Before there was Shirley Temple or Judy Garland or Fanny Brice, before musical comedy even existed as a genre, Maggie Mitchell (1836-1918) consistently drew sold-out crowds for four decades as a musical comedy star. Admired by Abraham Lincoln as well as John Wilkes Booth, along with millions of adoring fans, both female and male, Maggie blazed across the American stage, her energy unstoppable in her signature roles: Fanchon, Little Barefoot, Pearl of Savoy, French Spy, Little Savage, and Jane Eyre. Trying to capture her appeal, reviewers exhausted their store of adjectives and metaphors, among them "vivacious," "beautiful," "hoydenish," "sprightly," "piquant," "elfin," "impish," "mischievous," "winsome," "electric," "versatile," "chaste," "a fascinating little witch," "a materialized sunbeam" and "a champagne sparkle." When she finally retired, one of the wealthiest actresses in the world, she left in her wake dozens of Maggie Mitchell imitators, and critics ever since have spoken of the "Maggie Mitchell style" of acting: effervescent, endearing, and eternally youthful. As an actress, a faithful wife and mother, and an icon of respectability in a field often condemned by moralists, she left a legacy of unparalleled achievement.

This book examines the recent trend for re-performance and how this impacts on the relationship between live performance and death. Focusing specifically on examples of performance art the text analyses the relationship between performance, re-performance and death, comparing the process of re-performance to the process of mourning and arguing that both of these are processes of adaptation and survival. Using a variety of case studies, including performances by Ron Athey, Julie Tolentino, Martin O'Brien, Sheree Rose, Jo Spence and Hannah Wilke, the book explores performances which can be considered acts of re-performance, as well as performances which examine some of the critical concerns of re-performance, including notions of illness, loss and death. By drawing upon both philosophical and performance studies discourses the text takes a novel approach to the relationship between re-performance, mourning and death.

THE 30-30 Career is the #1 MOST COMPREHENSIVE BOOK SERIES ON MUSIC AND ADVERTISING YOU MAY NOT SELL A MILLION RECORDS, but you can MAKE A MILLION DOLLARS in the world of music and advertising. VOLUME 3 of THE 30-30 CAREER: BECOMING A PLATINUM COMPOSER Making Music For Commercials" shows you how to break big into a music industry full of competition using the decisions and actions of Award-Winning Commercial Composer Wendell Hanes as a blueprint to scoring over 700 commercials, themes, and promos. A 24/7 grind is the blueprint to your success. EARN your spot, HOLD your spot and NEVER stop The next time the record industry closes you out, tap the advertising industry.Become a Platinum Composer Don't chase the dream. Build the Career. The 30-30 CAREER

William Wyler (1902-1981) was one of the most honored and successful directors from Hollywood's golden age. One of the film industry's most influential artists, he received three Academy Awards, twelve nominations for his direction and five nominations for his work as a producer. No film director in history has guided more actors to Academy Award nominations (thirty-one). During his fifty-year career, he directed some of Hollywood's most enduring films--among them "Ben-Hur, The Best Years of Our Lives, Funny Girl, Jezebel, The Letter, The Little Foxes, Mrs. Miniver, Roman Holiday, " and "Wuthering Heights."

"William Wyler: Interviews" spans his career and includes three previously unpublished exchanges. Despite the accolades, Wyler has not received the kind of academic and critical appraisal lavished on contemporaries such as John Ford, Orson Welles, Frank Capra, George Stevens, and Billy Wilder. In his later interviews he seems good-natured about this neglect, but it clearly rankled. He dismisses detractors by explaining that he was always interested in trying out new forms, variety being more important to him than mining the same territory.

