A Times Literary Supplement Book of the Year, chosen by Tom Stoppard "A revelation."-Marc Weingarten, Washington Post Acclaimed film director Billy Wilder's early writings-brilliantly translated into English for the first time Before Billy Wilder became the screenwriter and director of iconic films like Sunset Boulevard and Some Like It Hot, he worked as a freelance reporter, first in Vienna and then in Weimar Berlin. Billy Wilder on Assignment brings together more than fifty articles, translated into English for the first time, that Wilder (then known as "Billie") published in magazines and newspapers between September 1925 and November 1930. From a humorous account of Wilder's stint as a hired dancing companion in a posh Berlin hotel and his dispatches from the international film scene, to his astute profiles of writers, performers, and political figures, the collection offers fresh insights into the creative mind of one of Hollywood's most revered writer-directors. Wilder's early writings-a heady mix of cultural essays, interviews, and reviews-contain the same sparkling wit and intelligence as his later Hollywood screenplays, while also casting light into the dark corners of Vienna and Berlin between the wars. Wilder covered everything: big-city sensations, jazz performances, film and theater openings, dance, photography, and all manner of mass entertainment. And he wrote about the most colorful figures of the day, including Charlie Chaplin, Cornelius Vanderbilt, the Prince of Wales, actor Adolphe Menjou, director Erich von Stroheim, and the Tiller Girls dance troupe. Film historian Noah Isenberg's introduction and commentary place Wilder's pieces-brilliantly translated by Shelley Frisch-in historical and biographical context, and rare photos capture Wilder and his circle during these formative years. Filled with rich reportage and personal musings, Billy Wilder on Assignment showcases the burgeoning voice of a young journalist who would go on to become a great auteur.

Becoming John Wayne explores the early westerns of John Wayne, from his first starring role in the 1930 epic The Big Trail through his breakthrough role as the Ringo Kid in John Ford's 1939 classic Stagecoach. This book argues that it was during these 1930s westerns that Marion Michael Morrison transformed from a prop man for the movie studios into the John Wayne film persona that became world famous. He did that by using the decade to improve his acting skills, developing his ability to handle stunts, and becoming an expert horseman.

Alexander Pantages was eleven when arrived in the United States in the 1880s after having contracted malaria in Panama. Speaking a few words in many languages and unable to read or write English, by 1902 he had opened his first motion picture theater in Seattle that started his extraordinary journey in ruthlessly and singlehandedly building one of the largest and most powerful theater circuits in the country. By 1929, Pantages owned or operated 72 theaters, stretching across the United States and into Canada, with a personal fortune in the hundreds of millions. He set standards in theater taste and refinement, and religiously focused on pleasing the customer. Some of his theaters still stand today, a testament to his emphasis on quality and high standards. In 1929 he was accused of sexually assaulting a 17 year-old dancer that destroyed his empire and reduced him to a social pariah. The day his grandest theater, the Pantages Hollywood, opened in 1930, he lay a sick man in a jail hospital bed. It took more than a herculean effort to clear his name, but the question remains: how will history judge this great theater pioneer and exemplar of the American Dream?

What counts as funny, what as toxic, and who gets to decide? Explore the serious business of stand-up with Andrew Hankinson, author of cult classic You Could Do Something Amazing With Your Life [You Are Raoul Moat]. AMY SCHUMER. LOUIS CK. JERRY SEINFELD. CHRIS ROCK. They all worked the Comedy Cellar in Greenwich Village, honing their acts, experimenting, taking risks. It was a safe space, thanks to the principles of its first owner, Manny Dworman, then his son Noam. The only threat to freedom of expression was a lack of laughs. But how did a New York taxi driver, born in Tel Aviv, create comedy's most important stage? How did he influence some of the biggest names in stand-up? What are the limits of a joke? Who decides? And why does the comedians' table matter so much? Andrew Hankinson speaks to the Cellar's owner, comedians, and audience members, using interviews, emails, podcasts, letters, text messages, and previously private documents to create a conversation about the perils, pride, and prejudice of modern comedy. Moving backwards in time from Louis CK's downfall to when Manny used to host folk singers including Bob Dylan, this is about a comedy club, but it's also about the widening chasm in contemporary culture.

