"A simply written, effective tale of an ambitious and hard-working American actor trying to make his dream come true."--"Los Angeles Times"
"Working with Eli Wallach was one of the great pleasures of my life--he is an extremely versatile actor, and now a fine storyteller."--Clint Eastwood
The sparkling memoir of a movie icon's life in the footlights and on camera, "The Good, the Bad, and Me" tells the extraordinary story of Eli Wallach's many years dedicated to his craft. Beginning with his early days in Brooklyn and his college years in Texas, where he dreamed of becoming an actor, this book follows his career as one of the earliest members of the famed Actors Studio and as a Tony Award winner for his work on Broadway. Wallach has worked with such stars as Marlon Brando, Paul Newman, Marilyn Monroe, Gregory Peck, and Henry Fonda, and his many movies include "Baby Doll, The Misfits, The Magnificent Seven, How the West Was Won," the iconic "The Good, the Bad and the Ugly, "and, most recently, "Mystic River." For more than fifty years Eli Wallach has held a special place in film and theater, and in a tale rich with anecdotes, wit, and remarkable insight he recounts his magical life in a world unlike any other.
Eli Wallach was born in Brooklyn, and he and his wife of fifty seven years, Anne Jackson, were recently named the King and Queen of Brooklyn. Eli Wallach remains active in film and on stage and lives in New York City.

Spoken Words of EboniSkye, is a poetry book full of life. Share the true experiences of EboniSkye from her teenage years to present day as she fought to find her way to salvation in a dark cold world. Love, Loss and Life Lessons, The Female Hustler and The Virtuous One are three profound poems exposing the desperate search of unconditional love, acceptance, knowledge and understanding. This book is full of all types of poems and poetry. The philosphy is to obtain salvation, one must need to be saved and she needed it Love, Loss and Life Lessons, EboniSkye reveals the inhibitions of first loves, the passion and the heartaches. It allows the reader to know they are not alone in whatever they may endure. The Female Hustler describes the life of a woman making it happen in today's world. She exposes the reader to a real world that many women may be destined to live, through some of her personal experiences and the experiences of others. The Virtuous One is an inspirational poem. EboniSkye shares messages of the love she found and the cost of her journey. She writes prayers of true love and stands boldly as an inspiration to many.

Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now. In Home: A Memoir of My Early Years, Julie takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America. Her memoir begins in 1935, when Julie was born to an aspiring vaudevillian mother and a teacher father, and takes readers to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny. Along the way, she weathered the London Blitz of World War II; her parents' painful divorce; her mother's turbulent second marriage to Canadian tenor Ted Andrews, and a childhood spent on radio, in music halls, and giving concert performances all over England. Julie's professional career began at the age of twelve, and in 1948 she became the youngest solo performer ever to participate in a Royal Command Performance before the Queen. When only eighteen, she left home for the United States to make her Broadway debut in The Boy Friend, and thus began her meteoric rise to stardom.Home is filled with numerous anecdotes, including stories of performing in My Fair Lady with Rex Harrison on Broadway and in the West End, and in Camelot with Richard Burton on Broadway; her first marriage to famed set and costume designer Tony Walton, culminating with the birth of their daughter, Emma; and the call from Hollywood and what lay beyond. Julie Andrews' career has flourished over seven decades. From her legendary Broadway performances, to her roles in such iconic films as The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries, to her award-winning television appearances, multiple album releases, concert tours, international humanitarian work, best-selling children's books, and championship of literacy, Julie's influence spans generations. Today, she lives with her husband of thirty-eight years, the acclaimed writer/director Blake Edwards; they have five children and seven grandchildren. Featuring over fifty personal photos, many never before seen, this is the personal memoir Julie Andrews' audiences have been waiting for.

