Kalakuta Diaries is a personal Narrative of events and characters that propelled and defined an African Social-political setting in the heart of Lagos Nigeria. Kalakuta was a creation of an Iconic rare-breed par excellence, whose enduring legacies has left an indelible Footprint in the sands of Africa and the Worlds political times and consciousness. This narrative apart from the well known battles against the establishment, is also an attempt to emphasise the roles played by the different characters that shaped the actions and policies of a Die-hard Pan-Africanist, who had an uncanny ability to read and predict exactly, outcomes of diverse political and economic actions of the ruling Elite' years ahead of most of his fellow countrymen. He dared the high and the mighty, the military governments and their western collaborators. He sang his way through the hearts of European and American cities using his music as a weapon in the demand for fairness, equity and love and the unity not only for the Black in his home country Nigeria, but the whole of Africa. That he had like every other human being, his shortcomings or weakness especially with the opposite sex is normal and also depicted in this narrative. Suffice to say his dreams, wishes and aspirations for the African continent and blacks all over the Diaspora. Interestingly as the reader would find out, the more potent enemies he had were within his own rank and file. From kids who carried grudges on behalf of their mother, through women who desperately wanted to have kids from him, staffs who secretly aided drug dealers knowing full well that he abhorred the use of such, up to relatives, staffs and friends who betrayed his trust. The intention of the writer having being schooled by the great one himself on issues of truthfulness, sincerity fearlessness and political foresight is to depict Kalakuta as it really was, without comas, bias, hard feelings or colouration.

The Great Tompall: Forgotten Country Music Outlaw provides an in-depth look at the life of one of country music's least recognized - but most iconic and influential performers and business owners. Given unprecedented access to Tompall, this book tells his story through his own words and through the words of those who knew him best as the result of many lengthy interviews. In addition to providing never-before known information about Tompall, this book provides historical information about Nashville and gives a glimpse of what country music was like during the 1960s up to the 1990s. If you are a "classic" or an "outlaw" country music fan you will not want to miss out on this highly acclaimed gem.

Fred Schepisi is one of the crucial names associated with the revival of the Australian film industry in the 1970s. The Films of Fred Schepisi traces the lead-up to his critical successes in feature filmmaking, via his earlier award-winning success as a producer in advertising commercials in the 1960s and the setting up of his own company. Unlike some directors, he derived from this experience a sure sense of the commercial aspects of filmmaking, as well as its aesthetic considerations. The volume also considers stories of his early education in a Catholic seminary, which he drew on in his semiautobiographical film, The Devil's Playground, the success of which launched him as an exciting new feature director. The volume expands on Schepisi's success story to chart his development as a director in demand in other countries, notably in the US and the UK, as well as continuing to make major films in Australia. Brian McFarlane argues that Schepisi's career is symptomatic of Australian directors who have made their presences felt on the international stage. Whereas other key directors of the Australian film revival, such as Peter Weir and Bruce Beresford, have been the subject of book-length critical studies, Schepisi's career has not to-date been so explored. McFarlane takes a critical account of Schepisi's film output-including such standouts as The Chant of Jimmie Blacksmith, Plenty, Roxanne, Six Degrees of Separation, Mr. Baseball, and Last Orders-and he augments analysis with interviews with the director. By discussing the production histories and both critical and popular receptions, McFarlane's study shines a new light on Schepisi's work and his rise to prominence in the global film industry.

Rugby with the stunning Fiji team not only gave me the opportunity to experience diversity in the highest form but inspired me to share my experiences living in Fiji a paradise and well known tourist destination once known as the way the world should be also sharing my experiences living in the USA the most prosperous powerful nation on Earth, while having a blast in one of the most vibrant cities of the world, Las Vegas.

Growing up as a child on a copra plantations owned by part European families I lived a fun and exciting life with some challenges and was influenced by the European culture and their language and religion A year at high school in an Indian dominated society saw me struggling to adapt to this environment attending high school with students mainly ancestors of the indentured laborers who were very competitive which made me strive for higher standards through discipline.

My personality allowed me to connect with people easily and the opportunity to take part in a carnival gave me exposure not only to be in the public eye but to enhance my leadership skills and to meet with prominent people including the governor general of Fiji Ratu Sir Penaia Ganilau who later became the president of the country.