In late November 1974, filmmaker Werner Herzog received a phone call from Paris delivering some terrible news. German film historian, mentor, and close friend Lotte Eisner was seriously ill and dying. Herzog was determined to prevent this and believed that an act of walking would keep Eisner from death. He took a jacket, a compass, and a duffel bag of the barest essentials, and wearing a pair of new boots, set off on a three-week pilgrimage from Munich to Paris through the deep chill and snowstorms of winter. Of Walking in Ice is Herzog's beautifully written, much-admired, yet often-overlooked diary account of that journey. Herzog documents everything he saw and felt on his quest to his friend's bedside, from poetic descriptions of the frozen landscape and harsh weather conditions to the necessity of finding shelter in vacant or abandoned houses and the intense loneliness of his solo excursion. Includes, for the first time, Werner Herzog's 1982 "Tribute to Lotte Eisner" upon her receipt of the Helmut Kautner Prize

With his twinkling eyes, boundless energy and unrivalled natural wit, Robin Williams was the comedian who brought laughter to a generation. Through roles in cherished films such as Mrs. Doubtfire, Jumanji, Aladdin and Hook, he became the genial face of family comedy. His child-like enthusiasm was infectious, sweeping viewers away. Allied to his lightning-quick improvisation and ability to riff lewdly off any cue thrown at him, Robin was that rare thing - a true comic genius who appealed to adults and children equally. He could also play it straight, and empathetic depth came to him naturally. A poignant performance in Good Will Hunting won him an Academy Award whilst his masterfully chilling turn in psychological thriller Insomnia shocked audiences and hinted at a darker side. What truly caught the imagination, though, was his good-heartedness. Warmth radiated from him on-screen, but he was legendary for his off-screen acts of selfless generosity. Where most Hollywood A-listers demand outrageous pampering in their contract riders, he always insisted that the production company hire a full quota of homeless people to help make his movies. But behind the laughter lay a deeply troubled man, and tragedy would follow. At midday, on 11 August 2014, Robin Williams was pronounced dead at his California home. The verdict was suicide. He had battled depression and addiction for many years and was allegedly beset by financial difficulties. Emily Herbert's sensitive and thoughtful biography celebrates his genius and warmth, but also attempts to understand what could have driven such a gentle and gifted man to so tragic an end. This is Robin Williams, the life, the laughter, and the deep sorrow of the man who made the world smile.

What would it take for one young Black man not only to rise above statistics but also become a Navy SEAL, actor, entrepreneur, writer, and successful husband and father? In Transformed, Remi Adeleke takes you back to stories from his childhood, from living as Nigerian royalty to losing his father early in life and being stripped financially of everything by the Nigerian government. Following his father's death, he and his mother and brother relocated permanently to the Bronx where his single mother struggled to provide for the family. Statistics tell us that African American males who grow up in a single-parent household are nine times more likely to drop out of high school and twenty times more likely to end up in prison than any other demographic. While it would have been easy to believe that he could never beat those odds, Remi Adeleke refused to fall victim to that premise. Sharing his incredible journey through the struggles of his life, Remi doesn't shy away from his illegal activities as a young man that threatened to derail his future as a Navy SEAL. He shares: How perseverance transformed his life despite all odds How taking ownership of his mistakes and shortcomings led him to success His hard-earned wisdom gained over years of struggle Belief that the adversities, trials, and tribulations he went through were specific moves by God At every turn, including throughout his naval career, Adeleke found a way to overcome the odds, even when it didn't make sense. Remi Adeleke's journey of following God's voice, rising above statistics, and experiencing true personal transformation will inspire and move you.

After several years of small roles and experimental screenwriting during his early career, Jack Nicholson got his big break in 1969 with Easy Rider. The next year, his first lead role, in Five Easy Pieces, made him a star. In the decades since, the twelve-time Academy Award nominee has won Best Actor twice (One Flew Over the Cuckoo's Nest and As Good as It Gets) and become one of the most popular and respected actors of the past half century. Drawing on years of research and dozens of interviews with his associates, this critical study of Nicholson's oeuvre examines each of his film roles, as well as his screenwriting and directorial efforts. Personal insight is provided by Peter Fonda, Bruce Dern, James Hong, Millie Perkins, Michael Margotta, Shirley Knight, Veronica Cartwright, Barry Dennen, Salli Sachse, Noah Wyle, Monkees Michael Nesmith, Micky Dolenz and Peter Tork, Adam West, several Apollo astronauts, Hells Angel Sonny Barger and many more.

