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Books > Arts & Architecture > Music > Contemporary popular music > Jazz
The best biography of any jazz musician that we have. Bird Lives!
will stand for a long time as a major source of information and
illumination not only of the great musician with whom it deals but
of the entire jazz life in this society.--Ralph Gleason Inspired by
great affection and dedication, Bird Lives! provides a vivid and
accurate picture not only of the saxophonist-composer as artist and
human being but of his zeitgeist and the musical/social setting
that produced him. Parker was an immensely complex personality;
saint and satyr, loving father and footloose vagabond, with a
limitless appetite for sex, music, food, pills, heroin, liquor,
life. A man of vast influence, the most admired and imitated
creator of the mid-1940s bop revolution, he was forced to work in
dives, reduced to bumming dollars when he should have been
respected as a reigning virtuoso. . . . A sensitive, penetrating
portrait.--Leonard Feather, Los Angeles Times One of the very few
jazz books that deserve to be called literature . . . perhaps the
finest writing on jazz to be found anywhere. . . . Those aware of
Parker's genius cannot do without this book.--Grover Sales,
Saturday Review
New York in the 1950s. On the stage at Birdland is the midget master of ceremonies, 3'9" Pee Wee Marquette, dressed in a zoot suit and loud tie, smoking a huge cigar and screeching mispronounced introductions into the microphone. Pee Wee is just one of the many characters that have made Bill Crow's forty years in jazz seem like an instant. In the same key as his acclaimed Jazz Anecdotes, this collection of revealing, hilarious, and sometimes moving stories runs the full gamut of New York's nightspots, introducing us along the way to the likes of Dizzy Gillespie, Benny Goodman, Stan Getz, Judy Holliday, Yul Brynner, and Simon and Garfunkel.
His blistering guitar playing breathed life back into the blues.
Performing night after night - from his early teens to his tragic
death at age thirty-five, in tiny pass-the-hat clubs and before
thousands in huge arenas - Stevie Ray Vaughan fused blazing
technique with deep soul in a manner unrivaled since the days of
Jimi Hendrix. The genuineness and passion of his music moved
millions. It nearly saved his life. Stevie Ray Vaughan: Caught in
the Crossfire is the first biography of this meteoric guitar hero.
Emerging from the hotbed of Texas blues, Stevie Ray Vaughan
developed his unique style early on, in competition with his older
brother, Jimmie Vaughan, founder of the Fabulous Thunderbirds - a
competition that shaped much of Stevie's life. Fueled by drugs and
alcohol through a thousand one-night stands, he lived at a fever
pitch that nearly destroyed him. Musically exhausted and close to
collapse, in his final years Stevie Ray mustered the courage to
overcome his addictions, finding strength and inspiration in a new
emotional openness. His death in a freak helicopter crash in 1990
silenced one of the great musical talents of our time. Stevie Ray
Vaughan: Caught in the Crossfire reveals Stevie Ray Vaughan's life
in all its remarkable, sometimes unsavory detail. It also brings to
life the rich world of Texas music out of which he grew, and
captures the staggering dimensions of his musical legacy. It will
stand as the definitive biographical portrait of Stevie Ray.
Hard bop was a brand of post bebop jazz that enveloped many of the most talented American musicians in the period between 1955 and 1956. These were years unrivalled in jazz history for the number of musically brilliant records issued - including Art Blakey's Ugetsu, Miles Davis's Kind of Blue, Thelonius Monk's Brilliant Corners, and Sonny Rollins's Saxophone Colossus. This is the first book devoted entirely to hard bop, combining a narrative of the movement's evolution, from its beginnings as an amalgam of bebop and R&B to its experimental breakthroughs in the 1960s. With close analyses of musicians' styles and recordings, as well as specific tendencies within the school, such as `soul jazz', it offers a much needed examination of the artists, milieus, and above all the sounds of one of America's greatest musical epochs.