Kalakuta Diaries is a personal Narrative of events and characters that propelled and defined an African Social-political setting in the heart of Lagos Nigeria. Kalakuta was a creation of an Iconic rare-breed par excellence, whose enduring legacies has left an indelible Footprint in the sands of Africa and the Worlds political times and consciousness. This narrative apart from the well known battles against the establishment, is also an attempt to emphasise the roles played by the different characters that shaped the actions and policies of a Die-hard Pan-Africanist, who had an uncanny ability to read and predict exactly, outcomes of diverse political and economic actions of the ruling Elite' years ahead of most of his fellow countrymen. He dared the high and the mighty, the military governments and their western collaborators. He sang his way through the hearts of European and American cities using his music as a weapon in the demand for fairness, equity and love and the unity not only for the Black in his home country Nigeria, but the whole of Africa. That he had like every other human being, his shortcomings or weakness especially with the opposite sex is normal and also depicted in this narrative. Suffice to say his dreams, wishes and aspirations for the African continent and blacks all over the Diaspora. Interestingly as the reader would find out, the more potent enemies he had were within his own rank and file. From kids who carried grudges on behalf of their mother, through women who desperately wanted to have kids from him, staffs who secretly aided drug dealers knowing full well that he abhorred the use of such, up to relatives, staffs and friends who betrayed his trust. The intention of the writer having being schooled by the great one himself on issues of truthfulness, sincerity fearlessness and political foresight is to depict Kalakuta as it really was, without comas, bias, hard feelings or colouration.

This book is one person's travels through a catalogue of nightmare experiences. Anyone who has suffered through divorce of any form knows this one Abuse of various natures are present in this autobiography. Not so much the cure for, but mostly, the acceptance of and forgiveness ability. The emotional healing process does call for the time element, unfortunately However, this book tells about different aspects of ways and means to this beautiful end. This book is not for people looking for a quick fix or a way out. Abstinence from alcohol is a tool which many people have used as a problem solver. This book is only one person's life under both chronic inebriation and total abstinence conditions. There are many adventures where the reader might question the physical influence under which the author was operating. Even without the alcoholic consumption by the author, the behavior, when compared to the behavior of a well adjusted individual are incredibly different People who have loved or been loved by those who are immediately involved with alcohol or drugs may gain a deeper understanding of the total situation. Also, the author hopes that some comfort to the reader will take place upon the realization that they are not alone. The greatest gift the author has received from life, is PEACE ON EARTH.

Siblings Sarah Siddons (1755-1831) and John Philip Kemble (1757-1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions. Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern - a fake Shakespearean play - in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare. Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet - a role in which both appeared across Britain and in Ireland.

Rugby with the stunning Fiji team not only gave me the opportunity to experience diversity in the highest form but inspired me to share my experiences living in Fiji a paradise and well known tourist destination once known as the way the world should be also sharing my experiences living in the USA the most prosperous powerful nation on Earth, while having a blast in one of the most vibrant cities of the world, Las Vegas.

Growing up as a child on a copra plantations owned by part European families I lived a fun and exciting life with some challenges and was influenced by the European culture and their language and religion A year at high school in an Indian dominated society saw me struggling to adapt to this environment attending high school with students mainly ancestors of the indentured laborers who were very competitive which made me strive for higher standards through discipline.

My personality allowed me to connect with people easily and the opportunity to take part in a carnival gave me exposure not only to be in the public eye but to enhance my leadership skills and to meet with prominent people including the governor general of Fiji Ratu Sir Penaia Ganilau who later became the president of the country.

Anthony Robbins the world known motivator and owner of the exclusive Namale plantation resort who I met personally inspired me to improve the quality of my communication through his book unlimited power which helped me to deal with many sensitive issues like depression, death and suicide and gave me the power to be a great leader by having a great bonding power that helped me to connect with my people to bring the best out of them.

The life at an exclusive world known 5 star resort gave me the opportunity to meet the famous world environmentalist Jean Michael Cousteau and to get a taste of luxury and pampering and also to experience the hospitality of the Fijian people who are dedicated to providing outstanding service with a personal touch making Fiji one of the best tourist destinations of the world.

Destiny and a true love story brought me to the USA the land of hope exposing me to a quality of life with high standards and gave me an understanding of the American dream which is about owning your own home while learning to adapt to a new environment and family and a career in banking, Recognition which is a key element in this society saw me with a gold medal presented in Hawaii for my outstanding sales and customer service skills giving me a chance to be part of a royal celebration of excellence and then becoming one of the leaders of the bank managing in a dynamic and changing environment.

My inspiring management style helped me to overcome many challenges including managing people through so much change in an economy that was constantly declining and a massive lay off and with the so many opportunities out there I am now going to think a big picture, take a different route to break new ground and will find a whole new world to conquer.