Blessed with a natural beauty that faded but little over the years, Scotland-born actress Deborah Kerr (1921-2007) provided the cinema with memorable studies of English gentility. A star in British pictures before she was 21 and a Hollywood fixture from 1946, she projected a cool reserve and stoic nobility, often hinting at a passion and insecurity beneath the surface. Frequently portraying selfless, sympathetic women, she was brilliant in such roles as Anna Leonowens in The King and I (1956). And in a fascinating departure from her normal range, Kerr's portrayal of the sexually frustrated Army wife in From Here to Eternity (1953) resulted in the screen's most famous ""clinch""--the beach scene with Burt Lancaster. Though she never won an Academy Award despite six nominations, Deborah Kerr received an honorary Oscar in 1994.

Are UFO's Alien Spacecraft from other planets or time machines from our future? How does their propulsion system function? Did our ancestors come to earth in spacecraft from another world? Are Stonehenge, the pyramids and the Nazca Lines temples to pay homage to a master race from the stars? Do we have to exceed the speed of light to travel to other planets or are there gateways here on earth to other worlds and parallel dimensions? Are dinosaurs really extinct? See the photographic evidence. Travel on a journey with the author as he takes you on a true adventure through man's voyage into new frontiers from outer space, to documented encounters with alien spacecraft, monsters from the deep sea, and into the astral plane, realm of the disembodied dead. Explore inner space and tap the potential of the human mind. Discover the power of hypnosis, handwriting analysis, altered states of consciousness, body language, astral projection, and automatic writing. Learn to apply these tools in your own life to become a happier, healthier and more effective human being.

Joan Littlewood was one of the most visionary and influential theatre directors of the twentieth century. Drawing on extensive archival research and detailed performance histories, and paying close attention to wider political and cultural forces, this innovative study presents a fresh examination of Littlewood's treatment of the politics of war, Renaissance plays, marginalised communities and popular culture in productions such as Oh What a Lovely War, A Taste of Honey and Richard II. This book offers a sustained examination of Littlewood's paratheatrical activity that centred on her ambitious plans for the Fun Palace, a multifaceted cultural centre, and her numerous playground projects for young people. Alert to critical thinking on ethics, citizenship, cultural politics, class and space, Joan Littlewood's Theatre will deepen and extend knowledge and understanding of the innovative theatrical, cultural and community-based practices generated by Littlewood throughout her career.

Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted.

In 1996 Jacques Derrida gave a lecture at the Museum of Modern Art in New York on the occasion of Antonin Artaud: Works on Paper, one of the first major international exhibitions to present the avant-garde dramatist and poet's paintings and drawings. Derrida's original title, "Artaud the Moma," is a characteristic play on words. It alludes to Artaud's calling himself Momo, Marseilles slang for "fool," upon his return to Paris in 1946 after nine years in various asylums while playing off of the museum's nickname, MoMA. But the title was not deemed "presentable or decent," in Derrida's words, by the very institution that chose to exhibit Artaud's work. Instead, the lecture was advertised as "Jacques Derrida ...will present a lecture about Artaud's drawings." For Derrida, what was at stake was what it meant for the museum to exhibit Artaud's drawings and for him to lecture on Artaud in that institutional context. Thinking over the performative force of Artaud's work and the relation between writing and drawing, Derrida addresses the multiplicity of Artaud's identities to confront the modernist museum's valorizing of originality. He channels Artaud's specter, speech, and struggle against representation to attempt to hold the museum accountable for trying to confine Artaud within its categories. Artaud the Moma, as lecture and text, reveals the challenge that Artaud posed to Derrida-and to art and its institutional history. A powerful interjection into the museum halls, this work is a crucial moment in Derrida's thought and an insightful, unsparing reading of a challenging writer and artist.

Thirty years ago a promising young actor published his account of preparing for and playing the role of Richard III. Antony Sher's Year of the King has since become a classic of theatre literature. In 2014, Sher, now in his sixties, was cast as Falstaff in Gregory Doran's Royal Shakespeare Company production of the two parts of Henry IV. Both the production and Sher's Falstaff were acclaimed by critics and audiences alike, with Sher winning the Critics' Circle Award for Best Shakespearean Performance. Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work.Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. All in all, it is destined to rank with Year of the King as one of the most enduring accounts of the creation of a giant Shakespearean role. Praise for Year of the King: 'This is a most wonderfully authentic account of the experience of creating a performance' Sunday Times 'The most exciting actor of his generation and an eloquent writer on the side' Observer Praise for Sher's Falstaff: 'A magnificent, magnetic performance - Sher plays down the fatness to emphasise the knight's upper-class origins. But, just as you start to warm to this Falstaff, you are reminded of his rapacity' Guardian 'It is Sher's irrepressible Falstaff that will linger in the memory - a lord of misrule who's absurd, delightful and in the end deeply sad' Evening Standard