Here, for the first time, is a book which analyses popular music
from a musical, as opposed to a sociological, biographical, or
political point of view. Peter van der Merwe has made an extensive
survey of Western popular music in all its forms - blues, ragtime,
music hall, waltzes, marches, parlour ballads, folk music -
uncovering the common musical language which unites these disparate
styles. The book examines the split between `classical'
and`popular' Western music in the nineteenth and early twentieth
centuries, shedding light, in the process, on the `serious' music
of the time. With a wealth of musical illustrations ranging from
Strauss waltzes to Mississippi blues and from the Middle Ages to
the 1920s, the author lays bare the tangled roots of the popular
music of today in a book which is often provocative, always
readable, and outstandingly comprehensive in its scope.
W. C. Handy's blues, Memphis Blues," "Beale Street Blues," "St.
Louis Blues",changed America's music forever. In Father of the
Blues, Handy presents his own story: a vivid picture of American
life now vanished. W. C. Handy (1873-1958) was a sensitive child
who loved nature and music but not until he had won a reputation
did his father, a preacher of stern Calvinist faith, forgive him
for following the "devilish" calling of black music and theatre.
Here Handy tells of this and other struggles: the lot of a black
musician with entertainment groups in the turn-of-the-century South
his days in minstrel shows, and then in his own band how he made
his first 100 from "Memphis Blues" how his orchestra came to grief
with the First World War his successful career in New York as
publisher and song writer his association with the literati of the
Harlem Renaissance.Handy's remarkable tale,pervaded with his unique
personality and humour,reveals not only the career of the man who
brought the blues to the world's attention, but the whole scope of
American music, from the days of the old popular songs of the
South, through ragtime to the great era of jazz.
From the Arkestra to his experiments with synthesizers, Sun Ra was
one of the most inventive jazz musicians in history. Yet until now,
there has not been a collection of his earliest writings that
reveal the beginnings of his work as philosopher, mystic, and
Afro-Futurist. This new volume unveils over forty newly discovered
typewritten broadsheets on which Sun Ra expounded his wholly unique
philosophical message.
While in Chicago during the mid-1950s, Sun Ra preached on street
corners and occasionally created scripts to accompany his
lectures--intricate texts that invoke science fiction, Biblical
prophecy, etymology, and black nationalism. Until this point, the
only broadsheet known to exist was one given to John Coltrane in
1956. These newly unearthed writings attest to the provocative
brilliance that inspired Coltrane. Sun Ra annotated many of them by
hand, and together the sheets reveal fascinating new aspects of his
worldview.
"The Wisdom of Sun Ra "is an invaluable compendium of writings by
one of the most intriguing and influential jazz figures of the
century.
This book is not a recounting of ancedotes nor a simple chronology
of musical events, but a history. It evaluates the gathered
evidence and draws conclusions. Its narrative and summaries are
based on repeated careful listenings to thouands of recordings, on
the reports of musicians who witnessed and experienced many of the
crucial events and created some of the masterworks, and on the
fresh research and insightful thought of hundreds of serious
scholars who love and respect this music.
"Russo has undertaken an ambitious project, attempting to discuss
together the elements of music that are commonly treated separately
in books on harmony, counterpoint, and orchestration. As such, his
new book contains enough musical instruction to be of interest even
to students not particularly interested in 'jazz' or Russo's own
musical idiom. For the student who wants to compose or arrange for
'jazz' ensembles from dance bands to full orchestras, Russo has
shown himself to be a generous source of good advice."--Jon Newsom,
Notes
This is a biographical and critical guide to performers and writers
in a wide variety of musical fields, including pop, rock, rap,
jazz, rhythm and blues, folk, New Age, country, gospel, and reggae.
Each biannual volume covers 80-100 musicians.
"Contemporary Musicians provides comprehensive information on more
than 2,000 musicians and groups from around the world. Entries
include a detailed biographical essay, selected discographies,
contact information and a list of sources. Features include e-mail
addresses and online sources where available.
