This book is the first to examine Henry Darger's conceptual and visual representation of "girls" and girlhood. Specifically, Leisa Rundquist charts the artist's use of little girl imagery-his direct appropriations from mainstream sources as well as girls modified to meet his needs-in contexts that many scholars have read as puerile and psychologically disturbed. Consequently, this inquiry qualifies the intersexed aspects of Darger's protagonists as well as addresses their inherent cute and little associations that signal multivocal meanings often in conflict with each other. Rundquist engages Darger's art through thematic analyses of the artist's writings, mature works, collages, and ephemeral materials. This book will be of particular interest to scholars in art history, art and gender studies, sociology, and contemporary art.

Robert Seymour and Nineteenth-Century Print Culture is the first book-length study of the original illustrator of Dickens's Pickwick Papers. Discussion of the range and importance of Seymour's work as a jobbing illustrator in the 1820s and 1830s is at the centre of the book. A bibliographical study of his prolific output of illustrations in many different print genres is combined with a wide-ranging account of his major publications. Seymour's extended work for The Comic Magazine, New Readings of Old Authors and Humorous Sketches, all described in detail, are of particular importance in locating the dialogue between image and text at the moment when the Victorian illustrated novel was coming into being.

"To grasp the quality of the painting . . . is to grasp the quality of the woman at workan extraordinary vitality; a passionate explorative nature; an uncompromising devotion to her craft; and a concept in which intellect and emotion are one of the roles she plays in shaping and extending the sensual conscious language of art."Robert Duncan, poet

Thomas W. Leavitt writes, "All of Lilly Fenichel's paintings are related to nature, even when they are abstract to the point of being non-objective. And be it cloud forms or structures emerging from the picture plane, the predominant mood has been serious and often somber. She appears to have been burdened by her awareness of nature, exploring its qualities deeply yet warily. Just You Just Me, Fenichel's newest work, however, is an invitation to celebrate the most joyous of nature's gifts and of human experience: sensual, physical love.

"In each canvas she creates an implosion of human anatomical partsbones, muscles and viscera that cling together through the irresistible centripetal force of desire creating a compact sphere of ecstatic writhing. This is not primarily romantic love, filled with agonizing longing, but erotic sensuality painted with confidence and enthusiasm."

Born in Vienna, Fenichel fled the Nazi's with her family in 1939, living briefly in England, then moving to Los Angeles where she studied art at Chouinard Art Institute and City College. At the California School of Fine Arts (later the San Francisco Art Institute) as an abstract expressionist, Fenichel later worked with Elmer Bischoff, Hassel Smith, David Park, and Edward Corbett, who later became a part of the Taos Moderns group. Fenichel visited Corbett in Taos, later moved there and became a significant member of the Taos art community, developing enduring friendships with artists Bea Mandelman and Louis Ribak.

Told in his own words, in response to questions from the writer and art critic Andrew Lambirth, this book chronicles Andrew Logan's life and work through expressive anecdote and factual recollection. Reflections is a look back, but also a look at the present and a look forward: it is about the meaning of Andrew's world and the sculpture he has made to fill it, and about his approach to art, to friendship and to living in London and Wales. The Alternative Miss World, founded by Andrew in 1972, is at the heart of his philosophy, not just the world's greatest drag act (though it is this too), but an exhilarating celebration of the transformative power of the imagination. Andrew's work, which is all about joy and beauty, is inspiring and uplifting. This book, based upon discursive interviews dealing with all periods of his career, explains and contextualises it fully for the first time.

Drawing was central to Cezanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cezanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cezanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.

From Spain comes this striking collection of paintings reflecting a sensibility lying at the core of Spanish gay culture. The artist excells at a photorealist style - homoerotic, thoughtful and moodful, these paintings with their blend of subtle coloration are totally about today.

Published on the occasion of the exhibition, Jean-Michel Basquiat: Art and Objecthood, at Nahmad Contemporary, this book will illuminate the role of found objects and unconventional materials in the Jean- Michel Basquiat's oeuvre. Basquiat, whose artistic practice has profoundly impacted audiences on an international scale, used objects and media from his environs to proliferate messages of social justice and change. Featuring a breadth of works that the artist made using unconventional painted supports and found-object sculptures, this publication will provide an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on items within his domestic spaces-refrigerators, chairs, and cabinets-Basquiat also left his mark on items he encountered on the street-discarded windows and doors, mirrors, wood boards, and subway tiles. The publication will present new scholarship by leading Basquiat academics and art historians that will explore Basquiat's use of found objects and materials and their role in addressing issues of social inequality and the politics of race in the United States.