In this unprecedented volume, Professor Thomas Hagood brings together the voices of key dance educators to express their views on the legacy of dance education. The book examines the values and practices dance educators live with, and what values and practices they take forward to promote or even retool and reinvent in their professional work. The book also engages in discussions of the people who embody (or have embodied) the values and practices the dance education field takes ownership of. Through working with and being exposed to teachers in the dance field, the editor and his contributors express how their learning and professional development has been inspired and shaped by their interactions with their mentors. It follows that legacy is important territory for dancers to consider as educators and as people. Such deep discussion of legacy in educational dance is not widely evidenced in existing literature. Since it is not an easy nor simple task to inventory what dance educators have absorbed from mentors with an objective or analytically aware eye, this book will serve well to expand this discussion. Critical assessment in dance education is also challenged by the fact that the field itself is very young. In analyzing legacy, the book interestingly shows that the mentors discussed may well be about people who are still very much alive. The book also addresses how dance is so culturally challenged by archetypal notions of who practices it, as well as its educational value and worth. The book presents dance scholars with many opportunities to learn new dimensions of dance history, to reflect on practices both old and new, to appreciate the values that shape their work in danceeducation, to get to know people who may not appear in the historic record, to revisit the gifts of those whom they may consider giants in the field have left, to consider the landscape of dance education as it has been shaped over time. The inclusion of the voices and contributions of some of the fields most prominent dance educators in this book and the critical issues they discuss make this book a must for every dance collection.

In this book, Lorraine York examines the figure of the celebrity who expresses discomfort with his or her intense condition of social visibility. Bringing together the fields of celebrity studies and what Ann Cvetkovich has called the "affective turn in cultural studies", York studies the mixed affect of reluctance, as it is performed by public figures in the entertainment industries. Setting aside the question of whether these performances are offered "in good faith" or not, York theorizes reluctance as the affective meeting ground of seemingly opposite emotions: disinclination and inclination. The figures under study in this book are John Cusack, Robert De Niro, and Daniel Craig-three white, straight, cis-gendered-male cinematic stars who have persistently and publicly expressed a feeling of reluctance about their celebrity. York examines how the performance of reluctance, which is generally admired in celebrities, builds up cultural prestige that can then be turned to other purposes.

In 1928, Hilton Edwards and Micheal mac Liammoir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate's lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate's productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland's tumultuous first post-independence decades.

It was a magical romance... From the very moment these two souls united, a unique and radiant harmony was captured between them. Each and every enchanted day they shared with one another, ended in an array of beautiful memories, filled with song, laughter, and playful dreams. This love, so perfect and true, could have only been a gift from above. But with heaven comes hell... And when the demons of Capri Spectro's past refused to release their wicked grip from her life, it slowly suffocated this angelic love. Those dark shadows would ultimately consume the light in Gentry's eyes, casting Capri's angel away into a mysterious realm of uncertainty. He would escape with her heart in his hands, and leave behind only one hope...That he may one day return... What would become of Capri in the days that followed is where this twisted journey unfolds, for with this loss also came an unbearable reality. The burden of a painful past now weighed more heavily upon her than ever before. In a world where punishment looms in the dark storm clouds above and tears have a way of flooding the imagination, those who are sinking, may instead feel, like they are sailing. During this slow downward spiral into madness, Capri transformed into Eve, and believed wholeheartedly in her life or death pact with the Big Man upstairs. Fueled by her childhood dream of marrying John Lennon, and chasing after what appeared to be an impossible miracle, Capri began walking the tightrope of insanity, in pure certainty. Trapped in this bizarre and brokenhearted world of illusion, would the long and winding road to freedom ever reveal itself...or would Capri die trying to find it...

Written with humour and honesty with interesting content on every page. It is a "must" for all ages especially those interested in Show business. The foreword written by Phil Collins, former pupil is of especial interest

This book theorizes auteur Robert Lepage's scenography-based approach to adapting canonical texts. Lepage's technique is defined here as 'scenographic dramaturgy', a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage's adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage's scenographic dramaturgy in re-'writing' extant texts, including Shakespeare's Tempest on Huron-Wendat territory, Stravinsky's Nightingale in a twenty-seven ton pool, and Wagner's Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage's twenty-first century 'auto-adaptations' of his own seminal texts, The Dragons' Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration.

