""My One Good Nerve"" is an exuberant collection of writings in the down-home tradition by that incomparable icon of the human spirit, Ruby Dee. Married for 50 years to fellow actor Ossie Davis, Dee has led an astonishingly full life. But she has never forgotten where she comes from as an African American woman. Fans who have admired and drawn strength over the years from Dee's outspoken human rights advocacy and unforgettable characters are rewarded here with many glimpses into her memories and convictions. This book is an inspiration and a blessing.

""My One Good Nerve"" is an exuberant collection of writings in the down-home tradition by that incomparable icon of the human spirit, Ruby Dee. Married for 50 years to fellow actor Ossie Davis, Dee has led an astonishingly full life. But she has never forgotten where she comes from as an African American woman. Fans who have admired and drawn strength over the years from Dee's outspoken human rights advocacy and unforgettable characters are rewarded here with many glimpses into her memories and convictions. This book is an inspiration and a blessing.

Jeffrey Jacob ""J. J."" Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest-grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S., and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker.

David Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s. This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club. Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that ""entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay."" Zodiac reinvigorated Fincher, inspiring a string of films--The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo--that enthralled audiences and garnered his films dozens of Oscar nominations.

Award-winning songwriter Linda Thompson breaks her silence, sharing the extraordinary story of her life, career, and epic romances with two of the most celebrated, yet enigmatic, modern American superstars-Elvis Presley and Bruce Jenner For the last forty years, award-winning songwriter Linda Thompson has quietly led one of the most remarkable lives in show business. The longtime live-in love of Elvis Presley, Linda first emerged into the limelight during the 1970s when the former beauty pageant queen caught the eye of the King. Their chance late-night encounter at a movie theater was the stuff of legend, and it marked the beginning of a whirlwind that would stretch across decades, leading to a marriage with Bruce Jenner, motherhood, and more drama than she ever could have imagined. Now, for the first time, Linda opens up about it all, telling the full story of her life, loves, and everything in between. From her humble beginnings in Memphis to her nearly five-year relationship with Elvis, she offers an intimate window into their life together, describing how their Southern roots fueled and sustained Graceland's greatest romance. Going inside their wild stories and tender moments, she paints a portrait of life with the King, as raucous as it is refreshing. But despite the joy they shared, life with Elvis also had darkness, and her account also presents an unsparing look at Elvis's twin demons-drug abuse and infidelity-forces he battled throughout their time together that would eventually end their relationship just eight months before his untimely death. It was in the difficult aftermath of Elvis's death that Linda found what she believed was her true home: the arms of Olympic gold medal-winner Bruce Jenner. Detailing her marriage to Bruce, Linda reveals the seemingly perfect life that they built with their two young sons-Brandon and Brody-before Bruce changed everything with a secret he'd been carrying his entire life, a secret that Linda herself kept for nearly thirty years, a secret that Bruce's transition to Caitlyn Jenner has finally laid bare for the world. Providing a candid look inside one of the most challenging moments of her life, Linda uncovers the struggles she went through as a woman and a mother, coming to terms with the reality of Bruce's identity and resolving to embrace him completely no matter what, even as it meant they could no longer be together. And yet, despite her marriage unraveling, her search for love was not over, eventually leading her to the legendary music producer and musician David Foster-a relationship that lasted for nineteen tumultuous years, resulting in a bond that spurred her songwriting career to new heights but also tested her like never before. Filled with compelling and poignant stories and sixteen pages of photographs, A Little Thing Called Life lovingly recounts Linda's incredible journey through the years, bringing unparalleled insight into three legendary figures.

Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day.

Throughout Southeast Asia, film stars hold an important place in popular culture. They feature prominently in magazines and newspapers, on billboards and cinema marquees, at public events and premieres, and on the internet and social media. Southeast Asian cinemas have built their own distinctive star systems, which have produced a host of successful icons. These stars often possess the features of stardom commonly noted in film scholarship, such as glamour and charisma, while simultaneously offering nationally and regionally specific inflections of the phenomenon, embodying local tastes, values and ideologies. Stars such as Ananda Everingham in Thailand, P. Ramlee in Malaysia, and Nora Aunor in the Philippines, have all reached significant levels of fame in their respective countries. And yet, there is little academic work focusing on Southeast Asia's stars. Film Stardom in Southeast Asia addresses this neglect by examining how stars shape the marketing, business and economics of their industries, contribute to the meanings and popularity of their films, and give insight into the social and political contexts of life in Southeast Asia.

