Are you a country music fan, or a blues, folk, jazz, or rock fan? Better make that "Are you a music fan?"

This is a true story of man - a real pioneer - who was driven to capture the music that came to form the basis of today's popular music. Art Satherley is referred to in many a biographies of stars from yesteryear.

He was born in 1889 in Bristol, England. This Bristolian travelled the southern states of America recording real American music. He said it was like the music from home. No place was too far or too distant for him to take his primitive recording equipment. He used school halls log cabins, hotels, anywhere - even a funeral parlour - as locations to record. Blues artists such as Ma Rainy, Blind Lemon Jefferson, and W. C. Handy were on his recording log, this list could be a hundred names long. Then, there were the hillbilly, down-home country folk, another long list of now legendary names, ranging from Gene Autry to Roy Acuff to Marty Robbins, that Art Satherley was responsible for.

Arthur worked for the great inventor Thomas Edison at the Wisconsin Chair ompany before being installed as recording manager at the company's record-pressing plant called the New York Recording Laboratory, which included Paramount records as one of its labels. Uncle Art Satherley eventually became vice president of Columbia Records, retiring in 1952, and the history and development of the recording industry are intertwined with Art's captivating professional journey

Uncle Art's story is told in it's entirety for the first time in Uncle Art by a fellow Bristolian and musician Alan John Britton. Britton includes his own background and the discovery of this fascinating story. It includes Arthur's childhood and schooling and some history of Bristol and the important role that the city's port played in the movement of settlers and trade to the New World.

Wild Geese - Cheerleaders Code is the story of a group of high school students - a cheerleading team - who live on a quiet simple island. Then, when they're faced with a supremely difficult challenge - taking on a violent gang - they must show what they're truly made of. Hope you enjoy it, and take inspiration from it.

It was Boston in the 1960's - a time when nightclubs, bars and lounges had the city alive at night and a good time could continue after hours; and when entertainers frequented the city taking advantage of the climate. Add the world of the sporting life and Boston's deceiving glamour could not be denied.. In the middle of it all were five best friends, known as "squares," who attended high school by day and received a far different education by night. The girls rode in Cadillacs, drank in bars and explored their sexuality. They made a pact to just have fun and ignore the rest. Their fun was innocent, but the culture wasn't. Their values would be tested. As consequences arise for the girls, prices must inevitably be paid.

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

"Do you think you could teach Rock Hudson to talk like you do?"

The question came from famed Hollywood director George Stevens, and an affirmative answer propelled Bob Hinkle into a fifty-year career in Hollywood as a speech coach, actor, producer, director, and friend to the stars. Along the way, Hinkle helped Rock Hudson, Dennis Hopper, Carroll Baker, and Mercedes McCambridge talk like Texans for the 1956 epic film "Giant." He also helped create the character Jett Rink with James Dean, who became a best friend, and he consoled Elizabeth Taylor personally when Dean was killed in a tragic car accident before the film was released.

A few years later, Paul Newman asked Hinkle to do for him what he'd done for James Dean. The result was Newman's powerful portrayal of a Texas no-good in the Academy Award-winning film "Hud" (1963). Hinkle could--and did--stop by the LBJ Ranch to exchange pleasantries with the president of the United States. He did likewise with Elvis Presley at Graceland. Good friends with Robert Wagner, Hinkle even taught Wagner's wife Natalie Wood how to throw a rope. He appeared in numerous television series, including "Gunsmoke, Bonanza, Dragnet, and Walker, Texas Ranger." On a handshake, he worked as country music legend Marty Robbins's manager, and he helped Evel Knievel rise to fame.

From his birth in Brownfield, Texas, to a family so poor "they could only afford a tumbleweed as a pet," Hinkle went on to gain acclaim in Hollywood. Through it all, he remained the salty, down-to-earth former rodeo cowboy from West Texas who could talk his way into--or out of--most any situation. More than forty photographs, including rare behind-the-scenes glimpses of the stars Hinkle met and befriended along the way, complement this rousing, never-dull memoir.

"Dukore's style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic." - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century." - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship - of his plays and those of others, of his works for the screen and those of others - he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called "disgusting," "immoral", and "degenerate." Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren's Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.

With her white beehive and Mondrian make-up, Jordan's look helped shape a revolution on the King's Road and has become an iconic part of pop culture. With commentary from key players, including Vivienne Westwood, Paul Cook and her partner behind the SEX counter Michael Collins, Defying Gravity is the revealing story of a life at the eye of punk's storm. Deluxe signed box-set edition - Limited to 500 copies - A copy of the book hand signed by Jordan - A specially designed poster featuring Graham Humphreys' jacket design - A T-shirt designed by Graham Humphreys - A certificate of authenticity

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic. A four-time Academy Award nominee, winner of three Emmys and a Golden Globe, she was honored with a Lifetime Achievement Award by the Academy.

Dan Callahan considers both Stanwyck's life and her art, exploring her seminal collaborations with Capra in such great films as "Ladies of Leisure," "The Miracle Woman," and "The Bitter Tea of General Yen"; her Pre-Code movies "Night Nurse" and "Baby Face"; and her classic roles in "Stella Dallas," "Remember the Night," "The Lady Eve," and "Double Indemnity." After making more than eighty films in Hollywood, she revived her career by turning to television, where her role in the 1960s series "The Big Valley" renewed her immense popularity.

Callahan examines Stanwyck's career in relation to the directors she worked with and the genres she worked in, leading up to her late-career triumphs in two films directed by Douglas Sirk, "All I Desire" and "There's Always Tomorrow," and two outrageous westerns, "The Furies" and "Forty Guns." The book positions Stanwyck where she belongs-at the very top of her profession-and offers a close, sympathetic reading of her performances in all their range and complexity.

This in-depth compilation of the lives, works, and contributions of 12 icons of African-American comedy explores their impact on American entertainment and the way America thinks about race. Despite the popularity of comedic superstars like Bill Cosby and Whoopi Goldberg, few books have looked at the work of African-American comedians, especially those who, like Godfrey Cambridge and Moms Mabley, dramatically impacted American humor. Icons of African American Comedy remedies that oversight. Beginning with an introduction that explores the history and impact of black comedians, the book offers in-depth discussions of 12 of the most important African-American comedians of the past 100-plus years: Bert Williams, Moms Mabley, Redd Foxx, Dick Gregory, Flip Wilson, Godfrey Cambridge, Bill Cosby, Richard Pryor, Whoopi Goldberg, Damon Wayans, Chris Rock, and Dave Chappelle. Each essay discusses the comedian's early life and offers an analysis of his or her contributions to American entertainment. Providing a variety of viewpoints on African-American comedy, the book shows how these comedians changed American comedy and American society. A chronology of the major events of more than 100 years of comedic history 24 photographs showing the 12 featured comedians at various stages in their careers A list of resources at the end of each chapter, including books, articles, movies, recordings, and stand-up performances Suggestions for further reading