This is a story covering 37 years in television broadcasting including 29 years at the ABC Television Network. It's a story about the broadcast of major events ranging from The Super Bowl and The Olympics to the accident at Three Mile Island. It's about the efforts to get the broadcast back on the air at The 1989 World Series after The San Francisco Earthquake hit disrupting the coverage. It tells what was involved in getting those unforgettable images of Captain John Testrake being interviewed on the tarmac of Beirut Airport while a terrorist waved his pistol behind the Captain's head during the hijacking of TWA Flight 847. Learn what went on behind the scenes to bring those events to your home. Learn about the obstacles that had to be overcome; the hard work, the zany antics and the triumphs of the people who worked behind the cameras and microphones to get those broadcasts on the air and bring those images to America and the world.

One of the most significant contributors to the early years of the motion picture industry, Harold Lloyd was also a shrewd businessman and became the wealthiest man in Hollywood at the peak of his career. Perhaps more than any other major star of the silent era, his characters mirrored his times and captivated his contemporaries. His experiments with camera placement and motion were vital to the evolution of filmmaking techniques. This book includes a short biography of Lloyd and detailed information about all of his performances. The biography overviews his childhood, his adolescent stage career, his work in silent and talking pictures, his family life, and the work of his major contemporaries. A chapter on his film work includes entries for all of his shorts and features, including cameo roles and newsreels. Other chapters describe Lloyd's radio and television work, sheet music and recordings inspired by his films, and his many awards and honors. An annotated bibliography cites books, magazines, newspapers, oral histories, and interviews. Eleven photographs illustrate his work.

The summer of 1938 was a pivotal year for baseball and American history. In that same year, John Jordon "Buck" O'Neil, was a rookie first baseman playing his first season in the Negro American League. Born in Carrabelle, Florida, raised in Sarasota and nicknamed Buck, it had taken five years and five different teams before the Kansas City, Monarchs finally signed O'Neil to a contract. Before he could get the starting assignment, though, O'Neil had to dethrone one of the Negro Leagues' hardest hitting first basemen, Eldridge Mayweather. In 1938, a time when African-American hall of fame ballplayers worth millions could be purchased for pennies on the dollar, times were hard and the baseball was tough. Kansas City's Monarchs were a blend of youth and maturity, and one of the best teams in the Negro American League. Oddly, Kansas City, in spite of winning records against every team in the Negro American League, failed to win the first-half or second-half pennant. For the first time ever John "Buck" O'Neil, Ted "Double Duty" Radcliffe and James "Gabby" Kemp and many others are united together to speak on this celebrated season. With interviews from Monarchs' players Willard "Sonny" Brown, Newt Allen and Byron "Mex" Johnson and many others readers are taken on a road trip around America. Along the way readers, just as the team did in 1938, come in contact with segregation and racism as the book helps everyone to relive the glory days of the Negro Baseball Leagues. Illustrated with over forty historic photographs, John "Buck" O'Neil, the rookie, the man, the lagacy 1938 is a welcome addition to every baseball fans reading list.

George Henry Newton had a dream. His dream was to get out of Zion, Nevis. The village was poverty stricken. He ventured abroad and entered the United States. He became a soldier and fought in W.W.II. Fortunately, he escaped the ravages of the battle field. During the post war years, he acquired a career, raised his family, made his mark but became victim of a dependency. He died at age fifty four, but his eldest son did not let his legacy die with him.

Outlining different perspectives, this classic and field-defining text introduces 'dramaturgy' as a critical concept and a practical process in an accessible and engaging style. The revised edition includes a new introduction and afterword which provides insight into contemporary developments and future directions of scholarship.