Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Carbon Black - PBk9 Temperature: Warm Wiping: Hard Plate Tone: Heavy Recommended Use: Needs additives to work well for etching, drypoint, aquatinit, mezzotinit and engraving processes.pdf=Gamblin_black_ink.pdf Gamblin Etching Inks.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Natural GraphiteTemperature: GreyWiping: EasyPlate Tone: HeavyRecommended Use: Recommended for etching, drypoint, aquatint, mezzotint. Needs additives for engraving.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. 

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Napthol AS-D (PR112) Colour Description: Modern organic warm red that closely matches Cadmium Red Medium in masstone. Makes more intense tints, more transparent.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Quinacridone red b (PV19) Colour Description: Cool lightfast modern red with high key tint. Useful in place of Alizarin Crimson where more intense masstone and mixtures are desired.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Complex silicate of sodium & aluminum with sulfur (PB 29) Colour Description: Ultra Blue is one of the few mineral colors that is completely transparent. Lightfast with moderate tinting strength.

Copperplate oils are the base carrier or vehicle for traditional printing inks to which pigment is added before grinding to the appropriate consistancy for the various printmaking techniques. Also known as boiled or burnt linseed oil, referring to their traditional method of modification, they are today created in a heated high pressure vessel. The process adds viscosisty and tack to the linseed oil in increasing degrees ranging from weak to strong as heating time is increased. As a rough guide the weaker (thin) to medium oil being the base for intaglio inks and the medium to strong (thick) oil the base for relief and lithographic inks. You can soften and loosen an ink by adding weak thinner oil and increase tack and viscosity by adding stronger thicker oil. Plate oils should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Gamblin Burnt Plate Oil Number 2 is a medium oil and is the primary oil binder for Gamblin Etching Inks.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Chlorinated copper phthalocyanine (PG 7) Colour Description: A dark bluish green more closely resembles Verdigris than Viridian. First manufactured in 1927, Phthalo Green has a very high tinting strength and transparency.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential. Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Ferri-ammonium ferrocyanide (PB 27:1) Colour Description: First synthetic color of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Warm blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of colour mixing potential.Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Colour: Natural hydrated iron oxide (PY 43)Colour Description: Clay and silica coloured with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

Cranfield Traditional Etching Inks are handcrafted, highly pigmented and include a vast range of colours giving the printmaker a wide choice whether they want to mix their own colours or not. Cranfield Traditional Etching Ink can be used for engraving, etching, drypoint, mezzotint and aquatint printmaking techniques.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

Lawrence French 88 is a comprehensive range of etching inks from TN Lawrence & Son. This superbly crafted, highly pigmented ink is perfect for a wide range of intaglio printmaking techniques such as engraving, etching, drypoint, mezzotint, and aquatint. Each colour in this range is formulated with the finest linseed oil and adheres to traditional methods to ensure vividness and longevity.

Rated 6 or higher on the International Blue Wool Scale for lightfastness, these inks preserve the brilliance and detail of your etchings over time. The smooth consistency makes them ideal for printing intricate lines and finely detailed designs, ensuring optimal results in every application.

Available in convenient sizes of 75ml and 150ml tubes, as well as 500g and 1kg tins, Lawrence French 88 Etching Ink provides professional quality performance for artists seeking precision and reliability in their printmaking practice.

Please note, that the tins are supplied by weight and not volume. Different colours will weigh different amounts so some tins may appear fuller than others.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.

For printmakers interested in non-toxic printmaking, Caligo are pleased to offer a new and innovative range of oil-based inks that can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. They call these inks ‘safe wash’ and they are available for both relief and intaglio printing.Caligo Safe Wash Etching inks are suitable for all types of intaglio printing, for example, etching, aquatint, line engraving etc.This range does not contain any driers. If you want faster drying rates, you can add a small amount of cobalt or manganese driers.