Everyone's favourite game of dilemmas, in a handy pocket book, perfect for parties and goodie bags! Ryan Gosling, Idris Elba or Benedict Cumberbatch? Donald Trump, Vladimir Putin or Boris Johnson? Your boss, work spouse or office rival? This rapid-fire game is perfect for any party or gathering and once you start playing, you won't want to stop! From historical figures to film stars, music idols to secret crushes, we provide the options - the decisions are up to you ... So get to know your friends/family/colleagues a little better with the ultimate game of choice - no passes allowed!

Now a major motion picture, The Disaster Artist, starring James Franco, Alison Brie, Zoey Deutch, Lizzy Caplan, Zac Efron, Bryan Cranston, Dave Franco, Kristen Bell, Seth Rogen, Sharon Stone, and Judd Apatow. In 2003, an independent film called The Room - starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau - made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head', the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Over a decade later, The Room is an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising and thousands of plastic spoons. In The Disaster Artist, Greg Sestero, Tommy's costar, recounts the film's bizarre journey to infamy, explaining how the movie's many nonsensical scenes and bits of dialogue came to be and unraveling the mystery of Tommy Wiseau himself. But more than just a riotously funny story about cinematic hubris, The Disaster Artist is an honest and warm testament to friendship.

To tell Judy Garland's story, Gerald Clarke took 10 years, travelled thousands of miles across two continents, conducted hundreds of interviews, and dug through mountains of documents. He re-creates the golden age of Hollywood with cinematic urgency, bringing to life the characters who played leading roles in the unending drama of Judy Garland: Louis B. Mayer, the patriarch of MGM sexy Lana Turner, Judy's friend and idol, who had a habit of trying to snatch away any man Judy expressed interest in clarinetist Artie Shaw handsome Tyrone Power boy-genius Orson Welles and brilliant director Vincente Minnelli, who fathered her first child, Liza. Toward the end of the life, Garland tried to tell her own story. With access to her tape recordings - and her revelatory unfinished manuscript - Clarke is able to tell Judy's story as she herself might have wanted to.

This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of 'un-suturing' that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.

From his harrowing childhood filled with physical and emotional abuse at the hands of his parents to a lifetime of alcoholism and self-mutilation, psychiatric hospitalizations and misdiagnoses to the peak of fame and success as the longest-tenured cast member of "Saturday Night Live", Darryl Hammond delves into the darkest corners of his life both in front of and behind the camera with brutal honesty and a fierce comic wit. On the back of his hilarious dead-on impressions of Bill Clinton, Dick Cheney, Chris Matthews, and a hundred other prominent figures, Hammond was invited to the inner sanctums of the country's political leaders, including three presidents, all the while suffering debilitating and largely undiagnosed anguish that resulted in horrifying flashbacks, shocking benders, a hair-raising stint in a Bahamian jail, and ultimately a long, dark night in a Harlem crack house. His long fight for sobriety, filled with heartbreaking relapses, was propelled by a desire to do right by his young daughter and to set the record straight about how he fell so low while achieving such heights. Throughout, Hammond dishes on fellow cast members and celebrity guest hosts, and lays bare the real inner workings of an iconic television show.

In 1965, a young, up-and-coming illustrator by the name of Edward Sorel tore away layer after layer of linoleum from the floor of his $97-a-month Manhattan apartment until he discovered a hidden treasure: issues of The New York Daily News and the Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood starring the actress Mary Astor-and the journal in which she detailed her numerous affairs. Thus began a half-century obsession that reached its peak in Mary Astor's Purple Diary, "a thoroughly charming" (The New York Times Book Review/) account of the scandal in which Sorel narrates and illustrates the travails of the Oscar-winning actress alongside his own personal story of discovering an unlikely muse. Now in a stunning paperback, featuring more than sixty ribald and rapturous original illustrations, Mary Astor's Purple Diary is the life's masterpiece of one of America's greatest illustrators.

