'Uproarious and unflinching' Mail on Sunday 'A truly incredible life story' The Sun 'Most memorable . . . told in a voice as distinctive as his spoken one' Independent 'Brims with his gift for genial anecdote' The Sunday Times One of 'the top 25 most compelling Hollywood autobiographies' -Guardian * * * From the author of the bestselling Blowing the Bloody Doors Off, the original, definitive autobiography of British screen icon and legend Sir Michael Caine. It's been a long journey for Maurice Micklewhite - born with rickets in London's poverty-stricken Elephant & Castle - to the bright lights of Hollywood. With a glittering career spanning more than five decades and starring roles which have earned him two Oscars, a knighthood, and an iconic place in the Hollywood pantheon, the man now known to us as Michael Caine looks back over it all. Funny, warm, honest, Caine brings us his insider's view of Hollywood (where there's neither holly nor woods). He recalls the films, the legendary stars, the off-screen moments with a gift for story-telling only equalled by David Niven. Hollywood has been his home and his playground. But England is where his heart lies. And where he blames the French for the abundance of snails in his garden. A plaque now celebrates him at the Elephant in London. His handprint is one of only 200 since 1927 to decorate the hallowed pavement outside that mecca of Hollywood stars, Grauman's Chinese Theatre. A very British star, The Elephant to Hollywood is the remarkable full circle of Michael Caine's life.

From the Academy Award®-winning actor, an unconventional memoir filled with raucous stories, outlaw wisdom, and lessons learned the hard way about living with greater satisfaction.

I've been in this life for fifty years, been trying to work out its riddle for forty-two, and been keeping diaries of clues to that riddle for the last thirty-five. Notes about successes and failures, joys and sorrows, things that made me marvel, and things that made me laugh out loud. How to be fair. How to have less stress. How to have fun. How to hurt people less. How to get hurt less. How to be a good man. How to have meaning in life. How to be more me.

Recently, I worked up the courage to sit down with those diaries. I found stories I experienced, lessons I learned and forgot, poems, prayers, prescriptions, beliefs about what matters, some great photographs, and a whole bunch of bumper stickers. I found a reliable theme, an approach to living that gave me more satisfaction, at the time, and still: If you know how, and when, to deal with life's challenges - how to get relative with the inevitable - you can enjoy a state of success I call 'catching greenlights.'

So I took a one-way ticket to the desert and wrote this book: an album, a record, a story of my life so far. This is fifty years of my sights and seens, felts and figured-outs, cools and shamefuls. Graces, truths, and beauties of brutality. Getting away withs, getting caughts, and getting wets while trying to dance between the raindrops.

Hopefully, it's medicine that tastes good, a couple of aspirin instead of the infirmary, a spaceship to Mars without needing your pilot's license, going to church without having to be born again, and laughing through the tears.

It's a love letter. To life.

It's also a guide to catching more greenlights-and to realising that the yellows and reds eventually turn green too.

Good luck.

Peter Bowles was born in London to parents who were servants to two of the most influential families in Britain. From New York's Broadway in 1956 to London's Theatre Royal Haymarket in 2006, Peter has starred in many successful plays, whilst playing villains in such iconic TV series as THE SAINT, THE AVENGERS, THE PERSUADERS, SPACE 1999 and THE PRISONER. He has also starred in many hit TV series including RUMPOLE OF THE BAILEY, ONLY WHEN I LAUGH, THE IRISH R.M., LYTTON'S DIARY and, of course, TO THE MANOR BORN. ASK ME IF I'M HAPPY is the personal story of an actor who was told on leaving drama school that he would never play an Englishman (and didn't), to becoming known as the quintessential Englishman (and isn't).

