Born in 1916 in La Jolla, California, Gregory Peck took up acting in college on a lark that would lead to a career. In his early years, he appeared in a series of summer stock engagements and Broadway shows. He became a star within a year after arriving in Hollywood during World War II, and he won an Academy Award nomination for his second film. From the 1940s to the present, he has played some of film's most memorable and admired characters. This volume provides complete information about Gregory Peck's work in film, television, radio, and the stage. Entries are included for all of his performances, with each entry providing cast and credit information, a plot summary, excerpts from reviews, and critical commentary. A biography and chronology highlight significant events in his life, while a listing of his honors and awards summarizes the recognition he has received over the years. For researchers seeking additional information, the book includes descriptions of special collections holding material related to Peck's work, along with an extensive bibliography of books and articles.

Stories like Joey Giambras' have been attempted many times in many different styles. So what's the difference? This is the truth. The Gods' honest, ghetto style, Italian-American truth. Dramatic and intimate details about his childhood, life and death experiences, and life in the world of boxing controlled by the mafia. Rising from poverty during the Great Depression, to dining with royalty and celebrities. The book is finally here to reconstruct each and every moment of a man who would eventually be denied of the very thing he trained and fought so hard to attain. This is a story teeming with challenge, love, abuse, and family. Both kinds... It has a heart warming love story, a quality about the underdog makes good and the seedy truths about the controlled history of the boxing world feared to be told before now. The Golden era of boxing from the forties, fifties, and sixties... Famous and infamous Italian Mafia members trying to kill and then saving the young Giambra, despite him not joining the Mafia or playing hardball with them to throw fights for an eventual title shot... Mobsters, such as Vito Genevese, Carlo Gambino, Frankie Carbo, and Jack Ruby were all key figures in Giambra's career. He had real friendships with major sports figures such as heavyweight champions Rocky Marciano and Cassius Clay (Muhammad Ali), who was taught the "Rope-A-Dope" by the young Giambra. A middleweight champion, Sugar Ray Robinson, openly stated he would not fight Giambra for the title when he was champ Lightweight champion Willie Pep and baseball legend Joe DiMaggio were two of Giambra's biggest fans And being in Hollywood during the romantic era of the 60s, he acted in movies, such as The Misfits, and the television series, Mission Impossible and The Joey Bishop Show, a comedy series, and also had friendships with Ann Margaret, Marilyn Monroe, Clark Gable, and Joey Bishop. The original self-published book, The Uncrowned Champion, has sold over 100,000 copies since its release in 1980, despite not being marketed. A lot of material was left out of the original book due to sensitivity to subject matter, people, and many situations.(RE: mafia) This is the new book and is a tell-all. This book is a piece of American history. Told by the warrior... Joey Giambra

Feathers of Color What it was like playing the Famous BigBird " An American Icon" is about the journey of a man who became one of the world's biggest stars. In this book Lionel Douglass shares the days before he reached stardom as the Sesame Street character, and the book will touch on several phases of his life, giving you a glimpse of his life's paths. This book will make you realize that we all have a destiny. Part of Lionel's destiny was to secure a spot in history, and join the ranks of those who have been affiliated with one of the biggest television shows for children. This book touches upon the life of a middle-class, small-town boy with dreams, which were answered as a young-adult by becoming one of the famous Bigbirds, on stage and screen. Learn the interesting story of how Lionel became one of the famous Bigbirds, and how Jim Henson, Caroll Spinney, Anita Mann, as well as Kermit Love helped school and condition him to represent and portray the work of this Muppet great Travel along with Lionel and find out how he was snubbed by members of the Sesame Street organization despite his vital contributions to the show's survival. Ride with him, and share his journey as he tells the world about a dreamer who embraced the opportunity to become one of the world's largest icons, and some of his fascinating adventures along the way. Just sit back and relax, and enjoy Lionel Douglass' story of an African American who relished the chance to portray such a world-renowned icon.

An unconventional biography that explores Mostel's life from the Orthodox Jewish homes of his immigrant parents to the underground night-clubs where he began his career doing stand-up comedy and on to theatre, film, and television.

Join Helen in her family's exploits as they travel to a new life in America as Immigrants leaving their old way of life behind. You will share their family's passion for freedom as they fulfill their aspirations and dreams to enjoy a better life in their new country America.

She continues her true story for almost a century sharing their achievements as well as the hard ships that followed. Read on and share her adventures and points of interest as she travels along visiting places such as London, England, Istanbul, Turkey, Barcelona, Spain, and the Mediterranean, and ride along the Orient Express. This is a true story that will make you cry at times and feel the difficulties, and at other times you will find yourself laughing. It's a book that's hard to put down as you feel the challenges they faced each day. It is written so that others could believe in themselves, and they, too, could accomplish their goals and enjoy all that life has to offer.

Sometimes Broadway dreams do come true.

Fresh from the obscurity of living in the small farming community of Grove, Oklahoma, Ronald Young, at 22, is catapulted onto New York City's "Great White Way..". BROADWAY.

After arriving in Manhattan on a Friday, he auditions for his first Broadway show on Monday. Bingo After three call back auditions he snags his first dancing role in the soon to be mega hit "HELLO, DOLLY " directed and choreographed by Gower Champion and starring Carol Channing.

Armed with three music degrees and lots of enthusiasm he embarks on his career on Broadway. His resume includes working with some of the legends of the theater: Ethel Merman, Shirley Booth, Angela Lansbury, Tommy Tune, Bernadette Peters, Joel Gray, Chita Rivera, Sandy Duncan, Georgia Engel and many others. He appeared in a host of shows: "MAME," "GEORGE M " "THE BOY FRIEND," "MY ONE AND ONLY," "A CHORUS LINE" and the films "HAIR" and "ANNIE."

"THE ONLY BOY WHO DANCED" is a series of compelling, riveting stories about Ronald Young's personal quest to make it on Broadway. If you or a friend have hidden aspirations to make it on the New York theatrical scene, you will enjoy his tips and suggestions on how to break through this tough barrier.

Jeffrey Jacob ""J. J."" Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest-grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S., and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker.

In the late 1950s, Mike Nichols (1931-2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business - mostly separately, but sporadically together again. In Nichols and May: Interviews, twenty-seven interviews and profiles ranging over more than five decades tell their stories in their own words. Nichols quickly became an A-list stage and film director, while May, like many women in her field, often found herself thwarted in her attempts to make her distinctive voice heard in projects she could control herself. Yet, in recent years, Nichols's work as a filmmaker has been perhaps unfairly devalued, while May's accomplishments, particularly as a screenwriter and director, have become more appreciated, leading to her present widespread acceptance as a groundbreaking female artist and a creative genius of and for our time. Nichols gave numerous interviews during his career, and editor Robert E. Kapsis culled hundreds of potential selections to include in this volume the most revealing and those that focus on his filmmaking career. May, however, was a reluctant interview subject at best. She often subverted the whole interview process, producing instead a hilarious parody or even a comedy sketch - with or without the cooperation of the sometimes-oblivious interviewer. With its contrasting selection of interviews conventional and oddball, this volume is an important contribution to the study of the careers of Nichols and May.