More than any other male movie star, the refined Clifton Webb (1889-1966) caused the movie-going public to change its image of a leading man. In a day when leading men were supposed to be strong, virile, and brave, Clifton Webb projected an image of flip, acerbic arrogance. He was able to play everything from a decadent columnist (Laura) to a fertile father (Cheaper by the Dozen and The Remarkable Mr. Pennypacker), delivering lines in an urbanely clipped, acidly dry manner with impeccable timing. Sitting Pretty is his remarkable story. Long before his film career began, Webb was a child actor and later a suavely effete song-and-dance man in numerous Broadway musicals and revues. The turning point in his career came in 1941 when his good friend Noel Coward cast him in Blithe Spirit. Director Otto Preminger saw Webb's performance and cast him in Laura in 1944. Webb began to write his autobiography, but he said that he eventually had gotten ""bogged down"" in the process. However, he did complete six chapters and left a hefty collection of notes that he intended to use in the proposed book. His writing is as witty and sophisticated as his onscreen persona. Those six chapters, information and voluminous notes, and personal research by the coauthor provide an intimate view of an amazingly talented man's life and times.

Everyone knows Jackie Chan. Whether it's from Rush Hour, Shanghai Noon, The Karate Kid, or Kung Fu Panda, Jackie is admired by generations of moviegoers for his acrobatic fighting style, comic timing, and mind-bending stunts. In 2016-after fifty-six years in the industry, over 200 films, and many broken bones-he received an honorary Academy Award for his lifetime achievement in film. But at 64 years-old, Jackie is just getting started. Now, in Never Grow Up, the global superstar reflects on his early life, including his childhood years at the China Drama Academy (in which he was enrolled at the age of six), his big breaks (and setbacks) in Hong Kong and Hollywood, his numerous brushes with death (both on and off film sets), and his life as a husband and father (which has been, admittedly and regrettably, imperfect). Jackie has never shied away from his mistakes. Since The Young Master in 1980, Jackie's films have ended with a bloopers reel in which he stumbles over his lines, misses his mark, or crashes to the ground in a stunt gone south. In Never Grow Up, Jackie applies the same spirit of openness to his life, proving time and time again why he's beloved the world over: he's honest, funny, kind, brave beyond reckoning and-after all this time-still young at heart.

ONE OF THE SUNDAY TIMES' 100 BEST SUMMER READS OF 2020 'It's hard to beat Susanna Moore's Miss Aluminium' Vogue 'A sharp-edged summery treat' Hadley Freeman 'Unlike any Hollywood memoir you'll have read' Metro At seventeen, Susanna Moore left her home in Hawai'i, with no money, no belongings and no prospects. But in Philadelphia, an unexpected gift of four trunks of beautiful clothes allowed her to assume the first of many disguises. Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson, and is given a screen test by Mike Nichols. But beneath Miss Aluminium's glittering fairytale surface lies the story of a girl's insatiable hunger to learn. Moore gives us a sardonic, often humorous portrait of Hollywood in the seventies and of a young woman's hard-won arrival at selfhood.

THE DEFINITIVE, INVESTIGATIVE BIOGRAPHY OFJAZZ LEGENDDAVE BRUBECK(TAKE FIVE) In 2003, music journalist Philip Clark was granted unparalleled access to jazz legend Dave Brubeck. Over the course of ten days, he shadowed the Dave Brubeck Quartet during their extended British tour, recording an epic interview with the bandleader. Brubeck opened up as never before, disclosing his unique approach to jazz; the heady days of his classic quartet in the 1950s-60s; hanging out with Duke Ellington, Charlie Parker, Louis Armstrong, and Miles Davis; and the many controversies that had dogged his 66-yearlong career. Alongside beloved figures like Ella Fitzgerald and Frank Sinatra, Brubeck has achieved name recognition beyond jazz. But finding a convincing fit for Brubeck's legacy, one that reconciles his mass popularity with his advanced musical technique, has proved largely elusive. In Dave Brubeck: A Life inTime, Clark provides us with a thoughtful, thorough, and long-overdue biography of an extraordinary man whose influence continues to inform and inspire musicians today. Structured around Clark's extended interview and intensive new research, this book recounts one of the last untold stories of jazz, unearthing the secret history of Take Five and many hitherto unknown aspects of Brubeck's early career-and sharing details about his creative relationship with his star saxophonist, Paul Desmond. Woven throughout are cameo appearances from a host of unlikely figures, from Sting, Ray Manzarek of The Doors, and Keith Emerson to John Cage, Leonard Bernstein, Harry Partch, and Edgard Varese. Each chapter explores a different theme or aspect of Brubeck's life and music, illuminating the core of his artistry and genius. To quote President Obama, as he awarded the musician with a Kennedy Center Honor: You can't understand America without understanding jazz, and you can't understand jazz without understanding Dave Brubeck.

