Few actors achieve in their lifetime what Sir Ian McKellen has. A repertoire of vast commercial success coupled with critically acclaimed and authoritative Shakespearian roles. A man whose gargantuan personality and varied achievements inspire both admiration and affection. McKellen has been feted and admired in every country across the globe, and has been knighted by, and received the Companionship of Honour from Queen Elizabeth II. He is an icon of, and ardent campaigner in, the cause for LGBT rights. Many of us know of McKellen through his depiction of Gandalf in Lord of the Rings. Garry O'Connor's definitive biography reveals the man behind McKellen the actor. The inside story of the person himself: a constantly developing drama and a work in progress. Yet Garry O'Connor pulls no punches: some of his revelations may be controversial to his fans, even explosive, given McKellen's constant ability to shock and surprise. The author has himself directed for the Royal Shakespeare Company, and directed McKellen in some of his very first roles. This is an unflinching, yet deeply intimate and affectionate, biography that, like McKellen himself, will stand the test of time as a rounded and complete portrait of one of the most unusual geniuses of our times.

Daily Mail Showbiz Memoir of the Year 'A beautiful book' Chris Evans 'Terrifically entertaining' Mail on Sunday 'An arresting photographic voyage through the life and loves of this enigmatic English star' S magazine 'Though not a conventional autobiography, we learn what makes the national treasure tick' Daily Express In the early days of my career, I didn't think I stood a hope in hell. Look at me: I'm short, stocky, slightly overweight, deep of voice, passionate, dark haired, olive skinned, hardly your typical Englishman. What chance did I have, going into the world of British theatre? David Suchet has been a stalwart of British stage and screen for fifty years. From Shakespeare to Oscar Wilde, Freud to Poirot, Edward Teller to Doctor Who, Harold Pinter to Terence Rattigan, Questions of Faith to Decline and Fall, right up to 2019's The Price, David has done it all. Throughout this spectacular career, David has never been without a camera, enabling him to vividly document his life in photographs. Seamlessly combining photo and memoir, Behind the Lens is the story of David's remarkable life, showcasing his wonderfully evocative photographs and accompanied by his insightful and engaging commentary. In Behind the Lens, David discusses his London upbringing and love of the city, his Jewish roots and how they have influenced his career, the importance of his faith, how he really feels about fame, his love of photography and music, and his processes as an actor. He looks back on his fifty-year career, including reflections on how the industry has changed, his personal highs and lows, and how he wants to be remembered. And, of course, life after Poirot and why he's still grieving for the eccentric Belgian detective. An autobiography with a difference, this is David Suchet as you've never seen him before - from behind the lens. 'The book offers more insight into the mind and philosophy of this remarkable man than a more conventional biographical approach could have achieved' Country Life

A fascinating exploration and celebration of the life and work of the coolest man in Hollywood, Samuel L. Jackson--from his star-making turns in the films of Spike Lee and Quentin Tarantino to his ubiquitous roles in the Star Wars and Marvel franchises, not to mention the cult favorite Snakes on a Plane. Samuel L. Jackson's embodiment of cool isn't just inspirational--it's important. Bad Motherfucker lays out how his attitude intersects with his identity as a Black man, why being cool matters in the modern world, and how Jackson can guide us through the current cultural moment in which everyone is losing their cool. Edwards details Jackson's fascinating personal history, from stuttering bookworm to gunrunning revolutionary to freebasing addict to A-list movie star. Drawing on original reporting and interviews, the book explores not only the major events of Jackson's life but also his obsessions: golf, kung fu movies, profanity. Bad Motherfucker features a delectable filmography of Jackson's movies--140 and counting!--and also includes new movie posters for many of Jackson's greatest roles, reimagined by dozens of gifted artists and designers. The book provides a must-read road map through the vast territory of his on-screen career and more: a vivid portrait of Samuel L. Jackson's essential self, as well as practical instructions, by example, for how to live and work and be.

Almost as famous for the legendary excesses of his personal life as for his films, Sam Peckinpah (1925-1984) cemented his reputation as one of the great American directors with movies such as The Wild Bunch and Pat Garrett and Billy the Kid. Max Evans, one of Peckinpah's best friends, experienced the director's mercurial character and personal demons firsthand. In this enthralling memoir we follow Evans and Peckinpah through conversations in bars, family gatherings, binges on drugs and alcohol, struggles with film producers and executives, and Peckinpah's abusive behavior--sometimes directed at Evans himself.

Evans's stories--most previously unpublished--provide a uniquely intimate look at Peckinpah, their famous friends (including Lee Marvin, Brian Keith, Joel McCrea, and James Coburn), and the business of Hollywood in the 1960s and 1970s.

