With Danny Turner, Stansberry uses an epistolary to advance, color, and develop characters created in his two earlier novels, So Sings The Chattahoochee and 234 Whitehall. The book focuses on Danny Turner, high school friend of Dewey Favers, and the Campbellton children whose relationships were so solidly formed back in that magical summer of 1912. Watch for the companion book, Dewey Favers: Aviator Angel which contains the other side of this conversation. Coming soon. The book is a collection of letters detailing a year in the life of minor league baseball star Danny Turner, as he is called up to the majors for a glorious season with the 1926 St. Louis Cardinals......the eventual World Series Champions. Perhaps life, is more important, and surprising, than baseball?

Autobiography. How relationships enhanced my life.

This is a man's journey through addiction and his quest for recovery. It is a story of hope, faith and strength that will lead one man from the pits of despair to the heights of recovery, and through that process find himself and his calling: to help others find their way.

People only have good things to say about Tom Hanks, and Everything I Learned in Life I Learned From Tom Haks collects many of those kind words so you can be more like Tom Hanks. There is only one Tom Hanks, no one else can be him, but we can all strive to be more like him by emulating his most endearing and admirable traits. Hanks's iconic, award-winning roles are unforgettable. How does he do it? Learn about his approach to work and life through insights from family, friends, and co-stars. Everything I Learned in Life I Learned From Tom Hanks collects the countless kind words that have been uttered about him for decades so you can be more like him. With a career that has spanned multiple generations, which is why he remains so popular with people young and old, everyone can come together over this book.

Many life stories are represented in this book that is presented as a poetic autobiography. The author uses the poetic "voice" to announce that we are all "wonderfully made" despite being told or treated otherwise. Although there is anger, pain and protest on the pages, there is also love, pleasure and power included. The book is both cultural autobiography and poetry therapy. It is both sad and sassy. The goal is for the reader to leave the work with a new sense of priceless value. What is most interesting is that the author gets to your heart and brain with powerful poetry that can assist you with self expression and empowerment.

William Forsythe s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself.

William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe s collaborators, as well as a contribution from the choreographer himself.

With essays covering all aspects of Forsythe s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.

Tracing the historical figure of Vaslav Nijinsky in contemporary documents and later reminiscences, Dancing Genius opens up questions about authorship in dance, about critical evaluation of performance practice, and the manner in which past events are turned into history.

Anyone who aspires to lead and be successful in any endeavor will profit from reading the Joe Francis story. No matter what your goals might be, you can bet that Joe Francis would encourage and support them in any way he could, even if you were a competitor of his. His credo, to make a poor man rich, came to fruition while he tread his journey and it is indelibly printed in the hearts of many of those who did become rich as a result of following Joe s lead.
Joe Francis had an iron core but was a kind and gentle man with an abundance of dignity and class. His passion was fueled by his love for his wife Flo, who was with him every inch of the way, providing new wind under wings as he faced challenges that seemed to be insurmountable.

Sidemen-professional musicians hired to perform with groups of which they are not regular members-are essential to bands and orchestras, but most remain anonymous for their entire lives. A few music aficionados might know their names, and sometimes a sideman becomes a star for compositions or for exceptional performances. Even so, few ever achieve fame or an identity separate from the organizations with whom they perform. My Best to You ...captures a glimpse of Kasper "Stranger" Malone, a musician struggling to survive in the early days of recorded music. In his own words, Malone documents, names, places, and personalities of that era. He played in every musical genre, from early recorded country music with Gid Tanner and the Skillet Lickers to silent movie orchestras, from live radio to jazz recordings with Benny Goodman, Pee Wee Hunt, and Jack Teagarden. He played with symphony orchestras in San Francisco, Denver, Tucson, and Rome, Georgia, finally ending his long career full circle playing folk and bluegrass in North Georgia. With a Founder's Award from the Atlanta Country Music Hall of Fame, a Guinness World Records acknowledgement of his unprecedented seventy-seven year recording history, and a recently released documentary of his life, in his old age he found he had achieved an uncomfortable fame. Presented here is his history and biography, edited by his daughter, Patricia Poos and filled with fascinating details of a long and historic career.

The Austrian composer Hanns Eisler was Bertolt Brecht's closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht's period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany. Brecht, Music and Culture includes a discussion of a number of Brecht's principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht's work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht's meetings with key cultural figures, including Arnold Schoenberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil. Throughout the conversations, Eisler provides illuminating and original insights into Brecht's work and ideas and gives a highly entertaining first-hand account of his friend's personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century's greatest artists.

This is how simple the complicated music business can be I was sitting "shooting the bull" with the A&R man at Epic Records one day. He said, "You know what I would really like to find is a white kid that sings the blues like a black guy." I said, "I know a kid like that," or words to that effect. I then told him what I knew about Tim Williams.Tim was starving to death trying to run a Coffee House in Santa Barbara. He was only nineteen-years old, but very good. The problem was that I had no idea what to do with a Blues singer. Suddenly there was an answer to the question. The A&R man said, "Bring him down " which meant to his office in Hollywood.When the day came to go to Hollywood we went in my car. I didn't think he had one that would make it down and back. He showed up in a pair of dark brown corduroy pants and a dark polo-type shirt, both clean, but covered with white lint. I was embarrassed to "showcase" him that way, but it could have been a sensitive subject so away we went. I didn't have a clue what to expect when we arrived at the office. In the now familiar get-to-the-point fashion the man said, "Let's hear something" after a few minutes of visiting. Tim opened his guitar case, took out his twelve string guitar and began playing as if the outcome didn't make a damn bit of difference to him. Mr. A&R man asked him to do some old standard, then something original that Tim had written. Then suddenly he said, "Sounds good, let's do a thing, make a record " Just like that