With his topical jokes and his all-American, brash-but-cowardly screen character, Bob Hope was the only entertainer to achieve top-rated success in every major mass-entertainment medium of the century, from vaudeville in the 1920s all the way to television in the 1950s, 1960s, and 1970s. He virtually invented modern stand-up comedy. Above all, he helped redefine the very notion of what it means to be a star: a savvy businessman, an enterprising builder of his own brand, and a public-spirited entertainer whose Christmas military tours and unflagging work for charity set the standard for public service in Hollywood. As Richard Zoglin shows in this "entertaining and important book" (The Wall Street Journal), there is still much to be learned about this most public of figures, from his secret first marriage and his stint in reform school, to his indiscriminate womanizing and his ambivalent relationships with Bing Crosby and Johnny Carson. Hope could be cold, self-centered, tight with a buck, and perhaps the least introspective man in Hollywood. But he was also a tireless worker, devoted to his fans, and generous with friends. "Scrupulously researched, likely definitive, and as entertaining and as important (to an understanding of twentieth- and twenty-first-century pop culture) as its subject once genuinely was" (Vanity Fair), Hope is both a celebration of the entertainer and a complex portrait of a gifted but flawed man. "A wonderful biography," says Woody Allen. "For me, it's a feast."

In here is an offering. An offering designed to enlighten and inspire anyone who is on the less traveled road laid out by the 12 steps of recovery. I say less traveled because the numbers of true recoverees is relatively small in comparison to the numbers of people caught in addictions. This collection has been many, many years in the making. I hope that it may bring some light and maybe a little humor to a relatively dark subject.I have tried not to offend sensitive eyes and pallets but there is some language used in the cramped world of users that works when other language doesn't, and some of it is in this collection. I have refrained from vulgarity however and if you can tolerate some compromise I am sure you will be pleasantly rewarded. If you are new to recovery you may be surprised at some of the things here that you thought no one else had ever thought.It is important to remember that the common thread in addiction is the lie that you are the only one who has ever done the things you are doing. There is only so much dysfunction in the world, and when you have been on the road of recovery for a while it becomes amazingly redundant. Everybody is stunned to find out they are not alone in their weirdness. Stunned and then relieved to find out that there is a way out.The bottom line is that we give up a life of using for a life of service. When you find this and come to terms with serving people who usually don't care, and you serve them anyway, then and only then will you start receiving the rewards that await you.

George Henry Newton had a dream. His dream was to get out of Zion, Nevis. The village was poverty stricken. He ventured abroad and entered the United States. He became a soldier and fought in W.W.II. Fortunately, he escaped the ravages of the battle field. During the post war years, he acquired a career, raised his family, made his mark but became victim of a dependency. He died at age fifty four, but his eldest son did not let his legacy die with him.

Outlining different perspectives, this classic and field-defining text introduces 'dramaturgy' as a critical concept and a practical process in an accessible and engaging style. The revised edition includes a new introduction and afterword which provides insight into contemporary developments and future directions of scholarship.

This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994. Joerg Esleben has gathered together many of Bennewitz' own writings, most published for the first time, in which he reflects on his production of plays by Bertolt Brecht, Shakespeare, Goethe, Chekhov, and Volker Braun. By translating these writings into English, the editors have provided unprecedented access to Bennewitz' thinking about intercultural work in India. This material is illuminated by explanatory annotations, contextualized commentary, and critical perspectives from Bennewitz's former colleagues in India and other leading scholars. Through its kaleidoscope of perspectives, Fritz Bennewitz in India offers a significant counter to dominant models of Western theatrical interculturalism.

I'm just a cosmic yob, I suppose.

I change every day. I'm not outrageous. I'm David Bowie.

I'm an instant star. Just add water and stir.

Genre-hopping, gender-bending: Bowie has never been afraid to push the boundaries. Whether masquerading as an alien, a spaceman or a goblin king, this rock 'n' roll hero was a true visionary. The death of the Man Who Fell to Earth shook fans around the world, but his influence lives on.

Pocket Bowie Wisdom is full of insights into music, identity, fame, love and creativity from one of the most pioneering musicians of all time.

This collection of quotes makes a perfect gift for the Bowie fan in your life.

The man who brought a mountain of soul to Houston, Texas. The man who brought and promoted many Houston rhythm and blues performers. The man who brought and promoted many comedy shows including Amos &Andy. The man who watched the church he is a member of grow from 25 members to over 14,000 members.

Shot Girls is the real life, raw accounting of Vanity Wonder's 5 year journey with black market butt injections. Commonly called "shots," "pumping" or "work," illegal butt injections are quickly on the rise and not just for strippers or women in the entertainment industry. Known for her jaw dropping 34-23-45 curves, Vanity tells no lies about how she obtained them. In this book, Vanity takes you on a gripping ride through her 16+ injection procedures, drug abuse, and the lessons she learned along the way. Without a doubt, this book will answer any questions you may have about this procedure and satisfy your curiosity on the subject.

In a major new biography, veteran military historian and WII biographer, Charles Whiting combines both talents to tell the tale of barefoot Texan share-cropper's son, who could barely read and write, but became not only the US Army's most decorated soldier in its 250 - year history, but also the star of forty Paramount produced movies: most of which are shown on TV screens around the world to this very day. The gentle-eyed, baby-faced hero had won every decoration the United States had to offer before he was eligible to vote and killed 240 enemy soldiers in the process. Luck made him a movie star. Always he tried to improve himself, but time and time again he was relegated to the 'horse operas', where as he wisecracked cynically, "it was the same old movie, only they changed the colour of the horse." But there was a price to pay for his heroism in drugs, nervous tension and Murphy's addiction to violence. Even as a middle-aged movie star, he always slept with a .45 beneath his pillow, plagued by nightmares of the war. Murphy had been an ordinary boy, who had volunteered to go to fight and did so with exceeding bravery in the last 'good war'. He paid highly for that bravery and sense of duty to a country which had given him nothing save "malnutrition," as he used to quip. He was that last American Hero, who did as President Kennedy proclaimed, " Don't ask what your country can do for you. Ask what you can do for your country." Even before his young life had really commenced, he had become a legend. But in the end 'Tinseltown' and the 'feather merchants' of Hollywood broke him. As Time magazine commented on his death; "Audie Murphy belonged to an earlier, simpler time, one in which bravery was a cardinal and killing was a virtue... We shall not see his like again."