First biography of the comedian Andy Kaufman, soon to be played by Jim Carrey in Milos Forman's new film Man On The Moon. In the 1970s a handful of young American comedians revolutionised US comedy. At the forefront was Andy Kaufman. From his debut on Saturday Night Live, lip-synching Mighty Mouse's cry of "Here I come to save the day!", to his role as Latka on the sitcom Taxi, Andy was breaking new ground, and hiding a vastly darker side. Whether creating an alter-ego - lounge lizard Tony Clifton - or wrestling women, whatever the "gag" was, Andy Kaufman was living it. Part performance artist and part prankster, Kaufman lived his life as a relentless performance, and he inspired, and enraged those around him in equal measure. So when he was diagnosed as having cancer at 34, hardly anyone believed him, not even when they saw his body in the coffin... With the full cooperation of Kaufman's family, friends and colleagues, this is a trip into the dark side of a comic genius.

Her image appeared in periodicals and advertisements roughly twenty times daily; she rivaled FDR and Edward VIII as the most photographed person in the world. Her portrait brightened the homes of countless admirers: from a black laborer s cabin in South Carolina and young Andy Warhol s house in Pittsburgh to FBI Director J. Edgar Hoover s recreation room in Washington, DC, and gangster Bumpy Johnson s Harlem apartment. A few years later her smile cheered the secret bedchamber of Anne Frank in Amsterdam as young Anne hid from the Nazis.

For four consecutive years Shirley Temple was the world s box-office champion, a record never equaled. By early 1935 her mail was reported as four thousand letters a week, and hers was the second-most popular girl s name in the country.

What distinguished Shirley Temple from every other Hollywood star of the period and everyone since was how brilliantly she shone. Amid the deprivation and despair of the Great Depression, Shirley Temple radiated optimism and plucky good cheer that lifted the spirits of millions and shaped their collective character for generations to come. Distinguished cultural historian John F. Kasson shows how the most famous, adored, imitated, and commodified child in the world astonished movie goers, created a new international culture of celebrity, and revolutionized the role of children as consumers.

Tap-dancing across racial boundaries with Bill Bojangles Robinson, foiling villains, and mending the hearts and troubles of the deserving, Shirley Temple personified the hopes and dreams of Americans. To do so, she worked virtually every day of her childhood, transforming her own family as well as the lives of her fans."

Here, extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late 19th-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.

'I'm so glad you had the life you did, Barbara. I'm sorry you can't remember, but my God, what a life! You haven't wasted a minute of it...' In December 2020, while the world was gripped with news of an imminent third lockdown, Scott Mitchell was visiting the care home where his partner and wife of 27 years - Dame Barbara Windsor - was being looked after. At the age of 83, after a career spanning seven decades and a seven-year battle with the debilitating effects of dementia, she was slipping away. Barbara's illness meant she could no longer remember her magical career, and so Scott sat by her bedside in her final days, telling her tales from their extraordinary life together. From the unlikely moment they met to the challenges they faced, and the highs and lows of a life shared in the limelight. For theirs was an incredibly passionate relationship, but also a turbulent one - and along with a life of love and laughter, together they endured the pressures of fame, drink and addiction, heartbreak and ultimately dementia. He told Barbara stories of her wonderful achievements on and off screen, and the people who altered the trajectory of her life. From nine enormously successful and much-loved Carry On films to more than twenty years in Albert Square with the role of Peggy Mitchell. From director Joan Littlewood handpicking her for Sparrows Can't Sing and her first husband Ronnie Knight and his links to the Kray twins, to her friendships with Sid James, Kenneth Williams and more. Weaving together an old-fashioned love story, a glittering life of showbiz and the true cost of dementia, By Your Side is a treasure trove for all of us who grew up watching and loving Dame Barbara. From the madness and the mayhem, the glorious highs and the devastating lows, to the fantastic fun she and Scott had along the way - this is an intimate, honest and incredibly personal account of a life spent loving Babs; a warm, colourful and heartfelt celebration of her rich, varied and remarkable life from the man who knew her best.

An indelible and irresistible portrait of the crucial formative years of the legendary rock band KISS and the music scene they changed forever--culminating with the groundbreaking success of their classic 1975 album Alive and the smash single "Rock and Roll All Nite"

Including original interviews with: Paul Stanley, Gene Simmons, Ace Frehley, Peter Criss, Bob Seger, Alice Cooper, and Ted Nugent, as well as members of Aerosmith, Black Sabbath, Rush, Slade, Blue Oyster Cult, Mott the Hoople, Journey, REO Speedwagon, Styx, Raspberries, the James Gang, the New York Dolls, Iggy & the Stooges, the Ramones, Suzi Quatro, Argent, and Uriah Heep.