British painter William Tillyer (born 1938) is regarded as one of the most accomplished and consistently inventive artists working in watercolor. His work luxuriates in translucent color and sensuous brushwork. Some of his pieces, in their untrammeled expressive zeal and readily apparent love of color as a pure quality call to mind the canvases of Morris Louis; in other paintings, flamboyantly voluptuous shapes confront geometric abstractions and Minimalist blocks of color. With 224 full-color images, "William Tillyer: Watercolours" provides a comprehensive look at the titular aspect of Tillyer's oeuvre, looking back over nearly 40 years of work. It includes three texts by the American poet and art historian John Yau, an essay describing the development of Tillyer's watercolors and linking his work to the tradition of the English watercolor, an essay on the latest body of work and an interview with the artist.

A detailed examination of the last 15 years of Crowley's life * Reveals Crowley's sex magick relations in London and his contacts with important figures, including Dion Fortune, Gerald Gardner, Jack Parsons, Dylan Thomas, and black equality activist Nancy Cunard * Explores Crowley's nick-of-time escape from the Nazi takeover in Germany and offers extensive confirmation of Crowley's work for British intelligence * Examines the development of Crowley's later publications and his articles in reaction to the Nazi Gestapo actively persecuting his followers in Germany After an extraordinary life of magical workings, occult fame, and artistic pursuits around the globe, Aleister Crowley was forced to spend the last fifteen years of his life in his native England, nearly penniless. Much less examined than his early years, this final period of the Beast's life was just as filled with sex magick, espionage, romance, transatlantic conflict, and extreme behavior. Drawing on previously unpublished diaries and letters, Tobias Churton provides the first detailed treatment of the final years of Crowley's life, from 1932 to 1947. He opens with Crowley's nick-of-time escape from the Nazi takeover in Germany and his return home to England, flat broke. Churton offers extensive confirmation of Crowley's work as a secret operative for MI5 and explores how Crowley saw World War II as the turning point for the "New Aeon." He examines Crowley's notorious 1934 London trial, which resulted in his bankruptcy, and shares inside stories of Crowley's relations with Californian O.T.O. followers, including rocket-fuel specialist Jack Parsons, and his attempt to take over H. Spencer Lewis's Rosicrucian Order. The author reveals Crowley's sex magick relations in London and his contacts with spiritual leaders of the time, including Dion Fortune and Wicca founder Gerald Gardner. He examines Crowley's dealings with artists such as Dylan Thomas, Alfred Hitchcock, Augustus John, Peter Warlock, and Peter Brooks and dispels the accusations that Crowley was racist, exploring his work with lifelong friend, black equality activist Nancy Cunard. Churton also examines the development of Crowley's later publications such as Magick without Tears as well as his articles in reaction to the Nazi Gestapo who was actively persecuting his remaining followers in Germany. Presenting an intimate and compelling study of Crowley in middle and old age, Churton shows how the Beast still wields a wand-like power to delight and astonish.

Marina Abramovic has truly pioneered performance as a visual art form. Her work - notorious for its feats of endurance, pain and intense physical encounter - has pushed the boundaries of contemporary art and cemented her reputation as one of the most significant artists of the past 50 years. This book brings her complete practice together into one concise and essential volume.

A significant publication of original writing on Lucian Freud, including interviews with leading contemporary artists, marking the 100th anniversary of his birth Lucian Freud (1922-2011) was one of the greatest figurative painters of the twentieth century. With an unflinching eye and an uncompromising commitment to his work, he created masterpieces that continue to inspire contemporary artists to the present day. Spanning nearly 70 years, Freud's career has often been overshadowed by his biography and celebrity. This book re-examines his paintings through a broad series of original approaches. Texts by a variety of rising and established international writers explore topics ranging from the compositional echoes of old master paintings in Freud's works, to the contextualization of his practice within the class struggles of 1980s Britain. Throughout the book, leading contemporary painters such as Tracey Emin and Chantal Joffe give insightful testimony to the relevance of Freud today. Marking the 100th anniversary of Freud's birth, this publication accompanies the first major exhibition of his work in 10 years. Presenting fresh perspectives on his paintings, it introduces Freud to a new generation of scholars and enthusiasts - demonstrating his lasting international importance. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London October 1, 2022-January 22, 2023 Thyssen-Bornemisza Museum, Madrid February 14-June 18, 2023

