At the start of the March 2020 lockdown, Ian Beck would walk his greyhound Gracie through the early morning streets of Isleworth in west London, revelling in the light and the silence that the restrictions had brought. The familiar became charged with new meaning, inspiring Ian to paint the scenes around him for their own sake, something that he hadn't done since his student days in the sixties. Suburban streets, trees, fences, shrubs and overgrown alleyways - all are transformed in the quiet intensity of Ian's lockdown paintings. He painted interiors too: the moon shining through a bedroom window, objects on mantelpieces, the eeriness of back gardens at dusk. As the year progressed, the crisp light of spring gave way to the haze of summer and the gloom of autumn fogs. The Light in Suburbia collects sixty of Ian's paintings from this period: a remarkable record of his year spent trying to capture the beauty of the unprepossessing everyday.

This is a concise and engaging, yet detailed and informative monograph that explores Gauguin's most Important works. Paul Gauguin (1848-1903) was one of the most important artists of the late 19th century, and one whose work was to have a profound influence on the development of art in the 20th century. He began as an Impressionist, but went on to develop a richly-coloured style in his constant search for pristine originality and unadulterated nature. This concise monograph collects the most important works by Gauguin, not only of his best known paintings of Tahiti in which the artist attempted to reconstruct the perfect life which he had failed to find in reality, but also of many powerful works that reflect the artist's contact with other seminal early modern masters like Van Gogh or Cezanne.

Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title. Kirkman's story is a fanboy's dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator's complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era.

With Barry Flanagan is a vivid account of a friendship that evolved into a working relationship when Richard McNeff became 'spontaneous fixer' (Flanagan's description) of the sculptor's show held in June 1992 at the Museum of Contemporary Art on Ibiza, where they were both living. McNeff was to gain a privileged insight into the sculptor's singular personality and eccentric working methods, learning to decipher his memorably surreal turns of phrase and to parry his fascinating, if at times unsettling, pranksteresque quirks . In September 1992 Flanagan and McNeff took the show to Majorca, resulting a lively visit to the celebrated Spanish artist Miquel Barcelo. The following year McNeff was involved in Flanagan's print- making venture in Barcelona and in his Madrid retrospective. Flanagan rescued him from a rough landing in England in 1994 by commissioning a tour of stone quarries there. Subsequently McNeff ran into a fourteen- year-old profoundly deaf girl who turned out to be his unknown daughter. She had a talent for art and the superbly generous sculptor was instrumental in helping with her studies. Late in 2008 Barry was diagnosed with motor neurone disease. By June 2009 he was wheelchair- bound. Two months later he died, and McNeff read the lesson at his funeral. Fleshed out with biographical detail, much of it supplied by the sculptor himself, supplemented by photographs and details of the work, this touching memoir is the first retrospective of a major Welsh-born artist. With Barry Flanagan captures the spirit of this remarkable Merlinesque figure in a moving portrait that reveals a true original.