Thirty years ago a promising young actor published his account of preparing for and playing the role of Richard III. Antony Sher's Year of the King has since become a classic of theatre literature. In 2014, Sher, now in his sixties, was cast as Falstaff in Gregory Doran's Royal Shakespeare Company production of the two parts of Henry IV. Both the production and Sher's Falstaff were acclaimed by critics and audiences alike, with Sher winning the Critics' Circle Award for Best Shakespearean Performance. Year of the Fat Knight is Antony Sher's account - splendidly supplemented by his own paintings and sketches - of researching, rehearsing and performing one of Shakespeare's best-known and most popular characters. He tells us how he had doubts about playing the part at all, how he sought to reconcile Falstaff's obesity, drunkenness, cowardice and charm, how he wrestled with the fat suit needed to bulk him up, and how he explored the complexities and contradictions of this comic yet often dangerous personality. On the way, Sher paints a uniquely close-up portrait of the RSC at work.Year of the Fat Knight is a terrific read, rich in humour and with a built-in tension as opening night draws relentlessly nearer. It also stands as a celebration of the craft of character acting. All in all, it is destined to rank with Year of the King as one of the most enduring accounts of the creation of a giant Shakespearean role. Praise for Year of the King: 'This is a most wonderfully authentic account of the experience of creating a performance' Sunday Times 'The most exciting actor of his generation and an eloquent writer on the side' Observer Praise for Sher's Falstaff: 'A magnificent, magnetic performance - Sher plays down the fatness to emphasise the knight's upper-class origins. But, just as you start to warm to this Falstaff, you are reminded of his rapacity' Guardian 'It is Sher's irrepressible Falstaff that will linger in the memory - a lord of misrule who's absurd, delightful and in the end deeply sad' Evening Standard

"A thorough and sophisticated effort to answer an interesting question: How did an indifferently raised, self-flagellating kid from a just-making-ends-meet, desultorily functioning Long Island family, in Massapequa, turn into Alec Baldwin, gifted actor, familiar public figure, impressively thoughtful person, notorious pugilist? . . . Beautifully written and unexpectedly moving . . . . Baldwin writes with great knowledge about old films, the art of acting, what he has learned from other actors, and about the differences among television, film and theater. . . . He's a highly literate and fluent writer."--New York Times One of the most accomplished and outspoken actors today chronicles the highs and lows of his life in this beautifully written, candid memoir. Over the past three decades, Alec Baldwin has established himself as one of Hollywood's most gifted, hilarious, and controversial leading men. From his work in popular movies, including Beetlejuice, Working Girl, Glengarry Glen Ross, The Cooler, and Martin Scorsese's The Departed to his role as Jack Donaghy on Tina Fey's irreverent series 30 Rock--for which he won two Emmys, three Golden Globes, and seven Screen Actors Guild Awards--and as Republican presidential candidate Donald Trump on Saturday Night Live, he's both a household name and a deeply respected actor. In Nevertheless, Baldwin transcends his public persona, making public facets of his life he has long kept private. In this honest, affecting memoir, he introduces us to the Long Island child who felt burdened by his family's financial strains and his parents' unhappy marriage; the Washington, DC, college student gearing up for a career in politics; the self-named "Love Taxi" who helped friends solve their romantic problems while neglecting his own; the young soap actor learning from giants of the theatre; the addict drawn to drugs and alcohol who struggles with sobriety; the husband and father who acknowledges his failings and battles to overcome them; and the consummate professional for whom the work is everything. Throughout Nevertheless, one constant emerges: the fearlessness that defines and drives Baldwin's life. Told with his signature candor, astute observational savvy, and devastating wit, Nevertheless reveals an Alec Baldwin we have never fully seen before.