Yukio Ninagawa (1935-2016) was Japan's foremost director of Shakespeare whose productions were acclaimed around the world. His work was lauded for its spectacular imagery, its inventive use of Japanese iconography and its striking fusion of Eastern and Western theatre traditions. Over a career spanning six decades, Ninagawa directed 31 of Shakespeare's plays, many of them, including Hamlet, on multiple occasions. His productions of Macbeth, The Tempest, Pericles, Twelfth Night and Cymbeline became seminal events in world Shakespeare production during the last 30 years. This is the first English-language book dedicated exclusively to Ninagawa's work. Featuring an overview of his extraordinary output, this study considers his Shakespearean work within the context of his overall career. Individual chapters cover Ninagawa's approach Shakespeare and Greek tragedy, in particular his landmark productions of Macbeth and Medea, and his eight separate productions of Hamlet. The volume includes a detailed analysis of the Sai-no-Kuni Shakespeare Series - in which Ninagawa set out to stage all of Shakespeare's plays in his hometown of Saitama, north of Tokyo. Written by Conor Hanratty, who studied with Ninagawa for over a year, it offers a unique and unprecedented glimpse into the work and approach of one of the world's great theatre directors.

"A thorough and sophisticated effort to answer an interesting question: How did an indifferently raised, self-flagellating kid from a just-making-ends-meet, desultorily functioning Long Island family, in Massapequa, turn into Alec Baldwin, gifted actor, familiar public figure, impressively thoughtful person, notorious pugilist? . . . Beautifully written and unexpectedly moving . . . . Baldwin writes with great knowledge about old films, the art of acting, what he has learned from other actors, and about the differences among television, film and theater. . . . He's a highly literate and fluent writer."--New York Times One of the most accomplished and outspoken actors today chronicles the highs and lows of his life in this beautifully written, candid memoir. Over the past three decades, Alec Baldwin has established himself as one of Hollywood's most gifted, hilarious, and controversial leading men. From his work in popular movies, including Beetlejuice, Working Girl, Glengarry Glen Ross, The Cooler, and Martin Scorsese's The Departed to his role as Jack Donaghy on Tina Fey's irreverent series 30 Rock--for which he won two Emmys, three Golden Globes, and seven Screen Actors Guild Awards--and as Republican presidential candidate Donald Trump on Saturday Night Live, he's both a household name and a deeply respected actor. In Nevertheless, Baldwin transcends his public persona, making public facets of his life he has long kept private. In this honest, affecting memoir, he introduces us to the Long Island child who felt burdened by his family's financial strains and his parents' unhappy marriage; the Washington, DC, college student gearing up for a career in politics; the self-named "Love Taxi" who helped friends solve their romantic problems while neglecting his own; the young soap actor learning from giants of the theatre; the addict drawn to drugs and alcohol who struggles with sobriety; the husband and father who acknowledges his failings and battles to overcome them; and the consummate professional for whom the work is everything. Throughout Nevertheless, one constant emerges: the fearlessness that defines and drives Baldwin's life. Told with his signature candor, astute observational savvy, and devastating wit, Nevertheless reveals an Alec Baldwin we have never fully seen before.

David Robinson's definitive and monumental biography of Charlie Chaplin, the greatest icon in the history of cinema, who lived one of the most dramatic rags to riches stories ever told. Chaplin's life was marked by extraordinary contrasts: the child of London slums who became a multimillionaire; the on-screen clown who was a driven perfectionist behind the camera; the adulated star who publicly fell from grace after personal and political scandal. This engrossing and definitive work, written with full access to Chaplin's archives, tells the whole story of a brilliant, complex man. David Robinson is a celebrated film critic and historian who wrote for The Times and the Financial Times for several decades. His many books include World Cinema, Hollywood in the Twenties and Buster Keaton. 'A marvellous book . . . unlikely ever to be surpassed' Spectator 'I cannot imagine how anyone could write a better book on the great complex subject . . . movingly entertaining, awesomely thorough and profoundly respectful' Sunday Telegraph 'One of the great cinema books; a labour of love and a splendid achievement' Variety 'One of those addictive biographies in which you start by looking in the index for items that interest you . . . and as dawn breaks you're reading the book from cover to cover' Financial Times