Otto Preminger (1905-1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder's Stalag 17 and as the diabolical Mr. Freeze in television's Batman. He is remembered, too, for drastically transforming Hollywood's industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled "Hollywood Ten." Preminger, a committed liberal, consistently shattered Hollywood's conventions. He routinely tackled socially progressive yet risque subject matter, pressing the Production Code's limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics-heroin addiction, rape, incest, homosexuality-that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger's career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.

Charlton Heston, like the roles he has played on both stage and on screen, has had a large infuence on both American and world cinema. He is famous throughout the world for his throughtful portrayal of biblical and historical heroes - Moses in "The Ten Commandments", Ben Hur, Mark Anthony and as Michelangelo in "The Agony and the Ectasy". In his memoirs, Charlton Heston reflects on his life, his career as an actor, and the political and personal principles which have influenced him. He tells stories of his contemporaries and co-stars, who include almost all the famous stage and screen names of the past 40 years.

In 1928, Hilton Edwards and Micheal mac Liammoir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate's lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate's productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland's tumultuous first post-independence decades.

""I've been a questioner all my life...""

So begins bestselling author and award-winning actress Shirley MacLaine, as she invites readers to join her on the most powerful, provocative journey of her life. Over the years, Shirley has firmly established herself as a fearless, iconoclastic thinker and seeker of truth. Now, as she confronts the realities and rewards of growing older, she reflects on the greater understanding of her own place in the universe that her experiences have brought to her.

Sparked by the experience of moving into a new house, she is inspired to look back across the remarkable professional and personal milestones she has experienced so far. Surrounded by books, pictures, and the artifacts of a life well lived, Shirley is able to recognize the profound power of synchronicity at work around her, discovering the invisible threads that stitch together the seemingly random events of her days, adding meaning even to the mundane.

Having grown older, she is increasingly concerned with the potential pitfalls of modern medicine. She shares personal insights into nutrition, acupuncture, homeopathy, and alternative medicine. Practical and bracing, here is advice for anyone looking to expand his or her understanding of health and well-being.

Moving beyond the physical, Shirley explores what has always interested her most -- those things that are unseen. What is consciousness? What is the purpose of our lives? Are we alone in the universe? And perhaps the greatest mystery of all, what happens to us after death?

Filled with her trademark wit and candor, this is a fascinating, inspiring book that will delight and captivate Shirley's legions of fans and fellow travelers everywhere.

This title offers a unique opportunity to view the creation of Shakespeare's after-life and reputation through the works of his major theatrical interpreters. This facsimile edition is backed up by full scholarly apparatus and will appeal to those undertaking research in Shakespearian Studies, Nineteenth-Century Studies and the History of the Theatre and Performance.

"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set." --Sidney Poitier In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of tman behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure -- as a man, as a husband and a father, and as an actor. Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up", recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters... and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments,and find true meaning in his life. Poitier was uncompromising as he pursued a personal and public life that would honor his unbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition. Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifices and committment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limits - his own and the world's. A triumph of the spirit, "The Measure Of A Man" captures the essential Poitier.

Joan Littlewood was one of the most visionary and influential theatre directors of the twentieth century. Drawing on extensive archival research and detailed performance histories, and paying close attention to wider political and cultural forces, this innovative study presents a fresh examination of Littlewood's treatment of the politics of war, Renaissance plays, marginalised communities and popular culture in productions such as Oh What a Lovely War, A Taste of Honey and Richard II. This book offers a sustained examination of Littlewood's paratheatrical activity that centred on her ambitious plans for the Fun Palace, a multifaceted cultural centre, and her numerous playground projects for young people. Alert to critical thinking on ethics, citizenship, cultural politics, class and space, Joan Littlewood's Theatre will deepen and extend knowledge and understanding of the innovative theatrical, cultural and community-based practices generated by Littlewood throughout her career.

Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.

Ric Knowles' study is a politically urgent, erudite intervention into the ecology of theatre and performance festivals in an international context. Since the 1990s there has been an exponential increase in the number and type of festivals taking place around the world. Events that used merely to be events are now 'festivalized': structured, marketed, and promoted in ways that stress urban centres as tourist destinations and "creative cities" as targets of corporate enterprise. Ric Knowles examines the structure, content, and impact of international festivals that draw upon and represent multiple cultures and the roles they play in one of the most urgent processes of our times: intercultural negotiation and exchange. Covering a vast geographical sweep and exploring festival models both new and ancient, the work sets compelling new standards of practice for post-pandemic festivals.

During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.