A spirited dive into the life and career of a performer, writer, and director who dominated twentieth-century American comedy Mel Brooks, born Melvin Kaminsky in Brooklyn in 1926, is one of the great comic voices of the twentieth century. Having won almost every entertainment award there is, Brooks has straddled the line between outsider and insider, obedient and rebellious, throughout his career, making out-of-bounds comedy the American mainstream. Jeremy Dauber argues that throughout Brooks's extensive body of work-from Your Show of Shows to Blazing Saddles to Young Frankenstein to Spaceballs-the comedian has seen the most success when he found a balance between his unflagging, subversive, manic energy and the constraints imposed by comedic partners, the Hollywood system, and American cultural mores. Dauber also explores how Brooks's American Jewish humor went from being solely for niche audiences to an essential part of the American mainstream, paving the way for generations of Jewish (and other) comedians to come.

From Senator Al Franken - #1 bestselling author and beloved SNL alum -- comes the story of an award-winning comedian who decided to run for office and then discovered why award-winning comedians tend not to do that. "Flips the classic born-in-a-shack rise to political office tale on its head. I skipped meals to read this book - also unusual - because every page was funny. It made me deliriously happy." -- Louise Erdrich, The New York Times This is a book about an unlikely campaign that had an even more improbable ending: the closest outcome in history and an unprecedented eight-month recount saga, which is pretty funny in retrospect. It's a book about what happens when the nation's foremost progressive satirist gets a chance to serve in the United States Senate and, defying the low expectations of the pundit class, actually turns out to be good at it. It's a book about our deeply polarized, frequently depressing, occasionally inspiring political culture, written from inside the belly of the beast. In this candid personal memoir, the honorable gentleman from Minnesota takes his army of loyal fans along with him from Saturday Night Live to the campaign trail, inside the halls of Congress, and behind the scenes of some of the most dramatic and/or hilarious moments of his new career in politics. Has Al Franken become a true Giant of the Senate? Franken asks readers to decide for themselves.

The follow-up to the cult favorite The Rogue to Nowhere follows Jason Christopher as he criss-crosses the country from the glitz and glam of Sunset Boulevard, to the hollows of Woodstock, New York, and back again in search of the next score, the next gig, and the next girl-though not always in that order. Bleeding Internally Since 1971 is a no-holds-barred peak at the will to follow your dream, the drive to get sober, and the many stops along the way.

Don Ameche, Eve Arden, George Burns, Bette Davis, Greer Garson, Rex Harrison, Lilli Palmer, George Raft, Ginger Rogers, Barbara Stanwyck, Orson Welles, Cornel Wilde--these are among the stars who graced the silver screen in Hollywoods Golden Age. Biographies and filmographies of these actors and actresses and 70 others who had passed from the scene by September 1996 are presented in this reference work. The biographical section focuses on how they came to be involved with whom they shared the screen. The filmography lists all the films in which they appeared, along with the studio and the year of release.

Fatty Arbuckle's career came to a sudden halt amidst allegations that he raped and caused the death of a young starlet named Virginia Rappe. Though he was acquitted, the comedian, who was at one time second in popularity only to Charlie Chaplin, was ruined. Interviews with many of Arbuckle's contemporaries (including Minta Durfee, his first wife) and extensive research inform this serious study of the once-fabled comedian. His early days in the Keystone comedies and his relationship with Chaplin are recounted. The details of the Rappe trial and his life afterwards are also provided.

Winner of the 2020 Peter C. Rollins Book Award Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association Herman J. (1897-1953) and Joseph L. Mankiewicz (1909-1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture's only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have-a career in New York theater. Herman, formerly an Algonquin Round Table habitue, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. For this first dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men.

