Most girls grow up fantasizing about the type of man they are going to marry and how their wedding will be, and they imagine things like the house with the white picket fence, two kids, and maybe a dog.

No girl grows up dreaming about a man who will want to marry her, control her, and nearly kill her. However, the truth is that many girls end up doing just that.

This substantial monograph on the respected German Concrete artist features a selection of floor and skirting-board paintings from the late 60s and 70s, large-scale and multi-media architectural paintings, furniture, abstract geometric oils and acrylics and sculptural wall-works. A serious study of post-Constructivist color and space.

B is for Mutant? Z is for Secret? Bill Woodrow's unique alphabet offers a glimpse into a playful and endlessly inventive artistic mind. Part sketchbook, part riddle, this small clothbound book presents Woodrow's weird and whimsical look at letters that turns the ordinary on its head. One of Britain's foremost sculptors, Woodrow (b. 1948) is best known for his transformations of everyday objects into new forms; like those works, the deceptively simple illustrations in this alphabet unravel the common-place to suggest surprising new meanings.

Reviews 'David Hockney RA: A Bigger Picture', exhibited at The Royal Academy. The project of creating monumental landscape paintings was based on a small area near the artist's home at Bridlington in East Yorkshire. Works developed with time-framed films, photographs, i-pad studies, drawings, sketchbooks, oils and watercolours. recording particular motifs and places in the changing seasons. Studies were enlarged on joined canvases in compositions up to 32' wide, designed to immerse the viewer in an intense experience of the landscape. The monograph includes exhibition reviews by James Cahill and Michael Lovell Pank + reviews of recent catalogues and books on the artist by Marco Livingstone, Martin Gayford and Christopher Simon Sykes, by Marina Vaizey.

In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times. For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. This fully updated and illustrated story of Banksy's life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question 'Who is Banksy?' is as much about his career as it is 'the man behind the wall'. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities' walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now moreNational Treasure than edgy outsider, who is Banksy and how did he become what he is today? This book charts Banksy's journey from the graffiti-scrawled streets of Barton Hill, the working class neighbourhood of Bristol where he and others covered the walls with vibrant pieces while trying to avoid the police, through to some of the most prestigious galleries of the world, where his daring acts of guerilla art have forced us to reconsider how we define as art. From the artist's own words to recollections of friends and colleagues, this book also examines the contradictions of Banksy's life: charting how a privately educated boy from a middle class area of Bristol reinvented himself as a rogue and an outlaw who would take the art world by storm. With beautiful reproductions of some of his most controversial and recognisable works, this detailed study is a truly indispensible guide to understanding the ultimate art rebel whose work is no less relevant today than it was when he first started out some thirty years ago.

This first comprehensive research guide and annotated bibliography of Paul Gauguin includes information on more than 1500 books and articles on the artist as well as a comprehensive chronology and list of exhibitions. The secondary bibliography is arranged by topics and includes citations on the artist's life and career, his relationships with contemporary artists in France, including Vincent van Gogh, his life and work in Panama, Martinique, Tahiti, and the Marquesas Islands, his oeuvre in general and in various media, self-portraits, iconography, and more. The French artist Paul Gauguin continues to be a larger-than-life figure whose mystique exerts its spell on popular, critical, and scholarly minds. Consequently, the available literature on the artist is copious and marked by diversity of opinion on every aspect of his life and work. From the first book-length biography of Gauguin written by Louis Brouillon in 1906, interest in Gauguin has continued unabated and, since 1959, critical interest in the artist's drawings, prints, sculptures, and art works in other media has dramatically increased. Russell T. Clement has compiled the first comprehensive research guide and annotated bibliography on Gauguin. This volume encompasses primary materials by Gauguin including those published during the artist's lifetime and those published posthumously; contemporary accounts and criticism of Gauguin's life and work published through 1906; descriptions of the artist's oeuvre; a lengthy secondary bibliography; and a section that catalogs exhibitions of Gauguin's work between 1884 and 1989. While concentrating on printed materials, this guide also includes selected manuscripts--in all, more than 1500 books and articles are cited. For entries where titles give incomplete or unclear information about works and their content, the author provides brief annotations. Following a biographical sketch and chronology, the primary bibliography lists articles, essays, letters, manuscripts, and sketch books of Gauguin and then accounts and critiques of Gauguin's life and work published through 1906. The main part of the bibliography and research guide, the secondary bibliography, lists monographs, catalogues, dissertations, theses, periodical literature, films, sound recordings and musical scores, and selected newspaper articles. Substantial book reviews and exhibition reviews are also included. Arranged by topic, the secondary bibliography also includes citations on Gauguin's relationships with contemporary artists in France, his work in Panama and Martinique, his work and life in Tahiti and the Marquesas Islands, and his oeuvre in general. Not just a list of sources but a complete research guide, this volume deserves a place in every research library collection.

Juan Davila is a painter who passionately believes in using art to facilitate social change. Davila was born in Santiago, Chile, and moved to Australia in the 1970s to escape the violent totalitarian regime of Pinochet. His work had an immediate impact on the Australian art scene and he has since become one of Australia's most respected and creative artists and is represented in all State and National art museums. His work addresses international issues, especially with reference to Latin American and Australian themes, and he draws on his own experiences of repression and loss suffered during Chile's dark history. Davila's art - beautiful, complex, confronting and provocative - sets to counter indifference in the community and spark intellectual discourse on many issues in the international political landscape - terrorism, refugees, political and social rights and undemocratic governments.

