The man who brought a mountain of soul to Houston, Texas. The man who brought and promoted many Houston rhythm and blues performers. The man who brought and promoted many comedy shows including Amos &Andy. The man who watched the church he is a member of grow from 25 members to over 14,000 members.

This volume offers the first comprehensive analysis of the work of East German theatre director Fritz Bennewitz in India between 1970 and 1994. Joerg Esleben has gathered together many of Bennewitz' own writings, most published for the first time, in which he reflects on his production of plays by Bertolt Brecht, Shakespeare, Goethe, Chekhov, and Volker Braun. By translating these writings into English, the editors have provided unprecedented access to Bennewitz' thinking about intercultural work in India. This material is illuminated by explanatory annotations, contextualized commentary, and critical perspectives from Bennewitz's former colleagues in India and other leading scholars. Through its kaleidoscope of perspectives, Fritz Bennewitz in India offers a significant counter to dominant models of Western theatrical interculturalism.

From the London Sunday Telegraph: Acting Shakespeare is extraordinary. The tone of the voice is unmistakably Sir John's, the atmosphere congenial. We're in the company of our greatest actor, who holds in his hands the last links of a chain of tradition leading to Shakespeare himself ... this book is crucial for anyone who believes that Shakespeare on the stage should be Shakespeare at his greatest ... Gielgud is by turns, wise, witty and wicked, but unfailingly modest.

In a major new biography, veteran military historian and WII biographer, Charles Whiting combines both talents to tell the tale of barefoot Texan share-cropper's son, who could barely read and write, but became not only the US Army's most decorated soldier in its 250 - year history, but also the star of forty Paramount produced movies: most of which are shown on TV screens around the world to this very day. The gentle-eyed, baby-faced hero had won every decoration the United States had to offer before he was eligible to vote and killed 240 enemy soldiers in the process. Luck made him a movie star. Always he tried to improve himself, but time and time again he was relegated to the 'horse operas', where as he wisecracked cynically, "it was the same old movie, only they changed the colour of the horse." But there was a price to pay for his heroism in drugs, nervous tension and Murphy's addiction to violence. Even as a middle-aged movie star, he always slept with a .45 beneath his pillow, plagued by nightmares of the war. Murphy had been an ordinary boy, who had volunteered to go to fight and did so with exceeding bravery in the last 'good war'. He paid highly for that bravery and sense of duty to a country which had given him nothing save "malnutrition," as he used to quip. He was that last American Hero, who did as President Kennedy proclaimed, " Don't ask what your country can do for you. Ask what you can do for your country." Even before his young life had really commenced, he had become a legend. But in the end 'Tinseltown' and the 'feather merchants' of Hollywood broke him. As Time magazine commented on his death; "Audie Murphy belonged to an earlier, simpler time, one in which bravery was a cardinal and killing was a virtue... We shall not see his like again."

Shot Girls is the real life, raw accounting of Vanity Wonder's 5 year journey with black market butt injections. Commonly called "shots," "pumping" or "work," illegal butt injections are quickly on the rise and not just for strippers or women in the entertainment industry. Known for her jaw dropping 34-23-45 curves, Vanity tells no lies about how she obtained them. In this book, Vanity takes you on a gripping ride through her 16+ injection procedures, drug abuse, and the lessons she learned along the way. Without a doubt, this book will answer any questions you may have about this procedure and satisfy your curiosity on the subject.

Though he appeared in only six films, James Dean is still frequently discussed some 30 years after his death in an accident at the age of 24. This book provides full production information, plot synopses, review excerpts, and critical commentary for Dean's roles in Fixed Bayonets (1951), Sailor Beware (1951), Has Anybody Seen My Gal? (1952), East of Eden (1955), Rebel Without a Cause (1955), and Giant (1956). It also details his stage, radio, and television work, and includes an extensive annotated bibliography. This comprehensive guide synthesizes the tremendous amount of information available about Dean's life and legacy. Included are chapters on his work in stage, film, radio, and television; entries in each chapter provide production information, plot synopses, review excerpts, and critical commentary about each of his performances. The book also examines his unrealized projects and his survival in various tributes and recordings. An extensive annotated bibliography directs the reader to sources of additional information about Dean's fascinating hold on the American imagination.

