'Destined to be a classic' Sunday Independent 'Gabriel Byrne tells his story brilliantly' - Edna O'Brien 'Dazzles with unflinching honesty' Washington Post 'An absolutely marvellous book' - Colm Toibin Born to working-class parents and the eldest of six children, Gabriel Byrne harboured a childhood desire to become a priest. Four years later, Byrne had been expelled from an English seminary and he quickly returned to his native Dublin. There he took odd jobs as a messenger boy and a factory labourer to get by. In his spare time he visited the cinema, where he could be alone and yet part of a crowd. It was here that he could begin to imagine a life beyond the grey world of '60s Ireland. It was a friend who suggested Byrne join an amateur drama group, a decision that would change his life forever and launch him on an extraordinary forty-year career in film and theatre. Moving between sensual recollection of childhood in a now almost vanished Ireland and reflections on stardom in Hollywood and on Broadway, often through the lens of addiction. Hilarious and heartbreaking Walking With Ghosts is a lyrical homage to the people and landscapes that ultimately shape our destinies.

Margaret Rutherford was without a doubt one of Britain' s best-loved comic actresses. But behind the kindly, serene front Rutherford presented to the world lay a life of trauma and repeated nervous breakdown - the legacy of the legacy of family tragedy that saw her father murder her grandfather during a bout of mental illness and her depressive mother later kill herself. Andy Merriman' s acclaimed biography intrigued and shocked readers with these revelations when it was published in hardback. Now out in paperback, it is also a portrait of one of our most individual actresses. Rutherford appeared in such thoroughly English classics as Blithe Spirit, The importance of Being Earnest, Passport to Pimlico and I' m All Right, Jack! But above all she was Miss Marple, in four films - and entirely created for the screen the role of Agatha Christie' s elderly and fearless private detective that subsequent actresses like Joan Hickson and Geraldine McEwan have continued. Rutherford first played Miss Marple at the age of 70, and insisted on wearing her own clothes to feel right in the part. Above all, this was a vulnerable woman whom no-one failed to like and respect, notable again and again for quiet acts of kindness, whose life story has great appeal to everyone who appreciates both classic English comedy and simple human decency.

One of Hollywood's great leading men, James Garner boasts a career that spans six decades. Whether known as Bret Maverick, Jim Rockford, or Noah Calhoun, Garner's mass appeal transcends generations, but few know the true story of his life, now told in his intimate memoir of growing up in Oklahoma and making it in Hollywood. After suffering physical abuse at the hands of his stepmother, Garner left home at fourteen. He went on to become Oklahoma's first draftee of the Korean War and was honoured for his bravery with two Purple Hearts. Garner eventually returned to Los Angeles where his acting career took off. Working alongside some of the most renowned celebrities - among them Julie Andrews, Marlon Brando, Clint Eastwood - Garner became a star in his own right.

The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).

A fascinating exploration and celebration of the life and work of the coolest man in Hollywood, Samuel L. Jackson--from his star-making turns in the films of Spike Lee and Quentin Tarantino to his ubiquitous roles in the Star Wars and Marvel franchises, not to mention the cult favorite Snakes on a Plane. Samuel L. Jackson's embodiment of cool isn't just inspirational--it's important. Bad Motherfucker lays out how his attitude intersects with his identity as a Black man, why being cool matters in the modern world, and how Jackson can guide us through the current cultural moment in which everyone is losing their cool. Edwards details Jackson's fascinating personal history, from stuttering bookworm to gunrunning revolutionary to freebasing addict to A-list movie star. Drawing on original reporting and interviews, the book explores not only the major events of Jackson's life but also his obsessions: golf, kung fu movies, profanity. Bad Motherfucker features a delectable filmography of Jackson's movies--140 and counting!--and also includes new movie posters for many of Jackson's greatest roles, reimagined by dozens of gifted artists and designers. The book provides a must-read road map through the vast territory of his on-screen career and more: a vivid portrait of Samuel L. Jackson's essential self, as well as practical instructions, by example, for how to live and work and be.

Queer exceptions is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium. -- .

He was one of the world's true superstars, and the silver screen's most beloved James Bond. Sir Sean Connery - a proud Scotsman born in 1930 to a working-class family - died at home in the Bahamas on 31 October 2020. He left behind him a legacy to rival any actor. Connery bestrode Hollywood like a Colossus. He commanded some of the highest fees in the industry and was lauded by critics and the public alike. In July 2000, his unique contribution to the world of film was recognised when he was accorded a knighthood. John Parker traces the astonishing rise to stardom of a tough street kid from Edinburgh. The part of 007 became a monster that threatened to kill Connery as an actor; he escaped to establish himself as one of the world's most magnetic and commanding character actors, winning an Oscar for his role in iconic crime drama The Untouchables. The author has drawn on reminiscences of famous friends and colleagues, including Honor Blackman, Robert Hardy and Eric Sykes, to create an authoritative and entertaining portrait of a talented, complex actor - and, above all else, a magnificent man.

This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.

This book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O'Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death.

You ve spent an entire career working hard, and now it s time to retire. But what exactly does that mean?

Author Michael Bivona was unsure about what to do with his life when retiring, but he didn t let that stop him from finding ways to enjoy it. In this memoir and guidebook, he describes his retirement experiences and considers how to overcome challenging physical times that most retirees face; enjoy new hobbies without getting ripped off; find activities to enjoy with your significant other; and stretch a retirement budget.

He looks back on the great vacations and places he s enjoyed with his wife, Barbara, during retirement. Learn from his mistakes and follow in his footsteps to live some great experiences of your own.

You ve worked hard to get to this point, and you don t want to mess things up now. Get the information, tools, and strategies you need to live your life to the fullest in retirement.