At the age of five, Shirley Temple became the world's most famous and acclaimed child-the most talented, beautiful child performer ever to capture the public's imagination. By the time she was ten, she had either met or had received words of admiration from almost everyone of distinction. Nine-tenths of the world could recognize her on sight. She single-handedly cheered an entire nation caught in the firm grip of a depression. Her films saved a major studio from bankruptcy. She earned more than the President of the United States and lived in her own junior-sized San Simeon. As lionized, idolized and protected as royalty, Shirley Temple was the one and only American Princess. Shirley Temple is brought into focus in this definitive, intimate portrait of her as a child and as the woman that child became: a woman forced to live her entire life in the shadow of her own past glory. We follow the tumultuous events and disappointments that marked Shirley Temple's meteoric rise to unprecedented fame as a child star, her fall as an adolescent who had outgrown her appeal, and her surprising ascent into a word figure as ambassador to the United Nations, Chief of Protocol for the United States, and Ambassador to Ghana; her "princess in the tower" upbringing that isolated her from friends and real child's play and from studio co-workers as well; her obsessive relationship with her mother, Gertrude, who lived her life through her famous daughter; her power over one of Hollywood's greatest despots-Darryl Zanuck; her fairy-tale marriage to John Agar that became a nightmare filled with flaunted infidelities and alcoholism; her romance with Charles Black and her transformation from film start to society matron, television tycoon, to American diplomat; her courageous battle with cancer; and her ever-present realization that "little Shirley Temple's" greatness would always exceed that of the grown woman. Shirley Temple's most notable diplomatic achievement was her appointment by President H.W. Bush as the first and only female ambassador to Czechoslovakia. She was present during the Velvet Revolution, which brought about the end of Communism in the country, and she played a critical role in hastening the end of the Communist regime by openly sympathizing with anti-Communist dissidents and later establishing formal diplomatic relations with the newly elected government led by Vaclav Havel. She took the unusual step of personally accompanying Havel on his first official visit to Washington, riding along on the same plane. Anne Edwards has had the cooperation of those who have been closest to Shirley Temple in all stages of her unique life. She has written a book that does not spare the truth, and is as glittering an expose of Hollywood and its power brokers as any bestselling novel of that genre. Shirley Temple: American Princess is a moving and inspirational story that gives great insight into the privileged corridors of fame and glory where only the legendary figures of our times have walked.

Penned by one of America's best-known daily theatre critics and organized chronologically, this lively and readable book tells the story of Broadway's renaissance from the darkest days of the AIDS crisis, via the disaster that was Spiderman: Turn off the Dark through the unparalleled financial, artistic and political success of Lin-Manuel Miranda's Hamilton. It is the story of the embrace of risk and substance. In so doing, Chris Jones makes the point that the theatre thrived by finally figuring out how to embrace the bold statement and insert itself into the national conversation - only to find out in 2016 that a hefty sector of the American public had not been listening to what it had to say. Chris Jones was in the theatres when and where it mattered. He takes readers from the moment when Tony Kushner's angel crashed (quite literally) through the ceiling of prejudice and religious intolerance to the triumph of Hamilton, with the coda of the Broadway cast addressing a new Republican vice-president from the stage. That complex performance - at once indicative of the theatre's new clout and its inability to fully change American society for the better - is the final scene of the book.

John Wayne died more than thirty years ago, but he remains one of today's five favorite movie stars. The celebrated Hollywood icon comes fully to life in this complex portrait by noted film historian and master biographer Scott Eyman. Exploring Wayne's early life with a difficult mother and a feckless father, "Eyman gets at the details that the bean-counters and myth-spinners miss...Wayne's intimates have told things here that they've never told anyone else" (Los Angeles Times). Eyman makes startling connections to Wayne's later days as an anti-Communist conservative, his stormy marriages to Latina women, and his notorious-and surprisingly long-lived-passionate affair with Marlene Dietrich. He also draws on the actor's own business records and, of course, his storied film career. "We all think we know John Wayne, in part because he seemed to be playing himself in movie after movie. Yet as Eyman carefully lays out, 'John Wayne' was an invention, a persona created layer by layer by an ambitious young actor" (The Washington Post). This is the most nuanced and sympathetic portrait available of the man who became a symbol of his country at mid-century, a cultural icon and quintessential American male against whom other screen heroes are still compared.

She is a global icon, the ultimate diva, the Brooklyn girl made good, the ugly duckling who blossomed into a modern-day Nefertiti, the Oscar-winning actress and bona fide movie mogul, and arguably the greatest female singer who has ever lived. Equally adored and despised, she is one of the world's most recognized celebrities--those slightly crossed eyes, that nose . . . the voice. Yet even to the multitudes who idolize her, Streisand has remained aloof, unknowable, tantalizingly beyond reach . . . until now.

