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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists
The time is 1887. From any window in Georgia O'Keeffe's Sun
Prairie, Wisconsin birthplace home she only saw the Wisconsin
prairie with its traces of roads veering around the flat marshlands
and a vast sky that lifted her soul. At twelve years of age Georgia
had a defining moment when she declared, "I want to be an artist."
Years later from her east-facing window in Canyon, Texas she
observed the Texas Panhandle sky with its focus points on the
plains and a great canyon of earth history colors streaking across
the flat land. Georgia's love of the vast, colorful prairie, plains
and sky again gave definition to her life when she discovered Ghost
Ranch north of Abiquiu, New Mexico. She fell prey to its charms
which were not long removed from the echoes of the "Wild West."
These views of prairie, plains and sky became Georgia's muses as
she embarked on her step-by-step path with her role models--Alon
Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part
biography of which this is Part I covering the period 1887-1945,
Nancy Hopkins Reily "walks the Sun Prairie Land," as if in
Georgia's day as a prologue to her family's friendship with Georgia
in the 1940s and 1950s. Reily chronicles Georgia's defining days
within the arenas of landscape, culture, people and the history
surrounding each, a discourse level that Georgia would easily
recognize. The book includes bibliographical references and indes.
NANCY HOPKINS REILY was a classic outdoor color portraitist for
more than twenty years and has taught portrait workshops at
Angelina College in Lufkin, Texas where she had a one-woman show of
her portraits. Her advance studies included an invitational
workshop with Ansel Adams. Reily graduated from Southern Methodist
University and lives in Lufkin, Texas. She is also the author of
"Classic Outdoor Color Portraits" and "Joseph Imhof, Artist of the
Pueblos," both from Sunstone Press.
This book explores images of Venice in the written and visual art
of the multitalented American writer, painter, lecturer, and
engineer Francis Hopkinson Smith (1838-1915). A successful artist
and intrepid traveller, F. Hopkinson Smith spent every summer in
Venice for almost twenty years: his stays in the Italian city
resulted in a large output of watercolours and writings, including
his popular travelogue Venice of To-Day (1895), which featured over
200 illustrations by Smith himself. Despite Smith's popularity
during his lifetime, his reputation as a writer and painter faded
after his death and has occupied only a modest place in the
American canon. This is the first scholarly work to examine the
life and work of this unique American artist, whose legacy spans
two centuries and was grounded in the enduringly popular
fin-de-siecle. This book examines Smith's literary and visual
perception of Venice while illuminating the life and works of this
multifaceted artist, whose works are highly illustrative of the
era's mainstream American culture and its perception of foreign
spaces.
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Frances Hodgkins
(Hardcover)
Samantha Niederman; Series edited by Katy Norris; Edited by Rebeka Cohen; Designed by Clare Skeats
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R333
Discovery Miles 3 330
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Ships in 12 - 19 working days
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ABOUT THE BOOK: My Jonah Journey: Developing an Attitude of
Gratitude is the true story of Linda M. Brandt's triumphant journey
through a series of Job-like catastrophic experiences: the tragic
death of her teenaged son, the discovery of a rare brain tumor and
the precarious surgery that followed, the horrendous episode of
spinal meningitis, and then her own near-death experience. For four
minutes and with doctors working frantically, Linda lay
heart-stopped and unbreathing on a cold hospital table next to the
MRI tunnel where her son, Scottie, had been sent to bring her home.
But God had other plans. Now for the first time in book form, Linda
M. Brandt shares her three-year "Jonah journey," describing how she
replaced fear and despair with an attitude of gratitude as she
learned to walk again, to drive, to paint, to undertake normal
day-to-day activities, and then finally to do them alone. Of
course, Linda is the first to say she never really was alone.
Doctors told her, "We never see people like you again. They just go
into their houses and go away." But because of God's grace, Linda's
was a different journey. My Jonah Journey: Developing an Attitude
of Gratitude will inspire even the most skeptic among us and reveal
the One who loves us very, very much. **** ABOUT THE AUTHOR: Linda
M. Brandt is a Christian, wife, mother, author, and renowned artist
with an undeniable love for God and life. Against all odds and
medical prognoses, Ms. Brandt not only survived brain surgery,
spinal meningitis, and a near-death experience, but she thrived,
regaining full physical and mental function, including her
remarkable skills as a world-renowned artist whose paintings have
been displayed from Paris to London and from New York City to
Laguna Beach. In this new book, My Jonah Journey: Developing an
Attitude of Gratitude, Ms. Brandt presents her miraculous story
along with stunning original artwork she created to illustrate her
journey.
