. Among them are Nicholas Hytner, David Hare, Kenneth Branagh, Adrian Noble, Deborah Warner, Jonathan Miller and Dominic Dromgoole. Each reveals in precise and absorbing detail how they have dealt with the formidable challenge of interpreting and staging Shakespeare's great tragedy.

One of the youngest survivors of the Warsaw ghetto, author Sahbra Anna Markus lived a life only those who have survived Hitler's hell can imagine. In Only a Bad Dream? she narrates the drama of her early years through her most vivid memories. Sahbra courageously recounts those childhood experiences in her compelling voice, now freed from the repeated warnings: "Don't tell anyone you're a Jew." "Don't forget you're a Jew." "It was only a dream." "Hang on tight, or you'll get lost and die."

She tells of traipsing through forests at night, fleeing certain death, of her parents hiding her in a church, desperate to save her life. A frantic search for surviving family found the Markuses traveling throughout Europe on foot, by rowboat, military train, farm wagon, trucks, and finally the ship Caserta that delivered them to the land of hope, freedom, and new beginnings-the only Jewish homeland, Israel.

Only a Bad Dream shares how, in the midst of hunger and deprivation, Sahbra still found joy in simple things like cats, the moon, wolves, and fireflies. A story of the triumph of the human spirit, this memoir provides strong insight into the courage, strength, and dignity possessed by those who endured the Holocaust.

Constituting the first comprehensive look at Ruth Maleczech's work, Jessica Brater's companion is a landmark study in innovative theatre practice, bringing together biography, critical analysis, and original interviews to establish a portrait of this Obie-award winning theatre artist. Tracing Maleczech's background, training, and influences, the volume contextualizes her work and the founding of Mabou Mines within the wider landscape of American avant-garde theatre. It considers her performances and productions, revealing both her interest in making ordinary women important onstage, and her predilection for resurrecting extraordinary women from history and finding their resonances within a contemporary theatrical context. Brater considers Maleczech's investment in redrawing the boundaries of what women are allowed to say, both on stage and off, and shows how her commitment to radical artistic and production risks has reshaped the contours of a contemporary theatrical experience. Highlights of the volume include discussion of productions such as Mabou Mines' Lear, Dead End Kids, Hajj, Lucia's Chapters of Coming Forth by Day, Red Beads, and La Divina Caricatura, as well as a close look at Maleczech's final work-in-progress, Imagining the Imaginary Invalid.

Danny Dyer is Britain's most popular young film star. Idolized by Harold Pinter and with his films having taken nearly $50 million at theUK box office, Dyer is the most bankable star in British independent films with one in 10 of the country's population owning one of his films on DVD. With iconic performances in such cult classicsas "The Business," "The Football Factory," "Dead Man Running," "Outlaw," and now "Vendetta," Dyer is oneof the most recognizable Englishmen in the world. For the first time, and with its subject's full cooperation, this book chronicles his film career in depth, combining production background with critical analysis to paint a fascinating picture of the contemporary British film industry and its brightest star. Packed with anecdotes from co-stars and colleagues, as well as contributions from the man himself, "The Films of Danny Dyer" is the ultimate companion to the work of Britain's grittiest star.

For years, I have wanted to write a book about the relentless determination it takes to succeed in the arts. Whether as a young artist in New York City, as a music coordinator of a Broadway musical, or as a musician traveling through Europe, I will share with you excitement, acclaim, and culture. Onward and Upward is the true account of my pursuit of a dream; a career in music. In this around-the-world journey, I share my stories of culture, family, laughter, friendship, wisdom, and heartache, with a generous splash of the likes of Strauss, motorcycle chases, and Hollywood. Any aspiring artist, would-be world traveler, or entrepreneur, will benefit from reading this book. Learn from another's experience about dedication, passion, and culture. Partly by means of behind-the-scene memoirs, partly by means of journal entries, we will walk hand in hand on this most extraordinary journey through a life in the arts.

How does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play? How might embodied movement practice explore some of these relations and bring us closer to the complexities of sites and lived environments? This book brings together perspectives from site dance, phenomenology, and new materialism to explore and develop how 'site-based body practice' can be employed to explore synergies between material bodies and material sites. Employing practice-as-research strategies, scores, tasks and exercises the book presents a number of suggestions for engaging with sites through the moving body and offers critical reflection on the potential enmeshments and entanglements that emerge as a result. The theoretical discussions and practical explorations presented will appeal to researchers, movement practitioners, artists, academics and individuals interested in exploring their lived environments through the moving body and the entangled human-nonhuman relations that emerge as a result.