The silent film Cenere (Ashes) is the only cinematic ""expression"" of Eleonora Duse (1858-1924), the greatest of all Italian actresses. Taken from the homonymous novel by Grazia Deledda (Nobel Prize for Literature in 1926), it offers us the highest proof of Duse's silence and of her spiritual meditation as an artist: on the screen she remembered all the ""mother-roles"" that she had created for the theatre, and used them to create a new performance for a new medium. The genesis, the development and the difficulties involved in the making of Cenere, are evident in the essays of this collection. Duse's perfectionism was too advanced for the rules of the Italian movie industry of the 1910s: now we render historical justice to the many facets of her work, and not only as an actress, illustrating her broader opinion of the silent movie industry as it developed in war-time Italy. The publication of the current collection marks the 100th anniversary of the making of Cenere, and brings together, for the first time in English, a broad survey of scholarship surrounding Duse's only film performance seen within the creative, political and historical context of its time.

Born Joan Lucille Olander in a small South Dakota town, Mamie Van Doren rose to ""Blonde Bombshell"" status in Hollywood when she signed with Universal Pictures in 1953, right on the heels of Marilyn Monroe. This comprehensive biography explores Van Doren's early life and career, spanning from her start as a bit player in Howard Hughes' Jet Pilot to her significant role as the last surviving member of Hollywood's famous ""Three M's"": Mamie Van Doren, Marilyn Monroe, and Jayne Mansfield. A complete filmography lists Van Doren's roles in film and television. Entries include a plot synopsis, cast and crew details, and in many instances recent and contemporary reviews.

By the end of 1914, Charlie Chaplin had become the most popular actor in films, and reporters were clamoring for interviews with the comedy sensation. But no reporter had more access than Fred Goodwins. A British actor who joined Chaplin's stock company in early 1915, Goodwins began writing short accounts of life at the studio and submitted them to publications. In February 1916 the British magazine Red Letter published the first of what became a series of more than thirty-five of Goodwins's articles. Written in breezy prose, the articles cover a two-year period during which Chaplin's popularity and creativity reached new heights. Only one copy of the complete series is known to exist, and its recent rediscovery marks a significant find for Chaplin fans. Charlie Chaplin's Red Letter Days: At Work with the Comic Genius is a vivid account of the ebb and flow of life at the Chaplin studio. Goodwins was an astute observer who deepens our understanding of Chaplin's artistry and sheds new light on his personality. He also provides charming and revealing portraits of Chaplin's unsung collaborators, such as his beloved costar Edna Purviance, his burly nemesis Eric Campbell, and other familiar faces that populate his films. Goodwins depicts Chaplin in the white heat of artistic creation, an indefatigable imp entertaining and inspiring the company on the set. He also describes gloomy, agonizing periods when Chaplin was paralyzed with indecision or exhaustion, or simply frustrated that it was raining and they couldn't shoot. Reproduced here for the first time, the articles have been edited by film historian David James and annotated by Chaplin expert Dan Kamin to highlight their revelations. Illustrated with a selection of rare images that reflect the Chaplin craze, including posters, sheet music, and magazine covers, Charlie Chaplin's Red Letter Days provides a fascinating excursion into the private world of the iconic superstar whose films move and delight audiences to this day. It will appeal to movie fans, comedy buffs, and anyone who wants to know what really went on behind the scenes with Chaplin and his crew.

Text & Presentation, 2016 gathers some of the best work presented at the 2016 Comparative Drama Conference in Baltimore. The subjects covered in this volume range from Ancient Greece to Twenty-First Century America, and include a variety of approaches and formats. The highlight of present volume is the conference's keynote conversation featuring the great American playwright Tony Kushner. Text & Presentation, 2016 includes transcripts, twelve research papers, and five book reviews. This volume realizes our ongoing mission to share the latest research in the fields of comparative drama, performance, and dramatic textual analysis with a wider audience.

Having taken on the role of Roger Moore's executive assistant in 2002, Gareth Owen became the right-hand man to an icon, as well as his co-author, onstage co-star and confidant. Gareth was faithfully at Roger's side for fifteen years until his passing in 2017. In this affectionate and amusing book, the author recounts his times with Roger Moore and gives a unique and rare insight into life with one of the world's most beloved actors. Roger always said, 'Gareth knows me better than I know myself.' For all his celebrity, Roger Moore was quite reserved. In interviews he rarely spoke about himself, much preferring to tell fun tales about others. But his trusted sidekick was with him throughout his worldwide travels, his UK stage shows, his writing process and his book tours, as he received his Knighthood, and as he rubbed shoulders with the rich and famous. There were genuinely hilarious, heartfelt and extraordinary moments to be captured and Gareth Owen was there to share them all.