'Essential' DAILY MAIL CELEBRITY BIOGRAPHIES OF THE YEAR 'The book reads like it's Bernard sitting down and telling a story' Steve Wright, BBC Radio 2 'A fitting celebration of one of our most versatile and enduring acting talents' Sunday Express 'A rollicking good read - charming, unassuming and full of amiable, homespun wit' The Oldie The long-awaited autobiography of national treasure Bernard Cribbins. Bernard Cribbins's life has been an eventful one. In 1943, he left school aged fourteen and joined Oldham Repertory Company where he earned fifteen bob for a seventy-hour week. After being called up for National Service in 1946 he became a paratrooper and spent several months in Palestine being shot at. On returning home, and to the theatre, Bernard was eventually approached by George Martin, then an A&R man for Parlophone Records, who suggested he made a record. Just months away from producing The Beatles, Martin asked Bernard to come to Abbey Road Studios in north London and, after teaching him how to sing into a microphone, they eventually recorded two hit singles - 'The Hole in the Ground' and 'Right Said Fred'. These, together with appearances in now classic films such as Two Way Stretch and The Wrong Arm of the Law (not to mention a certain television programme called Jackanory), catapulted Bernard to stardom and, by the time he started filming The Railway Children in 1970, he was already a national treasure. Since then, Bernard's CV has been an A-Z of the best entertainment that Britain has to offer, and, thanks to programmes such as the aforementioned Jackanory, The Wombles, and, more recently, Old Jack's Boat, he has become the voice of many millions of childhoods. Seventy-five years in the making and packed with entertaining anecdotes, Bernard Who? tells the wonderful story of one of the longest and most celebrated careers in show business.

One of the most popular actors of the Classical Hollywood period, Tyrone Power's appeal was initially based around his outstanding beauty, his looks remaining key to his star persona throughout his 25-year career and almost 50 films. This book presents the first substantial academic study of Power and employs a range of approaches, including stardom and genre theory, to reappraise his career from various angles including gender, genre and image. Textual analysis coincides with discussions of Power's multi-layered performances in a variety of genres while engaging with industry systems, specifically Twentieth Century-Fox, his home studio for almost two decades, and situates Power's performances within the contexts of industry regulations, such as the Production Code, and industry technological advances, such as CinemaScope.

John Wayne died more than thirty years ago, but he remains one of today's five favorite movie stars. The celebrated Hollywood icon comes fully to life in this complex portrait by noted film historian and master biographer Scott Eyman. Exploring Wayne's early life with a difficult mother and a feckless father, "Eyman gets at the details that the bean-counters and myth-spinners miss...Wayne's intimates have told things here that they've never told anyone else" (Los Angeles Times). Eyman makes startling connections to Wayne's later days as an anti-Communist conservative, his stormy marriages to Latina women, and his notorious-and surprisingly long-lived-passionate affair with Marlene Dietrich. He also draws on the actor's own business records and, of course, his storied film career. "We all think we know John Wayne, in part because he seemed to be playing himself in movie after movie. Yet as Eyman carefully lays out, 'John Wayne' was an invention, a persona created layer by layer by an ambitious young actor" (The Washington Post). This is the most nuanced and sympathetic portrait available of the man who became a symbol of his country at mid-century, a cultural icon and quintessential American male against whom other screen heroes are still compared.

Following in the footsteps of his renowned teacher Konstantin Stanislavsky, Michael Chekhov's work as an actor, author and theatre practitioner gave great insight into how to access the creative self. This revised and updated edition of Michael Chekhov includes: * A biographical introduction to Chekhov's life * A clear explanation of his key writings * An analysis of his work as a director * A practical guide to Chekhov's unique actor-training exercises. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.