Retired? What's Next? by Michael Bivona CPA, published by IUniverse, was a finalist in the Annual Eric Hoffer Awards for Short Prose & Independent Books. After a rigorous first round of judging, less than 10% of over 1,000 entrants were privileged to have the "2013 Eric Hoffer Award FINALIST-Excellence in Independent Publishing" assigned to their books and digital presentations.

The US Review of Books

"Before retiring, it's wise to begin building bridges to things you are passionate about, so that when the time comes, you have a choice of which bridges you can comfortably take into the next phase of your life."

Some people transition seamlessly into their "golden years," while others have a tougher time entering into retirement, wondering what's next? In Retired? What's Next?, retired accountant, Michael Bivona shares his answer. Part memoir, part retirement guide, this is both informative and inspirational. Touching on essential aspects of retirement like remaining healthy, financial matters, preparing a will, finding part-time and or volunteer work, Bivona delivers practical, real-life advice and insightful reflections.

"I realized after a friend's demise that many of the possessions that he had accumulated over his lifetime and were so dear to him, were of no interest to his heirs or friends, and were disposed of like pieces of junk."

Staking his own territory in the popular and compelling category of memoir writing, Bivona writes in a genuine narrative tone about how to manage the freedom, new opportunities and choices of retirement by focusing on what he knows and enjoys traveling, dancing, boating, fishing, tennis, golf, writing, reading, and collecting books. And showing by example, Bivona frames his real-life tips on planning for a rewarding retirement around his reflections and recounting of the collective highlights and significant moments and events of his life and retirement journey with his wife, Barbara.

Clearly, the Bivonas have a winning strategy for living life to the fullest in retirement. By learning not merely how to cope, but to thrive by crafting a retirement path that is focused on personal fulfillment and joyful meaning, as evidenced by their successful post-retirement journey. In Retired? What's Next?, retired readers, or those thinking of or planning for retirement, will gain insight from Bivona's shared personal wisdom and learn by example the guidance of his inner and outer retirement journeys, which can be applied to their own retirement goals for staying happy, healthy, and active.

A NEW YORK TIMES BESTSELLER: with a new bonus chapter

In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood-along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again.

In Talking As Fast As I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge onProject Runway ("It's like I had a fashion-induced blackout").

In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her.

Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!").

Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and-of course-talking as fast as you can.

The beautiful Austrian-born Romy Schneider was one of Europe's most popular film stars and a cult figure from the moment she played 'Sissi' (Empress Elisabeth of Austria) in the hugely popular Sissi trilogy in the mid-1950s. Although Schneider died in 1982 she continues to be one of the most popular stars in European cinema history. This book analyses her impressive career so as to place her within a range of European female stars, particularly Germanic and French, who defined cultural and ideological images of femininity on European screens. Schneider, who worked and was celebrated in Austria, Germany, Hollywood, and France, represents a fascinating case study to explore key questions of trans-European and transnational stardom, and Marion Hallet makes a valuable intervention in this growing field within star studies. Romy Schneider: A Star Across Europe shows how the representations of women stemming from Schneider's star image supported specific and shifting cultural and social agendas regarding femininity, from the 1950s to the 1980s. This book explores the significance of Schneider's image both when she was working and since, within Western European film culture and celebrity culture.

Screening Scarlett Johansson: Gender, Genre, Stardom provides an account of Johansson's persona, work and stardom, extending from her breakout roles in independent cinema, to contemporary blockbusters, to her self-parodying work in science-fiction. Screening Scarlett Johansson is more than an account of Johansson's career; it positions Johansson as a point of reference for interrogating how femininity, sexuality, identity and genre play out through a contemporary woman star and the textual manipulations of her image. The chapters in this collection cast a critical eye over the characters Johansson has portrayed, the personas she has inhabited, and how the two intersect and influence one another. They draw out the multitude of meanings generated through and inherent to her performances, specifically looking at processes of transformation, metamorphosis and self-deconstruction depicted in her work.

Emmy Award-winning actress Sharon Gless tells all in this laugh-out-loud, juicy, "unforgettably memorable" (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time. Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she's someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless's five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon's parents' divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless's remarkable career and explores Gless's complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood's biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived-never with moderation.

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

At a growth rate of baby chick to full adult in less than two months, chickens are one of the fastest growing food source known to man. It seems that chickens were put on earth to supply the world's population with eggs and meat. This book tells the story of Albert Okura's belief that his destiny in life is to sell more chickens than anyone else in the world. Although sounding preposterous at first glance, it needs to be noted that Colonel Sanders did not sell his first franchise until he was 60 years old. Albert was born in 1951 and grew up with the fledgling fast food industry. His first full time job was working at Burger King as a hamburger cook. Recognizing that mental toughness as well as the ability to train, develop, and motivate others was critical for long term success, Albert gravitated to those who inspired him. Lessons learned from life experiences helped him realize his destiny. In 1984, at the age of 32, Albert opened a rotisserie chicken restaurant with help from his uncle. Albert has become Southern California's foremost expert on mass producing, tender and moist rotisserie chickens. Juan Pollo is now poised to go into the bigtime. This is their story.

The book covers my life growing up as a child in a poor neighborhood helping my single parent mom raise six sisters and brothers. I never lost sight of the challenges facing my family and doing whatever was necessary to help. Working after school was mandatory for our existence. I later went on to earn a BS in Electrical Engineering from Tennessee State University and and a Masters degree in Industrial Engineering from the University Of Toledo. I handled the opportunities as they presented them selves. The Corvette was suffering from poor quality and low customer satisfaction when I arrived and at my retirement we had achieved the highest quality and customer satisfaction ever experienced. August 29, 2013, I am being inducted into the Corvette Hall Of Fame of the National Corvette Museum.