This day-by-day account of the legend's life-the first of its kind-succeeds in the daunting task of tracking Judy's myriad professional pursuits, the personal crises she triumphed over, and her many accomplishments. Lavishly illustrated with eighty rare photos, this volume contains new information to enthrall even the most knowledgeable Garland fan. For those just encountering Judy, this book provides the perfect introduction, an engrossing narrative bursting with information: her performance dates, concert set lists, and recording session schedules; the evolving critical reception to her work; the many celebrities that came into contact with and adored Judy, from the Beatles to Elvis to Sinatra; her filming itineraries and guest appearances; excerpts from rare interviews and press conferences; and much more. Here is Judy Garland as never viewed before, in a way that allows readers to see her whole life on a daily basis and come to their own conclusion about what her life was really about. They will encounter a survivor, parent, friend, and one of the greatest entertainers the world has ever known, who overcame one obstacle after another in order to devote forty-five of her forty-seven years to delighting her fans. From her debut performance as a Gumm Sister at age two to her final day, Judy Garland is the definitive chronicle of this remarkable icon.

Before Marilyn tells the story of Marilyn Monroe's modelling career, during which time she was signed to the famous Blue Book Agency in Hollywood. The head of the agency, Miss Emmeline Snively, saw potential in the young woman and kept detailed records and correspondence throughout their professional relationship and beyond. On the day of Monroe's funeral, Snively gave an interview from her office, talking about the girl she had discovered, before announcing, rather dramatically, that she was closing the lid on her Marilyn Monroe archive that day - to 'lock it away forever'. This archive was purchased by Astrid Franse, and together with bestselling Marilyn Monroe biographer Michelle Morgan they draw on this collection of never-before-seen documents, letters and much, much more. Before Marilyn explores an aspect of Monroe's life that has never been fully revealed - by charting every modelling job she did, and illustrating the text with rare and unpublished photographs of the young model and her mentor.

This international bestseller features a new chapter and never-before-seen photos! In this groundbreaking debut essay collection, featuring never-before-seen photos, actress Lily Collins - star of To the Bone and Emily in Paris - is opening a poignant, honest conversation about the things young women struggle with: body image, self-confidence, relationships, family, dating and so much more. For the first time ever, Lily shares her life and her own deepest secrets, proving that every single one of us experiences pain and heartbreak. We all understand what it's like to live in the light and in the dark. For Lily, it's about making it through to the other side, where you love what you see in the mirror and where you embrace yourself just as you are. She's learned that all it takes is one person standing up and saying something for everyone else to realise they're not alone. By turns hilarious and heartbreaking, Lily's honest voice will inspire you to be who you are and say what you feel. It's time to claim your voice! It's time to live your life unfiltered.

Jo Brand is one of Britain's funniest and best-loved comedians. With a sharp eye for the absurd and in her own unique voice, she tells her story for the first time. What possessed her to become a professional comedian in the cut-throat world of stand-up comedy after ten years as a psychiatric nurse? How did she deal with late night drunken audiences? From her early years growing up in a small south coast town with two brothers who toughened her up, to emerging on stage as 'The Sea Monster', Jo Brand tells it like it is with wit and candour.

Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 centers twentieth and twenty-first century black-transnational stereotypes, celebrities, and symbols Lena Horne's, Dorothy Dandridge;s, and Queen Latifah's transnational popular cultural struggles between domination and autonomy, with a particular emphasis on their films and popular music. Linking each performer to twentieth century U.S., African-American, and global gender histories and noting the intersections of race, gender, sexuality, class, and empire in their overlapping transnational biographies, Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 connects Horne, Dandridge, and Latifah to each other and legacies of Hollywood stereotypes and popular music's internationally-routed politics. Through a close reading of Horne's, Dandridge's, and Latifah's films and popular music, the performers tie to historic black-transnational caricatures, from the "tragic mulatto" to Sapphire, Mammy, and Jezebel, and additional, non-white female performers, from Josephine Baker to Halle Berry, maneuvering within transnational popular culture industrial matrices and against white supremacist and hetero-patriarchal forces.