Due to the huge success of her graphic memoir Fun Home: A Family
Tragicomic in 2006 and its subsequent Tony Award-winning musical
adaptation in 2009, Alison Bechdel (b. 1960) has recently become a
household name. However, Bechdel, who has won numerous awards
including a MacArthur Fellowship, has been writing and drawing
comics since the early 1980s. Her comic strip Dykes to Watch Out
For (DTWOF) stood out as one of the first to depict lesbians in
popular culture and is widely hailed as an essential LGBTQ
resource. It is also from this comic strip that the wildly popular
Bechdel Test-a test to gauge positive female representation in
film-obtained its name. While DTWOF secured Bechdel's role in the
comics world and queer community long before her mainstream
success, Bechdel now experiences notoriety that few comics artists
ever achieve and that women cartoonists have never attained.
Spanning from 1990 to 2017, Alison Bechdel: Conversations collects
ten interviews that illustrate how Bechdel uses her own life,
relationships, and contemporary events to expose the world to what
she has referred to as the ""fringes of acceptability""-the comics
genre as well as queer culture and identity. These interviews
reveal her intentionality in the use of characters, plots,
structure, and cartooning to draw her readers toward disrupting the
status quo. Starting with her earliest interviews on public access
television and in little-known comics and queer presses, Rachel R.
Martin traces Bechdel's career from her days with DTWOF to her
popularity with Fun Home and Are You My Mother? This volume
includes her ""one-off"" DTWOF strips from November 2016 and March
2017 (not anthologized anywhere else) and in-depth discussions of
her laborious creative process as well as upcoming projects.
Rachel Owen's hauntingly beautiful illustrations for Dante's
Inferno take a radically new approach to representing the world of
Dante's famous poem. The images combine the artist's deep cultural
and historical understanding of 'The Divine Comedy' and its
artistic legacy with her unique talent for collage and printmaking.
These illustrations, casting the viewer as a first-person pilgrim
through the underworld, prompt us to rethink Dante's poem through
their novel perspective and visual language. Owen's work, held in
the Bodleian Library and published here for the first time,
illustrates the complete cycle of thirty-four cantos of the Inferno
with one image per canto. The illustrations are accompanied by
essays contextualising Owen's work and supplemented by six
illustrations intended for the unfinished Purgatorio series. Fiona
Whitehouse provides details of the techniques employed by the
artist, Peter Hainsworth situates Owen's work in the field of
modern Dante illustration and David Bowe offers a commentary on the
illustrations as gateways to Dante's poem. Jamie McKendrick and
Bernard O'Donoghue's translations of episodes from the 'Inferno'
provide complementary artistic interpretations of Dante's poem,
while reflections from colleagues and friends commemorate Owen's
life and work as an artist, scholar and teacher. This stunning
collection is an important contribution to both Dante scholarship
and illustration.
Andre Kertesz is one of four new titles being published in Autumn
2007 in Thames & Hudson's acclaimed 'Photofile' series. Each
book brings together the best work of the world's greatest
photographers in an attractive format and at an easily affordable
price. Handsome and collectable, the books are printed to the
highest standards. Each one contains some sixty full-page
reproductions printed in superb duotone, together with a critical
introduction and a full bibliography.
Francine Prose's life of Caravaggio evokes the genius of this great
artist through a brilliant reading of his paintings. Caravaggio
defied the aesthetic conventions of his time; his use of ordinary
people, realistically portrayed-street boys, prostitutes, the poor,
the aged-was a profound and revolutionary innovation that left its
mark on generations of artists. His insistence on painting from
nature, on rendering the emotional truth of experience, whether
religious or secular, makes him an artist who speaks across the
centuries to our own time. In "Caravaggio", Francine Prose presents
the brief but tumultuous life of one of the greatest of all
painters with passion and acute sensitivity.
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