Drawing from in-depth interviews with eyewitnesses to her remarkable life and career, number-one "New York Times" bestselling author Christopher Andersen paints a fascinating, startling portrait of Barbra Joan Streisand--the artist, the woman, a true American original.

This is the first book to dedicate critical attention to the work of influential theater-maker Taylor Mac. Mac is particularly celebrated for the historic performance event A 24-Decade History of Popular Music, in which Mac, in fantastical costumes designed by collaborator Machine Dazzle, sang the history of the United States for 24 straight hours in October 2016. The MacArthur Foundation soon thereafter awarded their "genius" award to a "writer, director, actor, singer, and performance artist whose fearlessly experimental works dramatize the power of theater as a space for building community . . . [and who] interacts with the audience to inspire a reconsideration of assumptions about gender, identity, ethnicity, and performance itself." Featuring essays, interviews, and commentaries by noted critics and artists, the volume examines the vastness of Mac's theatrical imagination, the singularity of their voice, the inclusiveness of their cultural insights and critiques, and the creativity they display through stylistic and formal qualities and the unorthodoxies of their personal and professional trajectories. Contributors consider the range of Mac's career as a playwright, performer, actor, and singer, expanding and enriching the conversation on this much-celebrated and deeply resonant body of work.

These were unique, complex, personal and professional relationships between master director John Ford and his two favorite actors, John Wayne and Ward Bond. The book provides a biography of each and a detailed exploration of Ford's work as it was intertwined with the lives and work of both Wayne and Bond (whose biography here is the first ever published). The book reveals fascinating accounts of ingenuity, creativity, toil, perseverance, bravery, debauchery, futility, abuse, masochism, mayhem, violence, warfare, open- and closed-mindedness, control and chaos, brilliance and stupidity, rationality and insanity, friendship and a testing of its limits, love and hate--all committed by a ""half-genius, half-Irish"" cinematic visionary and his two surrogate sons: Three Bad Men.

In this absorbing and surprising memoir, one of the biggest names of classic Hollywood-the star of Alfred Hitchcock's The Birds and Marnie-tells her story, including never-before-revealed experiences on the set of some of the biggest cult films of all time ...now with a foreword by Melanie Griffith For decades, Tippi Hedren's luminous beauty radiated from the silver screen, enchanting moviegoers and cementing her position among Hollywood's elite-beauty and star power that continue to endure. For too long Hedren's story has been told by others through whispered gossip and tabloid headlines. Now, Hedren sets the record straight, recalling how a young and virtuous Lutheran girl from small-town Minnesota became a worldwide legend-as one of the most famous Hitchcock girls, as an unwavering animal activist, and as the matriarch of a powerful Hollywood dynasty that includes her movie star daughter Melanie Griffith, and rising star Dakota Johnson, her granddaughter. For the first time, Hedren digs deep into her complicated relationship with the man who discovered her talent, director Alfred Hitchcock, the benefactor who would become a repulsive and controlling director who contractually controlled her every move. She speaks openly about the dark pain she endured working with him on their most famous collaborations, The Birds and Marnie, and finding the courage she needed to break away. Hedren's incandescent spirit shines through as she talks about working with the great Charlie Chaplin, sharing the screen with some of the most esteemed actors in Hollywood, her experiences on some of the most intriguing and troubling film sets-including filming Roar, one of the most dangerous movies ever made-and the struggles of being a single mother-balancing her dedication to her work and her devotion to her daughter-and her commitment to helping animals. Filled with sixteen pages of beautiful photos, Tippi is a rare and fascinating look at a private woman's remarkable life no celebrity aficionado can miss.

