Thanks to his performance as lovelorn werewolf Jacob Black in "The Twilight Saga" and his years of acting in movies and television, Taylor Lautner is an upcoming international star with an already established global fanbase. "The Taylor Lautner Album" recounts his life and career to date, from his formative years in Michigan and early martial arts achievements to his first television roles, his lucky break in "The Adventures of Sharkboy and Lavagirl 3-D, " his devotion to his fans, his experiences auditioning for and making "Twilight, " and how he had to fight to be recast as Jacob Black in the sequels by embarking upon a punishing gym regime. It also explores life on the "New Moon" set, Lautner's relationships with his costars, and his plans for the next films in "The Twilight Saga." Illustrated throughout with stunning, full-color photographs, this book is a worthy and beautifully crafted addition to any fan's collection.

Carol Burnett spent most of her childhood in a Depression-scarred Hollywood neighborhood, where she lived in a single-room apartment with her endearingly batty grandmother, Nanny, a hypochondriacal Christian Scientist with a buried past. The child of two alcoholic parents, Burnett presents a sometimes hilarious, sometimes heartbreaking coming-of-age: from her sadly hopeful mother, who was hooked on Tinseltown fantasy, to the first signs of her own comic gift; from happy weekends spent with her father, to their last tragic meeting in a public sanatorium.

Featuring a new Afterword by the author, about teaming up with her daughter to bring this story to Broadway, One More Time is an intimate, touching, and astonishing narrative of a financially desperate but emotionally rich childhood on the wrong side of Hollywood’s tracks.

Christian Petzold (b. 1960) is the best-known filmmaker associated with the "Berlin School" of postunification German cinema. Identifying as an intellectual, Petzold self-consciously approaches his work for both the big and the small screen by weaving critical reflection on the very conditions of contemporary filmmaking into his approach. Archeologically reconstructing genre filmmaking in a national film production context that makes the production of genre cinema virtually impossible, he repeatedly draws on plots from classic films, including Alfred Hitchcock’s, in order to provide his viewers with the distinct pleasures only cinema can instill without, however, allowing his audience the comforts the "cinema of identification" affords them. Including thirty-five interviews, Christian Petzold: Interviews is the first book in any language to document how one of Germany’s best-known directors thinking about his work has evolved over the course of a quarter of a century, spanning his days as a flailing student filmmaker in the early 1990s in postunified Germany to 2020, when his reputation as one of world cinema’s most respected auteurs has been firmly enshrined. The interviews collected here—thirty of which are published in English for the first time—highlight Petzold’s career-long commitment to foregrounding how economic operations affect individual lives. The volume makes for a rich resource for readers interested in Petzold’s work or contemporary German cinema but also those looking for theoretically challenging and sophisticated commentary offered by one of global art cinema’s leading figures.

Paul McDonald's study of the actor-filmmaker George Clooney traces the star's career, from his role in the hit television medical drama ER to his dual screen persona, allowing him to move seamlessly from commercial hits such as Out of Sight (1998) and Ocean's Eleven (2001) to more offbeat roles in such films as Oh Brother, Where Art Thou? (2000). McDonald also considers Clooney's political activism and his roles in such explicity political films as Three Kings (1999) and Syriana (2005), as well as his work as a producer of films including Argo (2012) and as director of Confessions of a Dangerous Mind (2002); Good Night, and Good Luck (2005) and Suburbicon (2017) among others. McDonald places Clooney in the context of the Hollywood star system, considering the argument that Clooney's star persona has many similarities with that of classical Hollywood movie stars such as Cary Grant, but also addresses Clooney as a very 21st century transmedia celebrity.

Stephen Fry invites readers to take a glimpse at his life story in the unputdownable More Fool Me. 'Oh dear I am an arse. I expect there'll be what I believe is called an "intervention" soon. I keep picturing it. All my friends bearing down on me and me denying everything until my pockets are emptied. Oh the shame' In his early thirties, Stephen Fry - writer, comedian, star of stage and screen - had, as they say, 'made it'. Much loved in A Bit of Fry and Laurie, Blackadder and Jeeves and Wooster, author of a critically acclaimed and bestselling first novel, The Liar, with a glamorous and glittering cast of friends, he had more work than was perhaps good for him. What could possibly go wrong? Then, as the 80s drew to a close, he discovered a most enjoyable way to burn the candle at both ends, and took to excess like a duck to breadcrumbs. Writing and recording by day, and haunting a never ending series of celebrity parties, drinking dens, and poker games by night, in a ludicrous and impressive act of bravado, he fooled all those except the very closest to him, some of whom were most enjoyably engaged in the same dance. He was - to all intents and purposes - a high functioning addict. Blazing brightly and partying wildly as the 80s turned to the 90s, AIDS became an epidemic and politics turned really nasty, he was so busy, so distracted by the high life, that he could hardly see the inevitable, headlong tumble that must surely follow . . . Containing raw, electric extracts from his diaries of the time, More Fool Me is a brilliant, eloquent account by a man driven to create and to entertain - revealing a side to him he has long kept hidden.

Whether as a curiosity or a beloved idol, Gene Kelly (1912-1996) lives on in our cultural memory as a fantastic dancer in MGM musicals, especially Singin' in the Rain. But dancing, however extraordinary, was only one of his many gifts. This book, for the first time, offers a full picture of Gene Kelly as the Renaissance man he actually was - dancer, yes, but also choreographer, actor, clown, singer, director, teacher, and mentor. Kelly was star of radio and television as well as film, avant-garde as artist and auteur but also ahead of the curve in opening the world of dance to different races, ethnicities, and genders. Gene Kelly: The Making of a Creative Legend takes us from Kelly's youth in Depression-era Pittsburgh through his years on Broadway and ascendance to stardom in Hollywood. Authors Hess and Dabholkar pay particular attention to his work with the US Navy, solo directing, and lesser-known but considerable accomplishments in television, radio, and on the stage in later years. The book gives us a rare inside look at Kelly's relationships with dancing partners and peers from Leslie Caron, Vera-Ellen, and Cyd Charisse to Fred Astaire, and at his directorial collaboration with Stanley Donen and Vincent Minnelli. The authors show us significant but little-examined facets of Kelly's character and career, such as the political convictions that got him graylisted in Hollywood; his passion for creating cine-dance and serving as an ambassador of dance in America; and his forging of links between dance, civil rights, and the 'common man.' Steeped in research and replete with photographs, this career biography uniquely encompasses all phases of Gene Kelly's life and work - and finally gives us a full portrait of this central figure in the history of the film musical during Hollywood's Golden Age.