When we think Tom of Finland we first picture muscular, macho young men in military gear. Tom's vision of masculine perfection was formed during his service as an officer during World War II. Though he served in the Finnish air force, it was the German troops, stationed in Finland to help the country repel invading Russian forces, which served as inspiration. After all, only the Germans had uniforms created by Hugo Boss, tightly tailored, replete with designer touches, and complimented by high, shiny black leather boots. Tom, at 19, was smitten, an obsession that deepened following his first sexual experiences with German officers in the blackout streets of Helsinki. Tom began putting his military fantasies on paper in 1945 to memorialize his thrilling nighttime encounters when the war ended. At first the Hugo Boss uniforms dominated, but as the years and then decades passed he included American naval uniforms as well, and then his own hybridized designs of black leather, jodhpurs, boots, and peaked caps, with military insignia replaced by Tom's Men patches. As Tom attracted an army of loyal fans, he created, with pencil, pen and gouache, an army of free, proud, masculine fantasy men committed to pleasure and male camaraderie. The Little Book of Tom: Military Men explores Tom's fascination with militaria through a mixture of multi-panel comics and single-panel drawings and paintings, all in a compact and affordable 192 pages. Historic film stills and posters, personal photos of Tom, sketches, and Tom's own reference images explore the cultural context and private inspirations behind the ultimate Tom of Finland hero.

This book examines Theodore Gericault's images of black men, women and children who suffered slavery's trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Gericault's depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Gericault's own oeuvre, this study explores the fetters of slavery that Gericault challenged-alongside a growing number of abolitionists-overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.

Are you ready to go deeper on your spiritual journey and breathe new life into your faith? Love, joy, wisdom, and hope--these are just a few of the things we all want more of in our lives. Anne Neilson's Angels Guided Journal will give you a chance to engage in these topics while experiencing inspiration from Anne's incredible angel art. Embrace your devotional time with God as you pour out your fears, challenges, hopes, and dreams in this gorgeous journal. Anne Neilson's Angels Guided Journal offers: * 40 days of thought-provoking, inspirational stories accompanied by new original angel art throughout * Guided writing prompts * Journaling space to write your thoughts and deepen your reading experience * A heartfelt foreword by friend and longtime fan, Kathie Lee Gifford "My prayer," says Anne, "is that the art and stories throughout this book will be a beautiful reminder for you that God is both our Creator and the fulfiller of His promises to us." This heartwarming journal will be a favorite for moments of drawing closer to God and also makes a thoughtful gift for: * Christmas, birthdays, and Mother's Day * Teachers, friends, and loved ones for special occasions * Any occasion to brighten someone's day * A friend suffering through loss and grief * Fans of Anne Neilson's books and art Deepen your faith and expand your sense of wonder with this 40-day guided journey paired with Anne Neilson's ethereal angels and accompanied by Anne's effervescent voice and thought-provoking journal prompts. Look for additional inspirational, art-filled books from Anne, such as: * Anne Neilson's Angels * Entertaining Angels: True Stories and Art Inspired by Divine Encounters.

The bold, distinctive style of Paula Rego's paintings has acquired for her not only an ever-increasing critical reputation but also an unusually large and enthusiastic following. Her be-ribboned little-girl heroines and fairy-tale characters seem firmly rooted in childhood, yet the innocence of this art is darkened by the underlying themes of power, domination and rebellion, sexuality and gender, that run through her work. Here Rego has turned to the nursery rhyme as a source for her imagery. It is a genre that perfectly complements her art; full of double meanings, rhymes are written from a child's perspective but are open to adult interpretation. Twenty-six well-known nursery rhymes are accompanied by a series of etchings which she has executed spontaneously as a child might, drawing directly on the plate without preparatory planning. Following the traditions of earlier artists such as Beatrix Potter, she treats the fantastic realistically, dressing animals in human costume and using dream-like dislocations of scale. These are wonderfully comic and rich illustrations with a hint of the sinister, that turn classic nursery rhymes into colourful stories about folly and delusion, cruelty, convention and sex.

Her sensual Nanas-buxom, colorful female figures laid the foundation for her international success beyond the art world: Niki de Saint Phalle. But the self-taught artist's creative spectrum is much broader, and her unconventional oeuvre, ranging from painting and drawing to assemblages, performances, theatre, film, and architecture, is more subversive and critical of society than is widely assumed. Based on her efforts to process her own feelings, she addressed social and political issues, critically questioning institutions and role models in ways that are as relevant today as they have ever been. The exhibition and the publication shed new light on the artist's exceptional personality and uncover the wide-ranging oeuvre of the popular outsider-that is always surprising and eccentric, emotional, dark and brutal, humorous and cheerful.

This much acclaimed book, newly available in paperback, is the definitive retrospective of the most popular serious artist in the world today. Covering all media over almost fifty years, and presented thematically to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolours, prints and photography, it also features quotes from the artist himself that illuminate the passionate thinking behind his work. Its huge international success confirms and reinforces Hockney's position as the world's most popular living artist.