One day you're the sexiest man alive, and another day your face is like a flattened road-killed bird in the worst mug shot of all time. In a career spanning five decades, Nick Nolte has endured the rites of Hollywood celebrity. Rising from obscurity to leading roles and Oscar nominations, he has been both celebrated and vilified in the media; survived marriages, divorces, and a string of romances; was named the Sexiest Man Alive by People magazine; and suffered public humiliation over his drug and alcohol issues, including a drug-fueled trip down a long road of nothingness that ended in arrest. Despite these ups and downs, Nolte has remained true to the craft he loves, portraying a diverse range of characters with his trademark physicality and indelible gravelly voice. Already 35 when his performance in the 1976 miniseries Rich Man, Poor Man launched him to stardom, Nolte never learned to play by Hollywood's rules. A rebel who defies expectations, an obsessive method actor who will go to extremes for a role (he lived among the homeless to prepare for Down and Out in Beverly Hills), Nolte is motivated more by edgier, more personal projects than by box office success. Today he is clean yet still driven, juggling a number of upcoming works and raising his young daughter. A man who refuses to hide his mistakes, Nolte now delivers his most revealing performance yet. His revealing memoir, filled with sixteen pages of color photos, offers a candid, unvarnished close-up look at the man, the career, the loves, and the life.

One of the most popular actors of the Classical Hollywood period, Tyrone Power's appeal was initially based around his outstanding beauty, his looks remaining key to his star persona throughout his 25-year career and almost 50 films. This book presents the first substantial academic study of Power and employs a range of approaches, including stardom and genre theory, to reappraise his career from various angles including gender, genre and image. Textual analysis coincides with discussions of Power's multi-layered performances in a variety of genres while engaging with industry systems, specifically Twentieth Century-Fox, his home studio for almost two decades, and situates Power's performances within the contexts of industry regulations, such as the Production Code, and industry technological advances, such as CinemaScope.

The Decroux Sourcebook is the first point of reference for any student of the hidden master of twentieth century theatre.

This book collates a wealth of key material on Etienne Decroux, including:

• an English translation of Patrice Pezin s Imaginary Interview, in which Decroux discusses mime s place in the theatre.
• previously unpublished articles by Decroux from France s Bibiotheque Nationale.
• essays from Decroux s fellow innovators Eugenio Barba and Edward Gordon Craig, explaining the synthesis of theory and practice in his work.

Etienne Decroux s pioneering work in physical theatre is here richly illustrated not only by a library of source material, but also with a gallery of images following his life, work and influences.

The Decroux Sourcebook is an ideal companion to Thomas Leabhart s Etienne Decroux in the Routledge Performance Practitioners series, offering key primary and secondary resources to those conducting research at all levels.

Steve Waters examines how the very idea of film has defined him as a playwright and a person in this book. Through the the lens of cinema, it provides a cultural and political snapshot of life in Britain from the 2nd part of the 20th century up to the present day. The films spanning almost a century, starting with The White Hell of Pitz Palu (1929) and moving most recently to Dark Waters (2019), each chapter examines aspects of Waters's journey from his working-class Midlands upbringing to working in professional theatre to living through the Covid epidemic, through the prism of a particular film. From The Wizard of Oz to Code Unknown, from sci-fi to documentary, from queer cinema to world cinema, this honest, comic book offers a view of film as a way of thinking about how we live. In doing so, it illuminates culture and politics in the UK over half a century and provides an intimate insight into drama and writing.

The ultimate biography of this ever-popular star and icon, from a young Cambridge don who has already made his name with a much praised biography of Marilyn Monroe. Cary Grant made men seem like a good idea. Tall, dark and handsome with a rare gift for light comedy, he played a leading man who liked to be led, a man of the world who was a man of the people. Cary Grant was Hollywood's quintessential democratic gentleman. Born in England as Archie Leach, made famous in America as Cary Grant, he was a star for more than 30 years, in more than 70 movies, his popularity still intact when he brought his career to a close. He was never replaced: nobody else talked like that, looked like that, behaved like that. He was a class apart. Cary Grant never explained how he came to play 'Cary Grant' so well. 'Nobody is every truthful about his own life,' he said. 'There are always ambiguities.' This book explores the ambiguities in the life and work of Cary Grant: a working class Englishman who portrayed a well-bred American; the playful entertainer who became a powerful businessman; the intimate stranger who was often the seduced male. Thorough and meticulously researched, this book is a dazzling and entertaining account of Cary Grant's broad and enduring appeal.