New Volume Students and other researchers will love this
biographical and critical series covering performers and others in
a wide variety of musical fields. Each volume covers more than 80
musicians and provides vital statistics, critical essays,
photographs and more. Musician and subject indexes facilitate
research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others
New Volume Students and other researchers will love this
biographical and critical series covering performers and others in
a wide variety of musical fields. Each volume covers more than 80
musicians and provides vital statistics, critical essays,
photographs and more. Musician and subject indexes facilitate
research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others
New Volume Students and other researchers will love this
biographical and critical series covering performers and others in
a wide variety of musical fields. Each volume covers more than 80
musicians and provides vital statistics, critical essays,
photographs and more. Musician and subject indexes facilitate
research. Look for:
-- Rap star 2Pac
-- Country sensation Shania Twain
-- Dance hitmakers Soul II Soul
-- Eclectic British rockers Blur
-- Punk-folk artist Ani DiFranco
-- Jazz bassist Christian McBride
-- And many others
Rich in anecdote and insight, Jazz Matters is a collection of
essays, profiles, and reviews by Doug Ramsey, and observer and
chronicler of jazz and its musicians for more than thirty years. It
stirs the reader to discover or rediscover the music and performers
Ramsey describes. His accounts of recording sessions and live
performances enhance this excellent review of the history, variety,
and artistic depth that make jazz so profound an element in modern
culture. Jazz Matters gives the reader a basis for understanding
jazz improvisation Ramsey's sensitive, straightforward, and
entertaining pieces promote appreciation of the accomplishment of
artists from Louis Armstrong to John Coltrane and Ornette Coleman.
"Contemporary Musicians provides comprehensive information on more
than 2,000 musicians and groups from around the world. Entries
include a detailed biographical essay, selected discographies,
contact information and a list of sources. Features include e-mail
addresses and online sources where available.
A complete jazz chronology, ESSENTIAL JAZZ delivers a thorough and
engaging introduction to jazz and American culture. Designed for
nonmajors, this brief text explores the development of jazz, from
its 19th century roots in ragtime and blues, through swing and
bebop, to fusion and contemporary jazz styles. Unique in its
up-to-date coverage, one-third of ESSENTIAL JAZZ is devoted to
performers of the 1960s through present-day performers. The text's
flexible organization and clear, interesting presentation are
designed to appeal to students with little or no music background.
Accessible, informative Listening Guides provide a rich
sociocultural context for each selection, giving both newcomers and
aficionados a true feel for the vibrant, ever-changing sound of
jazz. Available with InfoTrac (R) Student Collections
http://gocengage.com/infotrac. Attention CourseMate user: Cengage
support for existing users of CourseMate will end of 8/1.
An Unsung Cat explores the life and music of jazz saxophonist,
Warne Marsh. Safford Chamberlain follows the artist from his start
in youth bands like the Hollywood Canteen Kids and The Teen-Agers
through his studies under Lennie Tristano, his brilliant playing of
the 1950s, his disappearance from public view in the 1960s, his
re-emergence in the 1970s, and his belated recognition in the 1980s
as one of the finest tenor players of the post-World War II era.
Through interviews with the Marsh family and friends, Chamberlain
offers an inside view of Marsh's private life, including his
struggles with drug abuse. Detailed analysis of outstanding
performances complements the personal story, while an extensively
researched discography and photographs reveal the public and
private face of this unique performer. In addition to the book,
Scarecrow is pleased to offer a companion compact disc, released by
Storyville Records. The tracks on the CD provide a representative
sampling of Marsh's best work, while providing a historical
overview of his development, from the beginning track, 'Apple
Honey, ' which is a private, low-fidelity tape from an NBC radio
broadcast in 1945 of the Hoagy Carmichael Show, to the final track,
'Sweet and Lovely, ' captured months before his death in 1987.
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