Palmer, a long-time friend of Bruce Lee and one of his youngest martial arts students, recounts Lee's early years, when he would train a multicultural group of local toughs in empty parking lots and backyards around Seattle. Palmer spends a summer with Lee and his family in Hong Kong and provides fascinating insight into Lee's personality, from his silly sense of humor and love of practical jokes to his uncanny ability to learn from different fighting traditions to hone his skills. Palmer's stories paint a picture of a fun-loving, intense young man who worked hard to excel at his craft.

The long-awaited memoir by movie and theatre legend, Brian Cox. A Guardian, Times, Sunday Times and Independent Book of the Year *Featuring a foreword by the executive producer of Succession, Frank Rich, an executive producer of HBO's Succession, a former chief drama critic of The New York Times, and the author of the memoir Ghost Light.* 'One of the best showbiz memoirs ever written... it's as funny as it is furious... Brian Cox has done everything and with this book he leaves everyone else standing' Mail on Sunday From Titus Andronicus with the RSC to media magnate Logan Roy in HBO's Succession, Brian Cox has made his name as an actor of unparalleled distinction and versatility. We know him on screen, but few know of his extraordinary life story. Growing up in Dundee, Scotland, Cox lost his father when he was just eight years old and was brought up by his three elder sisters in the aftermath of his mother's nervous breakdowns and ultimate hospitalization. After joining the Dundee Repertory Theatre at the age of fifteen, you could say the rest is history - but that is to overlook the enormous graft that has gone into the making of the legend we know today. This is a rags-to-riches life story like no other - a seminal autobiography that both captures Cox's distinctive voice and his very soul. Rich in emotion and meaning, with plenty of laughs along the way, it will be a classic in the vein of The Moon's a Balloon by David Niven and What's It All About by Michael Caine. 'Absolute heaven' Sunday Times 'A hugely readable memoir from a giant of stage and screen' Mark Kermode 'A life well lived and a story well told. From first page to last Brian Cox the great actor is Brian Cox the great storyteller, and nobody is spared his sharp eye and his caustic wit, himself and some big Hollywood names included' Alastair Campbell 'Laced with his characteristic generosity, self-deprecation and cut-the-crap wisdom' Harriet Walter 'Mesmerizing' Peter Biskind 'Blisteringly brilliant' Bryony Gordon 'Funny and irreverent' The Times

This book focuses on the re-invigoration of Charlie Chaplin's Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin's Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.

Performance Constellations maps transnational protest movements and the dynamics of networked expressive behavior in the streets and online, as people struggle to be heard and effect long-term social justice. Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-'90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014-2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, Performance Constellations shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers.

Film star. Icon. Agitator. Martyr.

Paul Robeson was a twentieth-century icon; the most famous African-American of his time. The son of a former slave, he found worldwide fame as a performer, travelling from Hollywood to the West End, and even to communist Russia.

A champion of social justice and equality, he would go on to lose everything for the sake of his principles.

Here, Jeff Sparrow traces Robeson’s remarkable life. Part travelogue, part biography, this is a story of political ardour, heritage, and trauma ― a luminous portrait of a man and an urgent reflection on the politics that define us now.

The Totally Unscientific Study of the Search for Human Happiness is both a a hilarious story of jumping into new experiences with both feet and a surprisingly poignant tale of a working mother raising three kids. Paula is a master of her craft. Her comedic brilliance, served up in abundance in this book, has been compared to that of George Carlin, Tina Fey, Lily Tomlin, and David Sedaris. Is there a secret to happiness? Beloved comedian Paula Poundstone conducts a series of "thoroughly scientific" experiments to find out, offering herself up as a guinea pig and recording her data for the benefit of all humankind. Armed with her unique brand of self-deprecating wit and the scientific method, in each chapter Paula tries out a different get-happy hypothesis. She gets in shape with taekwondo. She drives fast behind the wheel of a Lamborghini. She communes with nature while camping with her daughter. Swing dancing? Meditation? Volunteering? Does any of it bring her happiness? And more important, can the happiness last when she returns to the daily demands of her chaotic life?