Resisting Spirits is a reconsideration of the significance and periodization of literary production in the high socialist era, roughly 1953 through 1966, specifically focused on Mao-era culture workers' experiments with ghosts and ghost plays. Maggie Greene combines rare manuscript materials-such as theatre troupes' annotated practice scripts-with archival documents, memoirs, newspapers, and films to track key debates over the direction of socialist aesthetics. Through arguments over the role of ghosts in literature, Greene illuminates the ways in which culture workers were able to make space for aesthetic innovation and contestation both despite and because of the constantly shifting political demands of the Mao era. Ghosts were caught up in the broader discourse of superstition, modernization, and China's social and cultural future. Yet, as Greene demonstrates, the ramifications of those concerns as manifested in the actual craft of writing and performing plays led to further debates in the realm of literature itself: If we remove the ghost from a ghost play, does it remain a ghost play? Does it lose its artistic value, its didactic value, or both? At the heart of Greene's intervention is 'just reading' the book regards literature first as literature, rather than searching immediately for its political subtext, and the voices of dramatists themselves finally upstage those of Mao's inner circle. Ironically, this surface reading reveals layers of history that scholars of the Mao era have often ignored, including the ways in which social relations and artistic commitments continued to inform the world of art. Resisting Spirits thus illuminates the origins of more famous literary inquisitions, showing how the arguments surrounding ghost plays and the fates of their authors place the origins of the Cultural Revolution several years earlier, with a radical new shift in the discourse of theatre.

This new biography of famed American novelist Philip Roth offers a full account of his development as a writer. Philip Roth was much more than a Jewish writer from Newark, as this new biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with a number of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award, and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career that spanned almost fifty years, creating 31 works. But beneath the success was illness, angst, and anxiety often masked from his readers. This biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character, and even identity of the man.

Funny yet down-to-earth, honest yet full of exaggeration, actor Walter Matthau (1920-2000) will always occupy a place in America's heart as one of the great comic talents of his generation. Born Walter Matuschanskayasky into Jewish tenements on New York's Lower East Side, he was a child actor in New York Yiddish theater, and later a World War II Air Force radioman-gunner. He paid dues for ten years on Broadway, in summer stock, and on television before landing his film debut The Kentuckian in 1955. By the time of his 1968 casting as cantankerous but lovable slob Oscar Madison in the film version of Neil Simon's The Odd Couple, Matthau had won major Hollywood stardom. Based on dozens of interviews and extensive research, this book covers the breadth of his often-complicated personal life and multi-faceted career, including his unforgettable performances in such films as The Fortune Cookie, A Guide for the Married Man, Plaza Suite, Charley Varrick, The Taking of Pelham One Two Three, The Sunshine Boys, The Bad News Bears, California Suite, and Grumpy Old Men.