First published in 1993 Interviews-Artists is a body of thirty seven recorded conversations made since 1988. In considering their work, often in the context of a current exhibition, artists discuss their ideas in formation and the factors which have informed their development. Read together, another picture emerges of unexpected links between the makers, in the expression of their concerns, in the work and with the world beyond, that forms a unique and coherent overview of the developing art of our time.

In Luchino Visconti and the Fabric of Cinema, Joe McElhaney situates Visconti's films as privileged and deeply expressive instances of a trope that McElhaney identifies as the ""cinema of fabric"": a reoccurrence in film in which textiles-clothing, curtains, tablecloths, bedsheets-determine the filming process. An Italian neorealist, Visconti emerges out of a movement immediately following WWII wherein fabric assumes crucial functions, yet Visconti's use of fabric surpasses his colleagues in many ways, including its fluid, multifaceted articulations of space and time. Visconti's homosexuality is central to this theory in that it assumes metaphoric potential in addressing ""forbidden"" sexual desires that are made visible in the films. Visconti's cinema of fabric gives voice to desires not simply for human bodies draped in fabric but also for entire environments, a world of the senses in which fabric becomes a crucial method for giving form to such desires. McElhaney examines Visconti's neorealist origins in Ossessione, La terra trema, and Rocco and His Brothers, particularly through fabric's function within literary realism and naturalism. Neorealist revisionism through the extravagant drapings of the diva film is examined in Bellissima and Senso whereas White Nights and The Stranger are examined for the theatricalizing through fabric of their literary sources. Visconti's interest in German culture vis-?a-vis The Damned, Death in Venice, and Ludwig, is articulated through a complex intertwining of fabric, aesthetics, politics, and transgressive sexual desire. Finally, Visconti's final two films, Conversation Piece and The Innocent, assess through fabric both the origins of Italian fascism and the political tensions contemporaneous with the films' productions. Fabric in Visconti is often tied to the aesthetic impulse itself in a world of visionaries attempting to dominate their surrounding environments and where a single piece of fabric may come to represent the raw material for creation. This book will tantalize any reader with a keen eye and strong interest in film and queer studies.

In The Image Business, Steve Powell's autobiography lifts the lid on the development of sports photography and photojournalism. With a no holds barred account of his life as a working photographer and business innovator, he tells of covering world-beating sporting successes and occasional failures, and of how he built the Allsport Photographic agency into an industry leader that made him a millionaire. "The authors' experiences are so vast and often outrageous that it's easy to forget that this is a true story." L Lemay. He has worked with everyone from world beating powerboat racers to Olympic greats such as Seb Coe and Daley Thompson. Muhammad Ali, Bjorn Borg, Seve Ballesteros and Diego Maradona have all been his subjects during a lifetime of capturing iconic images. "In a book market full of often told stories, this is a unique and compelling read." MarcoVB. Unique insights into the athletes and administrators who shaped sport over thirty years could only come from a true insider. He gives a fascinating and fast-paced narrative of a career that began on the gritty streets of London and took him to every global arena where sport is played, working with every major publication and sponsor as he developed ways to help them deliver their messages. - "This book is right up there with Phil Knight's "Shoe Dog"." Anonymous Powell reveals the struggles of an emerging independent agency as it fought to gain recognition, how it helped break the union stranglehold on Fleet Street and established Allsport and its photographers as the go-to source for all that was best in the emerging sports photography industry. - "This is a thoroughly entertaining book and, I believe, an important one." R Bundy. Follow his riveting personal narrative as he describes how he overcame personality clashes that almost brought the agency to its knees and how riding the tide of advancing technologies helped create a unique business model. Always just one step ahead of the opposition, his career mirrors how he harnessed fast moving changes in the industry to create his own unique place in sports media history. "(The author) has you feeling as if you are right there living it alongside him." Anonymous. This is the story of the man who built the world's biggest and most famous sports photography business and under whose guidance, became the first official photographer to the International Olympic Committee and worked with every major sporting organisation, governing body and athlete in Europe, and North America. "A truly inspiring read, by a truly inspiring guy. His life, his travels keep you reading until the end. What a life, great read." J Tilley. Finally, the book traces with engaging candour his learning curve in preparing the company for sale, turning the business of capturing images into capitalising images as a business. The buyer was Mark Getty and guided by Powell, Allsport became a bedrock in the rapidly emerging Getty Images and made Powell more successful than he could have imagined.

Laura Knight (1877-1970) was one of the most distinguished women artist of the early 20th century with an international reputation. This highly readable and objective biography covers her early years in Nottingham, her relationship with her husband Harold, life in the artists colonies of Staithes on the North Yorkshire coast, her immersion in the world of ballet, the circus and theatre and her travels in Europe and America. It also examines her role as Official War Artist during World War II and recorder of the Nuremberg Trials in 1945-46. This revised and updated book offers so much more than just an account of an artist's work, it allows the reader to experience the vibrant personality of the artist as well as the darker shades of her personality. It gives this portrait of an artist depth and perspective.