"In her long and extraordinary career, Cicely Tyson has not only succeeded as an actor, she has shaped the course of history." -President Barack Obama, 2016 Presidential Medal of Freedom ceremony "Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. In these pages, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and a mother, a sister and a friend. I am an observer of human nature and the dreamer of audacious dreams. I am a woman who has hurt as immeasurably as I have loved, a child of God divinely guided by his hand. And here in my ninth decade, I am a woman who, at long last, has something meaningful to say." -Cicely Tyson

Daniel Lewis's legacy as a hugely influential choreographer and teacher of modern dance is celebrated in this biography. It showcases the many roles he played in the dance world by organizing his story around various aspects of his work, including his years at the Juilliard School, dancing and touring with the Jose Limon Company, staging Limon's masterpieces around the world, directing his own company (Daniel Lewis Dance Repertory Company), writing and choreographing operas and musicals, and his years as dean of dance at New World School of the Arts. His life has spanned a particular period of growth of modern and contemporary dance, and his biography gives insight into how the artistic and journalistic perspectives on modern dance were influenced by what was occurring in the broader dance and arts communities. The book also offers rarely seen photographs and interviews with unique perspectives on many dance luminaries.

One of the biggest stars of the golden age of Hollywood, James Cagney appeared in more than sixty films throughout his career. In addition to starring in the classics White Heat, Mister Roberts, and One, Two, Three, Cagney received the Academy Award for his performance as George M. Cohan in Yankee Doodle Dandy. From his debut in Sinner's Holiday to one of his many gangster portrayals in The Roaring Twenties, the actor appeared in more than thirty films of the 1930s. Though he started out in supporting roles, Cagney quickly became a leading man and by the end of the decade, he was a box-office star. In James Cagney Films of the 1930s, James L. Neibaur reviews the first decade of the great actor's work. A film-by-film look at Cagney's movies during this pivotal period, this book traces the actor's transition from a song-and-dance man on stage to a tough guy on screen. Although Cagney occasionally was able to deviate from studio typecasting-in such films as Footlight Parade and A Midsummer Night's Dream-his most notable roles were in gangster dramas like The Public Enemy and Angels with Dirty Faces. Throughout this book, Neibaur provides readers with plot summaries, production details, and critical and commercial reception of each film. For fans of the actor's work, James Cagney Films of the 1930s is an invaluable resource that will also appeal to anyone interested in movie-making during one of Hollywood's greatest eras.

At the height of her celebrity, Madeleine Carroll (1906 1987) was the world's highest-paid actress. She worked alongside such greats as Laurence Olivier and Charles Laughton, British directors Victor Saville and Alfred Hitchcock, and Hollywood directors John Ford and Otto Preminger. She also did radio and television shows-all of which she abandoned to become a Red Cross worker. Piecing together long-lost facts, the author describes Carroll's almost indescribable life, narrating her personal highs and lows, as well as her fervent commitment to helping others - particularly child victims of war.

Oscar Hammerstein I came to New York in the 1860s, a Prussian runaway with $1.50 in his pocket, and found work at a cigar factory. A decade later he was publishing the nation's leading tobacco trade journal and held dozens of patents for cigar-rolling machinery. He made a fortune and turned his efforts to theater. He built eight of them, including four around Longacre Square-later Times Square-which became a thriving theater district. A daring impresario, he was involved at all levels, from booking to composition to stagecraft. Throughout the Gay Nineties and early 20th century, he billed the world's top actors, prima donnas and vaudeville acts. Then, as now, show business was speculation and high adventure, with rivalries fought in the headlines. Always a storm center, Hammerstein played a skillful chess game with both partners and performers while staging first-class shows for capacity crowds. This biography-from an unfinished manuscript by the son of one of his stage managers-recounts the heyday of his bold productions, his often turbulent relationships with associates, and the birth of Broadway.