Vividly bringing to light the tradition of physical comedy in the French cabaret, cafe-concert, and early French film comedy, this book answers the perplexing question, "Why do the French love Jerry Lewis?" The extraordinary emphasis on nervous pathology in the Parisian cafe-concert, where the genres of the Epileptic Singer and the Idiot Comic took center stage, and where popular comic monologues and songs included "Man with a Tic" and "I'm Neurasthenic," points to a fascinating intersection between medicine and popular culture. The French tradition of comic performance style between 1870 and 1910 nearly exactly duplicates the movements, gestures, tics, grimaces, and speech anomalies found in nineteenth-century hysteria; the characteristics of hysteria became a new aesthetics.
Early French film comedy carried on this tradition of frenetic gesture and gait, as most film performers came from these entertainments and from the circus. Even before Chaplin's films triumphed in France, film comics were instantly recognizable from their pathological gait, just as Jacques Tati would be a half-century later. Comedy, a genre that dominated French cinema until World War I, has often been linked to a mass public for film; the author elucidates this link by proposing a broadly generalized cultural-medical phenomenon as the explanation for the dominance of the comic genre. Comic performance style drew from a group of nervous disorders characterized by the psychological automatism emanating from the "lower faculties" nervous reflex, motor impulses, sensation, and instinct.
Building on her previous work on hysteria, the cabaret, and pathologies of movement in the films of Georges Melies, and drawing on over 400 French films made between 1896 and 1915, the author contributes to a new theory of spectatorship at work in the cabaret, in shows of magnetizers, and in early French film comedy. Jerry Lewis touches a nerve in French cultural memory because, more than any other film comic, he incarnates this tradition of performance style.

Julie Andrews is, quite simply, a phenomenon. She has probably brought more joy to more people than any other star of her generation' - Richard Attenborough. Julie Andrews is the last of the great Hollywood musical stars - her extraordinary career spans more than forty years. Her first film, Mary Poppins, was Disney's most successful film, and in 1965 The Sound of Music rescued Twentieth Century Fox from bankruptcy. Three years later, Star! almost put the studio back under, and the leading lady of both films fell as spectacularly as she had risen.But Julie Andrews is nothing if not a survivor; and despite many setbacks - including the tragedy of losing her singing voice in 1997 after a botched operation - she's still a performer, recently starring in Shrek and The Princess Diaries. Richard Stirling's deeply researched biography - based on many years of contact with Julie - is a frank but affectionate portrait of an enduring icon of stage and screen.

Kubrick is Michael Herr's memoir of his nearly twenty-year friendship and collaboration with Stanley Kubrick, one of the greatest filmmakers of all time and the creator of such classics as Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange. From their first meeting at an advance screening of The Shining in 1980, Kubrick and Herr began an intense intellectual exchange that grew into the artistic collaboration that ultimately produced the groundbreaking Vietnam film Full Metal Jacket.

Filled with personal insights and previously untold anecdotes, Kubrick is a probing view into the inner life of a man whose creative passion and powerful intellect changed the art of filmmaking forever -- and of the complicated, often misunderstood man behind the art.

How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world. This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms. The authors create a step-by-step guide to explore how voice can: - Respond to our thoughts, senses, feelings, imagination and will - Fully express language in content and form - Communicate imaginary circumstances and human experience - Transform to adapt to different roles - Connect to a variety of audiences and spaces Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.

Let the games begin and may the biggest ego win This book dishes the dirt with stories of every word uttered, letter written, or fist swung from the cantankerous stars' first calamitous encounters to their deathbed declarations. Tiffs include: Madonna vs. Sandra Bernhard; Johnny Carson vs. Joan Rivers; Elton John vs. David Bowie; and Bette Davis vs. Joan Crawford. Exposing the shocking tactics of the most bitter rivals in the entertainment industry and the vindictive, unseen ire of stars, this book reveals Hollywood with all its claws bared.

Denys Arcand is best known outside Canada for three films that were nominated for Academy Awards for Best Foreign-Language Film: The Decline of the American Empire (1986), Jesus of Montreal (1989), and The Barbarian Invasions (2003), the last of which won the Award. Yet Arcand has been making films since the early 1960s. When he started making films, Quebec was rapidly transforming from a relatively homogeneous community, united by its Catholic faith and French language and culture, into a more fragmented modern society. The Films of Denys Arcand sheds light on how Arcand addressed the impact of these changes from the 1960s, when the long-drawn-out debate on Quebec's possible separation from the rest of Canada began, to the present, in which the traditional cultural heritage has been further fragmented by the increasing presence of diasporic communities. His career and films offer an ideal case study for exploring the contradictions and tensions that have shaped Quebec cinema and culture in a period of increasing globalization and technological change.