'Julius Caesar is, simply, Shakespeare's African play' John Kani In 2012, actor Paterson Joseph played the role of Brutus in the Royal Shakespeare Company's acclaimed production of Julius Caesar - Gregory Doran's last play before becoming Artistic Director for the RSC. It is a play, Joseph is quick to acknowledge, that is widely misunderstood - even dreaded - when it comes to study and performance. Alongside offering fascinating insights into Julius Caesar and Shakespeare's writing, Joseph serves up details of the rehearsal process; his key collaborations during an eclectic career; as well as his experience of working with a majority black cast. He considers the positioning of ethnic minority actors in Shakespeare productions in general, and female actors tackling so seemingly masculine a play in particular. Audience reactions are also investigated by Joseph, citing numerous conversations he has had with psychologists, counsellors and neurologists on the subject of what happens between performer and spectator. For Paterson Joseph, his experience of playing Brutus in Julius Caesar with the RSC was a defining point in his career, and a transformative experience. For any actor or practitioner working on Shakespeare - or for any reader interested in his plays - this is a fascinating and informative read, which unlocks so much about making and understanding theatre from the inside.

Audiences everywhere fell in love with Marlee Matlin as the deaf student-turned-custodian in Children of a Lesser God, a role for which she became the youngest woman ever to win a Best Actress Oscar. Since then, she has become an inspirational force of nature - as a mother, activist and role model - in addition to playing memorable roles on popular television shows, such as Seinfeld, The West Wingand The L Word, and competing on Dancing with the Stars.Now, in I'll Scream Later, Marlee shares the story of her life. Marlee takes readers on a journey of her life, from the frightening loss of her hearing at eighteen months old to the highs and lows of Hollywood, her battles with addiction, and the unexpected challenges of being thrust into the spotlight as an emissary for the deaf community. She candidly shares for the first time the troubles of her youth, the passionate and tumultuous two-year relationship with Oscar winner William Hurt that led to a stint in rehab, and her subsequent romances with heartthrobs like Rob Lowe, Richard Dean Anderson, and David E. Kelley. Written with uncompromising honesty and humour, Matlin's story is an unforgettable lesson in having the courage to follow your dreams.

"If you saw Mark Damon in a tux at the 55th Annual Academy Awards you probably wouldn't picture him in a toga. If he flashed his dazzling smile at his wife, Maggie, your first thought wouldn't be "Oooh, vampire fangs." But Mark played a beast and a vampire, rode across the desert in a toga as the son of Cleopatra, walked the streets of Toledo as a Spanish king named Peter the Cruel and cleaned up the West as two Spaghetti Western cowboys named Johnny. As an actor he played a hero, a rebel and a fool in over fifty teenflicks, Spaghetti Westerns and swashbucklers. As a producer and film distributor, he was involved in the success of over 350 films. Teen idol, singer, film director, writer and producer, astute businessman, inventor of the foreign film sales business - by 1983, Damon had pursued almost as many careers as a tomcat has lives..." - From Cowboy to Mogul to Monster Twenty-five years later, Mark Damon continues to reinvent himself in the film business. His is a NeverEnding Story.

Emmy Award-winning actress Sharon Gless tells all in this laugh-out-loud, juicy, "unforgettably memorable" (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time. Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she's someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless's five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon's parents' divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless's remarkable career and explores Gless's complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood's biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived-never with moderation.

Judy Garland was an entertainment icon whose performances on stage, screen and television had a tremendous impact across decades and media. This film-by-film study of her work follows her progression from pig-tailed child to a top motion picture star, with such timeless classics as The Wizard of Oz, Meet Me in St Louis, and A Star is Born. Garland's talent and versatility as an actress are explored through each of her movie roles. More than just a reference filmography, this work examines how Garland's talents were realized and understood by producers and the world. It analyzes the star's relatonships with various co-stars and directors and details how she balanced her painful insecurities with her often focused and driven approach to her work. Through the context of her work on film, Judy Garland's innate and enduring star power is readily appreciated and acknowledged.

Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang's M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre's screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre's career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.

Actor Richard Burton conquered British theater as Hamlet in 1953 at the Old Vic, and, after a series of theatrical triumphs launched a film career that earned him seven Academy Award nominations among other awards and tributes. This bio-bibliography captures the significant events of his multimedia performances in theater, film, television, radio, and recordings as well as the excitement of a tumultuous and rich life off-stage with Elizabeth Taylor. This is a comprehensive reference guide to Burton's international career, including his performances in 28 professional stage productions, 60 films, and many performances for television, radio and recordings. Additional features include a biography and a chronology of the important events of his life, and a comprehensive annotated bibliography that includes a list of magazine and newspaper articles that illustrate and disclose the notable moments of his life.

FLIGHT BEYOND THE STARS What is it you want? We struggle to become successful, to achieve. We learn as children to "wish upon a star." Flight Beyond the Stars suggests new heights to dream of, to desire, and to achieve. In a competitive and specialized society Dr. Kelsey offers expanses and freedom. The author believes and shows how the tangible, the here and now, is the take-off platform, for knowing and creating the journey to the metaphysical realities which the soul craves: self-satisfaction, right relationships, fulfillment, and a sense of truth and beauty in existence. Seeing clearly what is in front of one, transports to the beyond. The book illustrates story of places and things to help the reader focus on their value. Objects become talismans to cherish and experiences become testaments of a genuinely appreciated life with all of its challenges. It is as if the balance of negative and positive create the space necessary to see clearly for the flight. Crossing the equator and yet coming home to a known, genuine self is the journey. In paperback: "About the Author" at end of book in both books. In the paper back, flaps info will follow "About the Author."