Anthony Robbins the world known motivator and owner of the exclusive Namale plantation resort who I met personally inspired me to improve the quality of my communication through his book unlimited power which helped me to deal with many sensitive issues like depression, death and suicide and gave me the power to be a great leader by having a great bonding power that helped me to connect with my people to bring the best out of them.

The life at an exclusive world known 5 star resort gave me the opportunity to meet the famous world environmentalist Jean Michael Cousteau and to get a taste of luxury and pampering and also to experience the hospitality of the Fijian people who are dedicated to providing outstanding service with a personal touch making Fiji one of the best tourist destinations of the world.

Destiny and a true love story brought me to the USA the land of hope exposing me to a quality of life with high standards and gave me an understanding of the American dream which is about owning your own home while learning to adapt to a new environment and family and a career in banking, Recognition which is a key element in this society saw me with a gold medal presented in Hawaii for my outstanding sales and customer service skills giving me a chance to be part of a royal celebration of excellence and then becoming one of the leaders of the bank managing in a dynamic and changing environment.

My inspiring management style helped me to overcome many challenges including managing people through so much change in an economy that was constantly declining and a massive lay off and with the so many opportunities out there I am now going to think a big picture, take a different route to break new ground and will find a whole new world to conquer.

At forty-six, Bobbie Weiner found herself divorced and penniless, and something that was even worse-identity-less. On a whim, she enrolled in makeup school and soon found herself applying gory special effects makeup to the actors on Hollywood sets. Her work on the horror film "Pumpkinhead II" earned her the nickname "Bloody Mary," which would become her new identity. After she helped create the dead, frozen corpses in the Oscar-winning film "Titanic, " her life would never be the same. With just an idea and a hunch-and no financial help from a single bank in the world, since none of them would give her a loan-she launched her line of Sports Fan Face Paint and sold it to colleges around the country. The US Department of Defense took notice and hired Bobbie to develop camouflage face paint for soldiers. Each success led to another, and today she supplies face paint to hundreds of major sporting events, militaries around the world, the movie industry, and the haunt industry. Throughout her career, Bobbie's entrepreneurial spirit, her passion, her persistence, and her willingness to make sacrifices have helped her turn a bad break into a prosperous life. "I Can Do This" tells the story of how Bobbie turned her "Bloody Mary" nickname into a multimillion-dollar business.

Molly Price isn't a celebrity. She's never been on a reality show or had her name thrown about in the gossip column. But, like so many of us, she has a story to tell. And what a story it is From an amazingly complicated upbringing with twists and turns that seem at times to be unbelievable, Molly is able to draw you into her world. It's a world that you may find to be completely different from your own, but most likely you'll be able to find so much to relate to as she introduces you to her family, her friends, and a host of situations that will make you giggle and even tear up, often times in the same sentence. Amazingly insightful, Molly understands the value of the little things in life, knowing that at any moment the life she thought she had finally figured out, just might be rocked from its core, and everything changes. It takes a very open mind to be able to see the good in the worst of times, but that is just Molly. Even in cases of the most horrifying memories from her childhood, White Trash Princess offers a new perspective that will make you see things differently, maybe even think about the kind of legacy you hope to leave behind for those in your life...Brook Morello

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

Before Liz Lemon, before "Weekend Update," before "Sarah Palin," Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV.
She has seen both these dreams come true.
At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon -- from the beginning of this paragraph to this final sentence.
Tina Fey reveals all, and proves what we've all suspected: you're no one until someone calls you bossy.
("Includes Special, Never-Before-Solicited Opinions on Breastfeeding, Princesses, Photoshop, the Electoral Process, and Italian Rum Cake )"

"Dukore's style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic." - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century." - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship - of his plays and those of others, of his works for the screen and those of others - he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called "disgusting," "immoral", and "degenerate." Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren's Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.

This book follows the life of, Damien Shindelman and the bizarre series of events that shaped his unique personality and path to be coming a professional oboist. From his abusive grandmother, deplorable grade school years, to his early childhood adventures, his unique story is a cleverly woven saga that will leave you shocked, bemused, and openly laughing.

His jaded yet comical portrayals of all the instruments in the orchestra will give you a new perspective on life in the symphony orchestra. From fact to fiction, every instrument has it's roast, as well as the more interesting musicians in the ensemble.You will also be able to follow the history of the Phoenix Symphony with all its struggles, set backs, and triumphs, including all the varied conductors who have graced its stage over the past thirty years.

If you ever wanted to know the inside scoop on the Phoenix Symphony and the town itself, this is the book for you.

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.