Actor and director John Derek was born in Hollywood, where his striking good looks helped get him a contract with David O' Selznick. Derek's career took off after Humphrey Bogart made him his costar in the cultish noir Knock at Any Doors. Derek appeared in such Academy Award-nominated films as All the King's Men, Run for Cover, The Ten Commandments and Exodus, and worked with directors like Nicholas Ray, Cecil B. DeMille, Otto Preminger and others. He was a competent, dedicated performer even in his last, trivial roles. In the 1960s, his career in decline, he began directing his own films. Although critics panned the string of movies he made starring his three wives-Ursula Andress, Linda Evans and Bo Derek-some were box-office hits, like Tarzan, the Ape Man. This biography covers his extraordinary life and career, with extensive analysis of his films.

Providing one of the first critically sustained engagements with the new forms of verbatim and testimonial theatre that emerged in the late 1990s and early 2000s, this book examines what distinguishes verbatim theatre from the more established documentary theatre traditions developed initially by Peter Weiss, Bertolt Brecht and Erwin Piscator. Examining a wide range of verbatim and testimonial plays from around the world, this book looks beyond the discourses of the real that have tended to dominate scholarship in this area and instead argues that this kind of theatre engages in acts of truth telling. Through its analysis of a range of international plays from UK, Germany, America, Australia and South Africa, the book explores theatre's dramaturgical interrogation of testimony and how the act of witnessing itself is reconfigured when relocated outside of the psychoanalytic frame and positioned as contributing to a decolonisation of testimony. -- .

Stanislavsky's system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky's theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringing together a dazzling selection of original scholarship, notable contributions include: Anatoly Smeliansky on Stanislavsky's letters William D. Gunn on staging ideology at the Moscow Art Theatre Sharon Marie Carnicke and David Rosen on opera Rosemary Malague on the feminist perspective of new translations W.B. Worthen on cognitive science Julia Listengarten on the avant-garde David Krasner on the System in America and Dennis Beck on Stanislavsky's legacy in non-realistic theatre R. Andrew White is Associate Professor of Theatre at Valparaiso University, where he annually directs productions. He has an MFA in Acting from Carnegie Mellon University and the Moscow Art Theatre School, and has worked as an actor at a variety of theatres in the United States. In addition, his scholarship has appeared in edited works published by Routledge and Palgrave Macmillan, as well as in top American journals including Theatre Survey, TDR/The Drama Review, and New England Theatre Journal.

This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage's productions. Productions discussed include The Dragon's Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage's original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century. -- .

Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation as a specific discursive use of media that arose in the middle of the 20th century alongside such forms of performance as the Happening and that is different, both discursively and as a practice, from traditional theater and dance photography. Philip Auslander explores the phenomenal relationship between the spectator who experiences the performance from the document and the document itself. The document is not merely a secondary iteration of the original event but a vehicle that gives us meaningful access to the performance itself as an artistic work.

The Actor's Survival Guide: How to Make Your Way in Hollywood is a handbook and essential guide to the business of living and working as an actor in the Los Angeles area. Exploring the experience of relocating to L.A.; the casting process; and how to identify - and find work with - the key players in the film and television industry, the book offers a business-centered road map through the industry. It seeks to navigate the challenges and identify the pitfalls and wrong-turns that hinder too many promising careers and frustrate even the most dedicated of actors. In doing so, the book seeks to provide an extra-competitive edge of experience and know-how for those actors who have the skills and determination to persevere. This second edition features a number of new sections and topics including: Recent census data for the Los Angeles County Neighborhood Statistics Updates on casting diversity with the most recent SAG/AFTRA data Changes in contracts for film, television and stage, including information on AEA's new Hollywood Equity Waiver policy Details on new contracts for film, television and new media; ongoing contract negotiations for video game content; and the ramifications of the SAG/AFTRA merger The role of computer-generated images (CGI) and motion capture (MOCAP) Renewed emphasis on set safety, especially for stunt performers Audition workshops Recent prosecutions of casting directors for "Pay for Play" violations Emerging role of social media in an actor's marketing strategy Dos and don'ts of video self-taping of auditions Expanded glossary to include new media and performance capture vocabulary Written from the perspective of working actor and experienced career-guidance teacher Jon S. Robbins, this unique guide will help aspiring actors bridge the gap between training in drama schools and working in the epicentre of the film and television industries.

Here, extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late 19th-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.