Dr. George Washington Sheafor was a Baptist evangelist and pastor who lived during the years that the United States was growing, the population was moving westward, and new territories and states were being added. His teaching and preaching ministry spanned seventy-six years, beginning in 1892 through his death at age 96 in 1968. His pioneer ministry began in Arizona while it was still a territory. As a young man he worked on a ranch taming wild horses off the range and preached to some of the ranch hands with whom he worked. He attended Moody Bible Institute in Chicago, Illinois, and was mentored by Dwight L. Moody, the great evangelist of his day. He also studied the life and teachings of Andrew Murray and patterned his life after this great English teacher and preacher. He began preaching revival meetings in Nebraska, Kansas, Oklahoma and Texas. During his pastoral ministry, he served in Comanche and Brownwood, Texas; Lawton, Oklahoma; and in Lancaster, Texas. Dr. Sheafor's pastoral ministry changed in 1941 when he became a Bible teacher at the First Baptist Church in Dallas, Texas. His name is synonymous with the teaching of Bible prophecy. In all of his teaching and preaching, Dr. Sheafor majored on the wonderful promises that God has given to every born-again believer. He presented the joy and the glory to be experienced by every believer in the Rapture, the Second Coming of Jesus, and the New Heaven and New Earth. His wealth of knowledge concerning prophecy was inimitable and he was loved and admired by all who heard him speak, including many of the professors at Dallas Theological Seminary and Dr. W.A. Criswell, pastor of First Baptist Church, Dallas for all of the twenty-three years that Dr. Sheafor taught the class that now bears his name.

Though chiefly remembered as the dance partner of Fred Astaire, Ginger Rogers had many other significant achievements in the entertainment world. She was a dancer, singer, comedienne, and Academy Award winning dramatic actress, as well as the highest paid Hollywood star in 1942. Miss Faris provides a detailed record of Ginger Roger's life and career, painting a picture of her as one of the most versatile performers in the United States. The volume begins with a short biography of Ginger Rogers, along with a succinct chronology of the major events in her life and career. These portions of the book provide a context for the chapters that follow, which contain annotated entries for her stage, film, radio, and television performances. The entries provide production information and cast listings, along with excerpts from reviews and critical commentaries. An extensive annotated bibliography lists books, magazine and newspaper articles, and movie trade publications that provide further information about Ginger Rogers's fascinating career.

There have been many books written on the Hollywood legend, James Dean, but never before have we had a chance to hear from the real Jimmy Dean. Now, for the first time, Dean speaks in his own words as he is channeled through Patricia A. Leone, a long-time admirer of the motion picture star and metaphysical practicioner. James Dean/ The Lost Memoirs is an incrediably realistic look into Dean's life, transporting the reader to another place and time. As you read each entry in his journal you become closer than ever before to the man behind the legend. Five decades ago this farm boy took the world by storm, and the fascination with Dean continues to this very day. Now, through this book, we are privvy not only to this legendary actor's own words, but also his own most private and innermost thoughts. He writes with intensity about his insecurity concerning acting, his stormy relationship with Pierre Angeli, his broken heart over the death of his mother, his constant flirtation with death, and encounters with Hollywood stars like Marilyn Monroe, Shelly Winters, Rock Hudson, Martin Landau, Elizabeth Taylor and Sal Mineo. He also devuleges intimate details about others who had the opportunity to be called his friends. The author, in a remarkable series of channeled sessions with Dean that were conducted over the course of several months, was able to break through to the other side and give Dean this opportunity on the 50th anniversary of his death to share with us his own epiloge to his life. It is the real and intimate side of Jimmy Dean, one that has never been presented to the public before. This remarkable book is must reading for Dean fans. It is written in journal form just as the star, himself, might have written it, and includes his thoughts, memories, and opinions beginning with the death of his mother at age nine until the day just before his fatal motorcycle accident on September 30, 1955.

This book presents the research journey involved in sensitively unearthing and re-presenting the lived experience of women casual academics. The author weaves the as yet unvoiced stories of women casual academics with a reflective account of a narrative inquiry process. In doing so, she both critiques and offers an alternative to masculine and traditional academic discourse, and demonstrates the power of imagistic and theatrical communication. The book situates the felt human and post-human experience/s of narrative research alongside the philosophical and theoretical research practices encountered in an arts-informed narrative research project. Thus, the author establishes valuable frameworks for planning, undertaking and evaluating arts-informed narrative research; a growing and vibrant area of education research. This innovative work will be of interest to feminist researchers, teachers and supervisors, as well as students and scholars of women casual academics.

Journey of an American Muslim is an epic journey into the life of the author. It's a biography that is uncompromising in its authenticity and honesty. Muslims and non-Muslims will appreciate its candor as the author shares his experiences in the four phases of his development into his life as a Muslim in America. In this book you will discover: -The major influences that encouraged the Author to study and later become a Muslim. -How the Author transitioned from being a very "zealous" Muslim in the beginning; to discovering "spirituality" while taking more risks in his practice of the Muslim life; to becoming an open minded "truth seeker" who happens to be Muslim. -In candid detail how the Author survived multiple marriages (learning experiences), the loss of two good paying professional jobs, foreclosure of his home and working at Wal-Mart for 3 1/2 years earning what he considers "survival income." Journey of an American Muslim is a personal journey and an odyssey of major proportions for any human being. Muslim or non-Muslim, to have to experience. One wonders how on could survive such a personal drama, financial upheaval and professional setbacks. This author not only experienced the epic journey, but lived to tell about it.