The beloved Hollywood star and New York Times bestselling author of Unsinkable continues her intimate chat with fans in this entertaining collection of anecdotes, stories, jokes, and random musings from a woman who has seen it all--and done most of it.From her acclaimed performances to her headline-making divorce from Eddie Fisher, raising a famous daughter to hitting the road with a successful one-woman show, Debbie Reynolds was in the spotlight for decades. Over her more than six-decade-long career she met presidents, performed for the Queen of England, and partied with kings.In this fabulous personal tour, she recalls wonderful moments with the greats of the entertainment world--Lucille Ball, Frank Sinatra, Bette Davis, Phyllis Diller, and many, many more--sharing stories that shed new light on her life and career and the glittering world of Hollywood then and now. Debbie has plenty to tell--and in Make 'Em Laugh, she dishes it in the warm, down-to-earth voice her fans adore.Debbie shares memories of late night pals and some of the greatest comedians of all time, stories from the big screen and small, and tales of marriage, motherhood, and children. Combining her wicked sense of humor and appealing charm, she reveals the personal side of show business and fame in funny, poignant, and delightful reminiscences. Nothing is off limits: Debbie talks about her sex life, her family drama--and even shares a few secret recipes.A true Hollywood icon, beloved by millions of fans around the world, Debbie Reynolds died on December 28, 2016, at the age of 84, just one day after the death of her daughter, actress and author Carrie Fisher.

Alexander Pantages was eleven when arrived in the United States in the 1880s after having contracted malaria in Panama. Speaking a few words in many languages and unable to read or write English, by 1902 he had opened his first motion picture theater in Seattle that started his extraordinary journey in ruthlessly and singlehandedly building one of the largest and most powerful theater circuits in the country. By 1929, Pantages owned or operated 72 theaters, stretching across the United States and into Canada, with a personal fortune in the hundreds of millions. He set standards in theater taste and refinement, and religiously focused on pleasing the customer. Some of his theaters still stand today, a testament to his emphasis on quality and high standards. In 1929 he was accused of sexually assaulting a 17 year-old dancer that destroyed his empire and reduced him to a social pariah. The day his grandest theater, the Pantages Hollywood, opened in 1930, he lay a sick man in a jail hospital bed. It took more than a herculean effort to clear his name, but the question remains: how will history judge this great theater pioneer and exemplar of the American Dream?

This book explores the development of Robert Lepage's distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage's productions. Productions discussed include The Dragon's Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage's original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century. -- .

Leslie Howard's acting career as a Hollywood star was well known but behind the charm was a perceptive and determined man. This book follows his life by using original material in archives and libraries, personal narratives, newspaper and magazine accounts.

This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67). Written by experts in theatre and film studies and curators from the Victoria and Albert Museum, it uses newly accessible family archives to explore the intensely complex relationship between Leigh's approach to the craft of acting for stage and screen and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era. Featuring key contributors from the UK, France and the US, the chapters range from analyses of Leigh's work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the 'public ownership' of Leigh's celebrity status during her lifetime and beyond. -- .

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "E ONLINE"
Who is that hairy guy in the green Speedo?
Rob Delaney is a father, a husband, a comedian, a writer. He is the author of an endless stream of beautiful, insane jokes on Twitter. He is sober. He is sometimes brave. He speaks French. He loves women with abundant pubic hair and saggy naturals. He has bungee jumped off of the Manhattan Bridge. He enjoys antagonizing political figures. He listens to metal while he works out. He likes to fart. He broke into an abandoned mental hospital with his mother. He played Sir Lancelot in "Camelot." He has battled depression. He is funny as s***. He cleans up well. He is friends with Margaret Atwood. He is lucky to be alive.
Read these hilarious and heartbreaking true stories and learn how Rob came to be the man he is today.
Praise for "Rob Delaney"
"A book as funny, sincere, weird, wet, and wonderful as Rob Delaney himself."--Jimmy Kimmel
"Rob Delaney has done it again Actually, this is his first book, so he has not 'done it again.' Actually, this book is so good, I doubt he will be able to do it again. He's peaked."--Judd Apatow
"Rob's transition from tweets to book is like a gold medal sprinter winning the marathon the next day. I am jealous and angry."--Seth Meyers
"WARNING: This book may cause involuntary seepage. Some funny, funny, funny, funny s*** from the most dangerous man on Twitter. The fact that he's just as funny in long form makes me want to vomit with envy."--Anthony Bourdain
"All it takes to be as funny as Rob Delaney is luck, good timing, deep compassion, reckless imaginative agility, a flawless grasp of the inner workings of language, and criminally vast quantities of mojo. What a jerk."--Teju Cole, author of "Open City"

"From the Hardcover edition."